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Biennale College Cinema Announces Kenyan-Nigerian Project For Next Edition

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1 Woman 1 Bra: Kenyan-Nigerian project | fab.ng

Biennale College Cinema in Venice has announced the Kenyan-Nigerian project, “1 Woman 1 Bra“. The director-producer duo, Vincho Nchogu and Josh Olaoluwa worked on the project. It is the only African project selected for the 13th edition of the festival. This marks a significant achievement for African cinema on the global stage.

“1 Woman 1 Bra” is among 12 projects chosen for the 2024/25 Biennale College Cinema.

These projects were unveiled during the 81st Venice International Film Festival. The teams, consisting of a director and a producer, will participate in an initial 10-day workshop in Venice. This workshop will take place from October 8 to 17, 2024.

Nchogu, the Kenyan director, and Olaoluwa, the Nigerian producer, will present their first feature film project at the workshop. Afterwards, four of the 12 projects will be selected to receive up to 200,000 Euros in production funding.

Furthermore, these four films will premiere at the 82nd Venice Film Festival in 2025. This opportunity is another milestone for Nchogu and Olaoluwa. Consequently, they have previously participated in the Red Sea Lodge and Torino Film Lab.

The Biennale College Cinema is an advanced training lab that opens doors for filmmakers worldwide. It provides a platform for emerging voices in cinema and offers valuable resources to bring creative visions to life.

Nine of the twelve projects were selected from the Biennale College Cinema – International competition. Meanwhile, the remaining three came from the Biennale College Cinema – Italy competition.

In addition to “1 Woman 1 Bra”, other notable projects include “Agnus Dei” by Massimiliano Camaiti, a second-time feature director, and producer Giovanna Nicolai. Another selected project, “Badland”, comes from first-time feature director Mounir Derbal and producer Lorenzo Fiuzzi. “Becoming Human” by director Polen Ly and producer Daniel Mattes also made the list.

Further selections include “Last Time, Again” by Chinese director Di Zhang and Canadian producer Beryl Liu, “Orange Peel” by Italian director Anita Rivaroli and producer Marco Mingolla, and “Saving The Day” by Turkish director Serhat Karaaslan and French producer Laura Dahout.

Indian director Nidhi Saxena and producer Vimukthi Jayasundara’s “Secret Of A Mountain Serpent” was also selected, along with “Summer 1999” by Vietnamese director Hang Luong Nguyen and producer Dinh Le Minh Trinh.

Other featured projects include “The Booking” by American director Gabriella Moses and producer Sarah Wharton, “The Family” by Ukrainian director Hanna Jalali and Iranian producer Moeinoddin Jalali, and “Vanishing Bones” by French director Simon Rieth and producer Inès Daïen Dasi.

Check out more updates here.

AFRICAN

S16 Film Festival Returns For 4th Edition In December

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S16 Film Festival Returns For 4th Edition In December | Fab.ng

The S16 Film Festival is coming back for its fourth year. It will start on December 5, 2024. It will end on December 8, 2024. The organizers of the festival shared this news.

This festival happens every year. It shows off African art. The festival brings attention to great filmmakers from Africa. It also highlights independent films from Africa. The event usually has many fun activities for people who love movies.

The festival lasts for four days. During these days, people can watch short films. They can also see longer feature films. There are also panel discussions. In these discussions, well-known filmmakers talk about their work. New filmmakers who are just starting out also join these talks.

The organizers told everyone about the upcoming S16 Film Festival on August 14, 2024. They made an official announcement to share this information.

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AFRICAN

Guguru Studios Awarded ₦135m Grant To Co-Produce Musical On Illegal Mining In Ghana

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A Dream To Die For: Guguru Studios to co-produce musical | fab.ng

Nigerian film production company Guguru Studios has joined forces with three other African studios. They will create a new musical drama film titled “A Dream To Die For.” This exciting collaboration was made possible with a grant of €80,000 (approximately ₦135 million) awarded by the European Union.

This is with additional support from the Organisation of African, Caribbean and Pacific States (ACP), the International Organisation of La Francophonie (OIF), Creation Africa Ghana (an initiative of the French embassy in Ghana), and others.

The four co-producing studios include Driving Park Limited and AdomiBridge Studios from Ghana, Togo Films from Togo, and Guguru Studios from Nigeria.

This pan-African partnership shows a step forward for the film industry on the continent, as Juliet Yaa Asantewa Asante, the executive secretary of Ghana’s National Film Authority highlighted. Ms. Asantewa Asante emphasizes the importance of co-productions between African filmmakers. It fosters growth and collaboration within the industry.

“A Dream To Die For,” will tackle the complex issue of illegal small-scale gold mining in Ghana.

This act is known locally as “galamsey” which translates to “gather them and sell.” David Masterwille wrote the film.

The story follows a group of young musicians who become entangled in the dangerous world of galamsey. This collaboration between studios from diverse African nations brings a wealth of experience and perspectives. Also, it offers the potential for a powerful and nuanced exploration of this critical social and environmental issue.

This isn’t the first example of successful African film collaboration. Play Network Studios from Nigeria and Mondjila Studios from Namibia previously teamed up to produce the thriller “The Skeleton Coast.” This demonstrated the growing trend and potential of such partnerships within the African film scene.

