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Top Nollywood Movie Of The Week: Flower Girl

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Flower Girl is a romantic comedy film set and shot in Lagos, Nigeria. It revolves around a story of Kemi (Damilola Adegbite) who is dying to get married to Umar (Chris Attoh); a young man who is desperate to get ahead in his career. When their relationship hits troubled waters, Kemi seeks the help of movie superstar Tunde (Blossom Chukwujekwu) and they hatch a plan to get Kemi what she wants.

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Kemi works in her parents’ flower shop, and she dreams of becoming one of the happy married couples she sees every day. Her longtime lawyer boyfriend Umar has promised to marry her when he gets a promotion, but she is growing impatient. Still living with her embarrassing parents, she spends her nights in her room, planning the wedding she hopes to have someday. Then comes the day that she has been waiting for; Umar has got the promotion! However, when she arrives expecting a big proposal, he breaks up with her instead. Devastated, she goes on a delivery, and, unable to see where she is going through tears of grief, she gets hit by a car. The driver turns out to be Tunde Kulani, the famous Nollywood movie star.

While Tunde tends to her wounds, Kemi breaks down and tells him about her dilemma. Tunde offers to help her get Umar to propose. They devise a plan. They will pretend to be a couple to make Umar jealous and get him back proposing on his knees.

Main cast of the movie are: Damilola Adegbite, Chris Attoh , Blossom Chukwujekwu , Eku Edewor , Bikiya Graham-Douglas. Patrick Doyle, Teni Aofeyebi, Ahide Adum and Grace Agu.

Watch the official trailer of the movie Flower Girl below.

AFRICAN

Biennale College Cinema Announces Kenyan-Nigerian Project For Next Edition

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1 Woman 1 Bra: Kenyan-Nigerian project | fab.ng

Biennale College Cinema in Venice has announced the Kenyan-Nigerian project, “1 Woman 1 Bra“. The director-producer duo, Vincho Nchogu and Josh Olaoluwa worked on the project. It is the only African project selected for the 13th edition of the festival. This marks a significant achievement for African cinema on the global stage.

“1 Woman 1 Bra” is among 12 projects chosen for the 2024/25 Biennale College Cinema.

These projects were unveiled during the 81st Venice International Film Festival. The teams, consisting of a director and a producer, will participate in an initial 10-day workshop in Venice. This workshop will take place from October 8 to 17, 2024.

Nchogu, the Kenyan director, and Olaoluwa, the Nigerian producer, will present their first feature film project at the workshop. Afterwards, four of the 12 projects will be selected to receive up to 200,000 Euros in production funding.

Furthermore, these four films will premiere at the 82nd Venice Film Festival in 2025. This opportunity is another milestone for Nchogu and Olaoluwa. Consequently, they have previously participated in the Red Sea Lodge and Torino Film Lab.

The Biennale College Cinema is an advanced training lab that opens doors for filmmakers worldwide. It provides a platform for emerging voices in cinema and offers valuable resources to bring creative visions to life.

Nine of the twelve projects were selected from the Biennale College Cinema – International competition. Meanwhile, the remaining three came from the Biennale College Cinema – Italy competition.

In addition to “1 Woman 1 Bra”, other notable projects include “Agnus Dei” by Massimiliano Camaiti, a second-time feature director, and producer Giovanna Nicolai. Another selected project, “Badland”, comes from first-time feature director Mounir Derbal and producer Lorenzo Fiuzzi. “Becoming Human” by director Polen Ly and producer Daniel Mattes also made the list.

Further selections include “Last Time, Again” by Chinese director Di Zhang and Canadian producer Beryl Liu, “Orange Peel” by Italian director Anita Rivaroli and producer Marco Mingolla, and “Saving The Day” by Turkish director Serhat Karaaslan and French producer Laura Dahout.

Indian director Nidhi Saxena and producer Vimukthi Jayasundara’s “Secret Of A Mountain Serpent” was also selected, along with “Summer 1999” by Vietnamese director Hang Luong Nguyen and producer Dinh Le Minh Trinh.

Other featured projects include “The Booking” by American director Gabriella Moses and producer Sarah Wharton, “The Family” by Ukrainian director Hanna Jalali and Iranian producer Moeinoddin Jalali, and “Vanishing Bones” by French director Simon Rieth and producer Inès Daïen Dasi.

Check out more updates here.

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AFRICAN

S16 Film Festival Returns For 4th Edition In December

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S16 Film Festival Returns For 4th Edition In December | Fab.ng

The S16 Film Festival is coming back for its fourth year. It will start on December 5, 2024. It will end on December 8, 2024. The organizers of the festival shared this news.

This festival happens every year. It shows off African art. The festival brings attention to great filmmakers from Africa. It also highlights independent films from Africa. The event usually has many fun activities for people who love movies.

The festival lasts for four days. During these days, people can watch short films. They can also see longer feature films. There are also panel discussions. In these discussions, well-known filmmakers talk about their work. New filmmakers who are just starting out also join these talks.

The organizers told everyone about the upcoming S16 Film Festival on August 14, 2024. They made an official announcement to share this information.

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AFRICAN

Guguru Studios Awarded ₦135m Grant To Co-Produce Musical On Illegal Mining In Ghana

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A Dream To Die For: Guguru Studios to co-produce musical | fab.ng

Nigerian film production company Guguru Studios has joined forces with three other African studios. They will create a new musical drama film titled “A Dream To Die For.” This exciting collaboration was made possible with a grant of €80,000 (approximately ₦135 million) awarded by the European Union.

This is with additional support from the Organisation of African, Caribbean and Pacific States (ACP), the International Organisation of La Francophonie (OIF), Creation Africa Ghana (an initiative of the French embassy in Ghana), and others.

The four co-producing studios include Driving Park Limited and AdomiBridge Studios from Ghana, Togo Films from Togo, and Guguru Studios from Nigeria.

This pan-African partnership shows a step forward for the film industry on the continent, as Juliet Yaa Asantewa Asante, the executive secretary of Ghana’s National Film Authority highlighted. Ms. Asantewa Asante emphasizes the importance of co-productions between African filmmakers. It fosters growth and collaboration within the industry.

“A Dream To Die For,” will tackle the complex issue of illegal small-scale gold mining in Ghana.

This act is known locally as “galamsey” which translates to “gather them and sell.” David Masterwille wrote the film.

The story follows a group of young musicians who become entangled in the dangerous world of galamsey. This collaboration between studios from diverse African nations brings a wealth of experience and perspectives. Also, it offers the potential for a powerful and nuanced exploration of this critical social and environmental issue.

This isn’t the first example of successful African film collaboration. Play Network Studios from Nigeria and Mondjila Studios from Namibia previously teamed up to produce the thriller “The Skeleton Coast.” This demonstrated the growing trend and potential of such partnerships within the African film scene.

The Guguru Studios-led project with “A Dream To Die For” promises to be another exciting addition to this movement. Furthermore, it brings together creative minds from across the continent to tell a story that resonates on a global scale.

The financial backing from the European Union and other organizations paves the way for this ambitious project. It demonstrates a recognition of the burgeoning talent and potential of African filmmakers.

With a strong creative team, a relevant social theme, and the support of international collaboration, “A Dream To Die For” is poised to impact the African and international film landscape significantly.

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