Hadi Sirika, minister of state for aviation, says the Nnamdi Azikiwe International Airport (NAIA), Abuja, will be closed for six weeks between February and March 2017.
Addressing reporters on Monday, Sirika said the closure was to allow Julius Berger carry out total reconstruction on the badly damaged airport runway.
He said while the runway would still be put to use under the six months of rehabilitation, the six weeks would allow the mid-section of the runway to be reconstructed.
Sirika said President Muhammadu Buhari had approved the reconstruction through the emergency procurement procedure for work to commence.
This, according to him, is because of the centrality, economy and the importance of Abuja to the general administration of the country.
He said government could not afford to close down Abuja airport for a long time as palliative repairs had been ongoing at the runway in the last three months.
“From start to finish of the runway, it will take six months. However, we will be using the runway almost throughout the period except for about six weeks when the runway will be closed,” he said.
“That is when we are going to do the mid-section of the runway. The government has accepted the design done by the contractor. The runway will last for than 10 years on completion early next year.”
Sirika said Abuja-bound passengers from any part of the world would use Kaduna airport as alternative during the six-week closure to passengers.
He said arrangement had been finalised with Kaduna, adding that while the federal government would provide buses to convey the passengers to Abuja, the state government would provide security.
According to Sirika, it will cost government substantial amount of money “but we think that palliative approach is wrong because three years down we will come back to do the same repairs.
“Therefore, we decided to go for the bigger option, which is to do structural repairs of the runway which will take about six months to complete.”
On the bilateral air agreement with other countries, Sirika said government had signed BASA with 18 countries that Nigerians frequently visit and do business with.
The MOUs, he said, would give Nigeria the opportunity to operate air services with 18 countries.
“With this, we have the freedom to fly and land safely in other air space and this will assist in opening our market,” he said.
Officials inspecting one of the damaged runway spots
Human rights lawyer Deji Adeyanju revealed on Wednesday, November 27, 2024, that Nigerian singer Speed Darlington has been arrested by Nigerian police in Owerri, Imo State.
His real name is Darlington Okoye, popularly known as AKPI. The arrest occurred during Darlington’s ongoing show, catching many by surprise.
This latest detention comes barely two months after his previous arrest on October 4th. This stemmed from a controversial video allegedly mocking fellow musician Burna Boy.
In that earlier incident, Darlington had drawn public attention by associating Burna Boy with American rapper Diddy. At the time, Diddy was facing serious FBI legal issues related to allegations of immoral exploitation.
While the specific reasons for this current arrest remain undisclosed, the timing and circumstances suggest ongoing tensions surrounding the musician.
The incident suggests that Speed Darlington continues to navigate complex personal and professional challenges in the Nigerian entertainment landscape.
On October 17, 2024, Darlington had publicly shared a viral video detailing his previous experience in police custody. He alleged significant violations of his personal rights.
The repeated arrests indicate potential ongoing conflicts between the artist and law enforcement authorities.
Many observers believed Darlington had resolved his previous disputes and moved past earlier confrontations. However, this new arrest demonstrates that unresolved tensions might still simmer beneath the surface of his public persona.
Adeyanju’s prompt public disclosure of the arrest through his X (formerly Twitter) platform signals the lawyer’s commitment to transparency and immediate communication regarding his client’s legal situation.
He said,”The police violated my civil rights and my human rights and denied me the opportunity to talk to my family and my lawyer. The rule says I can only be detained for two days yet I was held for four without any opportunity to speak to my people.”
The musician’s legal representation appears proactive in managing and communicating these developments to the public.
As details continue to emerge, the entertainment and legal communities await further information about the circumstances surrounding Speed Darlington’s unexpected detention in Owerri.
The Federal High Court will hear a N5 billion copyright infringement suit against international gospel artist Osinachi Joseph Egbu, popularly known as Sinach. Music producer Michael Oluwole, also known as Maye, filed the case.
The proceedings, set for Wednesday, November 27, 2024, involve suit number FHC/L/CS/402/2024. The plaintiff seeks a court declaration recognising him as the author and co-owner of the song Way Maker.
He also demands N5 billion in general damages for alleged cumulative infringements of his rights.
Plaintiff’s Claims and Demands
The plaintiff requests the court to:
1. Declare that, without a written agreement, all fees from licenses or copyright assignments for Way Maker should be equitably shared between them as co-owners.
