Fans of Nollywood will be thrilled to know that African Magic has a lot of series you could watch this October. Africa Magic has unveiled an alluring schedule of television programs for October, which promises to contain amazing performances and exciting narratives. They include:
1. The Masquerades of Aniedo: Is a modern epic series directed by the talented Femi Ogunsanwo. The drama focuses on the dramatic journey of a man who, while proposing to his girlfriend, unjustly faced shame from his society and set out to exact revenge. His desire to become a respected Masquerade unintentionally disturbs the peace in the state of Ofuobi. Muna’s road becomes a rollercoaster with unforeseen turns as his ambition renders him blind, where the pursuit of justice and status conflict. A stellar group of actors, including Chukwu Martins, Adekunle ‘Abounce’ Fawole, Ikponwosa Gold, Uche Nwoko, Imoh Eboh, Mofehintola Jebutu, and Uzor Arukwe, star in the series.
2. Love and Light: Is directed by Belinda Yanga, will also premiere this month. This touching tale explores the life of Takedat, a broken-hearted photographer who gets a call out of the blue to take pictures of his ex-fiancee’s engagement session. He has no idea that he is going to record moments for Ojonya, the woman who abandoned him at the altar. “Love and Light” has an amazing cast that includes Paul Utomi, Eva Ibiam, Arike Owolagba, Baaj Adebule, and others.
3. Refuge: Chimezie Imo and Ibrahim Suleiman’s gripping serial “Refuge” takes centre stage on October 4. The show, which is directed by Rogba the Baron and Muyiwa Aluko and produced by Bio Arimoro, follows the events of a murder in a small town that leads to a suspenseful night of revelations. “Refuge” offers an exciting read, with a talented group of writers including Musa Jeffery David, Isaac Ayodeji, Charles Kay Ugwuzor, Esther Oyiza Kokori, D’olu Adewuyi, and Hope Matthew Osatare.
4. The Chronicles: Rogers Ofime is the director and producer of “The Chronicles”. This show explores the daring world of four girls who are preparing a heist. Their devious scheme takes an unanticipated turn that traps them inside a church. With a cast that includes Yomi Fash, Edith Iruene, Sharon Rotimi, Audrey Harrison, Taiwo Ola, Simileoluwa Hassan, Olawale Gold, Vivian Kaima, Ego Ihenacho, and more, the Sanctuary Chapel becomes the setting for tension and a ton of shocks.
5. The Slum King: “The Slum King” will conclude the month’s television schedule. With a cast that includes Tobi Bakare, Teniola Aladese, Olarotimi Fakunle, Idia Aisien, Elvina Ibru, Hermes Iyele, Bolaji Ogunmola, Sonia Irabor, Gideon Okeke, Jidekene Achufusi, and others, the series is produced by Chinenye Nworah and directed by Dimeji Ajibola. “The Slum King” has a gripping story and impressive skills, making it a must-watch.
The Real Housewives of Lagos will launch its season 3 on January 12, 2025. It will feature both returning stars and exciting new additions to its glamorous ensemble.
The show continues to highlight the opulent lifestyle and cultural richness of Lagos through its cast members’ lives.
Three original cast members will return to the series. Laura Ikeji Kanu brings her entrepreneurial spirit and social media influence. Meanwhile, Mariam Timmer contributes her public relations expertise. And Carolyna Hutchings adds her entertainment industry knowledge and business acumen.
These show veterans will continue sharing their intertwined personal and professional journeys with viewers.
The Real Housewives of Lagos 3 introduces three distinguished newcomers to its lineup.
Dabota Lawson, who previously held a beauty queen title, joins the cast with her expertise in the beauty industry and her sophisticated lifestyle.
Adeola “Diiadem” Adeyemi enters the show as an influential figure in the beauty sector, known for her entrepreneurial success.
Sophia Momodu rounds out the new additions, bringing her media expertise and dedication to humanitarian causes.
Season three promises to delve deeply into these six women’s complex lives as they manage their businesses, families, and relationships in Lagos.
Viewers can expect to see lavish social gatherings, meaningful personal moments, and the dramatic interactions that define the series.
