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CJ Obasi’s “Mami Wata” Leads With 12 Nominations At AMAA 2023

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CJ Obasi's "Mami Wata" Leads With 12 Nominations At AMAA 2023 | Fab.ng

CJ Obasi’s ‘Mami Wata’ takes the lead with an impressive 12 nominations. The anticipation for the 19th edition of the Africa Movie Academy Awards (AMAA) is building as the nomination list has been officially unveiled.

Among the standout submissions, CJ Obasi’s ‘Mami Wata’ takes the lead with an impressive 12 nominations. These nominations span various categories, including Best Film in an African Language, Best Cinematography, Best Sound, Best Screenplay, and Best Director.

This honour highlights the remarkable influence that CJ “Fiery” Obasi’s “Mami Wata” has had on the African film industry. The movie has gained praise from critics and now stands as evidence of the director’s skill and commitment to the medium. It is a fantastic accomplishment for CJ Obasi and the entire team behind “Mami Wata”.

CJ Obasi's "Mami Wata" Leads With 12 Nominations At AMAA 2023 | Fab.ng

Coming in closely behind ‘Mami Wata’ is Kunle Afolayan’s Netflix Original, ‘Anikulapo‘, with nine nominations.

Additionally, Izu Ojukwu’s period drama, ‘4:4:44’, secured eight nominations. These films, alongside ‘Mami Wata,’ promise to be strong contenders at the prestigious AMAA awards ceremony.

2022: AMAA calls for nominations - Punch Newspapers

The 19th edition of the AMAA, themed “The Renaissance,” is poised to redefine continental honours, setting the foundation for future plans and the grand 20th edition. The awards ceremony is slated to take place on Sunday, October 29, 2023, at The Balmoral event centre, situated within Sheraton Hotels in Ikeja GRA, Lagos.

Below is the comprehensive list of nominations for the 2023 AMAA:

Efere Ozako Award for Best Short Film

  • Lions – Ethiopia
  • Riel – Namibia
  • Enmity Djin – Mauritania

Jubril Malaifia Award for Best Animation

  • Lost – Uganda
  • Azania Rises – South Africa
  • Jabari – Ghana
  • Bashorun Gaa – Nigeria

Best Documentary

  • Africa Cradle of Humanity and Modern Civilization – Senegal/Canada
  • Nightlife in Lasgidi – Nigeria
  • Maayo Wonaa Keerol – The River Is Not a Border – Senegal
  • Ifine (Beauty) – Sierra Leone
  • Le Spectre de Boko Haram – Cameroon

Ousmane Sembene Award for Best Film in an African Language

  • Pusha Pressa Phanda – South Africa
  • Anikulapo – Nigeria
  • The Kitera Chronicle – Uganda
  • Four Walls – South Africa
  • Mami Wata – Nigeria

Michael Anyiam Osigwe Award for Best Film by an African-born Director Living Abroad

  • Talia’s Journey – Christophe Rolin (Senegal/Belgium)
  • Golden Stripes – Peace Osigbe (Nigeria/UK)
  • KOFA – Jude Idada (Nigeria/Canada)

Best Diaspora Short Film

  • We Were Meant To – (United States) – directed by Tari Wariebi
  • The Ballad of Olive Morris – (United Kingdom) – directed by Alex Kayode-Kay
  • FiWy-Four Days – (United Kingdom) – directed by Cat White and Phoebe Torrance
  • Raw Materials – (Jamaica) – directed by Sosiessia Nixon-Kelly

Best Diaspora Documentary

  • Sound of the Police – (United States) – directed by Stanley Nelson
  • FantasHco Negrito – Have You Lost Your Mind Yet – (United States) – directed by Yvan Iturriaga and Francisco Nuñez
  • Black Rio – (Brazil) directed by Fernando Sousa and Gabriel Barbosa

Best Diaspora Narrative Feature

  • Chee$e – (Trinidad & Tobago) directed by Damian Marcano
  • Our Father, The Devil – (United States) directed by Ellie Foumbi
  • The Pastor and the Revolutionary – (Brazil) directed by José Eduardo Belmonte

