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CJ Obasi’s “Mami Wata” Leads With 12 Nominations At AMAA 2023

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CJ Obasi's "Mami Wata" Leads With 12 Nominations At AMAA 2023 | Fab.ng

CJ Obasi’s ‘Mami Wata’ takes the lead with an impressive 12 nominations. The anticipation for the 19th edition of the Africa Movie Academy Awards (AMAA) is building as the nomination list has been officially unveiled.

Among the standout submissions, CJ Obasi’s ‘Mami Wata’ takes the lead with an impressive 12 nominations. These nominations span various categories, including Best Film in an African Language, Best Cinematography, Best Sound, Best Screenplay, and Best Director.

This honour highlights the remarkable influence that CJ “Fiery” Obasi’s “Mami Wata” has had on the African film industry. The movie has gained praise from critics and now stands as evidence of the director’s skill and commitment to the medium. It is a fantastic accomplishment for CJ Obasi and the entire team behind “Mami Wata”.

CJ Obasi's "Mami Wata" Leads With 12 Nominations At AMAA 2023 | Fab.ng

Coming in closely behind ‘Mami Wata’ is Kunle Afolayan’s Netflix Original, ‘Anikulapo‘, with nine nominations.

Additionally, Izu Ojukwu’s period drama, ‘4:4:44’, secured eight nominations. These films, alongside ‘Mami Wata,’ promise to be strong contenders at the prestigious AMAA awards ceremony.

2022: AMAA calls for nominations - Punch Newspapers

The 19th edition of the AMAA, themed “The Renaissance,” is poised to redefine continental honours, setting the foundation for future plans and the grand 20th edition. The awards ceremony is slated to take place on Sunday, October 29, 2023, at The Balmoral event centre, situated within Sheraton Hotels in Ikeja GRA, Lagos.

Below is the comprehensive list of nominations for the 2023 AMAA:

Efere Ozako Award for Best Short Film

  • Lions – Ethiopia
  • Riel – Namibia
  • Enmity Djin – Mauritania

Jubril Malaifia Award for Best Animation

  • Lost – Uganda
  • Azania Rises – South Africa
  • Jabari – Ghana
  • Bashorun Gaa – Nigeria

Best Documentary

  • Africa Cradle of Humanity and Modern Civilization – Senegal/Canada
  • Nightlife in Lasgidi – Nigeria
  • Maayo Wonaa Keerol – The River Is Not a Border – Senegal
  • Ifine (Beauty) – Sierra Leone
  • Le Spectre de Boko Haram – Cameroon

Ousmane Sembene Award for Best Film in an African Language

  • Pusha Pressa Phanda – South Africa
  • Anikulapo – Nigeria
  • The Kitera Chronicle – Uganda
  • Four Walls – South Africa
  • Mami Wata – Nigeria

Michael Anyiam Osigwe Award for Best Film by an African-born Director Living Abroad

  • Talia’s Journey – Christophe Rolin (Senegal/Belgium)
  • Golden Stripes – Peace Osigbe (Nigeria/UK)
  • KOFA – Jude Idada (Nigeria/Canada)

Best Diaspora Short Film

  • We Were Meant To – (United States) – directed by Tari Wariebi
  • The Ballad of Olive Morris – (United Kingdom) – directed by Alex Kayode-Kay
  • FiWy-Four Days – (United Kingdom) – directed by Cat White and Phoebe Torrance
  • Raw Materials – (Jamaica) – directed by Sosiessia Nixon-Kelly

Best Diaspora Documentary

  • Sound of the Police – (United States) – directed by Stanley Nelson
  • FantasHco Negrito – Have You Lost Your Mind Yet – (United States) – directed by Yvan Iturriaga and Francisco Nuñez
  • Black Rio – (Brazil) directed by Fernando Sousa and Gabriel Barbosa

Best Diaspora Narrative Feature

  • Chee$e – (Trinidad & Tobago) directed by Damian Marcano
  • Our Father, The Devil – (United States) directed by Ellie Foumbi
  • The Pastor and the Revolutionary – (Brazil) directed by José Eduardo Belmonte

Best Achievement in Production Design

  • Pat Nebo – Anikulapo – Nigeria
  • Eve Martin – Omen – DRC
  • Sira – Burkina Faso
  • Antoine Nshimiyimana – Fight Like a Girl – Rwanda
  • Chantel Carter – Gereza – South Africa

