Big Brother Naija’s “Shine ya Eyes” winner, Hazel Onuo, better known by his stage name Whitemoney, is facing a wave of online criticism after his recent foray into music. Whitemoney, a chef by profession, set the stage ablaze with his performance of his song “Igbo Kwenu” at comedian Funny Bone’s Live Concert.
Videos of the performance have gone viral, but the reaction has been far from unanimous. While some fans have taken to social media to praise Whitemoney’s stage presence, a significant portion of the online audience has expressed harsh criticism.
Comment sections are flooded with negativity towards his music, with viewers labelling it unpleasant or even “tormenting” to listen to. These critics have gone a step further, urging Whitemoney to abandon his musical aspirations altogether. They suggest he should refocus his energy on his Jollof rice business.
Whitemoney’s participation in Big Brother Naija undoubtedly provided him with a large and devoted fanbase. However, the ability to win hearts on a reality show doesn’t always translate into musical stardom. Whitemoney’s experience serves as a stark reminder that artistic talent and charisma aren’t the only ingredients for musical success. Achieving widespread acceptance in the music industry requires a unique blend of factors: vocal or instrumental prowess, a sound that resonates with audiences, a strong connection with fans, and perhaps even a bit of luck.
The harsh online criticism Whitemoney is facing isn’t entirely uncommon for reality TV stars venturing into music.
Many past participants have encountered similar difficulties. The challenge lies in translating short-lived reality TV fame into a sustainable music career. While these shows catapult contestants into the spotlight and generate a significant fanbase, this fanbase often lacks the depth and dedication required for long-term success in the music industry.
Whitemoney’s fans might adore him for his reality TV personality, but that adoration doesn’t necessarily translate into an automatic love for his music.
It’s still early days for Whitemoney’s music career. While the online criticism might be stinging, it doesn’t necessarily spell the end of his musical journey. Many successful artists have faced similar negativity early in their careers.
Whether Whitemoney can weather this storm and use it as a learning experience remains to be seen. Perhaps he’ll take the advice of his critics and focus on refining his musical craft, or maybe he’ll double down on his music, determined to prove his doubters wrong.
Ultimately, Whitemoney’s future in music rests on his own choices, his dedication to his craft, and perhaps a bit of luck in finding the right sound and connecting with the right audience.
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