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Fade Ogunro Becomes First African Woman On Cherie Blair’s Foundation Global Campaign Board

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Nigerian techpreneur and CEO of  Bookings AfricaFade Ogunro puts Nigeria on the map with her most recent appointment as a member of the Global Campaign Board for The Cherie Blair Foundation for Women, making her the first African and Nigerian woman to become part of the organization’s board.

The Foundation was set up by Cherie Blair CBE QC to help release the potential of women entrepreneurs in low and middle-income countries and close the global gender gap in entrepreneurship. Since its inception in 2008, the Foundation has directly supported over 175,000 women across more than 100 countries.

Through its combined approach of programmatic delivery and advocacy, the Foundation supports women to start and grow successful micro, small and medium businesses, with training, technology, mentoring, and networking at the heart of its work. The foundation creates opportunities for finance, markets, contacts and more, and empowers women to create better futures for themselves and their families, enable their communities to prosper, contribute to strong economies, and move the world in a whole new direction.

The Foundation has reached 11,300 women entrepreneurs in Nigeria over 2020 through its business skills learning app, HerVenture, which was made possible by its partners ExxonMobil Foundation and Nigeria’s Enterprise Development Centre. The app forms the first part of the blended learning Road to Growth Nigeria program, which is currently in its third consecutive iteration. Nigeria is a Key Market for the foundation.

This work forms part of the Foundation’s 100,000 Women Campaign, which set out in early 2020 to support another 100,000 women across the world by the end of 2022. In order to do this, Cherie Blair is convening the Global Campaign Board of visionary leaders and philanthropists to help raise funds and garner support for the Campaign. It is this Board that Fade Ogunro now joins as the first African member, sharing her experience and expertise to further the Foundation’s important work.

In her words: “I’m delighted to join the Cherie Blair Foundation for Women’s Global Campaign Board, helping them to raise much-needed funds and awareness across West Africa. It’s my dream to build great leaders, drive gender equality and reduce the rate of unemployment across Africa. I believe this can be rapidly achieved through digital adoption and inclusion; where learning, training, delivering a service and making money is done digitally. Sub-Saharan African economies lose nearly $100 billion a year because of the gender gap in the labor market and side by side with the Foundation, I am looking forward to contributing to minimizing that loss.

With a background in Journalism, Creative Writing, and Spanish from Roehampton University, Fade’s sojourn into the industry started in the UK where she worked for Google. Upon her return to Nigeria, in 2010, she worked for The Beat 99.9 FM radio station, and a year later, she co-founded  Film Factory Productions and Executive Produced TV adverts and documentaries for multinationals such as General Electric, Coco-Cola, Microsoft, Lancome, and MTN.

ENTERTAINMENT

AFRIFF 2024: Check Out The Complete List Of Winners

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2024 AFRIFF: The Complete List Of Winners | fab.ng

The 2024 AFRIFF celebrated exceptional African cinema through a vibrant week-long showcase of talent, creativity, and storytelling excellence.

Filmmakers, actors, and cinema enthusiasts gathered from across the continent to participate in screenings, masterclasses, and engaging panel discussions at the 2024 AFRIFF.

This 13th edition of AFRIFF demonstrated unprecedented diversity in African storytelling, featuring compelling narratives that captivated audiences through multiple genres and languages.

In the 2024 AFRIFF, carefully curated selections sparked meaningful conversations about contemporary African experiences while highlighting the continent’s rich cultural heritage.

Also, at the 2024 AFRIFF Globe Awards ceremony, outstanding films earned recognition for their artistic merit, technical excellence, and powerful storytelling.

These winning productions represented various African perspectives, from intimate personal narratives to broader social commentaries.

Let’s explore the complete list of winners who made their mark at this prestigious celebration of African cinema.

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ENTERTAINMENT

Enioluwa Replies X User Questioning The Use Of Same Actors In Nollywood

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Enioluwa on why Nollywood uses the same actors | fab.ng

Nollywood actor and social media personality Enioluwa explained why the Nigerian film industry uses the ‘same faces’ in movies.

