NEWS
Reuben Abati Writes On The Threat Of A New Political Party
Published
8 years agoon
By
ReporterWhen aggrieved politicians within the People’s Democratic Party (PDP) decided to join forces with members of the Action Congress of Nigeria (ACN), the Congress for Progressive Change (CPC), the All Nigeria Peoples Party (ANPP) and the All Progressives Peoples Alliance (APGA) to form the All Progressives Congress (APC) in 2013, they had well-defined, if not so clearly stated, even if poorly conceived objectives: to send President Jonathan out of power, displace the PDP which had clearly become a dominating hegemonic party, exert vengeance and offer the people an alternative.
The triumph of the APC in the 2015 elections resulting in victory at the Presidential level, in 23 states out of 36, and also in the legislature, state and federal, was propelled on the wings of the people’s embrace of this slogan of change. Change became the aphrodisiac of Nigeria’s search for democratic progress. The new party’s promises were delivered with so much certainty and cock-suredness. Those who were promised free meals were already salivating before casting the first vote.
The permanently opportunistic players in Nigeria’s private sector could be seen trading across the lines as they have always done. Everyone knew the PDP had too much internal baggage to deal with. The opposition exploited this to the fullest and they were helped in no small measure, not just by the party’s implosion, but also the offensiveness of the claims by certain elements within the PDP that their party will rule Nigeria forever. This arrogance had gone down the rank and file resulting in bitter conflicts among the various big men who dominated the party. The party failed from within, and even after losing the 2015 elections, it has further failed to recover from the effects of the factionalism that demystified it and drove it out of its hegemonic comfort zone. It took the PDP 16 years to get that hubristic moment. It is taking the APC a much shorter time to get to that same moment.
The displacement of the PDP gave the impression that Nigeria’s political space, hitherto dominated by one party, and a half, out of over 30 political parties with fears of a possible authoritarian one-party system, had become competitive. But the victory of a new party over a dominant political party in power such as occurred in 2015, has not delivered the much-expected positives: instead, questions have been raised about the depth of democratic change and the quality of Nigeria’s political development. The disappointment on both scores has been telling.
The ruling APC has not been able to live up to expectations. In less than two years in power, it has been behaving not like the PDP, but worse. Not a day passes without a pundit or a party member or a civil society activist suggesting that the only way forward is the formation of a new political party. There are over 30 registered political parties in Nigeria; no one is saying that these political parties should be reorganized and made more functional; the received opinion is that a new political party would have to replace the APC.
The implied message is the subject of political science. Many political parties in Africa, not just in Nigeria, lack substance. They reflect the problematic nature of party politics in the continent, even after the third wave of the continent’s democratic experience. Party organizations are weak, their organs are inchoate, their fortunes are mercurial. In Nigeria, this seems to be more of a post-military rule reality, for in the First and Second Republics, some of Nigeria’s political parties appeared to be more relatively people-based and socially-rooted. The military left behind an authoritarian streak at the heart of Nigeria’s party politics, producing political parties since 1999 that do not fully reflect or assimilate the people’s yearnings.
There isn’t therefore yet in place a mass-based, people-driven political party to replace the elite-based hegemonic parties we have, despite early efforts in the past in this direction by the likes of Aminu Kano and his People’s Redemption Party (PRP), Fela Anikulapo-Kuti’s Movement of the People (MOP), Tunji Braithwaite’s Nigeria Advance Party (NAP), Gani Fawehinmi’s National Conscience Party (NCP) and Wole Soyinka’s Democratic Front for the People’s Federation. There was also the Labour Party, mentioned separately here, advisedly, because it ended up abandoning its social democratic base, and became like the regular parties, an elite cabal, with the initial progressives who championed it on the platform of the Nigeria Labour Congress, moving ideologically to the right in an attempt to align with the Nigerian mainstream and its ready benefits. A profile of this political party and its initial principal promoters would reveal just how alimentary Nigerian politics is.
Our immediate concern, however, is to argue that those who are raising the flag of a new political party as the answer to the emerging failure of the APC and the growth of factions among its members, and by extension, the spreading despair in the land, are missing the point. They are not promising any revolutionary change nor are they interested in deepening Nigeria’s democratic change. Permit me to quote Danjuma Gambo, of the Enugu Chapter of the Civil Liberties Organization (CLO) who reportedly said: “A new political party is what we need. A new party with new plan, (and an) ideology that will bring succor to the sufferings of Nigerians is the answer.”
