ENTERTAINMENT

Jim Iyke Explains what ‘STYLE’ Means to Him

Published

7 years ago

July 27, 2017

Paul

Jim Iyke Explains what ‘STYLE’ Means to Him

Nigerian Actor and style icon, Jim Iyke, has taken to Instagram to share a picture of himself as he pen down a lengthy definition of what style means to him.

He disclosed that he is the confluence of global cultural diversity and added that God tailored him entirety for one entity; which is HIM.

Whether I’m rocking an overpriced jacket on the streets of champs elysees or rocking rubber flip flops soaking up the adulation of the street in the slums of kibera, it matters none. Unshaven for weeks with morning breathe rocking a palm oil stained old tee telling bad jokes with my sisters in my man cave or well groomed in handmade rare leather loafers makes no difference. It changes nothing.

“I am the confluence of global cultural diversity” – Jim Iyke Says

I am the confluence of global cultural diversity. I’ve meticulously and resiliently self tutored its complexity into my DNA by trial and error. The originality is singular only the substance is duplicable. God tailored my entirety for one entity; ME.

It’s a comprise far from not only what you wear. It is how you think. Your principles. Your choices; costs and effects. Your idiosyncrasy. It’s in the roots imbibed by the man that sired you and men that mentored you.
Everything else around me is an Accessory. I am the essence. I give it life.

No brand, address, tribe, race, religion, creed, or ideology can define me. God created me this way eternities before my birth.
I cannot pretend to be anything else even if I wanted to. I’ve tried and failed woefully in the past. I am ridiculously comfortable and apt being me. Rules become inapplicable, even redundant. It’s an attitude. A way of life.

Perception is the window. It’s orchestrated conditioning to misinform you by disinforming you. Find your purpose and be informed. It is your open weapon.
I know people with $ 100 dollars budget walk into a room and everything stand still. I’ve seen people with $ 100k budget that make it look like a painful process and what is more cant hold a convo with a smart 8 year old.
It can’t be bought. It is and will always be priceless.

Once you’ve figured out this truth, you will strive for a reach beyond your grasp. A consciousness and profound understanding of self. It is the mastery of your space. Your individuality. Your flair. It’s in all of us whether dormant or dominant.

Find it. Train it. Fail it. Win it. Own it. Ostracize it.
This is STYLE. This is how I understand it.
Now how friggin DOPE is that!! #StylePiper #RainyBeautifulDay #ParisChronicles

Whether I’m rocking an overpriced jacket on the streets of champs elysees or rocking rubber flip flops soaking up the adulation of the street in the slums of kibera, it matters none. Unshaven for weeks with morning breathe rocking a palm oil stained old tee telling bad jokes with my sisters in my man cave or well groomed in handmade rare leather loafers makes no difference. It changes nothing. I am the confluence of global cultural diversity. I’ve meticulously and resiliently self tutored its complexity into my DNA by trial and error. The originality is singular only the substance is duplicable. God tailored my entirety for one entity; ME. It’s a comprise far from not only what you wear. It is how you think. Your principles. Your choices; costs and effects. Your idiosyncrasy. It’s in the roots imbibed by the man that sired you and men that mentored you. Everything else around me is an Accessory. I am the essence. I give it life. No brand, address, tribe, race, religion, creed, or ideology can define me. God created me this way eternities before my birth. I cannot pretend to be anything else even if I wanted to. I’ve tried and failed woefully in the past. I am ridiculously comfortable and apt being me. Rules become inapplicable, even redundant. It’s an attitude. A way of life. Perception is the window. It’s orchestrated conditioning to misinform you by disinforming you. Find your purpose and be informed. It is your open weapon. I know people with $100 dollars budget walk into a room and everything stand still. I’ve seen people with $100k budget that make it look like a painful process and what is more cant hold a convo with a smart 8 year old. It can’t be bought. It is and will always be priceless. Once you’ve figured out this truth, you will strive for a reach beyond your grasp. A consciousness and profound understanding of self. It is the mastery of your space. Your individuality. Your flair. It’s in all of us whether dormant or dominant. Find it. Train it. Fail it. Win it. Own it. Ostracize it. This is STYLE. This is how I understand it. Now how friggin DOPE is that!! #StylePiper #RainyBeautifulDay #ParisChronicles

A post shared by Jim Iyke (@jim.iyke) on Jul 26, 2017 at 1:11pm PDT

ENTERTAINMENT

See Complete List Of Nominees At The FilmJoint Awards 2025

Published

11 mins ago

November 18, 2024

Reporter

2025 FilmJoint Awards: See Complete List Of Nominees | fab.ng

The 2025 Filmjoint Awards are fast approaching, and the excitement is building as the full list of nominees is finally out. This year’s nominations highlight exceptional films that span various genres, styles, and talents.