It all began on November 11, 2024, when an X user reacted to actress Jemima Osunde‘s post on X regarding the new YouTube film Fame and Fury.

The user said, “I’m sincerely tired of seeing the same faces in this damn industry.”

Osunde did not take her comment lightly. She retorted, saying, “We’re tired of seeing your face too in your office. Damn! I hope they sack you.”

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ENTERTAINMENT

John Njamah Says Actors Should Be Cast Based On Talent Not Instagram Followers

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John Njamah Says Actors Should Be Cast Based On Talent | fab.ng

Nollywood filmmaker John Njamah recently voiced his concern about the prevailing casting practices in the industry. He argued that casting decisions should prioritize an actor’s talent over their physical appearance or social media popularity.

In an exclusive interview, Njamah, a Nollywood veteran, gave insightful commentary on the current state and future trajectory of Nigerian cinema.

Known for his role as Rabiu in the popular TV soap opera “Fuji House of Commotion,” Njamah has also graced the screens of numerous television shows.

Interestingly, the shows he has featured in include “Tinsel,” “Living In Lagos,” “Solitaire,” “Casino,” “Emerald,” “Tide,” and “My Flatmates.”

During the interview, Njamah talked about his filmmaking journey. He emphasized his unwavering passion for the industry and his aspirations for its continued development.

“What is fuelling me is beyond passion. There’s that knack and need to grow with every month, whatever year. There’s that need to.do something different. This industry of ours is for you to do whatever you want to do and not join the bandwagon. So for me, it’s the originality in me and the need to do something right that is fuelling me Basically, it’s the ever-creative venture in me,” he said.

Njamah discussed how African stories are evolving. Furthermore, he emphasized that positive and negative changes have happened over the years.

“There’s a positive aspect and there’s a negative aspect. There’s a technical input. We’re telling our stories better technically. We’re telling better and bigger stories. The negative is that we are beginning to lose our originality. We are beginning to join the bandwagon to tell what is peculiar to other people and not to us. We are beginning to lose a bit of our identity cos there’s no longer us,” he said.

What’s more, Njamah spoke about casting in the industry. He pointed out differences between the industry during his time and the current climate, especially with casting.

“Fuji House was a one-camera shoot with hungry and passionate people. Now we have people who cast people who are beautiful and with Barbie bodies and followership and not necessarily for your talents. Some of us try to be that original because that’s where better stories are told. You want to tell stories with passionate people. Whether you like it or not, it’s a long shot but it’s possible. You want to give the actors that are worthy of the job and not the ones that are based on Instagram followers. We borrow from society and give back to society by way of entertainment and pedagogical values.”

Further, he criticized the lack of professional work ethic among filmmakers in Nollywood. He highlighted the absence of a robust system to evaluate the performance and accountability of producers within the industry.

“Professionalism is lacking. Respect for those in charge, humility and the like is lacking today. The industry lacks checks and balances. Every Tom, Dck and Harry can wake up and call themselves a producer and just get on board and be doing stuff without being checked and of course, the guild system is not working so they can’t check. There are no criteria for who should become a producer. The system is also not working. Let’s just be mindful as producers, directors and actors,” he added.

In conclusion, John Njamah acknowledged the unique character of Nollywood. Meanwhile, he proposed the creation of a domestic platform to market and distribute Nigerian films. Consequently, this would reduce reliance on foreign streaming services.

“That thing that they don’t like about us is what makes us, us. I am tired of people saying they don’t want to come into the country for coproduction cos we’re that and that and why are we relying on the likes of the streamers? Why can’t we do something that is for us by us so that they will come to us and ask for these things? We are solely depending on them to licence our movies, for survival. Speaking of coproduction, if you tell me you don’t want to come into the country for any reason, I’ll tell you you’re wrong, cos there are amazing producers here that you’ve seen their work. All you need to do is come to them and agree on modalities.”

Watch the interview with John Njamah below.

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