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Movie Review: ‘A Tribe Called Judah’: A Masterpiece Of Drama, Comedy & Suspense

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"A Tribe Called Judah" Ends Cinema Run With ₦1.4 Billion | Fab.ng

A Tribe Called Judah‘ takes viewers on a journey through the deep relationships of a Nigerian family, expertly integrating aspects of drama, comedy, and suspense.

Movie Title: A Tribe Called Judah

Running Time: 2 hours, 14 minutes

Release Date: December 15, 2023

Directors: Adeoluwa Owu, Funke Akindele-Bello

Producer: Funke Akindele-Bello

Cast: Funke Akindele, Jide Kene Achufusi, Timini Egbuson, Uzee Usman, Tobi Makinde, Olumide Oworu, Ebelle Okaro, Uzor Arukwe, Nse Ikpe Etim, Genoveva Umeh, Faithia Williams, Nosa Rex, Greg Ojefua, Ibrahim Yekini, and Boma Akpore.

Movie Review: 'A Tribe Called Judah' | Fab.ng

Over the last three years, Funke Akindele has consistently set new records and achieved significant milestones with her blockbuster films, such as ‘Omo Ghetto the Saga‘ (2020) and ‘Battle on the Buka Street‘ (2022).

Both films have been recognised as the highest-grossing films in Nollywood history, with ‘Omo Ghetto the Saga’ generating over ₦636 million and ‘Battle on the Buka Street’ surpassing ₦668 million at the box office.

Continuing her successful run, Funke Akindele’s latest Christmas release, ‘A Tribe Called Judah,’ has once again created history by achieving the largest opening for both a Funke Akindele film and a Nollywood production, collecting ₦122 million at the box office in less than two weeks. This information is based on the records of the Cinema Exhibitors Association of Nigeria.

‘A Tribe Called Judah’ is a family drama that resonates with the audience on multiple levels. Without exaggeration, it’s fair to say that Funke Akindele has surpassed her standards with this production.

The story revolves around an intriguing conflict in a low-to-middle-income family. Raised by a single mother, five sons with different fathers depict the familiar dynamics of good, bad, ugly, and worst experiences inherent in every family.

The Plot

The movie begins with Jedidah Judah, a single mother of five boys, starting her day with morning prayers. After praying, she anoints pictures of her sons, seeking God’s protection over them.

Jedidah is portrayed as not only a prayerful mother but also a strong and supportive pillar in her community. Her reputation is built on hard work and supportive roles within her neighbourhood.

In terms of support, Jedidah had assisted Linda, a woman in the community, in starting a small pepper business. However, this act did not sit well with Linda’s husband, Papa Michael, who destroyed the business and physically abused Linda.

When Jedidah intervened, Papa Michael redirected his aggression towards her, calling her names and threatening to harm her. Unfortunately, he slapped her in the presence of her youngest child, Ejiro. Without hesitation, Ejiro immediately contacted his brothers, collectively known as the tribe called Judah.

Emeka, the eldest son, works as a sales representative at a mall. His father, Kalu, impregnated Jedidah and then relocated, leaving Emeka to be raised by his grandmother.

Adamu, the second son, is a security guard at the mall. His father, Bako, from Kano, rejected Jedidah due to religious differences, leading to his departure and subsequent remarriage in Kano.

Shina, the third child, has a troubled past as a hoodlum. His father, Lekan, was a lesson teacher to his elder siblings and eloped with Jedidah after Shina’s birth.

Pere, the fourth child, engages in petty theft. His father, Boma, married Jedidah but passed away.

The youngest son, Ejiro, is a painter and a lover-boy born from a bar romance and a one-night stand during a difficult time in Jedidah’s life.

Movie Review: 'A Tribe Called Judah' | Fab.ng

Despite the diverse backgrounds of the children, the family faces a crisis when Jedidah’s health deteriorates due to consuming unhealthy sachet-packed spirit drinks. She develops kidney disease, and her children must raise N18 million for her operation and N100,000 weekly for dialysis. Complicating matters, Emeka loses his job while trying to care for his mother’s health.

