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Buhari Treats Me Like His Son – Osinbajo

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Acting President Yemi Osinbajo, SAN today gave some glimpses into the personal and official relationships he has shared with President Muhammadu Buhari.

On a visit to Katsina to launch the state’s Micro, Small and Medium Scale Enterprises Clinic, Prof. Osinbajo disclosed that ” the President has been treating me as a brother. In fact the President has taken me as a son in the way he treats me.”

The Acting President noted that going by the amount of responsibilities President Buhari has given me, it shows that he seriously believes that we can live as brothers in this country.

“He seriously believes in the unity of Nigeria. I pray the Lord will preserve our President to continue to lead us just as the nation has voted him to do.”

The Acting President who earlier paid a visit to the Emir of Katsina, Dr. Abdulmumini Kabir Usman, also spoke about his close relationship with President Muhammadu Buhari at the palace reception/

“One of the reasons why I feel very much at home in Katsina State is because this is the State of our President, President Muhammadu Buhari, who has taken me more like a brother; in fact sometimes more like a son than a Vice President.”

He commended the Government and people of Katsina State for being a role model in terms of peaceful co-existence of all ethnic tribes and religions in the State.

Osinbajo stated that President Muhammadu Buhari knows Nigeria’s capacity is limitless in terms of what we can produce.

“When he gave the 2017 budget speech in December 2016, the President said the central vision of our government is to grow everything that we would eat and to make everything we would use.”

At the launch of the Katsina State’s MSMES Clinic, Osinbajo averred that the Federal Government’s newly launched Economic Recovery & Growth Plan (EGRP) places high premium on the nation’s capacity to grow it’s export potentials rather than continue on the unsustainable path of total dependence on import.

He said the focus of the Plan is to develop “the capacity of Nigerians to do everything that we need internally; to become a net exporter of the various things that we are importing today.”

Explaining Federal Government’s reason for the inauguration of the MSMEs Clinics that is now going round major cities in the country, Prof Osinbajo stated that it was designed to give small businesses the opportunity “to meet with the industry regulators, to talk to them and to hear their problems”, adding that he was so excited to see not only business men but women who are focussed and serious about their businesses.

He explained that the idea of the MSMES clinics which he has personally attended for the fourth time now is the Buhari administration’s effort to close the gap between MSMES and relevant FG regulatory agencies like NAFDAC, CAC, SON, BOI, FIRS and others and ensure that those agencies become facilitators of businesses not obstacles to business development.

Prof Osinbajo who declared the MSMEs Clinic open, was accompanied to Katsina by the Minister of State for Aviation, Mr. Hadi Sirika, Minister of State for Industry, Trade and Investment, Hajia Aisha Abubakar, Chairman of Federal Inland Revenue Service, Babatunde Fowler and Special Adviser to the President on Political Matters, Senator Babafemi Ojudu.

NAN reports that he also spoke about the imperative of a one indivisible and united Nigeria, emphasising that the nation’s diversity is its strength and noted that “Katsina State is the home of a United Nigeria.”

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Credit: PM News

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MUSIC

Social Media Reacts As Wizkid’s “Dance” Disappears From Apple Music Top 100

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'Kese (Dance)' disappears from Apple Music Top 100 | fab.ng

On November 18, 2024, fans woke up to the shocking news that Wizkid’s latest single, “Kese (Dance)”, had suddenly vanished from the Apple Music Nigeria Top 100.

Just days ago, the song had been proudly sitting at the number one spot. This abrupt drop sparked widespread speculation, with many fans and industry insiders suspecting that Apple Music had penalized the track for streaming manipulation.

Such drastic deductions often indicate stream deductions or “chart-drinking,” which are common penalties that Apple Music enforces against artificial streaming boosts.

Adding fuel to the controversy is Wizkid’s “Kese (Dance)”, released on November 15, 2024, as the second lead track from his forthcoming album “Morayo”.

