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MOVIE REVIEW: Merry Men 3: Once Promising Sequel Falls From Grace

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Merry Men 3 Falls From Grace To Grass | Fab.ng

Category: Nollywood

Movie Title: Merry Men 3: Nemesis

Release Date: 13 October, 2023

Director: Moses Inwang

Runtime: 2 hours, 11 minutes

Cast: AY Makun, Ramsey Nouah, William Uchemba, Sam Dede, Chidi Mokeme, Francis Onwochei, Ufoma Mc Dermott, Nadia Buari, Caroline Hutchings, and Regina Daniels.

The exclamation “What the heck” is almost a natural statement when watching the 2023 action thriller drama Merry Men 3: Nemesis.

Nigerians’ affection for homegrown cinematic productions was rekindled with the introduction of Merry Men in 2018. This resurgence was primarily attributed to the film’s pioneering embrace of action sequences and the inclusion of both seasoned and emerging talents in the industry, such as Ramsey Noah, the iconic Jim Iyke, and the rapidly rising star Falz.

Despite the initial film in the Merry Men trilogy having its flaws, audiences willingly overlooked them as they were caught up by its Yoruba Demons narrative that sparked numerous social media challenges and discussions.

The reception to the announcement of the second film was mixed, as viewers pondered whether the producers would learn from the shortcomings of the first instalment or succumb to the tired narrative common in many action film sequels: a character seeking revenge.

Judging by the minimal buzz surrounding the release of Merry Men 3, it seems evident that the producers might not have heeded the lessons from the past.

Merry Men 3 yearns for a touch of originality; various elements in the film appear as if they were tacked on as an afterthought. From the overall storyline to the characters’ actions, the film gives the impression of what unfolds when a writer draws inspiration from too many action films without putting in any creative spin.

Merry Men 3 Falls From Grace To Grass | Fab.ng

The Plot

The third chapter in the trilogy continues the narrative from the previous film, unfolding Ayo and Kemi’s wedding preparations. However, the joyous occasion takes an unexpected turn when Dafe, Ayo’s presumed dead former best friend, disrupts the ceremony.

The backstory reveals Ayo and Dafe’s shared history in a past gang. In a fateful operation, Dafe is wounded, and Ayo, abandoning him, becomes the source of deep-seated resentment for Dafe. Years later, Dafe orchestrates a coup, leading a new criminal organisation in America with a singular motive: revenge against Ayo.

At the wedding, Dafe delivers a devastating blow by informing Ayo and the Merry Men of the deaths of Naz and Remi. This tragic revelation fuels their collective thirst for vengeance, leading them to a mission against Dafe.

As the Merry Men continue, they uncover Dafe’s grander scheme to eliminate top politicians and frame them for the killings. The group, enlisting the help of familiar allies like Dame Maduka and Zara, formulates a plan to thwart Dafe’s nefarious agenda.

In a dramatic face-off, Ayo falls victim to Dafe’s lethal shot, only to be unexpectedly resurrected. Amidst a shocking betrayal, the group is compelled into a final confrontation with Dafe, leading them into a perilous war where impending doom looms large.

The Good About Merry Men 3

Merry Men 3’s cinematography sets a high standard for future Nollywood action films with its good lighting, excellent camera shots, and beautiful yet practical locations. The sound accurately enhances the cinematic experience.

The casting choices, particularly Ireti Doyle as Dame Maduka, were excellent. She convincingly portrays a self-centred, evil, and intelligent villain ready to use any means to destroy everything. Chidi Mokeme‘s portrayal of Dafe is outstanding, with his body language and facial expressions perfectly suited for the villainous role.

The action scenes in the film are intense and well-executed. The characters display mastery of stunt moves, complemented by impressive special effects.

Merry Men 3 Falls From Grace To Grass | Fab.ng

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The Bad About Merry Men 3

Merry Men 3 falls short as a sequel because it lacks innovation; the plot seems like a repeat of the second film. The concept of a new character seeking revenge on a previous main character has been overused, as seen in the Fast and Furious franchise. While not a terrible narrative, Merry Men 3’s execution lacks nuance, feeling too straightforward.

The film could have benefited from unexpected twists, like concealing Dafe’s identity for a more dramatic reveal. For instance, creating uncertainty about Ayo’s survival and having him return later to aid the gang would have added intrigue. Unfortunately, the writers stuck to a predictable path, making the film uninteresting.

