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AFRICAN

These African Countries Have Changed Their National Anthems

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African countries that have changed their national anthem | Fab.ng

Nigeria recently switched back to its original national anthem, “Nigeria, We Hail Thee,” ditching the one used since 1978, “Arise, O Compatriots.” This change has caused a stir, especially among younger Nigerians who grew up with “Arise.”

President Bola Tinubu signed the bill on May 29th, 2024, sparking public debate. Many young people are questioning why the switch happened in the first place. Some prominent figures, like former Education Minister Oby Ezekwesili, have even said they’ll keep singing “Arise” despite the change.

While this is a controversial move, it’s not uncommon for countries to update their national anthems. Throughout history, many African nations have done the same. These changes often reflect shifts in a country’s politics, culture, or society.

The overall goal usually remains the same: to create a sense of unity, independence, and national pride. Let’s look at other of African countries that have changed their national anthems.

1. South Africa (1997)

The dismantling of apartheid in South Africa marked a new era for the nation. To reflect this spirit of unity and reconciliation, South Africa adopted a unique national anthem in 1997.

This new anthem cleverly combined elements from two existing anthems: “Nkosi Sikelel’ iAfrika,” a hymn with roots in the anti-apartheid movement, and “Die Stem van Suid-Afrika,” the anthem previously used by the white minority government.

By blending these contrasting melodies, the new anthem became a powerful symbol of healing and the forging of a new national identity that embraced all South Africans.

2. Rwanda (2001)

The 1994 Rwandan genocide left deep scars on the nation. In the aftermath of this horrific tragedy, the country’s previous anthem was deemed too divisive, as it was associated with the pre-genocide regime.

In 2001, a new anthem, “Rwanda Nziza,” was introduced. This anthem specifically emphasises themes of national unity, reconciliation, and hope for a brighter future. The lyrics speak of Rwandans working together to rebuild their nation and ensure such a tragedy never happens again.

“Rwanda Nziza” serves as a constant reminder of the healing process and the country’s commitment to a more peaceful future.

3. Zimbabwe (1994)

Many African countries gained independence in the mid-20th century and adopted pan-Africanist anthems that celebrated the continent’s shared struggle for liberation. Zimbabwe was no exception, with “Ishe Komborera Africa” serving as their national anthem for a period.

However, in 1994, the country felt the need to establish a more distinct national identity. They replaced “Ishe Komborera Africa” with “Simudzai Mureza wedu WeZimbabwe,” an anthem that specifically celebrates Zimbabwe’s unique cultural heritage and its journey as an independent nation.

4. Democratic Republic of Congo (1960 & 1997)

The Democratic Republic of Congo (DRC) has a complex history reflected in its changes to the national anthem. Upon gaining independence from Belgium in 1960, the DRC adopted “Arise Congolese” as its anthem.

However, in 1971, the country’s leader, Mobutu Sese Seko, renamed the nation Zaire and introduced a new anthem, “La Zaïroise.” This anthem served as a symbol of Mobutu’s regime. After Mobutu’s overthrow in 1997, the country reverted to its original name and national anthem, “Arise Congolese.”

This shift back to the original anthem symbolised a rejection of Mobutu’s dictatorship and a return to a sense of national identity rooted in the country’s independence.

5. Ghana (1957 & 1960)

Ghana’s path to independence mirrored its changing anthems. During British colonial rule, Ghana used the anthem “God Bless Our Homeland.” This anthem reflected the nation’s colonial status and its yearning for self-determination.

In 1957, Ghana finally achieved independence, and a new anthem, “Lift High the Flag of Ghana,” was composed by a Ghanaian musician. This new anthem celebrates Ghana’s freedom and national pride.

6. Namibia (1990)

For many years, Namibia was under South African rule. During this period, Namibia was forced to use South Africa’s national anthem, “Die Stem van Suid-Afrika.”

However, Namibia gained independence in 1990 and cast off the vestiges of colonial rule. To mark this momentous occasion, Namibia adopted a new anthem, “Namibia, Land of the Brave.”

This anthem celebrates the nation’s hard-won freedom and the bravery of those who fought for independence. The lyrics speak of Namibia’s vast landscapes, its rich cultural heritage, and its unwavering spirit.

7. Libya (1969 & 2011)

In 1969, Muammar Gaddafi rose to power in Libya. Gaddafi aimed to unite Arab nations across Africa and Asia, and in this pursuit, he replaced Libya’s existing anthem, “Libya, Libya, Libya,” with the pan-Arab anthem “Allahu Akbar” (God is Great).

However, Gaddafi’s regime was overthrown in a 2011 civil war, and the country descended into a period of instability.

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AFRICAN

The Only 4 African Countries That Have Won Miss Universe Title

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African Countries That Have Won Miss Universe Title | fab.ng

While many African countries have sent representatives to the pageant, only a few have managed to clinch the coveted Miss Universe crown.