Best Achievement in Production Design

  • Pat Nebo – Anikulapo – Nigeria
  • Eve Martin – Omen – DRC
  • Sira – Burkina Faso
  • Antoine Nshimiyimana – Fight Like a Girl – Rwanda
  • Chantel Carter – Gereza – South Africa

Best Achievement in Costume Design

  • Bunmi Demilola Fashina – Mami Wata – Nigeria
  • Toyin Bifarin Ogundeji – Anikulapo – Nigeria
  • Millicent Jack – 4-4-44 (Four Four Forty-Four) – Nigeria
  • Djibril Drame – Xalé – Senegal
  • Elkehoste and Baloji Omen – DRC
  • Sidi Ouedraogo Sira – Burkina Faso

Best Achievement in Make-Up

  • Campell Precious Arebamen – Mami Wata – Nigeria
  • ‘Hakeem Effect and Toyin Bifarin Ogundeji’ for ‘Anikulapo’ (Nigeria)
  • ‘Lila Vander Elst’ for ‘Omen’ (DRC)
  • ‘Our Lady of the Chinese Shop’ (Angola)
  • ‘Omowunmi Okungbure’ for ‘Gangs of Lagos’ (Nigeria).

Best Achievement in Soundtrack

  • ‘Fight Like a Girl (Rwanda)
  • ‘L’Axe Lourd (The Highway)’ (Cameroon)
  • ‘Gereza’ (South Africa)
  • ‘Omen’ (DRC)
  • ‘Obinna Arua’ for ‘4-4-44 (Four Four Forty-Four)’ (Nigeria).

Best Achievement in Visual Effects

  • ‘Omen’ (DRC)
  • ‘Mami Wata’ (Nigeria)
  • ‘The Trade’ (Nigeria)
  • ‘Emmanuel Bassey’ for ‘Gangs of Lagos’ (Nigeria).

Best Achievement in Sound

  • ‘Juliana Oswald’ for ‘Our Lady of the Chinese Shop’ (Angola)
  • ‘Vianney Aube Sira’ (Burkina Faso)
  • ‘Erik Griekspoor’ for ‘Omen’ (DRC)
  • ‘Samy Bardet’ for ‘Mami Wata’ (Nigeria)
  • ‘Michel Tsagli’ for ‘Xalé’ (Senegal).

Best Achievement in Cinematography

  • ‘Lilis Soares’ for ‘Mami Wata’ (Nigeria)
  • ‘Joachim Philippe’ for ‘Omen’ (DRC)
  • ‘Richard Henkels’ for ‘Fight Like a Girl’ (Rwanda)
  • ‘Thomas Wilski’ for ‘Talia’s Journey’ (Senegal/Belgium)
  • ‘Eduardo Kropotkine’ for ‘Our Lady of the Chinese Shop’ (Angola).

Best Achievement in Editing

  • ‘Nathan Delannoy’ for ‘Mami Wata’ (Nigeria)
  • ‘Bertrand Conard’ for ‘Omen’ (DRC)
  • ‘Sylvie Gadner’ for ‘Sira’ (Burkina Faso)
  • ‘Layla Swart’ for ‘Gereza
  • ‘Madhew Leutwyler’ for ‘Fight Like a Girl.’

Best Achievement in Screenplay

  • ‘C.J. ‘Fiery’ Obasi’ for ‘Mami Wata’ (Nigeria)
  • ‘Ufuoma MeHHri’ for ‘4-4-44 (Four Four Forty-Four)’ (Nigeria)
  • ‘Moussa Sene Absa,’ ‘Pierre Magny,’ ‘Ben Diogay Beye’ for ‘Xalé’ (Senegal)
  • ‘Madhew Leutwyler’ for ‘Fight Like a Girl’ (Rwanda).