Several actors contributed to the lacklustre feel, delivering lines with poor tones and bland facial expressions. Even in scenes mourning Naz and Remi’s deaths, the characters appear unaffected, making it hard for viewers to connect with their grief.

The abrupt deaths of Naz and Remi raised questions, as their characters were killed off due to actors not returning for the sequel. A more thoughtful approach, like having one character drift away and potentially return in a future film, could have added depth.

While Dafe is a competent villain, his motivations lack sufficient strength for his actions. Dafe’s grudge against Ayo for leaving him when he was shot in the head feels weak, especially considering a headshot typically results in a quick death. A more compelling backstory or avoiding a direct connection between Dafe and Ayo in the past could have strengthened the narrative.

Final Thoughts

Merry Men gets a 3/10 rating.

The trilogy, which started strong, disappoints in its third and likely final instalment.

You can watch Merry Men 3 on Netflix.

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ARTS & CULTURE

Babatunde Apalowo’s ‘Londoner’ Wins Best Fiction Feature Prize At Durban FilmMart

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“Londoner” is an autobiographical film that tells the story of Ayo, a Nigerian bank manager who moves to London to reunite with his family. The film, written and directed by Babatunde Apalowo, recently achieved recognition at the Durban FilmMart. It won the Red Sea Film Fund Award for Best Fiction Feature. This prestigious award came with a cash prize of $5,000.

The Durban FilmMart Institute, which organized the event, is a non-profit organization dedicated to promoting both local and international trade and investment in African film content. This institute plays a crucial role in showcasing and supporting African filmmakers and their projects.

Babatunde Apalowo, the creative force behind “Londoner,” is a Nigerian film director and screenwriter who has made the United Kingdom his base. His portfolio includes several notable works such as “A Place for Happiness,” “Catcher,” “The Millions,” and “Death for Sale.” Apalowo’s talent received international recognition in 2023 when he won the Teddy Award at the Berlin Film Festival for his queer romance film titled “All the Colours of the World Are Between Black and White.”

The 15th edition of the Durban FilmMart, held in South Africa from July 19 to July 22, served as a platform for numerous impressive film projects from across the African continent. It was during this event that “Londoner” received its accolade.

Babatunde Apalowo

Produced by Pamela Drameh and Sarudzayi Marufu, “Londoner” goes into the complex emotions of its protagonist, Ayo. The film follows Ayo’s journey as he arrives in London, expecting to join his family, only to face an unexpected and heartbreaking situation. He discovers that his wife has become emotionally involved with another man and is seeking a divorce, adding a layer of personal turmoil to his already challenging experience of relocating to a new country.

The narrative of “Londoner” draws inspiration from Apalowo’s own experiences as an immigrant in the UK.

The director’s struggle to find a sense of belonging in a foreign land forms the emotional core of the film. In an interview with Variety, Apalowo shared his personal insights, highlighting the stark contrast between Nigeria and London in terms of personal space and social interactions. He poignantly described the loneliness he felt in London, a city where the anonymity and indifference of urban life stood in stark contrast to the close-knit communities he was accustomed to in Nigeria.

“Londoner” marks Apalowo’s second venture into feature filmmaking, showcasing his growth as a director and his ability to translate personal experiences into compelling cinematic narratives. The film’s success at the Durban FilmMart not only recognizes Apalowo’s talent but also brings attention to the important themes of migration, cultural adjustment, and personal relationships that the film explores.

The Durban FilmMart also celebrated other talented filmmakers. Among them were Sean Drummond and Sheetal Magan, who received The Known Inner Circle Award for their South African film “Acts of Man.” This award came with a substantial cash prize of $10,000, further demonstrating the event’s commitment to supporting and promoting African cinema.

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MOVIES

Kunle Afolayan Scouts Locations In Ghana For New Season Of Anikulapo series

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Kunle Afolayan on locations in Ghana for Anikulapo season | fab.ng

Renowned Nigerian filmmaker, Kunle Afolayan, is actively searching for suitable locations to bring the next season of his series, “Anikulapo: Rise of the Sceptre,” to life. His vision for the series has expanded beyond Nigeria’s borders. He announced plans to film portions of the show in Ghana back in May 2024.

Afolayan recently shared a series of photographs on social media. He documented his exploration of various locations across the West African country. This strategic move signifies the progressive stages of pre-production as he seeks to capture the perfect backdrop for the series.