Each nominated film brings something unique and captivating, showcasing an incredible range of cinematic creativity. As we count down to the 2025 Filmjoint Awards, these films are set to compete fiercely across multiple categories, aiming for top honours.

The diverse selection of nominees reflects the rich talent in the industry, making the 2025 Filmjoint Awards a must-watch event.

Let’s dive into the standout films leading the race and vying for this year’s prestigious awards.

BEST PICTURE

Bunuelesque
Jujuman
Conversations From The Past
The Birth
The Interrogation Of Lotanna
Ekún Ìyàwó: A Tale of a Runaway Bride
Love, Olaitan

BEST DIRECTOR

Better Place
Maki
The Major
The Birth
The Veil
Cry Me Awake
The Interrogation Of Lotanna
Ekún Ìyàwó: A Tale of a Runaway Bride
Love, Olaitan
Conversations From The Past

BEST INTERNATIONAL FILM

Bunueleque
Jujuman
Ibrahim
Dojo
Wiedergeburt (Rebirth)

BEST AFRICAN FILM

The Interrogation of Lotanna
Conversations from The past
Ekún Ìyàwó: A Tale of a Runaway Bride
Mike and Mariam
Taama

BEST INDIGENOUS FILM (NIGERIA)

Man and Masquerades
Edeleyo – The Decision
Psyched
Tele Tele
Cry Me Awake
Love, Olaitan
The Interrogation Of Lotanna
Ume (Breathe)
Honeycomb
Ekún Ìyàwó: A Tale of a Runaway Bride

BEST CINEMATOGRAPHY

The Veil
The Major
The Birth
The Delectable Azeezah Sama
The Interrogation Of Lotanna
Sweat and Blood
Ekún Ìyàwó: A Tale of a Runaway Bride
Love, Olaitan
Conversations From The Past
Bush Baby

BEST PRODUCTION DESIGN

Edeleyo – The Decision
The Birth
Cry Me Awake
The Interrogation Of Lotanna
Ekún Ìyàwó: A Tale of a Runaway Bride
Love, Olaitan
Conversations From The Past
The Major
Bush Baby
Sweat and Blood

BEST SOUND OVERALL

Edeleyo – The Decision
The Birth
The Major
Tele Tele
The Delectable Azeezah Sama
The Interrogation Of Lotanna
Bush Baby
Ekún Ìyàwó: A Tale of a Runaway Bride
Love, Olaitan
Conversations From The Past

BEST ACTOR IN A LEADING ROLE

The Interrogation Of Lotanna
Breakfast Over Dinner
Kaseko
Man and Masquerades
Road Trip
The Delectable Azeezah Sama
Turning Point
Tele Tele
The Last Word
Bush Baby

BEST ACTRESS IN A LEADING ROLE

The Birth
Cry Me Awake
Maki
The Delectable Azeezah Sama
Sealed
Anthology of Emotions
Ekún Ìyàwó: A Tale of a Runaway Bride
Ume (Breathe)
Psyched
Conversations From The Past
The Last Word

BEST SCREENPLAY (ORIGINAL OR ADAPTED)

The Birth
Better Place
Maki
Turning Point
Conversations From The Past
Bodmas
Love, Olaitan
Cry Me Awake
Honeycomb
Last Cab Home

BEST COSTUME DESIGN

Edeleyo – The Decision
The Major
Cry Me Awake
Ekún Ìyàwó: A Tale of a Runaway Bride
Conversations From The Past
Tele Tele
The Veil
Oke Okuta
Bush Baby
The Birth

BEST MAKE-UP/SFX

Bush Baby
The Major
Cry Me Awake
Ekún Ìyàwó: A Tale of a Runaway Bride
Edeleyo – The Decision
Sweat and Blood

BEST FILM EDITING

The Birth
Psyched
The Veil
The Major
Jude
Bush Baby
The Albino Story
Conversations From The Past
The Delectable Azeezah Sama
Road Trip

BEST DOCUMENTARY FILM

On Your Own
Sipping Words
Agbo: Poison or Remedy
The Way We Are
28 days
Ade: Depth of Devotion
Afrobunk

BEST STUDENT FILM

Rekiya
Flawed Cupid
Angel in the Stone
Ijo, A Dance
Abiku: Enigma
The Last Sane Man In Lagos
Endless Loop

JURY AWARD FOR OUTSTANDING STORYTELLING

The Birth
Love, Olaitan
Conversations From The Past
The Interrogation of Lotanna
Honeycomb

FILMJOINT AWARD FOR VOICE OF IMPACT

Kaseko
Bodmas
Sonu
Sealed
Listen
Man and Masquerades
Better place
28 Days
On Your Own
The Albino Story

Check out more updates here.