Gambo deserves some credit: he phrases the matter delicately as a commentary on the incumbent dominating political party and government. His “what we need”, “new plan” “ideology” means change, another form of change to end, he tells us, “the sufferings (sic) of Nigerians”. We ask him, although he seems to have answered the question already: what happened to the change that happened in 2015? So we ask another question: if the formation of a new political party did not solve Nigeria’s problems since 2015, what is the guarantee that a new party would gain power and perform better than the ruling APC? Professional politicians don’t comment on the matter as carefully as Gambo attempted. They are brazen about it and they have been loud too. They make it sound like a threat and a given solution. When you hear them boasting that a new political party is on the way, you are left in no doubt that they are issuing a threat. But is a new political party the solution to Nigeria’s foreign exchange crisis or the people’s angst?
The conundrum is easy to resolve. It is easy for the political elite in Nigeria to change their garments, sans remorse, ideology or sentiment and that is how some of the most prominent political figures in Nigeria today have changed party membership cards more than five times in the last 17 years. The politics of elitism in Nigeria is simply about access to power, position and privileges. It has nothing to do with the people’s interests. The APC is in crisis for this reason, very much like the PDP, and even the smaller parties, because these are political parties of big men of influence. Conflict results when they are not allowed to exercise that influence by other competing big men, who are similarly if not equally driven by ego, religion and superior ethnic considerations.
The exercise of influence as a party big man follows a known pattern: after electoral victory, the big man wants the spoils of victory; he wants positions for his followers, contracts for wives and children and the freedom to have a say in the new government. Any attempt to shut him down, oppose him, or sideline him or her, immediately creates a crisis within the party. The greater the number of such big persons who feel short-changed and marginalized, the greater the chances of such factionalism that would trigger threats of a new political party. New groups can create new tendencies in society, but in Nigerian politics, new groups don’t really emerge, it is the same recycled set moving from one political party to a new or another one, looking for benefits.
Poverty, low literacy and the weakness of public institutions make the people vulnerable. The people embrace slogans and the dividends of what is now known in Nigeria as “stomach infrastructure.” They are deceived by the politicians’ display of affection and empathy. Because they are hungry, they accept money to attend rallies to help create an illusion of populism and acceptability. On election day, they sell their votes and sign off their freedom. After the election, they are too ashamed to speak up or they compensate for their psychological distress by subscribing to the politics of vengeance. A patrimonial and neo-patrimonial political system such as we run in Nigeria promotes nothing but difference, disappointment and distrust. Those who are plotting to create a new political party should be told that the harvest is predictable: more intense leadership competition, high level conflict among big men, greater deception, increased difference and tension within the polity. Political parties are governed by rules: the Nigerian political system operates above rules. It is possibly one of the most Machiavellian in Africa.
What do we need? Not recycled politicians posing as new party men and women. But this: effective party organizations, like the NCNC, the NEPU, the NPC, the AG, APGA, UPN, UMBC of old which belonged to the people and reflected their aspirations. The only difference should be a necessary disconnect with the politics of ethnicity at the heart of the party formation process in Africa which, as seen, defeats the objectives of true democracy and modernization. Institutionalization of the political party system will also ensure stability within the democratic order: after a bitter political contest in the United States in 2016, the two dominant political parties – The Republican and the Democratic have remained stable, and the country is being projected as supreme.
We should end this then where we started: leadership is the principal challenge. Until we sort that out, Nigeria’s politics will remain trapped in the throes of ethnicity, patrimonialism, authoritarian dominance, the threat of system volatility and fragmentation and the politics of revenge.
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MOVIES
“A Ghetto Love Story” Rakes Over ₦22 Million At Box Office In Its Opening Weekend
Published
4 hours agoon
November 26, 2024By
ReporterComedian and filmmaker Basketmouth has achieved remarkable box office success with his debut cinema release, “A Ghetto Love Story.” The film garnered an impressive ₦22.3 million during its first weekend of screening.
The romantic drama’s substantial financial performance directly stems from the overwhelmingly positive reviews. Significant pre-official cinema premiere buzz that surrounded the film also contributed…
FilmOne Entertainment, the film’s official distributor, enthusiastically announced this notable achievement through an Instagram post.
“A Ghetto Love Story is on top! This movie raked in over 22.3 million Naira at the box office this weekend. Thank you for showing this movie love and support,” the post said.
They highlighted the movie’s strong audience reception and commercial potential. The impressive box office numbers underscore the film’s appeal and Basketmouth’s successful transition from comedy to cinematic storytelling.
