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Misan Harriman’s “The After” Nominated For 2024 Oscars

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Misan Harriman "The After," Nominated For 2024 Oscars | Fab.ng

Misan Harriman, a Nigerian-British photographer, directed a short film titled “The After,” featuring David Oyelowo. The film has received a nomination in the Best Live-Action Short Film category at the 2024 Academy Awards. Just a week earlier, it secured the Best Short Film award at the 2024 African-American Film Critics Award.

The short film is currently available for streaming on Netflix and will be competing against films like “Invincible,” “Knight of Fortune,” “Red, White and Blue,” and “The Wonderful Story of Henry Sugar” for the Academy Award.

Actors Zazie Beetz and Jack Quaid announced the nominees for all 23 categories during a live event at the Film Academy’s Samuel Goldwyn Theatre on Tuesday, January 23, 2024.

Jimmy Kimmel is set to host the live awards event for the fourth time, scheduled to take place on Sunday, March 10, 2024, at the Dolby Theatre at Ovation Hollywood.

The full list of nominees can be found below.

American Fiction (Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers)

Anatomy of a Fall (Marie-Ange Luciani and David Thion, producers)

Barbie (David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers)

The Holdovers (Mark Johnson, Producer)

Killers of the Flower Moon (Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers)

Maestro (Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers)

Oppenheimer (Emma Thomas, Charles Roven and Christopher Nolan, Producers)

Past Lives (David Hinojosa, Christine Vachon and Pamela Koffler, Producers)

Poor Things (Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers)

The Zone of Interest (James Wilson, Producer)

Justine Triet (Anatomy of a Fall)

Martin Scorsese (Killers of the Flower Moon)

Christopher Nolan (Oppenheimer)

Yorgos Lanthimos (Poor Things)

Jonathan Glazer (The Zone of Interest)

Bradley Cooper (Maestro)

Colman Domingo (Rustin)

Paul Giamatti (The Holdovers)

Cillian Murphy (Oppenheimer)

Jeffrey Wright (American Fiction)

Annette Bening (Nyad)

Lily Gladstone (Killers of the Flower Moon)

Sandra Hüller (Anatomy of a Fall)

Carey Mulligan (Maestro)

Emma Stone (Poor Things)

Sterling K. Brown (American Fiction)

Robert De Niro (Killers of the Flower Moon)

Robert Downey Jr. (Oppenheimer)

Ryan Gosling (Barbie)

Mark Ruffalo (Poor Things)

Emily Blunt (Oppenheimer)

Danielle Brooks (The Color Purple)

America Ferrera (Barbie)

Jodie Foster (Nyad)

Da’Vine Joy Randolph (The Holdovers)

American Fiction (Written for the screen by Cord Jefferson)

Barbie (Written by Greta Gerwig & Noah Baumbach)

Oppenheimer (Written for the screen by Christopher Nolan)

Poor Things (Screenplay by Tony McNamara)

The Zone of Interest (Written by Jonathan Glazer)

Anatomy of a Fall (Screenplay by Justine Triet and Arthur Harari)

The Holdovers (Written by David Hemingson)

Maestro (Written by Bradley Cooper & Josh Singer)

May December (Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik)

Past Lives (Written by Celine Song)

The Boy and the Heron (Hayao Miyazaki and Toshio Suzuki)

Elemental (Peter Sohn and Denise Ream)

Nimona (Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary)

Robot Dreams (Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz)

Spider-Man: Across the Spider-Verse (Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal)

Bobi Wine: The People’s President (Moses Bwayo, Christopher Sharp and John Battsek)

The Eternal Memory (Nominees to be determined)

Four Daughters (Kaouther Ben Hania and Nadim Cheikhrouha)

To Kill a Tiger (Nisha Pahuja, Cornelia Principe and David Oppenheim)

20 Days in Mariupol (Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath)

Io Capitano (Italy)

Perfect Days (Japan)

Society of the Snow (Spain)

The Teacher’s Lounge (Germany)

The Zone of Interest (United Kingdom)

