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Mel-B Opens Up About Abusive Marriage, As She Obtains Restriction Order Against Husband.

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Mel B has obtained a restraining order application against estranged husband Stephen Belafonte, alleging he beat her, got their nanny pregnant and exhorted her to take part in threesomes throughout their ten year marriage.

The 41-year-old former Spice Girl made a string of explosive and disturbing claims in her court declaration which forces Stephen to stay away from herself and her three children.

The catalogue of historic allegations of abuse listed by TMZ include Belafonte ‘punching’ and ‘choking’ Mel, ‘splitting her lip’ and ‘pushing her down on a carpet’.

Mel, who filed for divorce from the producer last month, alleges the abuse began the first year of their marriage back in 2007.

According to the U.S. website, she claims: ‘Stephen placed both of his hands around her neck, began choking her and slammed her down onto the hardwood floors’ while she was preparing for U.S. talent show Dancing With The Stars.

In the documents, Mel alleges that the abuse became part of a ‘pattern’. When she became successful, Stephen ‘would beat me down to let me know he was in charge.’

She also alleges Belafonte ‘punched her and split her lip’ after becoming jealous while she filmed a segment with Usher for the X Factor back in 2012.

After asking her husband how she could appear on television with the obvious injury, Belafonte allegedly told her ‘she should have thought of that before deciding to flirt with and f*** Usher.’

Furthermore, Belafonte ‘punched’ Mel and ‘pushed her down on a carpet’ the day before she and the Spice Girls performed at the Olympic closing ceremony.

Mel claims her injuries were so severe her skin was burned from the carpet, adding that she was then forced by her estranged husband to ‘tweet that she injured herself by running in heels.’

So ‘overcome with emotional and physical exhaustion,’ an embattled Mel reveals she overdosed on a bottle of Aspirin back in 2014.

1.SEPTEMBER.2015 MEL B SEEN IN THIS CELEBRITY TWITTER PICTURE! BYLINE MUST READ: SUPPLIED BY XPOSUREPHOTOS.COM *Xposure Photos does not claim any Copyright or License in the attached material. Any downloading fees charged by Xposure are for Xposure's services only, and do not, nor are they intended to, convey to the user any Copyright or License in the material. By publishing this material , the user expressly agrees to indemnify and to hold Xposure harmless from any claims, demands, or causes of action arising out of or connected in any way with user's publication of the material* **UK CLIENTS MUST CALL PRIOR TO TV OR ONLINE USAGE PLEASE TELEPHONE  +44 208 344 2007**

Disturbingly, Belafonte allegedly stopped her from calling the emergency services, with Mel stating he locked her in the bedroom and told her to ‘die b****.’

Along with allegations of continued violence, Mel says Stephen got their nanny pregnant and even suggested ‘all three of us live together’ with the new baby.

Although the nanny eventually had an abortion ‘she was paid $300,000’ according to the filing.

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And amid recent claims by Belafonte’s brother Jeremiah that the couple had an ‘open and loose relationship,’ Mel states that Stephen made her ‘participate in sexual intercourse with him and random women.’

Worse still, having secretly recorded the trysts, Mel says he threatened to release the sex tapes ‘if she tried to resist the threesomes.’

Mel says she had previously tried to leave him but ‘he threatened me with violence and threatened to destroy my life in every possible way… destroy my career and take my kids from me.’

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ENTERTAINMENT

AFRIFF 2024: Check Out The Complete List Of Winners

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2024 AFRIFF: The Complete List Of Winners | fab.ng

The 2024 AFRIFF celebrated exceptional African cinema through a vibrant week-long showcase of talent, creativity, and storytelling excellence.

Filmmakers, actors, and cinema enthusiasts gathered from across the continent to participate in screenings, masterclasses, and engaging panel discussions at the 2024 AFRIFF.

This 13th edition of AFRIFF demonstrated unprecedented diversity in African storytelling, featuring compelling narratives that captivated audiences through multiple genres and languages.

In the 2024 AFRIFF, carefully curated selections sparked meaningful conversations about contemporary African experiences while highlighting the continent’s rich cultural heritage.

Also, at the 2024 AFRIFF Globe Awards ceremony, outstanding films earned recognition for their artistic merit, technical excellence, and powerful storytelling.

These winning productions represented various African perspectives, from intimate personal narratives to broader social commentaries.