In a desperate attempt to save their mother, the siblings decide to rob Emeka’s ex-boss, known for money laundering. The story unfolds as they navigate through challenges in pursuit of their goal.

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Character Analysis

The core of the movie revolves around the compelling theme of a single mother dealing with challenging children, resonating strongly with both the audience and the actors in ‘A Tribe Called Judah’.

The film brings together a diverse cast of Nollywood performers from different ethnic backgrounds to portray the united family of Judah. The siblings, listed in descending order, include Emeka (Jide Kene Achufusi), Adamu (Uzee Usman), Shina (Tobi Makinde), Pere (Timini Egbuson), and Ejiro (Olumide Oworu).

Jide Kene Achufusi, known for his roles as Nnamdi Okeke in Living in Bondage: Breaking Free and Chidi in Kambili: The Whole 30 Yards, authentically embraces his Igbo identity in his portrayal of Emeka. Uzee Usman, taking on the role of Adamu, brings a dedicated commitment to his character.

Movie Review: 'A Tribe Called Judah' | Fab.ng

Emeka (Jide Kene Achufusi) and Adamu (Uzee Usman) 

However, the standout performances come from Tobi Makinde, Timini Egbuson, and Olumide Oworu.

Makinde, portraying Shina, a hoodlum with a comedic touch, brings subtle deep delivery to his character. Egbuson, departing from his usual lover-boy persona, delivers a captivating performance, while Oworu, portraying Ejiro, the mischievous lastborn and lover boy, showcases impeccable acting skills.

At the heart of the Judah family is Funke Akindele, embodying Jedidiah Judah. Initially portrayed with excessiveness, her character evolves into a quietly honest portrayal as the film progresses.

Beyond the Judah family, Uzor Arukwe delivers a noteworthy performance as the antagonist, Chidokie, the Chairman of C and K Furniture.

Playing Emeka’s boss involved in money laundering, Arukwe adds humour and authenticity to the character, avoiding stereotypical roles by injecting humour into serious situations. His portrayal of the loud, semi-literate Igbo businessman with struggling English and a lively personality is both truthful and unpredictable.

Review

‘A Tribe Called Judah’ takes its audience on a captivating journey through the intricate dynamics of a Nigerian family, skillfully weaving elements of drama, comedy, and a touch of suspense.

The movie’s narrative strength lies in its storytelling, efficiently introducing central characters and themes in the first act. The universal value of a mother’s love adds depth to the story of a single mother grappling with her problematic yet relatable children.

As the plot unfolds, the impending adversity of Jedidah’s illness becomes a catalyst for the family’s unity. Despite occasional melodrama, the story’s ability to create and resolve conflicts, introducing more complex challenges, maintains engaging momentum.

The chemistry among the diverse ensemble cast significantly contributes to the film’s authenticity, reflecting the brotherhood and unity in diversity resonant in Nigerian society. The movie effectively portrays the multiethnic structure of Nigeria and underscores the importance of unity.

Impressive visuals capture the essence of Nigerian landscapes and settings, providing a vivid backdrop for the characters’ lives. The soundtrack, while subtly enhancing the viewing experience, could have been more prominently featured to intensify emotional moments.

Well-executed subplots, particularly those involving Ejiro, his girlfriend, Shinene, and his gang, add layers to the narrative. The skilful blend of humour, emotion, and suspense ensures viewers embark on a transformative journey with the characters, setting this movie apart. It evokes moments of laughter, sadness, and action.

The movie successfully justifies each character’s journey, offering the audience a sense of connection and understanding. ‘A Tribe Called Judah’ manages to surprise, defying predictable expectations and delivering a palatable cinematic experience.

Rating: 8/10

‘A Tribe Called Judah’ is a testament that Nigerian filmmakers can craft compelling scripts with well-defined characterization.