Letter to a Pig (Tal Kantor and Amit R. Gicelter)

Ninety-Five Senses (Jerusha Hess and Jared Hess)

Our Uniform (Yegane Moghaddam)

Pachyderme (Stéphanie Clément and Marc Rius)

War Is Over! Inspired by the Music of John & Yoko (Dave Mullins and Brad Booker

The After (Misan Harriman and Nicky Bentham)

Invincible (Vincent René-Lortie and Samuel Caron

Knight of Fortune (Lasse Lyskjær Noer and Christian Norlyk)

Red, White and Blue (Nazrin Choudhury and Sara McFarlane

The Wonderful Story of Henry Sugar (Wes Anderson and Steven Rales)

The ABCs of Book Banning (Sheila Nevins and Trish Adlesic)

The Barber of Little Rock (John Hoffman and Christine Turner)

Island in Between (S. Leo Chiang and Jean Tsien)

The Last Repair Shop (Ben Proudfoot and Kris Bowers)

Nǎi Nai & Wài Pó (Sean Wang and Sam Davis)

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El Conde (Edward Lachman)

Killers of the Flower Moon (Rodrigo Prieto)

Maestro (Matthew Libatique)

Oppenheimer (Hoyte van Hoytema)

Poor Things (Robbie Ryan)

Barbie (Jacqueline Durran)

Killers of the Flower Moon (Jacqueline West)

Napoleon (Janty Yates and Dave Crossman)

Oppenheimer (Ellen Mirojnick)

Poor Things (Holly Waddington)

Golda (Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue)

Maestro (Kazu Hiro, Kay Georgiou and Lori McCoy-Bell)

Oppenheimer (Luisa Abel)

Poor Things (Nadia Stacey, Mark Coulier and Josh Weston)

Society of the Snow (Ana López-Puigcerver, David Martí and Montse Ribé)

“The Fire Inside” from Flamin’ Hot (Music and Lyric by Diane Warren)

“I’m Just Ken” from Barbie (Music and Lyric by Mark Ronson and Andrew Wyatt)

“It Never Went Away” from American Symphony (Music and Lyric by Jon Batiste and Dan Wilson)

“Wahzhazhe (A Song for My People)” from Killers of the Flower Moon (Music and Lyric by Scott George)

“What Was I Made For?” from Barbie (Music and Lyric by Billie Eilish and Finneas O’Connell)

American Fiction (Laura Karpman)

Indiana Jones and the Dial of Destiny (John Williams)

Killers of the Flower Moon (Robbie Robertson)

Oppenheimer (Ludwig Göransson)

Poor Things (Jerskin Fendrix)

Barbie (Production Design: Sarah Greenwood; Set Decoration: Katie Spencer)

Killers of the Flower Moon (Production Design: Jack Fisk; Set Decoration: Adam Willis)

Napoleon (Production Design: Arthur Max; Set Decoration: Elli Griff)

Oppenheimer (Production Design: Ruth De Jong; Set Decoration: Claire Kaufman)

Poor Things (Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek)

Anatomy of a Fall (Laurent Sénéchal)

The Holdovers (Kevin Tent)

Killers of the Flower Moon (Thelma Schoonmaker)

Oppenheimer (Jennifer Lame)

Poor Things (Yorgos Mavropsaridis)

The Creator (Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic)

Maestro (Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic)

Mission: Impossible – Dead Reckoning Part One (Chris Munro, James H. Mather, Chris Burdon and Mark Taylor)

Oppenheimer (Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell)

The Zone of Interest (Tarn Willers and Johnnie Burn)

The Creator (Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould)

Godzilla: Minus One (Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima)

Guardians of the Galaxy Vol. 3 (Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek)

Mission: Impossible — Dead Reckoning, Part One (Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould)

Napoleon (Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould)

ENTERTAINMENT

Chimezie Imo Speaks On Actors Playing Stereotypes In Nollywood

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Chimezie Imo on actors playing stereotypes in Nollywood | Fab.ng

Nollywood star Chimezie Imo tackled two common hurdles actors face in the Nigerian film industry. One challenge Imo addressed was the tendency for actors to be typecast in similar roles. While acknowledging the frustration this can cause, Imo offered a surprising perspective.

