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Forbes Releases Its 30 Under 30 Class Of 2019 List

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Forbes has released its list of 30 Under 30 Class of 2019 from across the United States and Canada.

The list features 300 trailblazers from 20 industries with average age of 26.8. Over 55% of them are founders or cofounders, 19% of them immigrants from 57 countries, and 38% of them identifying as first generation Americans.

Popular names on the list include Power forward for Milwaukee Bucks, Giannis Antetokounmpo, 23, Detroit Pistons star Blake Griffin, 29, who is making off-court moves as a media mogul, musicians Post Malone, 23, Lil Pump, 18, 21 Savage, 26, photographer Tyler Mitchell, 23 who photographed Beyonce for her Vogue September 2018 cover, and actor Storm Reid, 15.

Nigerians/people of Nigerian descent on the list include:

Arts & Style: Taofeek Abijako, 20, who started his luxe men’s streetwear brand when he was a teenager at Albany High School.

Photographer, Kayode Ojo, 28 (Arts and Style) who had solo shows in Paris, Berlin, New York and Dallas.

Consumer Technology: Obi Omile Jr. who founded theCut with his high school best friend Kush Patel. theCut is a barbershop technology platform that allows users and barbers to schedule and manage appointments.

Healthcare: Adegoke Olubusi, 25, Tito Ovia, 25, and Dimeji Sofowora, 26 founders of Helium Health, used by 5,000 doctors, with data from 500,000 patients across West Africa.

Finance: Olaoluwa Osuntokun, 25, the Cofounder/CTO, Lighting Labs, who has raised $2.5 million to turn bitcoin into a more viable form of payment by making smaller transactions more cost effective.

Sports: Emmanuel Acho, 28, a former linebacker for the Browns and Eagles who serves as the youngest national football analyst for ESPN. In 2017, his non-profit, Living Hope Christian Ministries, raised enough money to build a hospital in a rural community in Nigeria.

Also listed is Shadrack Frimpong, who became the first person from his village in Ghana to attend college in the U.S., earning a full ride to the University of Pennsylvania. He founded Cocoa360 after winning a contest and went on to pioneer the ‘farm-for-impact’ model, using revenues from community cocoa farms to fund educational and healthcare services.

The 2019 class have raise over $1 billion in funding and work an average of 67 hours per week.

77% of honorees consider being under the age of 30 an advantage in their career, 89% are optimistic about the U.S. economy for startups, 31% decided what they wanted to do for a career during university, 22% decided as a a child, and 10% are still deciding.

See the full list on Forbes.

ENTERTAINMENT

AFRIFF 2024: Check Out The Complete List Of Winners

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2024 AFRIFF: The Complete List Of Winners | fab.ng

The 2024 AFRIFF celebrated exceptional African cinema through a vibrant week-long showcase of talent, creativity, and storytelling excellence.

Filmmakers, actors, and cinema enthusiasts gathered from across the continent to participate in screenings, masterclasses, and engaging panel discussions at the 2024 AFRIFF.

This 13th edition of AFRIFF demonstrated unprecedented diversity in African storytelling, featuring compelling narratives that captivated audiences through multiple genres and languages.

In the 2024 AFRIFF, carefully curated selections sparked meaningful conversations about contemporary African experiences while highlighting the continent’s rich cultural heritage.

Also, at the 2024 AFRIFF Globe Awards ceremony, outstanding films earned recognition for their artistic merit, technical excellence, and powerful storytelling.

These winning productions represented various African perspectives, from intimate personal narratives to broader social commentaries.

Let’s explore the complete list of winners who made their mark at this prestigious celebration of African cinema.

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ENTERTAINMENT

Enioluwa Replies X User Questioning The Use Of Same Actors In Nollywood

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Enioluwa on why Nollywood uses the same actors | fab.ng

Nollywood actor and social media personality Enioluwa explained why the Nigerian film industry uses the ‘same faces’ in movies.

