Cinema lovers are in for a treat on November 17th, when the much-awaited Nigerian workplace suspense drama EGUN, which promises to bring a distinctive twist to the genre, opens in theatres. With a cast that includes Gideon Okeke, Omowunmi Dada, Uzor Arukwe, Femi Jacobs, Bolaji Ogunmola, Adedimeji Lateef, Olarotimi Fakunle, Yekini Ibrahim, Vee Iye, Tomike Adeoye, Darasimi Nnadi, Ejiro Onajaife, and Taye Arimoro, this office thriller, directed by Carmen Ike Okoro and produced by IfeOluwa Olujuyigbe, is sure to delight viewers.
Plot Revealed: Office Space Reveals Secrets
The plot revolves around a bunch of office workers who open a secret-revealing chain of confessions after receiving an enigmatic box. The characters are forced to face their dark truths and deal with the consequences as each revelation takes a tragic turn. The narrative promises not only suspense and intrigue but also unexpected moments of laughter, skilfully woven into the immersive performances of the ensemble.
Characters & Cast: A Fusion of Talent
Gideon Okeke, Omowunmi Dada, Uzor Arukwe, Femi Jacobs, Bolaji Ogunmola, Adedimeji Lateef, Olarotimi Fakunle, Yekini Ibrahim, Vee Iye, Tomike Adeoye, Darasimi Nnadi, Ejiro Onajaife, and Taye Arimoro are among the gifted group that make up EGÚN. Each performer brings their A-game to put life into characters grappling with the complexities of human interactions inside the limits of an office.
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Inspiration and Vision of the Director: An Exploration of Human Nature
Director Carmen Ike Okoro found inspiration in the complex complexities of interpersonal relationships in the workplace. Drawing inspiration from psychological thrillers such as Darren Aronofsky’s “Mother” and Kayode Kasum’s “Soole” EGÚN delves into the tense interactions between individuals under extreme stress, mirroring the psychological struggles encountered by a significant number of Nigerians.
The video, which draws inspiration from the writings of clinical psychologist Jordan Peterson, attempts to imaginatively illustrate the possible repercussions of untreated mental health issues. The idea is to explore the darker aspects of human nature while producing a sense of tension and cramped space in the workspace. By creating a story that gradually comes to light and exposes the effects of unbridled ambition and abuse by society, Okoro highlights the cautionary tale of pursuing goals without taking into account their influence on others.
Expectations from the audience: A humorous and in-depth exploration of the Nigerian spirit
The story will gradually reveal the darker sides of people while highlighting the consequences of pursuing ambitious goals, as viewers can expect. EGUN also promises amusing moments that come as a surprise, drawing on the humour that Nigerians frequently find themselves in difficult circumstances. The film offers not just an exciting adventure but also a hilarious and insightful examination of the Nigerian spirit, encouraging viewers to consider their journeys.
As EGUN makes a splash in theatres, it takes viewers on a cinematic trip that explores the intricacies of ambition, human nature, and the fallout from unrestrained ambitions. See Trailer.
“Londoner” is an autobiographical film that tells the story of Ayo, a Nigerian bank manager who moves to London to reunite with his family. The film, written and directed by Babatunde Apalowo, recently achieved recognition at the Durban FilmMart. It won the Red Sea Film Fund Award for Best Fiction Feature. This prestigious award came with a cash prize of $5,000.
The Durban FilmMart Institute, which organized the event, is a non-profit organization dedicated to promoting both local and international trade and investment in African film content. This institute plays a crucial role in showcasing and supporting African filmmakers and their projects.
Babatunde Apalowo, the creative force behind “Londoner,” is a Nigerian film director and screenwriter who has made the United Kingdom his base. His portfolio includes several notable works such as “A Place for Happiness,” “Catcher,” “The Millions,” and “Death for Sale.” Apalowo’s talent received international recognition in 2023 when he won the Teddy Award at the Berlin Film Festival for his queer romance film titled “All the Colours of the World Are Between Black and White.”
The 15th edition of the Durban FilmMart, held in South Africa from July 19 to July 22, served as a platform for numerous impressive film projects from across the African continent. It was during this event that “Londoner” received its accolade.
Babatunde Apalowo
Produced by Pamela Drameh and Sarudzayi Marufu, “Londoner” goes into the complex emotions of its protagonist, Ayo. The film follows Ayo’s journey as he arrives in London, expecting to join his family, only to face an unexpected and heartbreaking situation. He discovers that his wife has become emotionally involved with another man and is seeking a divorce, adding a layer of personal turmoil to his already challenging experience of relocating to a new country.
The narrative of “Londoner” draws inspiration from Apalowo’s own experiences as an immigrant in the UK.
The director’s struggle to find a sense of belonging in a foreign land forms the emotional core of the film. In an interview with Variety, Apalowo shared his personal insights, highlighting the stark contrast between Nigeria and London in terms of personal space and social interactions. He poignantly described the loneliness he felt in London, a city where the anonymity and indifference of urban life stood in stark contrast to the close-knit communities he was accustomed to in Nigeria.