He suggested that being stereotyped isn’t always a negative thing.

Perhaps he feels it can provide stability and recognition. Also, it allows actors to hone their skills in a particular genre. The interview piqued viewers’ interest in learning more about his unique perspective.

He said,

“I’m of the opinion that stereotyping is not really a bad thing, especially in the movie scene, because it only means that you’re really good at something, and everyone can tell, and it’s okay to be good at one thing. But there’s so much an actor has that you don’t want to be kept in a box.”

Chimezie Imo argues that actors can find ways to bring something fresh to their performances even when cast in roles that seem repetitive.

“Sometimes, even when you get those stereotyped roles, you can have conversations to tweak it a little bit. For example, there was a script that I had and it was supposed to be emotional and I said, ‘Okay, can I be emotional without crying?’ I didn’t shed a tear in that film. There are other ways you could be emotional without shedding tears.”

He also discussed the challenges actors face during auditions.

Placing the blame on the casting directors, Imo said,

“Auditions challenge you. One of the worst things is getting a ‘No’ or getting in front of some people and losing all your lines and whatever; that is also because of most of our casting directors here.”

Chimezie Imo didn’t shy away from discussing the pressure actors experience during auditions. He even pointed out that some audition environments can feel cold and unfriendly. In his own words, he said,

“I think we also need to do better. We don’t know how to make people comfortable and warm, just a bunch of straight faces looking at you like they’re about to stab you, and that line you’ve been rehearsing for 3 weeks just flies.”

See the full interview below.

Check out more updates here.

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MOVIES

Filmmaker Cheta Chukwu Selected For 2024 Torino Film Lab’s Writer-Director Program

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Cheta Chukwu for Torino film lab's writer-director program | fab.ng

Nigerian filmmaker Cheta Chukwu has been chosen for the 2024 Torino Film Lab’s (TFL) Extended Writer-Director Programme in the Netherlands for his new project, “Love is a Deeper Shade of Red.” This recognition strengthens his position in the global film industry.

The TFL, based in Turin, supports filmmakers working on their first and second fiction feature films. It focuses on four main areas: training, development, funding, and distribution. TFL also provides networking opportunities through events like the TFL Meeting Event and other co-production markets.

The TFL workshop will be held in Amsterdam from June 20 to June 25, 2024. Also, subsequent online sessions over the next two months will follow.

Chukwu first gained fame with his comedy film “Payday” (2018). It is about two friends, Paul and Ortega, whose landlord dies just before their rent is due. They decide to use the rent money for fun until the landlord’s daughter, Yemisola, threatens eviction unless they pay within 24 hours. Nigeria received this film well, as did nine Francophone countries. Furthermore, it was distributed on Netflix and Amazon Prime.

Chukwu’s upcoming romantic comedy “Strawberry Chinny” will be featured in the Cultural Connections section at the Essence Film Festival from July 4 to July 7, 2024. The film follows Chinny, a Nigerian makeup artist. She moves in with her childhood best friend, Ifeanyi, after her boyfriend dumps her.

Chukwu recently completed “Adam Bol,” a comedy filmed in Kazakhstan and Nigeria. This move showcases his talent for creating cross-cultural stories.

Also, participating in the TFL Extended Writer-Director Lab offers Chukwu a significant opportunity to collaborate with other talented filmmakers. The programme includes notable script tutors like Anne Feinsilber (France), Ayman El Amir (Egypt), Chiara Laudani (Italy), Marietta von Hausswolff von Baumgarten (Sweden), and Isabella Weber (Italy).

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MOVIES

Check Out The trailer For Yoruba Gangster Movie, “Lakatabu”

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Lukatabu: Check Out The trailer For Yoruba Movie | Fab.ng

When a man begins to use his powers for criminal activities, threatening the lives of citizens with his power and connections. He is Lakatabu the fierce one,” Adekola said on Instagram on Sunday, June 9, 2024.

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