Let’s explore the complete list of winners who made their mark at this prestigious celebration of African cinema.

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ENTERTAINMENT

Enioluwa Replies X User Questioning The Use Of Same Actors In Nollywood

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Enioluwa on why Nollywood uses the same actors | fab.ng

Nollywood actor and social media personality Enioluwa explained why the Nigerian film industry uses the ‘same faces’ in movies.

It all began on November 11, 2024, when an X user reacted to actress Jemima Osunde‘s post on X regarding the new YouTube film Fame and Fury.

The user said, “I’m sincerely tired of seeing the same faces in this damn industry.”

Osunde did not take her comment lightly. She retorted, saying, “We’re tired of seeing your face too in your office. Damn! I hope they sack you.”

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ENTERTAINMENT

John Njamah Says Actors Should Be Cast Based On Talent Not Instagram Followers

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John Njamah Says Actors Should Be Cast Based On Talent | fab.ng

Nollywood filmmaker John Njamah recently voiced his concern about the prevailing casting practices in the industry. He argued that casting decisions should prioritize an actor’s talent over their physical appearance or social media popularity.

In an exclusive interview, Njamah, a Nollywood veteran, gave insightful commentary on the current state and future trajectory of Nigerian cinema.

Known for his role as Rabiu in the popular TV soap opera “Fuji House of Commotion,” Njamah has also graced the screens of numerous television shows.

Interestingly, the shows he has featured in include “Tinsel,” “Living In Lagos,” “Solitaire,” “Casino,” “Emerald,” “Tide,” and “My Flatmates.”

During the interview, Njamah talked about his filmmaking journey. He emphasized his unwavering passion for the industry and his aspirations for its continued development.

“What is fuelling me is beyond passion. There’s that knack and need to grow with every month, whatever year. There’s that need to.do something different. This industry of ours is for you to do whatever you want to do and not join the bandwagon. So for me, it’s the originality in me and the need to do something right that is fuelling me Basically, it’s the ever-creative venture in me,” he said.

Njamah discussed how African stories are evolving. Furthermore, he emphasized that positive and negative changes have happened over the years.

“There’s a positive aspect and there’s a negative aspect. There’s a technical input. We’re telling our stories better technically. We’re telling better and bigger stories. The negative is that we are beginning to lose our originality. We are beginning to join the bandwagon to tell what is peculiar to other people and not to us. We are beginning to lose a bit of our identity cos there’s no longer us,” he said.

What’s more, Njamah spoke about casting in the industry. He pointed out differences between the industry during his time and the current climate, especially with casting.

“Fuji House was a one-camera shoot with hungry and passionate people. Now we have people who cast people who are beautiful and with Barbie bodies and followership and not necessarily for your talents. Some of us try to be that original because that’s where better stories are told. You want to tell stories with passionate people. Whether you like it or not, it’s a long shot but it’s possible. You want to give the actors that are worthy of the job and not the ones that are based on Instagram followers. We borrow from society and give back to society by way of entertainment and pedagogical values.”

Further, he criticized the lack of professional work ethic among filmmakers in Nollywood. He highlighted the absence of a robust system to evaluate the performance and accountability of producers within the industry.

“Professionalism is lacking. Respect for those in charge, humility and the like is lacking today. The industry lacks checks and balances. Every Tom, Dck and Harry can wake up and call themselves a producer and just get on board and be doing stuff without being checked and of course, the guild system is not working so they can’t check. There are no criteria for who should become a producer. The system is also not working. Let’s just be mindful as producers, directors and actors,” he added.

In conclusion, John Njamah acknowledged the unique character of Nollywood. Meanwhile, he proposed the creation of a domestic platform to market and distribute Nigerian films. Consequently, this would reduce reliance on foreign streaming services.

“That thing that they don’t like about us is what makes us, us. I am tired of people saying they don’t want to come into the country for coproduction cos we’re that and that and why are we relying on the likes of the streamers? Why can’t we do something that is for us by us so that they will come to us and ask for these things? We are solely depending on them to licence our movies, for survival. Speaking of coproduction, if you tell me you don’t want to come into the country for any reason, I’ll tell you you’re wrong, cos there are amazing producers here that you’ve seen their work. All you need to do is come to them and agree on modalities.”

Watch the interview with John Njamah below.

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