The Miss Universe pageant is one of the most prestigious beauty pageants worldwide. It has been a stage for countless beautiful women to showcase their elegance, intelligence, and talent.

1. South Africa

South Africa is the African country with the most Miss Universe wins. This stunning nation has produced four Miss Universe winners:

  • Margaret Gardiner (1978)
  • Demi-Leigh Nel-Peters (2017)
  • Zozibini Tunzi (2019)
  • Andrea Meza (2020)

These South African beauties have not only captivated the world with their beauty but have also used their platforms to advocate for important social causes.

2. Namibia

Namibia, a small country in Southern Africa, has also made its mark on the Miss Universe stage.

  • Michelle McLean won the Miss Universe title in 1992.

This stunning Namibian beauty brought pride to her nation and continues to be an inspiration to many.

3. Angola

Angola, a country rich in culture and natural beauty, has also produced a Miss Universe winner.

  • Leila Lopes was crowned Miss Universe in 2011.

Her win marked a significant moment for Angola and showcased the beauty and talent of African women.

4. Botswana

Botswana, a landlocked country in Southern Africa, may be small, but it has produced one of the most iconic Miss Universe winners.

  • Ntsepa Motsepe won the Miss Universe title in 1999.

Her win was a surprise to many, but it solidified Botswana’s place in the pageant world.

These four African countries – South Africa, Namibia, Angola, and Botswana – have proven that African beauty is truly global.

They have inspired countless young women across the continent and beyond to dream big and pursue their passions.

As the Miss Universe pageant continues to evolve, we can only hope to see more African countries adding their names to this prestigious list.

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AFRICAN

See The Trailer For “Two Of A Kind” Starring Rita Dominic

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Two Of A Kind Starring Rita Dominic; See Trailer | fab.ng

The official trailer for “Two of a Kind” has now launched, marking the latest directorial work from acclaimed filmmaker Shirley Frimpong-Manso.

Leading Nollywood actress Rita Dominic leads the cast in this new production. The film completed its primary filming phase earlier this year.

The star also shared the film’s trailer with her followers through her Instagram platform, generating excitement for the upcoming release.

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AFRICAN

Biennale College Cinema Announces Kenyan-Nigerian Project For Next Edition

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1 Woman 1 Bra: Kenyan-Nigerian project | fab.ng

Biennale College Cinema in Venice has announced the Kenyan-Nigerian project, “1 Woman 1 Bra“. The director-producer duo, Vincho Nchogu and Josh Olaoluwa worked on the project. It is the only African project selected for the 13th edition of the festival. This marks a significant achievement for African cinema on the global stage.

“1 Woman 1 Bra” is among 12 projects chosen for the 2024/25 Biennale College Cinema.

These projects were unveiled during the 81st Venice International Film Festival. The teams, consisting of a director and a producer, will participate in an initial 10-day workshop in Venice. This workshop will take place from October 8 to 17, 2024.

Nchogu, the Kenyan director, and Olaoluwa, the Nigerian producer, will present their first feature film project at the workshop. Afterwards, four of the 12 projects will be selected to receive up to 200,000 Euros in production funding.

Furthermore, these four films will premiere at the 82nd Venice Film Festival in 2025. This opportunity is another milestone for Nchogu and Olaoluwa. Consequently, they have previously participated in the Red Sea Lodge and Torino Film Lab.

The Biennale College Cinema is an advanced training lab that opens doors for filmmakers worldwide. It provides a platform for emerging voices in cinema and offers valuable resources to bring creative visions to life.

Nine of the twelve projects were selected from the Biennale College Cinema – International competition. Meanwhile, the remaining three came from the Biennale College Cinema – Italy competition.

In addition to “1 Woman 1 Bra”, other notable projects include “Agnus Dei” by Massimiliano Camaiti, a second-time feature director, and producer Giovanna Nicolai. Another selected project, “Badland”, comes from first-time feature director Mounir Derbal and producer Lorenzo Fiuzzi. “Becoming Human” by director Polen Ly and producer Daniel Mattes also made the list.

Further selections include “Last Time, Again” by Chinese director Di Zhang and Canadian producer Beryl Liu, “Orange Peel” by Italian director Anita Rivaroli and producer Marco Mingolla, and “Saving The Day” by Turkish director Serhat Karaaslan and French producer Laura Dahout.

Indian director Nidhi Saxena and producer Vimukthi Jayasundara’s “Secret Of A Mountain Serpent” was also selected, along with “Summer 1999” by Vietnamese director Hang Luong Nguyen and producer Dinh Le Minh Trinh.

Other featured projects include “The Booking” by American director Gabriella Moses and producer Sarah Wharton, “The Family” by Ukrainian director Hanna Jalali and Iranian producer Moeinoddin Jalali, and “Vanishing Bones” by French director Simon Rieth and producer Inès Daïen Dasi.

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