Best Achievement in Costume Design

  • Bunmi Demilola Fashina – Mami Wata – Nigeria
  • Toyin Bifarin Ogundeji – Anikulapo – Nigeria
  • Millicent Jack – 4-4-44 (Four Four Forty-Four) – Nigeria
  • Djibril Drame – Xalé – Senegal
  • Elkehoste and Baloji Omen – DRC
  • Sidi Ouedraogo Sira – Burkina Faso

Best Achievement in Make-Up

  • Campell Precious Arebamen – Mami Wata – Nigeria
  • ‘Hakeem Effect and Toyin Bifarin Ogundeji’ for ‘Anikulapo’ (Nigeria)
  • ‘Lila Vander Elst’ for ‘Omen’ (DRC)
  • ‘Our Lady of the Chinese Shop’ (Angola)
  • ‘Omowunmi Okungbure’ for ‘Gangs of Lagos’ (Nigeria).

Best Achievement in Soundtrack

  • ‘Fight Like a Girl (Rwanda)
  • ‘L’Axe Lourd (The Highway)’ (Cameroon)
  • ‘Gereza’ (South Africa)
  • ‘Omen’ (DRC)
  • ‘Obinna Arua’ for ‘4-4-44 (Four Four Forty-Four)’ (Nigeria).

Best Achievement in Visual Effects

  • ‘Omen’ (DRC)
  • ‘Mami Wata’ (Nigeria)
  • ‘The Trade’ (Nigeria)
  • ‘Emmanuel Bassey’ for ‘Gangs of Lagos’ (Nigeria).

Best Achievement in Sound

  • ‘Juliana Oswald’ for ‘Our Lady of the Chinese Shop’ (Angola)
  • ‘Vianney Aube Sira’ (Burkina Faso)
  • ‘Erik Griekspoor’ for ‘Omen’ (DRC)
  • ‘Samy Bardet’ for ‘Mami Wata’ (Nigeria)
  • ‘Michel Tsagli’ for ‘Xalé’ (Senegal).

Best Achievement in Cinematography

  • ‘Lilis Soares’ for ‘Mami Wata’ (Nigeria)
  • ‘Joachim Philippe’ for ‘Omen’ (DRC)
  • ‘Richard Henkels’ for ‘Fight Like a Girl’ (Rwanda)
  • ‘Thomas Wilski’ for ‘Talia’s Journey’ (Senegal/Belgium)
  • ‘Eduardo Kropotkine’ for ‘Our Lady of the Chinese Shop’ (Angola).

Best Achievement in Editing

  • ‘Nathan Delannoy’ for ‘Mami Wata’ (Nigeria)
  • ‘Bertrand Conard’ for ‘Omen’ (DRC)
  • ‘Sylvie Gadner’ for ‘Sira’ (Burkina Faso)
  • ‘Layla Swart’ for ‘Gereza
  • ‘Madhew Leutwyler’ for ‘Fight Like a Girl.’

Best Achievement in Screenplay

  • ‘C.J. ‘Fiery’ Obasi’ for ‘Mami Wata’ (Nigeria)
  • ‘Ufuoma MeHHri’ for ‘4-4-44 (Four Four Forty-Four)’ (Nigeria)
  • ‘Moussa Sene Absa,’ ‘Pierre Magny,’ ‘Ben Diogay Beye’ for ‘Xalé’ (Senegal)
  • ‘Madhew Leutwyler’ for ‘Fight Like a Girl’ (Rwanda).

National Film and Video Censors Board (NFVB) Award for Best Nigerian Film

  • Mami
  • Anikulapo
  • 4-4-44 (Four Four Forty-Four)
  • Gangs of Lagos
  • The Trade
  • L.I.F.E.
  • Brotherhood

Best Young/Promising Actor

  • ‘Maleek Sanni’ for ‘Gangs of Lagos’
  • ‘Ewube’ for ‘L’axe Lourd (The Highway)’
  • ‘Darisimi Nadi’ for ‘Obara’m’
  • ‘Sanou Titiama’ for ‘Le chant des fesits (The Song of the Rifle)’
  • ‘Eyiyemi Afolayan’ for ‘Anikulapo’

Best Actor in a Supporting Role

  • ‘Francis Onwuchei’ for ‘The Trade’ (Nigeria)
  • ‘Jeff Jackson’ for ‘Four Walls’ (South Africa)
  • ‘Hakeem Kae-Kazim’ for ‘Fight Like a Girl’ (Rwanda)
  • ‘Jimmy-Jean Louis’ for ‘Rise’ (United States).

