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Senate sets conditions for FG on 2018 budget

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The Senate on Thursday considered and adopted the report of its Joint Committee on Appropriation and Finance over its meeting on Tuesday with the Minister of Finance, Mrs. Kemi Adeosun; and Minister of Budget and National Planning, Senator Udo Udoma, on the implementation of the 2017 Appropriation Act.

Part of the recommendations of the panel, which was approved by the chamber, was that if Nigeria would have a January to December budget cycle in 2018, the Federal Government must not roll over 60 percent of capital projects in the 2017 budget as being proposed.

The upper chamber of the National Assembly also warned the Executive against the selective implementation of projects “under the guise of completing priority projects.”

As part of its findings, the committee said, “The Executive claimed it is awaiting the resolution of the National Assembly on external borrowing to enable them borrow externally to finance part of the capital component of the budget. This is because external debts have

“This is because external debts have longer tenures and lower interest rate.”

The panel said it was also observed that the Executive had decided to focus on completion of priority projects that were near completion instead of implementing the budget as passed.

Another observation by the panel was that efforts were being made to have the 2018 budget proposal laid before the National Assembly in October 2017, with the hope that the National Assembly would pass it in December for implementation to commence January 2018.

Some of the other observations were that “60 percent of the capital component of the 2017 budget may be rolled over to 2018, with the expectation that it will commence in January 2018.

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“The shortfall in personnel costs of some agencies are as a result of either error in the budget or unapproved employment of staff. This is being investigated by the Executive with a view to addressing the problem.

“There are revenue leakages of operating surpluses that Agencies are not remitting to the Consolidated Revenue Fund.”

The lawmaker, however, stepped down the first recommendation in the report, which read, “The committee wishes to recommend that the issue of external borrowing be resolved with the executive without further delay.”

President of the Senate, Bukola Saraki, stated there was no pending request for external borrowing with the chamber.

He said, “Let me also clarify this because I was involved by the Chairman of Appropriations; that when the Minister of Finance came, she suggested that there were some requests before us on external borrowing.

“I just want to make it clear that there is no request on external borrowing that has not been acted upon. It must be that the letters have not left the Executive to come to us.

“I think it is important that we don’t delay such an important issue. If you remember, at the end of the last session – on the last day, we treated requests from the states and those on the railways.

“There are no pending requests from Mr. President or, when he was away, from the Acting President on external loan.”

The Senate, however, approved other recommendations, including that “necessary steps be taken to ensure that the Executive does not embark on selective implementation under the guise of completing priority projects because it will offend the spirit of the Appropriation Act.”

Others read, “Much as there is the need to work with the Executive to return to a predictable January-December budget cycle, this should be done without sacrificing up to 60 percent of a full year capital budget in one full-swoop.

“The 2018 budget proposal (should) be passed expeditiously when brought to the National Assembly to allow for full implementation.

“We encourage the Executive to ensure that all MDAs are properly captured in IPPIS and all employments are properly approved and budgeted for.

“The use of operating surplus of Internally Generated Revenue of government-owned enterprises like the Central Bank of Nigeria, Nigerian Maritime Administration and Safety Agency, Nigerian Ports Authority and others in funding the national budget should be properly explored.”

The Senate also approved that the Executive should be encouraged to block all leakages of operational surpluses of MDAs.

In his closing remarks, Saraki expressed fears over the proposal by the Federal Government to roll over about 50 percent of the capital projects for 2016 to 2018.

He said, “On the points that have been raised, the key point is to ensure that the Executive does carry out a level of implementation in line with what we proposed and then, they should address the issue of operational surpluses.

“The Executive should also fast track, if they have any requests at all, external borrowing and they should not adopt selective implementation.

“My only concern, which I think the Appropriations Committee needs to look at, is that if we are saying that we are going to do only 50 percent implementation of capital, that means that for next year, we are talking about a N10tn budget. Where is the capacity to implement

“Where is the capacity to implement that?”

– Punch

MUSIC

Wizkid’s “Dance” Reappears On Apple Music Nigeria Top 100

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Kese (Dance) Reappears on Apple Music Nigeria Top 100 | fab.ng

Wizkid’s ‘Kese (Dance)’ Reclaims Top Spot on Apple Music Nigeria

Wizkid’s latest single, ‘Kese (Dance)‘ dramatically returned to the Apple Music Nigeria Top 100 chart. The song temporarily disappeared on November 18, 2024, sparking widespread speculation among fans and music enthusiasts.

Fab.ng first reported the unexpected chart removal. Despite vanishing from the Nigerian chart, ‘Dance’ maintained its position on global Top 100 lists. Remarkably, it remained the sole Nigerian and African track on international charts.

Apple Music’s chart management protocols suggest potential reasons for the temporary removal. The platform commonly investigates potential streaming manipulation. When suspicious activity emerges, they remove and then reinstate tracks after verifying stream authenticity.

Fans and industry watchers developed multiple theories. Some believed the removal resulted from technical complications. Others suspected a deeper investigation into streaming patterns. The exact mechanism remained unclear.