National Film and Video Censors Board (NFVB) Award for Best Nigerian Film

  • Mami
  • Anikulapo
  • 4-4-44 (Four Four Forty-Four)
  • Gangs of Lagos
  • The Trade
  • L.I.F.E.
  • Brotherhood

Best Young/Promising Actor

  • ‘Maleek Sanni’ for ‘Gangs of Lagos’
  • ‘Ewube’ for ‘L’axe Lourd (The Highway)’
  • ‘Darisimi Nadi’ for ‘Obara’m’
  • ‘Sanou Titiama’ for ‘Le chant des fesits (The Song of the Rifle)’
  • ‘Eyiyemi Afolayan’ for ‘Anikulapo’

Best Actor in a Supporting Role

  • ‘Francis Onwuchei’ for ‘The Trade’ (Nigeria)
  • ‘Jeff Jackson’ for ‘Four Walls’ (South Africa)
  • ‘Hakeem Kae-Kazim’ for ‘Fight Like a Girl’ (Rwanda)
  • ‘Jimmy-Jean Louis’ for ‘Rise’ (United States).

Best Actress in a Supporting Role

  • ‘Uzoamaka Aniunoh’ for ‘Mami Wata’ (Nigeria)
  • ‘Rokhaya Niang’ for ‘Xalé’ (Senegal)
  • ‘Clarck Natmbwe’ for ‘Fight Like a Girl’ (Rwanda)
  • ‘Peter Mensah’ for ‘Rise’ (United States).

Best Actor in a Leading Role

  • ‘Richard Mofe Damijo’ for ‘4-4-44 (Four Four Forty-Four)’ (Nigeria)
  • ‘Marc Zunga’ for ‘Omen’ (DRC)
  • ‘Fernando Kamugisha’ for ‘The Fallen Advocate’ (Uganda)
  • ‘Tobi Bakre’ for ‘Brotherhood’ (Nigeria)
  • ‘Justine Murichii’ for ‘Shimoni’ (Kenya)
  • ‘Mike Danon’ for ‘Sira’ (Burkina Faso).

Best Actress in a Leading Role

  • ‘Lucie Debay’ for ‘Omen’ (DRC)
  • ‘Ehle Mbali Mlotshwa’ for ‘4 Walls’ (South Africa)
  • ‘Nafissatou Sisse’ for ‘Sira’ (Burkina Faso)
  • ‘Adesua Etomi’ for ‘Gangs of Lagos’ (Nigeria)
  • ‘Nse Ikpe Etim’ for ‘4-4-44 (Four Four Forty-Four)’ (Nigeria)
  • ‘Bimbo Ademoye’ for ‘Anikulapo’ (Nigeria)
  • ‘Ama Qamata’ for ‘Fight Like a Girl’ (Rwanda).

First Debut Feature by a Director

  • ‘Baloji’ for ‘Omen’ (DRC)
  • ‘Ery Claver’ for ‘Our Lady of the Chinese Shop’ (Angola)
  • ‘Jean Elliot Ilboudo’ for ‘le Chant des fusils (The Song of the Riffle)’ (Cameroon).

Best Director

  • ‘Moussa Sene Absa’ for ‘Xalé’
  • ‘C. J. ‘Fiery’ Obasi’ for ‘Mami Wata’
  • ‘Baloji’ for ‘Omen’
  • ‘Apolline Traore’ for ‘Sira’
  • ‘Izu Ojukwu’ for ‘4-4-44 (Four Four Forty-Four)’
  • ‘Kunle Afolayan’ for ‘Anikulapo’
  • ‘Kgosana Monchusi’, ‘Menzi Mzimela’ and ‘Juvaiś Dunn’ for ‘4 Walls’.

Best Film

  • ‘Xalé’ (Senegal)
  • ‘Mami Wata’ (Nigeria)
  • ‘4-4-44 (Four Four Forty-Four)’ (Nigeria)
  • ‘Omen’ (DRC), ‘4 Walls’ (South Africa)
  • ‘Sira’ (Burkina Faso)
  • ‘Anikulapo’ (Nigeria).

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ENTERTAINMENT

Toyin Abraham Begs Fans Not To Bully Anyone In Her Name

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Toyin Abraham begs fans not to bully anyone in her name | fab.ng

Nollywood star Toyin Abraham took a stand against online bullying on May 14, 2024. The actress and producer specifically addressed her fans and followers on her Instagram story, urging them to stop bullying or hurling insults at others in her name.

