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Nigerian Lecturers Are Opposing A Bill That Outlaws ‘Sex-For-Marks’

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Nigerian Lecturers Are Opposing A Bill That Outlaws ‘Sex-For-Marks’

Earlier this week, an audio clip which allegedly recorded a lecturer from Obafemi Awolowo University, Professor Akindele (who is also a pastor) demanding sex from an unknown female student went viral. Since then, the university management has been very vocal about its “support” for the investigation into the matter.

Going further, the management of the university “advised” the student to waive anonymity and “assist” the probe panel committee in its findings.

Never mind that all that has been done by them is issuing a query to the lecturer, while patiently waiting for his response. Also never mind that this student has very good reasons to stay anonymous – I will refer you to how Nigeria has historically treated sexual assault/harassment victims. Also, there’s an audio clip, you don’t really need to know who he’s trying to harass, just that he’s trying to harass someone!

According to the spokesperson for the university, Mr Biodun Olanrewaju:

“The committee may find its work difficult if the female student refused to come out and assist the panel in its investigations. This is not the first time we are faced with this kind of problem when female victims go around making allegations but refused to submit themselves to the panel set up by the management to investigate the issue.”

LOL, “when female victims go around making allegations”.  The vice chancellor, Prof.  Eyitope Ogunbodede, has also made some statements, and you can read them here.

In 2016, the Nigerian senate introduced a sexual harassment bill seeking to criminalise sexual harassment in tertiary institutions and among other things, proposing a five-year jail term for lecturers found guilty of sexual harassment of students. But the Academic Staff Union of Universities (ASUU), led by Biodun Ogunyemi, president of the union at the time, said that the bill will undermine the autonomy of universities.

Mr Ogunyemi said that universities were established by law as autonomous bodies, adding that there were laws that clearly articulated redress procedures:

“As a global norm, universities and other tertiary institutions are established by law as autonomous bodies and have their own laws regulating their affairs. This includes misconduct generally among both staff and students, with clearly articulated appropriate redress mechanism. 

[…]The bill is discriminatory, selective, spiteful, and impulsive and lacks logic and any intellectual base by attacking the character and persons of those in tertiary institutions rather than addressing the issue holistically.

Furthermore, the bill is dangerous and inimical to the institutions as it contains several loose and ambiguous words and terms which could also be used to harass, intimidate, victimise and persecute, especially lecturers, through false accusation.”

He went on to say that the bill was unfair and discriminatory because it was targeted at educators; and sexual harassment is a societal problem and not peculiar to tertiary institutions. He also said that the bill was a violation of section 42(1) of the 1999 constitution, adding that it was embarrassing that the legislative arm could seek to make such law that would violate the constitution.

The union said that the bill failed to provide convincing evidence to show that sexual harassment in tertiary institutions had attained a higher magnitude than other spheres of the society, even though a casual Google search would show that the sexual harassment of girls and women at places of education is on the increase.

But how could they Google search? Many Nigerian lecturers cannot use the internet.

The National Universities Commission (NUC), on the other hand, supported the introduction of the bill “in view of its relevance” and called for its passage, and called on the senate to extend the scope of the bill to cover primary and secondary schools.

And the worst part? It’s 2018 and this bill is still in front of the senate, because Nigerian lecturers are still opposing it. If you need further evidence that Nigeria does not value or respect its women it’s right here. You see, women, we have to fight for ourselves, because clearly, no one else is going to do it.

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FAB FRESH

Ruger & Tiwa Savage Drop New Single “Toma Toma”

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Toma Toma: Ruger & Tiwa Savage Drop New Single | fab.ng

Nigerian music stars Ruger and Tiwa Savage have joined forces on the new single “Toma Toma,” released on November 15, 2024.

The track blends Ruger’s signature melodic style with a percussion-heavy Afrobeats instrumental produced by Kukbeatz.

Tiwa Savage’s captivating vocals complement Ruger’s performance, creating an effortless collaboration between two of Nigeria’s top talents.

This release comes on the heels of Ruger’s successful joint EP “POE” with BNXN, which included a lead single amassing 27 million streams and reaching #1 on Spotify and Apple Music in Nigeria.