Within hours of its release, “Kese” soared to the top of the Apple Music Nigeria Top 100, demonstrating Wizkid’s enduring popularity and dominance on the charts.

However, the unexpected removal of the song from the charts sent shockwaves through social media, leaving fans divided. Some believe Apple Music may have acted to curb stream farming, while others argue it might simply be a technical glitch.

Historically, Apple Music has taken stringent measures to crack down on streaming manipulation, especially against high-profile artists.

This latest move, if confirmed as a penalty, would be one of their strongest actions yet against stream farming. However, the possibility of a glitch cannot be entirely dismissed, as similar occurrences have happened before.

Fans now eagerly watch to see if “Kese (Dance)” will rebound to its previous chart-topping position. A quick recovery would lend credence to the glitch theory.

Meanwhile, a continued absence would suggest that Apple Music has indeed taken a firm stance against streaming irregularities—even against a major act like Wizkid. For now, all eyes remain on the charts to see how this drama unfolds.

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ENTERTAINMENT

AFRIFF 2024: Check Out The Complete List Of Winners

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2024 AFRIFF: The Complete List Of Winners | fab.ng

The 2024 AFRIFF celebrated exceptional African cinema through a vibrant week-long showcase of talent, creativity, and storytelling excellence.

Filmmakers, actors, and cinema enthusiasts gathered from across the continent to participate in screenings, masterclasses, and engaging panel discussions at the 2024 AFRIFF.

This 13th edition of AFRIFF demonstrated unprecedented diversity in African storytelling, featuring compelling narratives that captivated audiences through multiple genres and languages.

In the 2024 AFRIFF, carefully curated selections sparked meaningful conversations about contemporary African experiences while highlighting the continent’s rich cultural heritage.

Also, at the 2024 AFRIFF Globe Awards ceremony, outstanding films earned recognition for their artistic merit, technical excellence, and powerful storytelling.

These winning productions represented various African perspectives, from intimate personal narratives to broader social commentaries.

Let’s explore the complete list of winners who made their mark at this prestigious celebration of African cinema.

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MOVIES

Queen Lateefah Earns N333.7 Million, Ascends To Nollywood’s Top Box Office Rankings

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'Queen Lateefah' earns ₦333.7 million | fab.ng

First and foremost, Wumi Toriola’s film ‘Queen Lateefah‘ has achieved remarkable success, surpassing ₦300 million at the box office and securing its position among Nollywood’s top-performing films.

Subsequently, the film joins other blockbuster successes such as ‘Ajosepo’ (₦257.2 million) and ‘Ajakaju’ (₦252.8 million). Moreover, ‘Queen Lateefah’ now stands as the seventh highest-grossing Nollywood movie to date.

Additionally, it holds the distinction of achieving the highest earnings for a non-December release, a period typically known for peak box office performance.

Throughout its theatrical run, the film has consistently broken records. Initially, it garnered ₦57 million in its opening weekend.

Furthermore, within just three weeks of its premiere, the film exceeded the ₦200 million milestone. By mid-October, consequently, the box office receipts had accumulated to ₦216 million.

Queen Lateefah' grosses enters Nollywood's top box office rankings | Pulse  Nigeria

Under the distribution of Cinemax and the direction of Adeoluwa Owu, the film presents a compelling narrative. Specifically, it follows Lateefah Adeleke, a 30-year-old businesswoman who portrays herself as a world traveller with high social status.

However, her encounter with Jide Rhodes, a 35-year-old businessman, eventually exposes her carefully constructed facade.

In contrast to her claims, Lateefah emerges from a background of extreme poverty as the only child of an illiterate mother.

Finally, the film features a stellar ensemble cast including Kunle Remi, Femi Adebayo, Nancy Isime, Bimbo Manuel, Elvina Ibru, Enioluwa, and Gbugbemi Ejeye.

As a result of these combined elements – compelling storyline, strong performances, and strategic release timing – ‘Queen Lateefah’ continues to demonstrate the growing commercial potential of Nollywood productions.

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