The Guguru Studios-led project with “A Dream To Die For” promises to be another exciting addition to this movement. Furthermore, it brings together creative minds from across the continent to tell a story that resonates on a global scale.

The financial backing from the European Union and other organizations paves the way for this ambitious project. It demonstrates a recognition of the burgeoning talent and potential of African filmmakers.

With a strong creative team, a relevant social theme, and the support of international collaboration, “A Dream To Die For” is poised to impact the African and international film landscape significantly.

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AFRICAN

These African Countries Have Changed Their National Anthems

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African countries that have changed their national anthem | Fab.ng

Nigeria recently switched back to its original national anthem, “Nigeria, We Hail Thee,” ditching the one used since 1978, “Arise, O Compatriots.” This change has caused a stir, especially among younger Nigerians who grew up with “Arise.”

President Bola Tinubu signed the bill on May 29th, 2024, sparking public debate. Many young people are questioning why the switch happened in the first place. Some prominent figures, like former Education Minister Oby Ezekwesili, have even said they’ll keep singing “Arise” despite the change.

While this is a controversial move, it’s not uncommon for countries to update their national anthems. Throughout history, many African nations have done the same. These changes often reflect shifts in a country’s politics, culture, or society.

The overall goal usually remains the same: to create a sense of unity, independence, and national pride. Let’s look at other of African countries that have changed their national anthems.

1. South Africa (1997)

The dismantling of apartheid in South Africa marked a new era for the nation. To reflect this spirit of unity and reconciliation, South Africa adopted a unique national anthem in 1997.

This new anthem cleverly combined elements from two existing anthems: “Nkosi Sikelel’ iAfrika,” a hymn with roots in the anti-apartheid movement, and “Die Stem van Suid-Afrika,” the anthem previously used by the white minority government.

By blending these contrasting melodies, the new anthem became a powerful symbol of healing and the forging of a new national identity that embraced all South Africans.

2. Rwanda (2001)

The 1994 Rwandan genocide left deep scars on the nation. In the aftermath of this horrific tragedy, the country’s previous anthem was deemed too divisive, as it was associated with the pre-genocide regime.

In 2001, a new anthem, “Rwanda Nziza,” was introduced. This anthem specifically emphasises themes of national unity, reconciliation, and hope for a brighter future. The lyrics speak of Rwandans working together to rebuild their nation and ensure such a tragedy never happens again.

“Rwanda Nziza” serves as a constant reminder of the healing process and the country’s commitment to a more peaceful future.

3. Zimbabwe (1994)

Many African countries gained independence in the mid-20th century and adopted pan-Africanist anthems that celebrated the continent’s shared struggle for liberation. Zimbabwe was no exception, with “Ishe Komborera Africa” serving as their national anthem for a period.

However, in 1994, the country felt the need to establish a more distinct national identity. They replaced “Ishe Komborera Africa” with “Simudzai Mureza wedu WeZimbabwe,” an anthem that specifically celebrates Zimbabwe’s unique cultural heritage and its journey as an independent nation.

4. Democratic Republic of Congo (1960 & 1997)

The Democratic Republic of Congo (DRC) has a complex history reflected in its changes to the national anthem. Upon gaining independence from Belgium in 1960, the DRC adopted “Arise Congolese” as its anthem.

However, in 1971, the country’s leader, Mobutu Sese Seko, renamed the nation Zaire and introduced a new anthem, “La Zaïroise.” This anthem served as a symbol of Mobutu’s regime. After Mobutu’s overthrow in 1997, the country reverted to its original name and national anthem, “Arise Congolese.”

This shift back to the original anthem symbolised a rejection of Mobutu’s dictatorship and a return to a sense of national identity rooted in the country’s independence.

5. Ghana (1957 & 1960)

Ghana’s path to independence mirrored its changing anthems. During British colonial rule, Ghana used the anthem “God Bless Our Homeland.” This anthem reflected the nation’s colonial status and its yearning for self-determination.

In 1957, Ghana finally achieved independence, and a new anthem, “Lift High the Flag of Ghana,” was composed by a Ghanaian musician. This new anthem celebrates Ghana’s freedom and national pride.

6. Namibia (1990)

For many years, Namibia was under South African rule. During this period, Namibia was forced to use South Africa’s national anthem, “Die Stem van Suid-Afrika.”

However, Namibia gained independence in 1990 and cast off the vestiges of colonial rule. To mark this momentous occasion, Namibia adopted a new anthem, “Namibia, Land of the Brave.”

This anthem celebrates the nation’s hard-won freedom and the bravery of those who fought for independence. The lyrics speak of Namibia’s vast landscapes, its rich cultural heritage, and its unwavering spirit.

7. Libya (1969 & 2011)

In 1969, Muammar Gaddafi rose to power in Libya. Gaddafi aimed to unite Arab nations across Africa and Asia, and in this pursuit, he replaced Libya’s existing anthem, “Libya, Libya, Libya,” with the pan-Arab anthem “Allahu Akbar” (God is Great).

However, Gaddafi’s regime was overthrown in a 2011 civil war, and the country descended into a period of instability.

Check here for more.

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