ENTERTAINMENT

AFRIFF 2024: Check Out The Complete List Of Winners

Published

3 days ago

November 15, 2024

Reporter

2024 AFRIFF: The Complete List Of Winners | fab.ng

The 2024 AFRIFF celebrated exceptional African cinema through a vibrant week-long showcase of talent, creativity, and storytelling excellence.

Filmmakers, actors, and cinema enthusiasts gathered from across the continent to participate in screenings, masterclasses, and engaging panel discussions at the 2024 AFRIFF.

This 13th edition of AFRIFF demonstrated unprecedented diversity in African storytelling, featuring compelling narratives that captivated audiences through multiple genres and languages.

In the 2024 AFRIFF, carefully curated selections sparked meaningful conversations about contemporary African experiences while highlighting the continent’s rich cultural heritage.

Also, at the 2024 AFRIFF Globe Awards ceremony, outstanding films earned recognition for their artistic merit, technical excellence, and powerful storytelling.

These winning productions represented various African perspectives, from intimate personal narratives to broader social commentaries.

Let’s explore the complete list of winners who made their mark at this prestigious celebration of African cinema.

Jury Awards

Jury Prize: Freedom Way | Directed by Afolabi Olalekan | Nigeria
Jury Special Mention: Memories of Love Returned | Directed by Ntare Guma Mbaho Mwine | Uganda

Feature Prizes

Best Feature Film: Phoenix Fury | Directed by Ifeoma N. Chukwuogo | Ghana, Nigeria
Best International Film: Calladita (The Quiet Maid) | Directed by Miguel Faus | Spain
Best Director: Ifeoma N. Chukwuogo for Phoenix Fury
Special Mention: A Ghetto Love Story | Directed by Daniel Oriahi | Nigeria
Best Male Performance: Alexander Hakim in The Dog
Best Female Performance: Uzoamaka Onuoha in Agemo
Best Screenplay: Bode Asiyanbi for The Man Died

Documentary Prizes

Best Documentary: Mother City | Directed by Miki Redelinghuys | Brazil, South Africa
Best International Documentary: Memories of Love Returned | Directed by Ntare Guma Mbaho Mwine
Special Mention: Dan Bature Kudawa | Directed by Charles Solomon | Nigeria
Best Documentary Short: From God to Man | Directed by Lansana Mansaray | Sierra Leone

Short Film Prizes

Best Animation: Hadu | Directed by Damilola Solesi | Nigeria
Special Mention: Leon and the Professor | Directed by Chekwube Okonkwo | Nigeria
Best Short: Adunni | Directed by Tola Falonipe | Nigeria
Best International Short: Cookie Box | Directed by Adam Żurawiecki | Ghana, Malta
Best Student Short: Last Minute | Directed by Nicole E. Emechebe | Nigeria
Special Mention: Flawed Cupid | Directed by Emerald Obahiagbon, Feyisayo Rotimi | Nigeria

Check out more updates here.

ENTERTAINMENT

Enioluwa Replies X User Questioning The Use Of Same Actors In Nollywood

Published

6 days ago

November 12, 2024

Reporter

Enioluwa on why Nollywood uses the same actors | fab.ng

Nollywood actor and social media personality Enioluwa explained why the Nigerian film industry uses the ‘same faces’ in movies.

It all began on November 11, 2024, when an X user reacted to actress Jemima Osunde‘s post on X regarding the new YouTube film Fame and Fury.

The user said, “I’m sincerely tired of seeing the same faces in this damn industry.”

I’m sincerely tired of seeing the same faces in this damn industry https://t.co/L2rKSIGIz6

— salamalekun bitches (@95andbeyond) November 11, 2024

Osunde did not take her comment lightly. She retorted, saying, “We’re tired of seeing your face too in your office. Damn! I hope they sack you.”

Enioluwa then took to X to address the notion of Nollywood using familiar faces in films. He stressed that it happens because of finances.

He wrote,

“People often say they’re tired of seeing the same faces in Nigerian films. However, unlike in Hollywood, actors in Nigeria can’t afford to do just one film a year—how much are they paying? The industry currently can’t support as many newcomers as people might expect because, realistically, many of them wouldn’t be able to meet even their basic needs. No one wants to be famous and financially unstable.”

In response, another X user asked him for practical solutions, urging him to suggest actionable steps rather than just highlighting the problems. “You made a crucial point there but you didn’t suggest any solution,” he commented.

Enioluwa then explained,

We don’t have the buying power yet; it’s growing because streaming platforms have come in and people have made more records in the box office. Nevertheless, you can’t equate it to Hollywood, an Avengers that made over $2 billion that can pay its actors millions of dollars and still have enough profit.

People often say they’re tired of seeing the same faces in Nigerian films.

However, unlike in Hollywood, actors in Nigeria can’t afford to do just one film a year— how much are they paying.

The industry currently can’t support as many newcomers as people might expect because,…

— Eni Adeoluwa (@Enioluwa_) November 11, 2024