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ARTS & CULTURE

Babatunde Apalowo’s ‘Londoner’ Wins Best Fiction Feature Prize At Durban FilmMart

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'Londoner' wins Best fiction feature prize at Durban | fab.ng

“Londoner” is an autobiographical film that tells the story of Ayo, a Nigerian bank manager who moves to London to reunite with his family. The film, written and directed by Babatunde Apalowo, recently achieved recognition at the Durban FilmMart. It won the Red Sea Film Fund Award for Best Fiction Feature. This prestigious award came with a cash prize of $5,000.

The Durban FilmMart Institute, which organized the event, is a non-profit organization dedicated to promoting both local and international trade and investment in African film content. This institute plays a crucial role in showcasing and supporting African filmmakers and their projects.

Babatunde Apalowo, the creative force behind “Londoner,” is a Nigerian film director and screenwriter who has made the United Kingdom his base. His portfolio includes several notable works such as “A Place for Happiness,” “Catcher,” “The Millions,” and “Death for Sale.” Apalowo’s talent received international recognition in 2023 when he won the Teddy Award at the Berlin Film Festival for his queer romance film titled “All the Colours of the World Are Between Black and White.”

The 15th edition of the Durban FilmMart, held in South Africa from July 19 to July 22, served as a platform for numerous impressive film projects from across the African continent. It was during this event that “Londoner” received its accolade.

Babatunde Apalowo

Produced by Pamela Drameh and Sarudzayi Marufu, “Londoner” goes into the complex emotions of its protagonist, Ayo. The film follows Ayo’s journey as he arrives in London, expecting to join his family, only to face an unexpected and heartbreaking situation. He discovers that his wife has become emotionally involved with another man and is seeking a divorce, adding a layer of personal turmoil to his already challenging experience of relocating to a new country.

The narrative of “Londoner” draws inspiration from Apalowo’s own experiences as an immigrant in the UK.

The director’s struggle to find a sense of belonging in a foreign land forms the emotional core of the film. In an interview with Variety, Apalowo shared his personal insights, highlighting the stark contrast between Nigeria and London in terms of personal space and social interactions. He poignantly described the loneliness he felt in London, a city where the anonymity and indifference of urban life stood in stark contrast to the close-knit communities he was accustomed to in Nigeria.

“Londoner” marks Apalowo’s second venture into feature filmmaking, showcasing his growth as a director and his ability to translate personal experiences into compelling cinematic narratives. The film’s success at the Durban FilmMart not only recognizes Apalowo’s talent but also brings attention to the important themes of migration, cultural adjustment, and personal relationships that the film explores.

The Durban FilmMart also celebrated other talented filmmakers. Among them were Sean Drummond and Sheetal Magan, who received The Known Inner Circle Award for their South African film “Acts of Man.” This award came with a substantial cash prize of $10,000, further demonstrating the event’s commitment to supporting and promoting African cinema.

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MOVIES

Kunle Afolayan Scouts Locations In Ghana For New Season Of Anikulapo series

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Kunle Afolayan on locations in Ghana for Anikulapo season | fab.ng

Renowned Nigerian filmmaker, Kunle Afolayan, is actively searching for suitable locations to bring the next season of his series, “Anikulapo: Rise of the Sceptre,” to life. His vision for the series has expanded beyond Nigeria’s borders. He announced plans to film portions of the show in Ghana back in May 2024.

Afolayan recently shared a series of photographs on social media. He documented his exploration of various locations across the West African country. This strategic move signifies the progressive stages of pre-production as he seeks to capture the perfect backdrop for the series.

A pivotal aspect of this ambitious project involves a partnership with Juliet Yaa Asantewa Asante. She is the influential head of Ghana’s National Film Authority. Her expertise and support are instrumental in facilitating this cross-border production and ensuring its success.

“Ghana is calling on the world to come and shoot in Ghana and capture the very beautiful sceneries and facilities Ghana has in their movies,” Asante wrote in an Instagram post to announce Afolayan’s location scouting days ago.