A pivotal aspect of this ambitious project involves a partnership with Juliet Yaa Asantewa Asante. She is the influential head of Ghana’s National Film Authority. Her expertise and support are instrumental in facilitating this cross-border production and ensuring its success.

“Ghana is calling on the world to come and shoot in Ghana and capture the very beautiful sceneries and facilities Ghana has in their movies,” Asante wrote in an Instagram post to announce Afolayan’s location scouting days ago.

The first season of “Anikulapo: Rise of the Sceptre” was entirely filmed in Nigeria at a film studio Kunle Afolayan owns.

It was in the KAP Film Village in Igbojaye, Oyo State. This massive production involved a cast and crew of 600 people.

The series continues the 2022 Netflix movie, “Anikulapo.” Anikulapo tells the story of Saro, a mysterious stranger who becomes entangled with Queen Arolake. The movie follows their unusual love story.

The series, released in 2024, picks up after the movie’s events. Saro is brought back to life and continues his mysterious ways, while Arolake becomes wealthy but faces new powerful enemies.

The series features a large and talented cast, including well-known actors like Kunle Remi, Bimbo Ademoye, Sola Sobowale, and many others.

 

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A post shared by Kunle Afolayan (@kunleafo)

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MOVIES

Pastor Iren’s ‘What About Us?’ Dethrones ‘Bad Boys: Ride or Die’ For Top Box Office Spot

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'What About Us?' Dethrones 'Bad Boys: Ride or Die' | fab.ng

The Nigerian box office has seen a shift in leadership this week. The domestic film “What about Us?” directed by Kayode Kasum claims the top spot. This new chart-topper has accumulated an impressive ₦34.7 million since its release, dethroning the Hollywood blockbuster “Bad Boys: Ride or Die“. The latter had dominated the charts since the beginning of the month.

“What about Us?” boasts a star-studded cast featuring Uzor Arukwe, Folu Storms, Kunle Remi, Teniola Aladese, Seyi Awolowo, Marycolette Unamka, and Atlanta Bridget Johnson. The film’s success was particularly notable in its opening weekend. It raked in ₦24 million, according to a report published by the Cinema Exhibitors Association of Nigeria (CEAN) on July 20, 2024.

The report covers the box office performance from July 12 to July 18, 2024.

Also, it reveals a competitive landscape in Nigerian cinemas. “Bad Boys: Ride or Die,” starring Will Smith and Martin Lawrence, now occupies the second position with earnings of ₦33.6 million.

 

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A post shared by CEAN (@ceanigeria)

Close on its heels is the Hollywood horror sci-fi “A Quiet Place: Day One,” written and directed by Michael Sarnoski. This film secured the third spot with ₦30.3 million. This brings its total gross to an impressive ₦109.2 million. The Nollywood epic crime thriller “Lakatabu,” helmed by Odunlade Adekola, holds the fourth position with ₦22.1 million for the week. It pushed its total earnings since its June 21, 2024 release to over ₦156 million.

The animated realm continues to perform well. “Despicable Me 4” maintains its fifth-place position. This American animated comedy which Universal Pictures and Illumination produced, added ₦13.8 million to its coffers. With this, it reached a total gross of ₦40 million.

Another strong performer is Biodun Stephen’s “Muri and Ko.” The movie amassed ₦120.4 million since its June 14, 2024 release. It currently sits in sixth place, having earned ₦12.3 million during the week in question. Disney’s “Inside Out 2” follows in seventh place, with weekly earnings of ₦11.5 million and a cumulative gross of ₦68.5 million.

The romantic comedy “Fly Me to the Moon,” secured the eighth spot with ₦8.1 million. Greg Berlanti directed it and Columbia Pictures distributed it.

Rounding out the top ten are two newer releases.

The Groomsmen,” a romantic drama Ampong Kwaku Kwakye directed and released on July 12, 2024, took ninth place. It grossed ₦6.1 million for the week, bringing its total to ₦6.2 million. Finally, “Voltage,” premiered on July 5, 2024, claimed the tenth position with weekly earnings of ₦2.4 million, contributing to its total gross of ₦8 million.

This diverse mix of domestic and international films, spanning various genres from action and horror to romance and animation, shows the competitive nature of the Nigerian box office.

The success of local productions like “What about Us?” and “Lakatabu” alongside international blockbusters highlights the growing strength and appeal of Nollywood films to Nigerian audiences.

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