Ruger has maintained an incendiary trajectory in 2024, further cementing his status as one of the most exciting Afrobeats artists.

Earlier this year, he dropped the double A-side “Luv Again / Make Way” and remixed the hit “Cry Baby” by Clean Bandit, Anne-Marie, and David Guetta.

The rising singer recently wrapped up an extensive tour across Europe, including festival appearances at DLT Malta and Wireless Festival in London.

He also completed an 8-date Canadian tour, playing shows in Montreal, Vancouver, and Toronto. These live performances follow a packed summer schedule that saw Ruger captivate audiences in the UK, Europe, Australia, and New Zealand.

Since bursting onto the scene just three years ago, Ruger has distinguished himself with his dynamic blend of Afrobeats and dancehall.

Indeed, the “Toma Toma” collaboration with Tiwa Savage represents the next chapter in his rapidly rising career.

Listen to the song below.

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FAB FRESH

Wizkid Builds Anticipation For “Morayo” With New Single “Kese (Dance)”

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Kese (Dance): Wizkid raises anticipation for 'Morayo' | fab.ng

Wizkid showcases his musical versatility on “Kese (Dance),” masterfully blending English, Pidgin, and Yoruba languages over energetic Afrobeats production.

Furthermore, the track demonstrates his continued partnership with renowned producer P2J, who infuses the song with the signature pulsating drums and vibrant shakers that characterize Nigerian pop music.

Moreover, “Kese (Dance)” is a strategic follow-up to his previous release, “Piece of My Heart,” which features the smooth vocals of Brent Faiyaz.

This thoughtful sequencing builds anticipation for his upcoming album “Morayo,” while maintaining momentum in the music industry. “Morayo” is set for release on November 22, 2024.

Throughout the track, Wizkid maintains his distinctive laid-back vocal delivery and luxurious melodic style.

Additionally, he confidently reasserts his position as an influential hitmaker who has shaped Afrobeats dance culture for over a decade. His artistic choices in “Kese (Dance)” reflect both his musical roots and evolution as an artist.

Building on the remarkable success of “Piece of My Heart,” which shattered streaming records on Spotify Nigeria, “Kese (Dance)” carries similar expectations.

Notably, his previous single not only dominated YouTube Nigeria’s opening day statistics but also achieved an impressive debut at the top position on the TurnTable Top 100 chart.

These accomplishments underscore Wizkid’s enduring impact on the African music landscape.

In essence, “Kese (Dance)” represents another milestone in Wizkid’s illustrious career, combining his signature style with contemporary Afrobeats elements.

Through this release, he continues to bridge cultural and linguistic boundaries while maintaining his position at the forefront of African popular music.

Check out more music updates here.

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FOREIGN

Bruno Mars Breaks All-Time Spotify Monthly Listener Record For The Second Time

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Bruno Mars Breaks Spotify Monthly Listener Record | fab.ng

Bruno Mars now commands 130 million monthly Spotify listeners, shattering the platform’s previous record.

The Grammy winner achieved this milestone following the release of his recent collaborations: ‘Die With A Smile‘ featuring Lady Gaga and his appearance on Rose’s track ‘APT’.

These new singles mark Mars’ first musical releases since his collaboration with Anderson Paak on their Grammy Album of the Year-winning project ‘An Evening With The Silk Sonic’ in 2021.

The stellar performance of these tracks has propelled him past The Weeknd’s previous record of 120 million monthly listeners.

The Weeknd had previously made history as the first artist to attract 100 million monthly listeners on Spotify. The Canadian superstar then broke his own record by reaching an impressive 120 million listeners.

As of November 13, 2024, Bruno Mars leads the Top 20 highest Spotify monthly listeners, demonstrating his enduring appeal and growing global fanbase.

His achievement reflects both the success of his recent releases and his consistent ability to connect with audiences worldwide.

The record-breaking numbers showcase the expanding reach of streaming platforms and Mars’ commanding presence in the digital music landscape.

Top 20 highest Spotify monthly listeners as of November 13, 2024.

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