“A Ghetto Love Story” is inspired by authentic true events.
Victoria ‘Mhiz Vic’ Eze skilfully wrote and co-produced the film. She crafted a nuanced narrative that seamlessly blends humour, raw emotion, and profound authenticity. The film is a compelling testament to Basketmouth’s artistic evolution.
By painting a vivid and intricate picture of love and survival within the challenging landscape of the ghetto, the movie offers more than mere entertainment.
Centred on the tumultuous journey of lovers Obinna, portrayed by Akah Nnani, and Stella, played by Beverly Osu, the narrative explores their relationship’s fragility when confronted with harsh societal realities.
As unexpected events unfold, the couple must navigate increasingly complicated circumstances that test the very foundation of their bond.
At its profound core, “A Ghetto Love Story” chronicles human resilience, delving deep into the intricate complexities of love and life’s unforgiving challenges.
The story’s multilayered narrative offers powerful, universal lessons that resonate strongly with anyone familiar with struggles, dreams, and the relentless pursuit of love amid imperfect conditions.
The film boasts an exceptional ensemble cast. It includes distinguished actors such as Patience Ozokwor, Wale Ojo, Basketmouth himself, Beverly Osu, and Chimezie Imo.
Also, Daniel Etim Effiong, Dorathy Bachor, Efe Irele, Ehiz Okoeguale, Dibor Adaobi, and Femi Jacobs, each contribute to the narrative’s rich emotional tapestry.
Check out more movie updates here.
EVENTS
2024 Billboard Music Awards: Asake, Tems, Rema, Burna Boy Bag Nominations [See Full Nominee List]
Published
5 hours agoon
November 26, 2024By
ReporterThe 2024 Billboard Music Awards promises an electrifying showcase of musical talent, with Afrobeats artists taking center stage in the highly anticipated nominations.
The 2024 Billboard Music Awards has generated significant excitement by recognizing top Nigerian musical talents in the Top Afrobeats Artist category.
Notably, the 2024 Billboard Music Awards has nominated a stellar lineup of Nigerian artists, including Tems, Askake, Rema, and Burna Boy, who will compete for the prestigious Top Afrobeats Artist award.
As anticipation builds for the 2024 Billboard Music Awards, these remarkable artists stand poised to represent the vibrant Afrobeats genre on an international platform.
ARTIST AWARDS
Top Artist
- Zach Bryan
- Sabrina Carpenter
- Drake
- Taylor Swift
- Morgan Wallen
Top New Artist
- Benson Boone
- Tommy Richman
- Chappell Roan
- Shaboozey
- Teddy Swims
Top Male Artist
- Zach Bryan
- Luke Combs
- Drake
- Post Malone
- Morgan Wallen
Top Female Artist
- Sabrina Carpenter
- Billie Eilish
- Chappell Roan
- Taylor Swift
- SZA
Top Duo/Group
- blink-182
- Coldplay
- Fuerza Regida
- Linkin Park
- Stray Kids
Top Billboard 200 Artist
- Zach Bryan
- Drake
- Taylor Swift
- SZA
- Morgan Wallen
Top Hot 100 Artist
- Zach Bryan
- Sabrina Carpenter
- Billie Eilish
- Taylor Swift
- Morgan Wallen
Top Hot 100 Songwriter
- Amy Allen
- Jack Antonoff
- Zach Bryan
- Kendrick Lamar
- Taylor Swift
Top Hot 100 Producer
- Jack Antonoff
- Zach Bryan
- Daniel Nigro
- Finneas O’Connell
- Taylor Swift
Top Streaming Songs Artist
- Zach Bryan
- Sabrina Carpenter
- Kendrick Lamar
- Taylor Swift
- Morgan Wallen
Top Radio Songs Artist
- Sabrina Carpenter
- Doja Cat
- Taylor Swift
- SZA
- Morgan Wallen
Top Song Sales Artist