Busola Tejumola is the Executive Head of Content & Channels for MultiChoice in West Africa. She has expressed her enthusiasm for the upcoming season’s enhanced production value and compelling storylines.
“For two seasons, The Real Housewives of Lagos has continued to bring us premium entertainment, giving fans a front-row seat to the glitz and glamour that makes Lagos a cultural hub. This new season, we have a few surprises up our sleeves that we’re sure fans of the show would love,” she said.
Africa Magic Showcase (DStv) will broadcast new episodes of The Real Housewives of Lagos Season 3 every Sunday at 8 p.m. beginning January 12, 2025.
Starting Monday, January 13, Showmax will release each new episode the following day. This will allow viewers additional flexibility in watching the show.
Funke Akindele’s comedy film “Everybody Loves Jenifa” has shattered Nigerian box office records by earning ₦511 million within just 12 days of its release.
FilmOne, the film’s distributor, revealed that this remarkable achievement makes it both the highest-grossing Nollywood film of 2024. It is also the fastest Nigerian movie to reach the ₦500 million milestone.
“History Made! Everybody Loves Jenifa smashes records with ₦511M at the box office, becoming 2024’s highest-grossing Nollywood title and the fastest to hit ₦500M in just 12 days! Don’t stop! Let’s smash the record books. Watch Everybody Loves Jenifa in cinemas near you,” the post said.
“Everybody Loves Jenifa” achieved unprecedented success by generating ₦206 million during its opening weekend. It established a new record for the highest-grossing opening weekend in Nollywood history.
The film demonstrated its immediate appeal by earning ₦87.8 million on its first day. This set another record for the highest single-day earnings in Nigerian cinema.
Funke Akindele masterfully reprised her beloved Jenifa character, delivering a performance that perfectly captured the character’s signature humour and charm.
The narrative follows Jenifa through an engaging storyline filled with personal growth, fame-related challenges, and comedic situations that resonated deeply with audiences across Nigerian theatres.
Akindele’s marketing strategy proved exceptionally effective. Moreso, she implemented comprehensive social media campaigns and made strategic appearances at various cinemas to connect with viewers.
Her promotional efforts transformed the film’s release into a cultural phenomenon that extended beyond traditional movie-watching.
The film features an impressive ensemble cast including Falz,Omotunde ‘Lolo’ Adebowale-David, Olayode Juliana, Chimezie Imo, Layi Wasabi, Bisola Aiyeola,Jackie Appiah, and Omowunmi Dada.
These actors collectively bring depth to this comedy-drama that successfully weaves together humorous moments, emotional depth, and surprising plot developments.
Comedian and filmmaker AY Makun has weighed in on the controversy surrounding the alleged decision by Netflix to pause funding for Nigerian original films.
During a recent interview with Nollywood on Radio, Makun addressed the issue. He clarified that Netflix is not pulling out of Nigeria.
Instead, he explained that the platform is likely reassessing its approach due to ongoing financial challenges. He emphasised that this does not signal a loss of interest in Nigerian content.
“I recently had a meeting with Netflix, and at no point did they say they were leaving this region,” Makun explained. “During that meeting, we discussed my next project and how they could be involved. I don’t believe they’re leaving Nigeria.”
Makun highlighted that Netflix’s challenges in Nigeria are mainly rooted in financial constraints.
“If you’re running a business in a region and you’re spending much more than you’re earning, you’d need to reconsider your approach. That’s what they’re doing,” he stated.
The comedian explained that Netflix has invested heavily in Nigeria, far surpassing the revenue it has generated in the region.
He emphasised that the platform’s struggles stem largely from the low number of subscriptions and the widespread habit of account sharing, forcing Netflix to reconsider its business model.
“For instance, despite Nigeria’s population of over 200 million people, Netflix has only around 300,000 subscriptions, which indicates a problem that needs fixing,” Makun observed.
Furthermore, he elaborated that a significant number of Nigerians access Netflix by using shared accounts instead of purchasing individual subscriptions. This contributes to the platform’s revenue challenges.
“People often share one subscription with several others, and that’s part of the issue. It’s not just about the filmmakers,” Makun concluded.