2. Determine an equitable division of fees, either equally or as deemed appropriate by the court.
3. Compel Sinach to disclose all licenses and copyright assignments related to Way Maker, account for all accrued fees, and pay his rightful share.
4. Declare that Sinach failed in her statutory duty to formalise written agreements recognising his contributions to the recording.
5. Affirm that his performer’s rights were infringed upon.
6. Issue a perpetual injunction preventing further reproduction, distribution, or public performance of Way Maker or any adaptations.
Through his lawyer, Justin Ige of Creative Legal, the plaintiff states he worked as a studio engineer on Way Maker, recording, mixing, and mastering the song.
He asserts that he created and performed several instrumental parts, including piano, strings, and synthesisers. This is without transferring his performer’s rights.
He alleges that Sinach commercially released Way Maker in December 2015, using his instrumental contributions without compensation or a formal agreement.
He claims she licensed the song without sharing proceeds and describes her conduct as deliberate and oppressive.
Sinach’s Defence
Sinach, through her counsel Emeka Etiaba (SAN) of Etiaba Chambers, denies the plaintiff’s allegations. She argues that she gained global recognition before Way Maker and asserts sole authorship of the song.
Sinach claims she composed, arranged, and performed the song with other artists, including Nwabude Chude Arinze, before Maye’s involvement.
She maintains that Maye’s role was limited to mixing the master recording, a service for which he was paid. She denies any obligation to sign a written agreement and insists he has no claim to the performer’s copyright or publishing rights.
Impact of Way Maker
Way Maker has achieved international acclaim, becoming the first Nigerian gospel song to surpass 100 million views on YouTube in March 2019.
It has won multiple awards, including the GMA Dove Award for Song of the Year. The song has been translated into over 50 languages and covered by more than 60 Christian artists, including Michael W. Smith and Bethel Music.
In 2020, Way Maker was among the most-played songs in U.S. churches and served as an anthem during a Minneapolis protest march honouring George Floyd.
The court’s ruling could set a significant precedent for intellectual property disputes in Nigeria’s music industry.
Comedian and filmmaker Basketmouth has achieved remarkable box office success with his debut cinema release, “A Ghetto Love Story.” The film garnered an impressive ₦22.3 million during its first weekend of screening.
The romantic drama’s substantial financial performance directly stems from the overwhelmingly positive reviews. Significant pre-official cinema premiere buzz that surrounded the film also contributed…
FilmOne Entertainment, the film’s official distributor, enthusiastically announced this notable achievement through an Instagram post.
“A Ghetto Love Story is on top! This movie raked in over 22.3 million Naira at the box office this weekend. Thank you for showing this movie love and support,” the post said.
They highlighted the movie’s strong audience reception and commercial potential. The impressive box office numbers underscore the film’s appeal and Basketmouth’s successful transition from comedy to cinematic storytelling.
“A Ghetto Love Story” is inspired by authentic true events.
Victoria ‘Mhiz Vic’ Eze skilfully wrote and co-produced the film. She crafted a nuanced narrative that seamlessly blends humour, raw emotion, and profound authenticity. The film is a compelling testament to Basketmouth’s artistic evolution.
By painting a vivid and intricate picture of love and survival within the challenging landscape of the ghetto, the movie offers more than mere entertainment.
Centred on the tumultuous journey of lovers Obinna, portrayed by Akah Nnani, and Stella, played by Beverly Osu, the narrative explores their relationship’s fragility when confronted with harsh societal realities.
As unexpected events unfold, the couple must navigate increasingly complicated circumstances that test the very foundation of their bond.
At its profound core, “A Ghetto Love Story” chronicles human resilience, delving deep into the intricate complexities of love and life’s unforgiving challenges.
The story’s multilayered narrative offers powerful, universal lessons that resonate strongly with anyone familiar with struggles, dreams, and the relentless pursuit of love amid imperfect conditions.
The film boasts an exceptional ensemble cast. It includes distinguished actors such as Patience Ozokwor, Wale Ojo, Basketmouth himself, Beverly Osu, and Chimezie Imo.
Also, Daniel Etim Effiong, Dorathy Bachor, Efe Irele, Ehiz Okoeguale, Dibor Adaobi, and Femi Jacobs, each contribute to the narrative’s rich emotional tapestry.