Within hours, ‘Kese (Dance)’ returned to its top chart position. The song demonstrated sufficient streaming strength to reclaim its previous standing. Wizkid’s continued musical dominance remained unquestionable.

The incident generated additional excitement around Wizkid’s upcoming album ‘Morayo.’ Scheduled for release on November 22, 2024, the album generates significant anticipation. Wizkid strategically shared the official tracklist, further fueling fan enthusiasm.

Music industry observers noted the incident’s potential marketing impact. The temporary chart removal inadvertently increased visibility for both the single and the upcoming album. Wizkid’s strategic music release continues to capture the audience’s attention.

The event underscores the complex dynamics of digital music platforms. Streaming charts represent more than simple popularity metrics. They reflect intricate algorithmic and investigative processes.

Wizkid continues to demonstrate his significant influence in Nigerian and global music scenes. ‘Kese (Dance)’ represents another milestone in his remarkable musical journey.

Fans remain eager to experience the full ‘Morayo’ album, anticipating another potential chart-topping release from the superstar artist.

Check out more updates here.

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MUSIC

Davido’s “Na Money” Wins Best Costume/Styling At Berlin Fashion Film Festival

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Na Money wins best costume at Berlin fashion film festival | fab.ng

Davido’s “Na Money” music video, featuring Angélique Kidjo and The Cavemen, has earned the prestigious Best Costume/Styling (Craft) award at the 12th Berlin Fashion Film Festival.

The vibrant video is directed by Dammy Twitch and produced by Blessing Uzzi. The video captivated audiences with its colourful costumes, cultural depth, and breathtaking visuals. This celebrates African heritage with impeccable creativity and style.

The win underscores the team’s exceptional attention to detail in showcasing the beauty of African fashion and culture. From the elaborate traditional attire to the contemporary designs, the video seamlessly blends visual artistry with the powerful Afrobeat sound of the track.

This recognition cements “Na Money” as a benchmark for combining music and fashion in innovative storytelling.

The Berlin Fashion Film Festival celebrates fashion and film annually.

It has recognized outstanding talent since its establishment. The festival is part of the larger Berlinale, a global cinema event dating back to 1951.

It focuses on creativity and craftsmanship in filmmaking. The festival highlights emerging talent across various artistic disciplines. It awards prestigious honours like the Golden Bears.

The event attracts filmmakers, designers, and film enthusiasts from around the world. The festival provides a platform for innovative storytelling through visual media.

Recognizing creative excellence supports artistic development. The award represents a significant achievement for artists and creators. For Davido and his team, this recognition underscores their contribution to global cultural representation.

The festival continues to be an important stage for showcasing innovative artistic expressions.

The video’s dynamic visuals and cultural richness not only earned industry accolades but also resonated with fans worldwide.

To experience the award-winning brilliance firsthand, watch Davido’s “Na Money,” featuring Angélique Kidjo and The Cavemen, now.

Let the stunning visuals and captivating storytelling take you on a journey through Africa’s vibrant cultural tapestry.

Explore the full list of winners on the festival’s official site and join in celebrating this milestone for African music and fashion.

Watch the video below.

Check out more updates here.

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MOVIES

“The Interrogation Of Lotanna” Bags 6 Nominations At The FilmJoint Awards 2025

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The Interrogation of Lotanna: 6 nominations at TFA 2025 | fab.ng

Reginald Jumbo’s compelling short film “The Interrogation of Lotanna” has earned prestigious recognition with six nominations at the upcoming 2025 Film Joint Awards.

The nominations span major categories. They include Best Picture, Best Director, Best Actor in a Leading Role, Best Indigenous Film (Nigeria), Best African Film, and the Best Jury Award for Outstanding Storytelling.

The FilmJoint platform stands as a vital global initiative that connects short filmmakers with international audiences. They provide them with a stage to showcase their creative works.

Through its annual awards ceremony, FilmJoint celebrates exceptional short films that advance African cinema’s artistic and cultural landscape.

Producers Ibukun Serah Adetoyinbo and Oreoluwa Obadofin bring to life a gripping narrative set against the backdrop of civil unrest.

The plot follows Captain Ardo, a military commander tasked with suppressing an eastern rebellion led by the elusive Zuru Nkwu.

After months of fruitless searches, intelligence leads Ardo to interrogate a suspect named Lotanna. Despite enduring severe torture, Lotanna steadfastly maintains his innocence throughout the ordeal.

The film showcases powerful performances from an ensemble cast. The cast features William Chinoyenem, Cassey Oritsejolomi, Anthony Nwahiri, Francis Sule, Michael Embraiz, and Mr. Rala.

Each actor brings depth and authenticity to their respective roles, contributing to the film’s emotional impact and storytelling prowess.

These nominations underscore the film’s artistic merit and its significant contribution to African cinema. The recognition from the FilmJoint Awards particularly highlights the film’s excellence in storytelling, direction, and performance.

Meanwhile, it also acknowledges its cultural significance as both a Nigerian and African production. The winners will be revealed at the 2025 FilmJoint Awards ceremony, where “The Interrogation of Lotanna” stands as a strong contender across multiple categories.

Check out more updates here.

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