It all began on November 11, 2024, when an X user reacted to actress Jemima Osunde‘s post on X regarding the new YouTube film Fame and Fury.

The user said, “I’m sincerely tired of seeing the same faces in this damn industry.”

Osunde did not take her comment lightly. She retorted, saying, “We’re tired of seeing your face too in your office. Damn! I hope they sack you.”

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ENTERTAINMENT

John Njamah Says Actors Should Be Cast Based On Talent Not Instagram Followers

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John Njamah Says Actors Should Be Cast Based On Talent | fab.ng

Nollywood filmmaker John Njamah recently voiced his concern about the prevailing casting practices in the industry. He argued that casting decisions should prioritize an actor’s talent over their physical appearance or social media popularity.

In an exclusive interview, Njamah, a Nollywood veteran, gave insightful commentary on the current state and future trajectory of Nigerian cinema.

Known for his role as Rabiu in the popular TV soap opera “Fuji House of Commotion,” Njamah has also graced the screens of numerous television shows.

Interestingly, the shows he has featured in include “Tinsel,” “Living In Lagos,” “Solitaire,” “Casino,” “Emerald,” “Tide,” and “My Flatmates.”

During the interview, Njamah talked about his filmmaking journey. He emphasized his unwavering passion for the industry and his aspirations for its continued development.

“What is fuelling me is beyond passion. There’s that knack and need to grow with every month, whatever year. There’s that need to.do something different. This industry of ours is for you to do whatever you want to do and not join the bandwagon. So for me, it’s the originality in me and the need to do something right that is fuelling me Basically, it’s the ever-creative venture in me,” he said.

Njamah discussed how African stories are evolving. Furthermore, he emphasized that positive and negative changes have happened over the years.

“There’s a positive aspect and there’s a negative aspect. There’s a technical input. We’re telling our stories better technically. We’re telling better and bigger stories. The negative is that we are beginning to lose our originality. We are beginning to join the bandwagon to tell what is peculiar to other people and not to us. We are beginning to lose a bit of our identity cos there’s no longer us,” he said.

What’s more, Njamah spoke about casting in the industry. He pointed out differences between the industry during his time and the current climate, especially with casting.

“Fuji House was a one-camera shoot with hungry and passionate people. Now we have people who cast people who are beautiful and with Barbie bodies and followership and not necessarily for your talents. Some of us try to be that original because that’s where better stories are told. You want to tell stories with passionate people. Whether you like it or not, it’s a long shot but it’s possible. You want to give the actors that are worthy of the job and not the ones that are based on Instagram followers. We borrow from society and give back to society by way of entertainment and pedagogical values.”

Further, he criticized the lack of professional work ethic among filmmakers in Nollywood. He highlighted the absence of a robust system to evaluate the performance and accountability of producers within the industry.

“Professionalism is lacking. Respect for those in charge, humility and the like is lacking today. The industry lacks checks and balances. Every Tom, Dck and Harry can wake up and call themselves a producer and just get on board and be doing stuff without being checked and of course, the guild system is not working so they can’t check. There are no criteria for who should become a producer. The system is also not working. Let’s just be mindful as producers, directors and actors,” he added.

In conclusion, John Njamah acknowledged the unique character of Nollywood. Meanwhile, he proposed the creation of a domestic platform to market and distribute Nigerian films. Consequently, this would reduce reliance on foreign streaming services.

“That thing that they don’t like about us is what makes us, us. I am tired of people saying they don’t want to come into the country for coproduction cos we’re that and that and why are we relying on the likes of the streamers? Why can’t we do something that is for us by us so that they will come to us and ask for these things? We are solely depending on them to licence our movies, for survival. Speaking of coproduction, if you tell me you don’t want to come into the country for any reason, I’ll tell you you’re wrong, cos there are amazing producers here that you’ve seen their work. All you need to do is come to them and agree on modalities.”

Watch the interview with John Njamah below.

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