“Londoner” marks Apalowo’s second venture into feature filmmaking, showcasing his growth as a director and his ability to translate personal experiences into compelling cinematic narratives. The film’s success at the Durban FilmMart not only recognizes Apalowo’s talent but also brings attention to the important themes of migration, cultural adjustment, and personal relationships that the film explores.
The Durban FilmMart also celebrated other talented filmmakers. Among them were Sean Drummond and Sheetal Magan, who received The Known Inner Circle Award for their South African film “Acts of Man.” This award came with a substantial cash prize of $10,000, further demonstrating the event’s commitment to supporting and promoting African cinema.
Renowned Nigerian filmmaker, Kunle Afolayan, is actively searching for suitable locations to bring the next season of his series, “Anikulapo: Rise of the Sceptre,” to life. His vision for the series has expanded beyond Nigeria’s borders. He announced plans to film portions of the show in Ghana back in May 2024.
Afolayan recently shared a series of photographs on social media. He documented his exploration of various locations across the West African country. This strategic move signifies the progressive stages of pre-production as he seeks to capture the perfect backdrop for the series.
A pivotal aspect of this ambitious project involves a partnership with Juliet Yaa Asantewa Asante. She is the influential head of Ghana’s National Film Authority. Her expertise and support are instrumental in facilitating this cross-border production and ensuring its success.
“Ghana is calling on the world to come and shoot in Ghana and capture the very beautiful sceneries and facilities Ghana has in their movies,” Asante wrote in an Instagram post to announce Afolayan’s location scouting days ago.
The first season of “Anikulapo: Rise of the Sceptre” was entirely filmed in Nigeria at a film studio Kunle Afolayan owns.
It was in the KAP Film Village in Igbojaye, Oyo State. This massive production involved a cast and crew of 600 people.
The series continues the 2022 Netflix movie, “Anikulapo.” Anikulapo tells the story of Saro, a mysterious stranger who becomes entangled with Queen Arolake. The movie follows their unusual love story.
The series, released in 2024, picks up after the movie’s events. Saro is brought back to life and continues his mysterious ways, while Arolake becomes wealthy but faces new powerful enemies.
The series features a large and talented cast, including well-known actors like Kunle Remi, Bimbo Ademoye, Sola Sobowale, and many others.
The Nigerian box office has seen a shift in leadership this week. The domestic film “What about Us?” directed by Kayode Kasum claims the top spot. This new chart-topper has accumulated an impressive ₦34.7 million since its release, dethroning the Hollywood blockbuster “Bad Boys: Ride or Die“. The latter had dominated the charts since the beginning of the month.
“What about Us?” boasts a star-studded cast featuring Uzor Arukwe, Folu Storms, Kunle Remi, Teniola Aladese, Seyi Awolowo, Marycolette Unamka, and Atlanta Bridget Johnson. The film’s success was particularly notable in its opening weekend. It raked in ₦24 million, according to a report published by the Cinema Exhibitors Association of Nigeria (CEAN) on July 20, 2024.
The report covers the box office performance from July 12 to July 18, 2024.
Also, it reveals a competitive landscape in Nigerian cinemas. “Bad Boys: Ride or Die,” starring Will Smith and Martin Lawrence, now occupies the second position with earnings of ₦33.6 million.
Close on its heels is the Hollywood horror sci-fi “A Quiet Place: Day One,” written and directed by Michael Sarnoski. This film secured the third spot with ₦30.3 million. This brings its total gross to an impressive ₦109.2 million. The Nollywood epic crime thriller “Lakatabu,” helmed by Odunlade Adekola, holds the fourth position with ₦22.1 million for the week. It pushed its total earnings since its June 21, 2024 release to over ₦156 million.
The animated realm continues to perform well. “Despicable Me 4” maintains its fifth-place position. This American animated comedy which Universal Pictures and Illumination produced, added ₦13.8 million to its coffers. With this, it reached a total gross of ₦40 million.
Another strong performer is Biodun Stephen’s “Muri and Ko.” The movie amassed ₦120.4 million since its June 14, 2024 release. It currently sits in sixth place, having earned ₦12.3 million during the week in question. Disney’s “Inside Out 2” follows in seventh place, with weekly earnings of ₦11.5 million and a cumulative gross of ₦68.5 million.
The romantic comedy “Fly Me to the Moon,” secured the eighth spot with ₦8.1 million. Greg Berlanti directed it and Columbia Pictures distributed it.
Rounding out the top ten are two newer releases.
“The Groomsmen,” a romantic drama Ampong Kwaku Kwakye directed and released on July 12, 2024, took ninth place. It grossed ₦6.1 million for the week, bringing its total to ₦6.2 million. Finally, “Voltage,” premiered on July 5, 2024, claimed the tenth position with weekly earnings of ₦2.4 million, contributing to its total gross of ₦8 million.
This diverse mix of domestic and international films, spanning various genres from action and horror to romance and animation, shows the competitive nature of the Nigerian box office.
The success of local productions like “What about Us?” and “Lakatabu” alongside international blockbusters highlights the growing strength and appeal of Nollywood films to Nigerian audiences.