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Surprises, Snubs, And Shades In The 2024 AMCVA Nominations List

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AMCVA: Surprises, Snubs, From 2024 Nominations List | Fab.ng

On Sunday, March 24th, 2024, Africa Magic unveiled the nominees for the highly anticipated 10th annual Africa Magic Viewers’ Choice Awards (AMVCA).

This year’s ceremony marks a significant shift, with the awards for Best Movie, Best Actor, Best Actress, Best Supporting Actor, and Best Supporting Actress being decided by a specialised jury instead of public voting. This change follows criticism of the previous voting method. This move opens the door for films like “Mami Wata” and “Over the Bridge” to have a strong shot at winning Best Movie.

The announcement of the nominees was met with a mix of reactions, including surprise picks, films and performances that were unexpectedly overlooked, and some moments that could be interpreted as subtle digs. Notably, some of the snubs might be due to the films or performances not being submitted for jury consideration.

Regardless, let’s delve into the most notable snubs, surprises, and “shades” that emerged from the 2024 AMVCA nominations.

One of the biggest surprises of the night was “Over the Bridge” leading the pack with a whopping 12 nominations. This film, directed by Tolu Ajayi and starring Ozzy Agu, Deyemi Okanlawon, and Joke Silva, hasn’t even premiered in Nigerian cinemas yet.

While it was screened in the UK last October, its lack of domestic release made its dominance in the nominations all the more unexpected.

Many were surprised to see “Áfàméfùnà” missing from the Best Movie category. The film was one of the biggest releases of last year, pulling in a staggering ₦60 million at the Nigerian box office.

This snub is especially puzzling considering the movie did receive nominations in other important categories, including Best Supporting Actor for Alexx Ekubo, Best Lead Actor for Stan Nze, Best Writing (Movie) for Anyanwu Sandra Adaora, and Best Director for Kayode Kasum.

“Áfàméfùnà” clearly impressed the jury in some aspects, but it wasn’t enough to secure a spot in the most prestigious category.

Another surprising omission from the nominations was Chimezie Imo for his role in “Breath of Life.” The film itself secured ten nominations, including nods for several other leading cast members: Genoveva Umeh, Wale Ojo, and Demola Adedoyin.

Wale Ojo even managed to snag a nomination for Best Lead Actor, which came as a shock to many since Imo arguably played an equally central role in the movie.

Demola Adedoyin rounded out the nominations for “Breath of Life” with a spot in the Best Supporting Actor category. It appears Chimezie Imo’s performance simply didn’t resonate with the jury this time around.

The omission of “Áfàméfùnà” from the Best Movie category was already a surprise, but its complete absence from the Best Indigenous Language Film (West Africa) category left many scratching their heads.

This wasn’t just an unexpected snub; it felt like a deliberate oversight for a film that had been critically acclaimed and arguably surpassed some of the nominees in that specific category.

“Over the Bridge” dominated the AMVCA nominations with a surprising 12 nods, including nearly all the acting categories. The one glaring omission? Best lead actor.

This absence has sparked debate, as many believe the jury wasn’t sold on Ozzy Agu’s performance in the film. Agu’s fans have a history of criticising the Nigerian media for overlooking him, particularly when it comes to “best dressed” lists and “heartthrob” accolades.

It seems this perception of being snubbed extends to the AMVCA as well, and fans believe the industry still hasn’t recognised Agu’s talent.

MOVIES

Omoni Oboli’s “Last Year Single” Debuts On Netflix This September

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"Last Year Single" Debuts On Netflix This September | fab.ng

Nollywood actress and director, Omoni Oboli, has announced that her debut series, “Last Year Single,” produced in 2020, will premiere on Netflix on September 6, 2024.

Omoni Oboli embarked on her acting career with her debut role in “Bitter Encounter” (1996). In 2010, she earned recognition for her performances, winning the Best Actress in a Narrative Feature award at the Los Angeles Movie Awards and Best Actress at the Harlem International Film Festival.

Additionally, she received a nomination for Best Actress in a Leading Role at the 2011 Africa Movie Academy Awards. Oboli has a notable filmography, including “Moms At War” and the upcoming third instalment of the “Wives on Strike” franchise, “The Uprising: Wives on Strike 3,” set to debut next month.

In an official statement, the talented actor-director confirmed that her romantic drama series, “Last Year Single,” will be available on Netflix starting Friday, September 6, 2024.

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MOVIES

Daniel Oriahi’s “The Weekend” Officially Selected For BFI London Film Festival

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"The Weekend" selected for BFI London Film Festival | fab.ng

The British Film Institute (BFI) has officially selected the Nollywood film The Weekend“. Daniel Oriahi directed the film. It is to screen at the prestigious 68th edition of its London Film Festival. The BFI Film Festival in London will occur from October 9th to October 20th, 2024.

The lineup for the festival boasts an impressive 255 titles, including features, shorts, series, and immersive works. They represent a diverse range of 80 countries and feature 64 languages.

Following the successful premiere of his new feature film on August 30th, 2024, Oriahi took to Instagram to share the exciting news of The Weekend‘s selection for the BFI Film Festival. The film garnered a remarkable ₦8 million at the box office.

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ENTERTAINMENT

Juliet Ibrahim On Why She Puts Her Movies On YouTube

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Juliet Ibrahim On Why She Put Her Movies On YouTube | fab.ng

Nollywood actress and producer, Juliet Ibrahim, has explained her decision to release her latest films on YouTube rather than other streaming platforms. She revealed this in a recent interview with TheCable Lifestyle at the Nigeria International Film and TV Summit in Lekki. Juliet revealed that she chose YouTube due to its less demanding requirements.

Unlike platforms like Netflix or Prime, YouTube doesn’t impose strict criteria for equipment, editing, lighting, or crew members. This flexibility allows for a more accessible and inclusive approach to filmmaking.

She said,

“Before you submit to a streaming platform, either Netflix or Prime, you have a list of equipment you must use. There is a criteria for editing, lighting, your crew members, a whole lot of things and that includes a lot of money. That is where I said the funding would now become a problem.”

Speaking further on YouTube’s benefit, Juliet also acknowledged the risk of piracy, saying,

“You see, there is something about being a filmmaker, you make your movie, and you want to own your rights. There is also piracy, so even YouTube is not 100% safe because people still pirate, they would steal your content. However, there is a whole market on YouTube where people make quick and easy money with less stress. Without having to go buy the cinema criteria or streaming platform criteria.”

Juliet Ibrahim also highlighted the importance of reaching diaspora audiences who cannot access cinema content.

“As a filmmaker, you want to have multiple streams of income, and there are people in diaspora who want to watch our content but cannot access our cinema content. Until we can give them good cinema content over there, we can put it on Netflix or YouTube. If Netflix says the content is not good enough for them, we can put it on Showmax or YouTube uploads. A lot of people have different reasons, but most times you have to look at it strategically and also what goes into your pocket,” she added.

Check out more updates here.

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