Her message highlights a growing concern about celebrity fan culture and the potential for online harassment. Toyin Abraham likely wants her fans to express their support positively, and she emphasises that she doesn’t condone negativity directed at others.

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ENTERTAINMENT

“Stop Pitting Me Against My Friends” – BNXN Warns Fans

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"Stop Pitting Me Against My Friends" – BNXN Warns Fans

Nigerian music star BNXN is putting a stop to online comparisons. Influencer-fueled debates about who the better singer is, BNXN or Ayra Starr, recently took social media by storm. But BNXN isn’t here for it. On May 13th, 2024, he took a stand on his social media platform, urging fans to ditch the comparisons and appreciate artists for their individual talents.

BNXN is a force to be reckoned with in the Nigerian music industry.

He is renowned for his music, and he’s consistently impressed audiences since bursting onto the scene. This isn’t the first time BNXN has encountered online comparisons. He clearly remembers the public feud with fellow singer Ruger that erupted after similar comparisons on social media.

Thankfully, cooler heads prevailed, and BNXN and Ruger ended their disagreement. They even collaborated on a successful EP titled “RnB,” featuring hits like “Romeo Must Die” and “Ilashe.” This proved that collaboration can be much more fruitful than competition.

BNXN and Rugar

Meanwhile, Ayra Starr seems unfazed by the online noise.

She’s laser-focused on the upcoming release of her highly anticipated sophomore album, “The Year I Turned 21,” expected to drop this May.

The Grammy-nominated artist recently unveiled “No Bad Vibe,” featuring Seyi Vibez, as the album’s lead single. But that’s not all! The full project boasts an impressive lineup of guest appearances, including Asake, Giveon, Coco Jones, Anitta, and even her brother Milar. This star-studded collaboration hints at the diversity fans can expect from the album.

So, it’s clear that both BNXN and Ayra Starr are prioritising making music for their fans, not getting caught up in online comparisons. Their dedication to their craft is evident, and their talent deserves to be celebrated individually.

Let’s appreciate their unique styles and contributions to the Nigerian music scene, and keep an eye out for the release of Ayra Starr’s album; it’s bound to be a smash.

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Having No Outfit Made Me Miss AMVCA – Whitemoney

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Whitemoney Said Having No Outfit made Me Miss AMVCA | fab.ng

Big Brother Naija “Shine Ya Eye” winner Whitemoney, also known as Hazel Oyeze Onou, recently explained why he skipped the 10th Africa Magic Viewers’ Choice Awards (AMVCA).

The AMVCA took place on Saturday, with celebrities rocking stunning outfits on the red carpet at Eko Hotel and Suites in Lagos. Vee, for example, wowed in an all-pink lace gown with a flowing cape and matching gloves.

In a video on his Instagram page, Whitemoney revealed that the high cost of attending the AMVCA was a major factor in his absence. He explained that creating an AMVCA-worthy outfit can cost millions of Naira, not even including stylist fees! Feeling the pressure to look his best, and since he doesn’t identify as an actor, Whitemoney opted to skip the event altogether.

On a separate note, Whitemoney also urged his fellow celebrities to pay the designers behind their extravagant AMVCA looks to avoid any awkward situations.

He said,

“I’ve been getting calls about my absence from the AMVCA. How would I go, are you not seeing what these brothers are wearing? Take a look at Neo Akpofure’s dress. Elozonam was dripping in an all-white outfit, like an angel deported from heaven to go create his own heaven on earth. Saga was like all these pink Barbie gentlemen. His dress was awesome.”

“I can’t match their styles. To make an outfit befitting for the AMVCA, you would spend not less than one million naira, and you will still have to pay for a stylist. I’m not an actor, so I’m not even bothered.”

“AMVCA na pressure. Imagine paying over a million naira for a dress you would only wear once. The ladies were just killing it. Next year we move. I can’t relate. But please, make sure you pay your designers in full to avoid them calling you out on social media.”

 

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A post shared by Hazel Oyeze Onou (@whitemoney__)

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