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Charly Boy: A Letter to my People

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Charly Boy

Fellow Biafrans,

I know some of my Igbo brothers and sisters are not happy with me simply because I have not used My Brand as Charly Boy to advocate for the clamor of The Biafran state.

However, like I always say, there is more than one way to achieve a purpose. Though I may disagree with my Igbo brothers and sisters on the choice of rhetorics and methodology, our objectives are to a large extent identical because we all want to bring an end to the marginalisation of the common peoples, by the evil cabals who are holding Nigeria to a ransom and getting away with their obnoxious impunity and criminality. 

Those who truly know and have followed me know that I am not a Group soul and I have always dared to follow the path least traveled in the continuous struggle to add value to my environment.

It is indeed laughable that despite being a native chicken, Nwa afo, son of Biafran soil with a full-blown Igbotic blood, I have been persistently labeled a wannabe Yoruba, Hausa, Tiv and an Ijaw man simply because I have consistently maintained that I believe in the unity of Nigeria.

To start with, I go like tell una sey you may not be totally wrong if you call me the man from all tribes in Nigeria. This is because I believe in the oneness of all Nigerian peoples. I believe that we have gotten to a point in our national history where a Yoruba man cannot live in isolation of an Igbo man. Likewise, an Ijaw man cannot live in isolation of a Hausa/Fulani man. All tribes in Nigeria today have become a mat of interwoven fibers that cannot be segregated.

There have so far been inter-tribal marriages, intertribal business ownership, and intertribal partnership; and countless other inter-tribal collaborations and relationships in Nigeria. For this reason, my question to those agitating for secession would be that if each tribe decide to secede from Nigeria today, what then will happen? Who will lead the new nations? Will the people be happy? Will injustice be defeated in the new societies? Will criminality end in leadership positions? Will there be happiness in the new nations? Will the people finally have a country to call their own? These are important questions we must ask ourselves and provide answers to before we even start to beat the drums of secession.

Having said that, I must state that whereas I am a Biafran at heart, what should engage our minds is not a sectional Biafra but a national Biafra. The fight for nationalists who will drive the discourse and the engagement necessary in answering the Nigeria national questions must not be bogged down by petty sentiments, tribal colorations and religious propaganda. The failure of the Igbo nation and all Nigerian tribes and peoples is the fault of influence peddlers and directionless decision makers.

The crux of the Biafran agitation is that my people are tired of a system that has perpetually failed them. My Igbo kinsmen are tired of a system that enriches the rich and impoverishes the poor. My people are tired of a system that glorifies impunity and criminality. My people are tired of decades of oppression and marginalization. However, the deeply rooted disgruntlement in Biafra land is not peculiar to my Igbo brothers and sisters only; all the common peoples in the 500 tribes in Nigeria are victims of a failed system and persistent oppression. And this is essentially where I disagree with my brother Nnamdi Kanu that though Biafra is right, it should be a national cause and not a sectional one. 

Let me be clear: The Charly Boy brand is not just a global brand but also a national brand that should not be reduced to a sectional brand.

The problem in this nation is not the lack of a space where we all can coexist but the lack of men of integrity and progressive nationalists. We lack the right kind of leadership that will fight for the interest of the common people. And if at all there would be an agitation, it should be geared towards sanitizing the currently bastardized Nigerian system. Our agitation for Biafra should be about having the right leaders in positions of power and not power drunken people with insatiable appetite to plunder and loot. 

Therefore, my people, I insist that the suffering of the People from the South East is also the suffering of the people from the other geopolitical zones in Nigeria. And the oppression of the Igbo people is also the oppression of all Nigerian peoples. An injury to one is an injury to all. A Biafra state is not going to change the players of the game, it will only exacerbate the sufferings of the victims of the game.

In conclusion, my people, let us dutifully work ourselves back into reckoning by fighting for Fairness, Justice, and Equality for all Nigerians; not Igbos only; Yorubas only or Hausas only but all Nigerians.

MUSIC

Wizkid’s “Dance” Reappears On Apple Music Nigeria Top 100

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Kese (Dance) Reappears on Apple Music Nigeria Top 100 | fab.ng

Wizkid’s ‘Kese (Dance)’ Reclaims Top Spot on Apple Music Nigeria

Wizkid’s latest single, ‘Kese (Dance)‘ dramatically returned to the Apple Music Nigeria Top 100 chart. The song temporarily disappeared on November 18, 2024, sparking widespread speculation among fans and music enthusiasts.

Fab.ng first reported the unexpected chart removal. Despite vanishing from the Nigerian chart, ‘Dance’ maintained its position on global Top 100 lists. Remarkably, it remained the sole Nigerian and African track on international charts.

Apple Music’s chart management protocols suggest potential reasons for the temporary removal. The platform commonly investigates potential streaming manipulation. When suspicious activity emerges, they remove and then reinstate tracks after verifying stream authenticity.

Fans and industry watchers developed multiple theories. Some believed the removal resulted from technical complications. Others suspected a deeper investigation into streaming patterns. The exact mechanism remained unclear.