- Jelly Roll
- Jung Kook
- Shaboozey
- Taylor Swift
- Teddy Swims
Top Billboard Global 200 Artist
- Sabrina Carpenter
- Billie Eilish
- Ariana Grande
- Taylor Swift
- The Weeknd
Top Billboard Global (Excl. U.S.) Artist
- Sabrina Carpenter
- Billie Eilish
- Ariana Grande
- Taylor Swift
- The Weeknd
Top R&B Artist
- Brent Faiyaz
- Tommy Richman
- SZA
- Tyla
- The Weeknd
Top R&B Male Artist
- Brent Faiyaz
- Tommy Richman
- The Weeknd
Top R&B Female Artist
- Muni Long
- SZA
- Tyla
Top R&B Touring Artist
- Chris Brown
- Bruno Mars
- Usher
Top Rap Artist
- Drake
- Future
- Kendrick Lamar
- Metro Boomin
- Travis Scott
Top Rap Male Artist
- Drake
- Kendrick Lamar
- Travis Scott
Top Rap Female Artist
- Doja Cat
- GloRilla
- Nicki Minaj
Top Rap Touring Artist
- Nicki Minaj
- Travis Scott
- $uicideboy$
Top Country Artist
- Zach Bryan
- Luke Combs
- Post Malone
- Chris Stapleton
- Morgan Wallen
Top Country Male Artist
- Zach Bryan
- Luke Combs
- Morgan Wallen
Top Country Female Artist
- Beyoncé
- Megan Moroney
- Lainey Wilson
Top Country Duo/Group
- Zac Brown Band
- The Red Clay Strays
- Treaty Oak Revival
Top Country Touring Artist
- Zach Bryan
- Kenny Chesney
- Luke Combs
Top Rock Artist
- Zach Bryan
- Hozier
- Jelly Roll
- Noah Kahan
- Linkin Park
Top Rock Duo/Group
- Good Neighbours
- Linkin Park
- The Red Clay Strays
Top Hard Rock Artist
- Bad Omens
- HARDY
- Linkin Park
Top Rock Touring Artist
- Coldplay
- The Rolling Stones
- Bruce Springsteen & The E Street Band
Top Latin Artist
- Bad Bunny
- Fuerza Regida
- Junior H
- KAROL G
- Peso Pluma
Top Latin Male Artist
- Bad Bunny
- Junior H
- Peso Pluma
Top Latin Female Artist
- KAROL G
- Shakira
- Kali Uchis
Top Latin Duo/Group
- Eslabon Armado
- Fuerza Regida
- Grupo Frontera
Top Latin Touring Artist
- Bad Bunny
- KAROL G
- Luis Miguel
Top Global K-Pop Artist
- ENHYPEN
- Jimin
- Jung Kook
- Stray Kids
- TOMORROW X TOGETHER
Top K-Pop Touring Artist
- ENHYPEN
- SEVENTEEN
- TOMORROW X TOGETHER
Top Afrobeats Artist
- Asake
- Burna Boy
- Rema
- Tems
- Tyla
Top Dance/Electronic Artist
- Beyoncé
- The Chainsmokers
- Charli XCX
- Dua Lipa
- Calvin Harris
Top Christian Artist
- Lauren Daigle
- Elevation Worship
- Forrest Frank
- Brandon Lake
- Anne Wilson
Top Gospel Artist
- Kirk Franklin
- Maverick City Music
- Chandler Moore
- Naomi Raine
- CeCe Winans
ALBUM AWARDS
Top Billboard 200 Album
- Zach Bryan, Zach Bryan
- Drake, For All the Dogs
- Noah Kahan, Stick Season
- Taylor Swift, 1989 (Taylor’s Version)
- Taylor Swift, The Tortured Poets Department
Top Soundtrack
- Hazbin Hotel: Season One
- Trolls: Band Together
- Twisters: The Album
- Wish
- Wonka
Top R&B Album
- Chris Brown, 11:11
- Brent Faiyaz, Larger Than Life
- PARTYNEXTDOOR, PARTYNEXTDOOR 4 (P4)
- Bryson Tiller, Bryson Tiller
- Tyla, Tyla
Top Rap Album
- 21 Savage, american dream
- Drake, For All the Dogs
- Future & Metro Boomin, WE DON’T TRUST YOU
- Nicki Minaj, Pink Friday 2
- Rod Wave, Nostalgia
Top Country Album
- Beyoncé, Cowboy Carter
- Zach Bryan, The Great American Bar Scene
- Zach Bryan, Zach Bryan
- Chris Stapleton, Higher
- Bailey Zimmerman, Religiously. The Album.
Top Rock Album
- Zach Bryan, The Great American Bar Scene
- Zach Bryan, Zach Bryan
- Hozier, Unheard (EP)
- Noah Kahan, Stick Season
- Dolly Parton, Rockstar
Top Hard Rock Album
- Bring Me The Horizon, POST HUMAN: NeX GEn
- Falling In Reverse, Popular Monster
- HARDY, Quit!!