Best Actress in a Supporting Role

  • ‘Uzoamaka Aniunoh’ for ‘Mami Wata’ (Nigeria)
  • ‘Rokhaya Niang’ for ‘Xalé’ (Senegal)
  • ‘Clarck Natmbwe’ for ‘Fight Like a Girl’ (Rwanda)
  • ‘Peter Mensah’ for ‘Rise’ (United States).

Best Actor in a Leading Role

  • ‘Richard Mofe Damijo’ for ‘4-4-44 (Four Four Forty-Four)’ (Nigeria)
  • ‘Marc Zunga’ for ‘Omen’ (DRC)
  • ‘Fernando Kamugisha’ for ‘The Fallen Advocate’ (Uganda)
  • ‘Tobi Bakre’ for ‘Brotherhood’ (Nigeria)
  • ‘Justine Murichii’ for ‘Shimoni’ (Kenya)
  • ‘Mike Danon’ for ‘Sira’ (Burkina Faso).

Best Actress in a Leading Role

  • ‘Lucie Debay’ for ‘Omen’ (DRC)
  • ‘Ehle Mbali Mlotshwa’ for ‘4 Walls’ (South Africa)
  • ‘Nafissatou Sisse’ for ‘Sira’ (Burkina Faso)
  • ‘Adesua Etomi’ for ‘Gangs of Lagos’ (Nigeria)
  • ‘Nse Ikpe Etim’ for ‘4-4-44 (Four Four Forty-Four)’ (Nigeria)
  • ‘Bimbo Ademoye’ for ‘Anikulapo’ (Nigeria)
  • ‘Ama Qamata’ for ‘Fight Like a Girl’ (Rwanda).

First Debut Feature by a Director

  • ‘Baloji’ for ‘Omen’ (DRC)
  • ‘Ery Claver’ for ‘Our Lady of the Chinese Shop’ (Angola)
  • ‘Jean Elliot Ilboudo’ for ‘le Chant des fusils (The Song of the Riffle)’ (Cameroon).

Best Director

  • ‘Moussa Sene Absa’ for ‘Xalé’
  • ‘C. J. ‘Fiery’ Obasi’ for ‘Mami Wata’
  • ‘Baloji’ for ‘Omen’
  • ‘Apolline Traore’ for ‘Sira’
  • ‘Izu Ojukwu’ for ‘4-4-44 (Four Four Forty-Four)’
  • ‘Kunle Afolayan’ for ‘Anikulapo’
  • ‘Kgosana Monchusi’, ‘Menzi Mzimela’ and ‘Juvaiś Dunn’ for ‘4 Walls’.

Best Film

  • ‘Xalé’ (Senegal)
  • ‘Mami Wata’ (Nigeria)
  • ‘4-4-44 (Four Four Forty-Four)’ (Nigeria)
  • ‘Omen’ (DRC), ‘4 Walls’ (South Africa)
  • ‘Sira’ (Burkina Faso)
  • ‘Anikulapo’ (Nigeria).

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ENTERTAINMENT

OdumoduBlvck Recounts How Don Jazzy Gifted Him $10,000

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OdumoduBlvck on how Don Jazzy gifted him $10,000 | fab.ng

OdumoduBlvck recently praised Mavin Records founder Don Jazzy in an interview with Beats FM.

The rapper discussed his latest project, “Nothing Changed,” a collaborative effort with the Anti-World Gangsters crew. The album features Don Jazzy on the track “Asampete.”

OdumoduBlvck revealed that after recording “Asampete,” he felt the song would benefit from Don Jazzy’s contribution. When approached, Don Jazzy readily agreed to the request.

During their meeting, Don Jazzy not only added his vocals to the song but also surprised OdumoduBlvck with a generous gift of $10,000.

Impressively, Don Jazzy declined any royalties for his contribution to the track.

“When I went to his house to get his vocals, he gave me $10,000 and even my friend was asking me why he gave me such a huge amount of money,” he narrated in the interview.

OdumoduBlvck further praised Don Jazzy, describing him as the most original personality in the Nigerian music industry and a true icon.

“There’s nobody more original than Don Jazzy…The way the younger artists look up to Burna Boy, Davido, Wizkid, and Olamide today is how they used to look up to Don Jazzy”.