Within hours, ‘Kese (Dance)’ returned to its top chart position. The song demonstrated sufficient streaming strength to reclaim its previous standing. Wizkid’s continued musical dominance remained unquestionable.

The incident generated additional excitement around Wizkid’s upcoming album ‘Morayo.’ Scheduled for release on November 22, 2024, the album generates significant anticipation. Wizkid strategically shared the official tracklist, further fueling fan enthusiasm.

Music industry observers noted the incident’s potential marketing impact. The temporary chart removal inadvertently increased visibility for both the single and the upcoming album. Wizkid’s strategic music release continues to capture the audience’s attention.

The event underscores the complex dynamics of digital music platforms. Streaming charts represent more than simple popularity metrics. They reflect intricate algorithmic and investigative processes.

Wizkid continues to demonstrate his significant influence in Nigerian and global music scenes. ‘Kese (Dance)’ represents another milestone in his remarkable musical journey.

Fans remain eager to experience the full ‘Morayo’ album, anticipating another potential chart-topping release from the superstar artist.

Check out more updates here.

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MUSIC

Davido’s “Na Money” Wins Best Costume/Styling At Berlin Fashion Film Festival

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Na Money wins best costume at Berlin fashion film festival | fab.ng

Davido’s “Na Money” music video, featuring Angélique Kidjo and The Cavemen, has earned the prestigious Best Costume/Styling (Craft) award at the 12th Berlin Fashion Film Festival.

The vibrant video is directed by Dammy Twitch and produced by Blessing Uzzi. The video captivated audiences with its colourful costumes, cultural depth, and breathtaking visuals. This celebrates African heritage with impeccable creativity and style.

The win underscores the team’s exceptional attention to detail in showcasing the beauty of African fashion and culture. From the elaborate traditional attire to the contemporary designs, the video seamlessly blends visual artistry with the powerful Afrobeat sound of the track.

This recognition cements “Na Money” as a benchmark for combining music and fashion in innovative storytelling.

The Berlin Fashion Film Festival celebrates fashion and film annually.

It has recognized outstanding talent since its establishment. The festival is part of the larger Berlinale, a global cinema event dating back to 1951.

It focuses on creativity and craftsmanship in filmmaking. The festival highlights emerging talent across various artistic disciplines. It awards prestigious honours like the Golden Bears.

The event attracts filmmakers, designers, and film enthusiasts from around the world. The festival provides a platform for innovative storytelling through visual media.

Recognizing creative excellence supports artistic development. The award represents a significant achievement for artists and creators. For Davido and his team, this recognition underscores their contribution to global cultural representation.

The festival continues to be an important stage for showcasing innovative artistic expressions.

The video’s dynamic visuals and cultural richness not only earned industry accolades but also resonated with fans worldwide.

To experience the award-winning brilliance firsthand, watch Davido’s “Na Money,” featuring Angélique Kidjo and The Cavemen, now.

Let the stunning visuals and captivating storytelling take you on a journey through Africa’s vibrant cultural tapestry.

Explore the full list of winners on the festival’s official site and join in celebrating this milestone for African music and fashion.

Watch the video below.

Check out more updates here.

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MOVIES

“The Interrogation Of Lotanna” Bags 6 Nominations At The FilmJoint Awards 2025

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The Interrogation of Lotanna: 6 nominations at TFA 2025 | fab.ng

Reginald Jumbo’s compelling short film “The Interrogation of Lotanna” has earned prestigious recognition with six nominations at the upcoming 2025 Film Joint Awards.

The nominations span major categories. They include Best Picture, Best Director, Best Actor in a Leading Role, Best Indigenous Film (Nigeria), Best African Film, and the Best Jury Award for Outstanding Storytelling.

The FilmJoint platform stands as a vital global initiative that connects short filmmakers with international audiences. They provide them with a stage to showcase their creative works.

Through its annual awards ceremony, FilmJoint celebrates exceptional short films that advance African cinema’s artistic and cultural landscape.

Producers Ibukun Serah Adetoyinbo and Oreoluwa Obadofin bring to life a gripping narrative set against the backdrop of civil unrest.

The plot follows Captain Ardo, a military commander tasked with suppressing an eastern rebellion led by the elusive Zuru Nkwu.

After months of fruitless searches, intelligence leads Ardo to interrogate a suspect named Lotanna. Despite enduring severe torture, Lotanna steadfastly maintains his innocence throughout the ordeal.

The film showcases powerful performances from an ensemble cast. The cast features William Chinoyenem, Cassey Oritsejolomi, Anthony Nwahiri, Francis Sule, Michael Embraiz, and Mr. Rala.

Each actor brings depth and authenticity to their respective roles, contributing to the film’s emotional impact and storytelling prowess.

These nominations underscore the film’s artistic merit and its significant contribution to African cinema. The recognition from the FilmJoint Awards particularly highlights the film’s excellence in storytelling, direction, and performance.

Meanwhile, it also acknowledges its cultural significance as both a Nigerian and African production. The winners will be revealed at the 2025 FilmJoint Awards ceremony, where “The Interrogation of Lotanna” stands as a strong contender across multiple categories.

Check out more updates here.

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