- Pearl Jam, Dark Matter
- Sleep Token, Take Me Back to Eden
Top Latin Album
- Bad Bunny, nadie sabe lo que va a pasar mañana
- Fuerza Regida, Pa Las Baby’s Y Belikeada
- Grupo Frontera, El Comienzo
- Junior H, $AD BOYZ 4 LIFE II
- KAROL G, MAÑANA SERÁ BONITO (BICHOTA SEASON)
Top K-Pop Album
- ATEEZ, THE WORLD EP.FIN: WILL
- Jung Kook, GOLDEN
- Stray Kids, ROCK-STAR
- Stray Kids, Ate: Mini Album
- TOMORROW X TOGETHER, The Name Chapter: FREEFALL
Top Dance/Electronic Album
- Charli XCX, BRAT
- Jungle, Volcano
- Odetari, XXIII SORROWS
- Troye Sivan, Something to Give Each Other
- John Summit, Comfort in Chaos
Top Christian Album
- Elevation Worship, CAN YOU IMAGINE?
- Forrest Frank, CHILD OF GOD
- Brandon Lake, COAT OF MANY COLORS
- Maverick City Music, Chandler Moore & Naomi Raine, The Maverick Way Complete: Complete Vol 02
- Katy Nichole, Jesus Changed My Life
Top Gospel Album
- Kirk Franklin, Father’s Day
- Koryn Hawthorne, On God
- Maverick City Music, Chandler Moore & Naomi Raine, The Maverick Way Complete: Complete Vol 02
- CeCe Winans, More Than This
- Naomi Raine, Cover The Earth: Live in New York
SONG AWARDS
Top Hot 100 Song
- Benson Boone, “Beautiful Things”
- Jack Harlow, “Lovin on Me”
- Post Malone feat. Morgan Wallen, “I Had Some Help”
- Shaboozey, “A Bar Song (Tipsy)”
- Teddy Swims, “Lose Control”
Top Streaming Song
- Zach Bryan feat. Kacey Musgraves, “I Remember Everything”
- Kendrick Lamar, “Not Like Us”
- Post Malone feat. Morgan Wallen, “I Had Some Help”
- Shaboozey, “A Bar Song (Tipsy)”
- Teddy Swims, “Lose Control”
Top Radio Song
- Benson Boone, “Beautiful Things”
- Jack Harlow, “Lovin on Me”
- Tate McRae, “Greedy”
- Taylor Swift, “Cruel Summer”
- Teddy Swims, “Lose Control”
Top Selling Song
- Benson Boone, “Beautiful Things”
- Jung Kook, “Standing Next to You”
- Post Malone feat. Morgan Wallen “I Had Some Help”
- Shaboozey “A Bar Song (Tipsy)”
- Teddy Swims “Lose Control”
Top Collaboration
- Zach Bryan feat. Kacey Musgraves “I Remember Everything”
- Future, Metro Boomin & Kendrick Lamar “Like That”
- Post Malone feat. Morgan Wallen “I Had Some Help”
- Taylor Swift feat. Post Malone “Fortnight”
- Morgan Wallen feat. ERNEST “Cowgirls”
Top Billboard Global 200 Song
- Benson Boone “Beautiful Things”
- Sabrina Carpenter “Espresso”
- Tate McRae “Greedy”
- Taylor Swift “Cruel Summer”
- Teddy Swims “Lose Control”
Top Billboard Global (Excl. U.S.) Song
- Benson Boone “Beautiful Things”
- Sabrina Carpenter “Espresso”
- Tate McRae “Greedy”
- Taylor Swift “Cruel Summer”
- Teddy Swims “Lose Control”
Top R&B Song
- 4batz feat. Drake “act ii: date @ 8 (remix)”
- Muni Long “Made for Me”
- Tommy Richman “MILLION DOLLAR BABY”
- SZA “Saturn”
- Tyla “Water”
Top Rap Song
- Doja Cat “Agora Hills”
- Doja Cat “Paint the Town Red”
- Future, Metro Boomin & Kendrick Lamar “Like That”
- Jack Harlow “Lovin on Me”
- Kendrick Lamar “Not Like Us”
Top Country Song
- Zach Bryan feat. Kacey Musgraves “I Remember Everything”
- Dasha “Austin”
- Post Malone feat. Morgan Wallen “I Had Some Help”
- Shaboozey “A Bar Song (Tipsy)”
- Morgan Wallen “Thinkin’ Bout Me”
Top Rock Song
- Zach Bryan “Pink Skies”
- Zach Bryan feat. Kacey Musgraves “I Remember Everything”
- Djo “End of Beginning”
- Hozier “Too Sweet”
- Noah Kahan “Stick Season”
Top Hard Rock Song
- Falling In Reverse feat. Jelly Roll “All My Life”
- Falling In Reverse, Tech N9ne & Alex Terrible “Ronald”
- HARDY “Psycho”
- Linkin Park “The Emptiness Machine”
- Superheaven “Youngest Daughter”
Top Latin Song
- Bad Bunny “MONACO”
- Bad Bunny & Feid “PERRO NEGRO”