OdumoduBlvck’s praise for Don Jazzy’s generosity and influence on the Nigerian music industry echoes sentiments expressed by numerous artists whose careers have been shaped by the Mavin Records boss.

Four-time Grammy nominee Davido has credited Don Jazzy and D’banj’s flamboyant lifestyle for inspiring him to relocate to Nigeria and pursue his musical aspirations.

Don Jazzy’s philanthropic endeavours also continue to make headlines. Recently, he donated a substantial sum of 100 million naira to Very Dark Man’s charity.

Check out more updates here.

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ENTERTAINMENT

Actress Eucharia Anunobi Preaches Against Seeking Validation From Others

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Eucharia Anunobi preaches against seeking validation | fab.ng

Nigerian actress and evangelist Eucharia Anunobi shared a compelling message about self-empowerment through her Instagram platform on December 19, 2024.

The Nollywood veteran directly addressed her followers in a social media post, urging them to break free from seeking external validation.

Anunobi, known for her influential roles in the Nigerian film industry, stressed that individuals should cultivate a strong sense of self-worth independent of others’ opinions.

The acclaimed actress articulated that personal growth and fulfilment stem from embracing one’s authentic self rather than conforming to societal expectations or public judgment.

In the video posted, Eucharia Anunobi enquired, “Why do you want everyone to like you? Even ice cream isn’t liked by everyone, come on.”Her post caption read,

“Seeking to be liked by all is a sign that you are emotionally and spiritually imbalanced! Some people will hate you because to hate is what gives them joy!! Because they are genetically wicked!!! So get used to not being liked!!!!1 John 5:19.”

The actress’s post ignited a flurry of reactions in her comment section, with followers expressing support and sharing their personal reflections.

Actress Sola Sobowale commented simply, “Fact.”

Other followers shared their thoughts, with one writing, “Anyone who is always seeking validation from the public whenever he or she does something, just know say that person no clear 💯.”

“Caring what people think about you is natural. Letting it drive your behaviours and keep you from doing things you believe in is usually a sign of,” said another person.

Another Instagram user shed more light on the issue, saying,

“codependency conditioning. The core belief in codependency is: what people think of me defines what I think of me. My mother always said, “Your opinion of me is none of my business.” It can get real exhausting perceiving yourself through the eyes of others. No matter how pure your intention, you cannot control how people receive you. Give others the freedom to perceive you as they wish, for it’s merely a reflection of themselves and not your reality. Never mind who sees you. Do you see you?”

“I don’t like people who wanna be liked by everyone, just do you and move on,”

“Thisss ,it’s okay to be a bad person in another persons story ,Only God is PERFECT 👍”

Check out more entertainment news updates here.

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ENTERTAINMENT

Elozonam Reflects On How “Japa” Makes It Hard For Him To Make Friends

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Elozonam on how ‘japa’ makes it hard for him to make friends | fab.ng

Former BBNaija star and content creator Elozonam revealed how Nigeria’s “japa” syndrome—where individuals emigrate in search of better opportunities abroad—has impacted his personal relationships, especially with friends and family.

During a conversation on the Uncoloured Podcast, hosted by fellow BBNaija alum Venita, Elozonam candidly shared how his twin brother’s relocation has significantly altered their once-close dynamic.

“For my twin brother and I, being twins, we naturally used to argue a lot,” Elozonam said. “But after he left, there was nothing to fight about. Now I have to consciously reach out to him because there are days or weeks when I don’t hear from him. It’s frustrating, but I understand that everyone has to do what they need to survive and build a better life.”  

Elozonam reflected on how the japa wave has reshaped his social circle. He traced the trend back to 2018 when his former boss moved abroad with his family.

“That seemed to open the floodgates,” he said. “Since then, people have been leaving one after the other. It’s exhausting. You become hesitant to form new friendships because you don’t know if they’ll just up and leave tomorrow.” 

He expressed deep frustration about Nigeria’s deteriorating economy and infrastructure. He acknowledged that unemployment, insecurity, and poor living conditions push many Nigerians to seek better opportunities in other countries.

“Between 2018 and 2024, I’ve seen so many people leave. Nigeria isn’t improving, and everyone wants a better future. It’s hard to blame them, but it’s also hard for those of us left behind.”

Watch the interview below.

Check out more updates here.

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