The first season of “Anikulapo: Rise of the Sceptre” was entirely filmed in Nigeria at a film studio Kunle Afolayan owns.

It was in the KAP Film Village in Igbojaye, Oyo State. This massive production involved a cast and crew of 600 people.

The series continues the 2022 Netflix movie, “Anikulapo.” Anikulapo tells the story of Saro, a mysterious stranger who becomes entangled with Queen Arolake. The movie follows their unusual love story.

The series, released in 2024, picks up after the movie’s events. Saro is brought back to life and continues his mysterious ways, while Arolake becomes wealthy but faces new powerful enemies.

The series features a large and talented cast, including well-known actors like Kunle Remi, Bimbo Ademoye, Sola Sobowale, and many others.

 

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A post shared by Kunle Afolayan (@kunleafo)

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MOVIES

Pastor Iren’s ‘What About Us?’ Dethrones ‘Bad Boys: Ride or Die’ For Top Box Office Spot

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'What About Us?' Dethrones 'Bad Boys: Ride or Die' | fab.ng

The Nigerian box office has seen a shift in leadership this week. The domestic film “What about Us?” directed by Kayode Kasum claims the top spot. This new chart-topper has accumulated an impressive ₦34.7 million since its release, dethroning the Hollywood blockbuster “Bad Boys: Ride or Die“. The latter had dominated the charts since the beginning of the month.

“What about Us?” boasts a star-studded cast featuring Uzor Arukwe, Folu Storms, Kunle Remi, Teniola Aladese, Seyi Awolowo, Marycolette Unamka, and Atlanta Bridget Johnson. The film’s success was particularly notable in its opening weekend. It raked in ₦24 million, according to a report published by the Cinema Exhibitors Association of Nigeria (CEAN) on July 20, 2024.

The report covers the box office performance from July 12 to July 18, 2024.

Also, it reveals a competitive landscape in Nigerian cinemas. “Bad Boys: Ride or Die,” starring Will Smith and Martin Lawrence, now occupies the second position with earnings of ₦33.6 million.

 

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A post shared by CEAN (@ceanigeria)

Close on its heels is the Hollywood horror sci-fi “A Quiet Place: Day One,” written and directed by Michael Sarnoski. This film secured the third spot with ₦30.3 million. This brings its total gross to an impressive ₦109.2 million. The Nollywood epic crime thriller “Lakatabu,” helmed by Odunlade Adekola, holds the fourth position with ₦22.1 million for the week. It pushed its total earnings since its June 21, 2024 release to over ₦156 million.

The animated realm continues to perform well. “Despicable Me 4” maintains its fifth-place position. This American animated comedy which Universal Pictures and Illumination produced, added ₦13.8 million to its coffers. With this, it reached a total gross of ₦40 million.

Another strong performer is Biodun Stephen’s “Muri and Ko.” The movie amassed ₦120.4 million since its June 14, 2024 release. It currently sits in sixth place, having earned ₦12.3 million during the week in question. Disney’s “Inside Out 2” follows in seventh place, with weekly earnings of ₦11.5 million and a cumulative gross of ₦68.5 million.

The romantic comedy “Fly Me to the Moon,” secured the eighth spot with ₦8.1 million. Greg Berlanti directed it and Columbia Pictures distributed it.

Rounding out the top ten are two newer releases.

The Groomsmen,” a romantic drama Ampong Kwaku Kwakye directed and released on July 12, 2024, took ninth place. It grossed ₦6.1 million for the week, bringing its total to ₦6.2 million. Finally, “Voltage,” premiered on July 5, 2024, claimed the tenth position with weekly earnings of ₦2.4 million, contributing to its total gross of ₦8 million.

This diverse mix of domestic and international films, spanning various genres from action and horror to romance and animation, shows the competitive nature of the Nigerian box office.

The success of local productions like “What about Us?” and “Lakatabu” alongside international blockbusters highlights the growing strength and appeal of Nollywood films to Nigerian audiences.

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