- FloyyMenor & Cris MJ “Gata Only”
- KAROL G & Peso Pluma “QLONA”
- Xavi “La Diabla”
Top Global K-Pop Song
- ILLIT “Magnetic”
- Jimin “Who”
- Jung Kook “Standing Next to You”
- Jung Kook feat. Jack Harlow “3D”
- LE SSERAFIM “Perfect Night”
Top Afrobeats Song
- Adam Port & Stryv feat. Malachiii “Move”
- Tems “Me & U”
- Tyla “Truth or Dare”
- Tyla “Water”
- Tyla, Gunna & Skillibeng “Jump”
Top Dance/Electronic Song
- Dua Lipa “Houdini”
- Dua Lipa “Illusion”
- Kenya Grace “Strangers”
- Ariana Grande “yes, and?”
- Marshmello & Kane Brown “Miles on It”
Top Christian Song
- Elevation Worship feat. Brandon Lake, Chris Brown & Chandler Moore “Praise”
- Forrest Frank “GOOD DAY”
- Josiah Queen “The Prodigal”
- Seph Schlueter “Counting My Blessings”
- Tauren Wells with We The Kingdom & Davies “Take It All Back”
Top Gospel Song
- Koryn Hawthorne “Look at God”
- Maverick City Music, Chandler Moore & Naomi Raine “God Problems”
- Maverick City Music, Chandler Moore & Naomi Raine ft. Tasha Cobbs Leonard “In the Room”
- Victor Thompson X Gunna feat. Ehis ‘D’ Greatest “THIS YEAR (Blessings)”
- CeCe Winans “That’s My King”
Check out more music updates here.
MUSIC
Tyla Dominates 2024 Billboard Music Awards’ Top Afrobeats Song Category
Published
6 hours agoon
November 26, 2024By
ReporterSouth African superstar Tyla has achieved another remarkable milestone by securing three nominations in the Top Afrobeats Song category for the 2024 Billboard Music Awards.
The recently released nominee list has unveiled several unexpected recognitions, with Tyla emerging as a standout performer.
Notably, Tyla has garnered nominations across multiple prestigious categories, including Top R&B Artist, Top R&B Female Artist, and Top Afrobeats Artist.
Impressively, she has also secured the highest number of entries in the Top Afrobeats Song category, featuring critically acclaimed singles from her eponymous debut studio album, released on March 22, 2024.
The nominated tracks include her breakthrough hit “Water”, along with “Truth or Dare”, “Jump.”
#BBMAs 2024 Top Afrobeats Song Nominees:
Move, Adam Port & Stryv feat. Malachiii
Me & U, Tems
Truth or Dare, Tyla
Water, Tyla
Jump, Tyla, Gunna & Skillibeng— chart data (@chartdata) November 25, 2024
Competing alongside Tyla in this competitive category is Tems with her single “Me & U”, as well as Adam Port & Stryv featuring Malachiii with their track “Move”.
This recent recognition follows her triumphant win in the Best Afrobeats category at the 2024 VMAs, which took place on September 11, 2024, at The USB Arena in New York.
During the ceremony, she celebrated her smash hit single “Water” by accepting the Moonperson award and acknowledging the song’s global impact.
The Top Afrobeats Song category also features other notable nominations, including Ayra Starr’s “Last Heartbreak Song”, Chris Brown’s “Sensational” featuring Lojay and Davido, Usher’s “Ruin” featuring Pheelz, and Tems’ “Love Me Heje”.
While on stage holding the Moonperson, the South African star acknowledged the impact of the global hit song. “The global impact that ‘Water’ has had on the world just proves that African music can be pop music too,” she began.
“This is just so special, but also bittersweet because I know there’s a tendency to group all African artists under Afrobeats,” Tyla continued.”It’s a thing, and even though Afrobeats has run things and has opened so many doors for us, African music is so diverse. It’s more than just Afrobeats.”
Check out more music updates here.
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