Grammy-nominated artist Wizkid has sparked widespread excitement among Nigerian fans by hinting at a potential December concert in Lagos.

On November 26, 2024, the superstar posted an Instagram image captioned “Lagos December.” This immediately generated speculation about a live performance.

The concert anticipation follows the release of Wizkid’s sixth studio album and eighth project, “Morayo.“ This has already achieved significant commercial success.

 

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The album remarkably set a new record on Spotify. It secured the largest opening day streams for a Nigerian artist. Also, it demonstrates the musician’s continued global appeal.

“Morayo” features a diverse collaborative lineup, including 16 tracks with guest appearances from prominent artists.

The album showcases Wizkid’s international reach by featuring Afrobeats hitmaker Asake, French artists Tiakola and Anais Cardot, and American musicians Jasmine Sullivan and Brent Faiyaz.

Should the concert materialise, it would mark the first performance Wizkid holds in Lagos since his 2022 Flytime Fest headline appearance.

Fans are particularly intrigued by the potential concert, given Wizkid’s previous statement suggesting his 2022 performance might be the last ticketed show for his Lagos audience.

Industry observers and music enthusiasts are closely monitoring the potential tour plans. The “Morayo” album’s release suggests Wizkid is preparing for a comprehensive tour.

Furthermore, Lagos potentially serves as the inaugural destination for the live concert Wizkid holds for his latest musical work.

The strategic timing of the album release and the cryptic social media post has effectively generated significant anticipation among fans and media outlets.

Wizkid continues to demonstrate his ability to create musical and promotional momentum. He maintains his status as a leading figure in the global music landscape.

Meanwhile, official confirmation remains pending; the “Lagos December” post has successfully generated substantial speculation and excitement.

This could be about a potential homecoming concert that could be a landmark event for Nigerian music fans.

A Lagos restaurant named Cali refused to let the 27-year-old reality TV star Phyna enter because of her outfit. Phyna shared this experience on her X social media page (previously known as Twitter).

She posted a short video showing what she had worn to the restaurant. She then joked about the incident with her fans and followers on social media.

In her words,

“So I went to have dinner at one CALI RESTAURANT Abi what they call the place😂😂😂 omo they said I’m dressed indecently and I can’t enter o. WTF!!!!!”

So I went to have dinner at one CALI RESTAURANT Abi what they call the place😂😂😂 omo they said I’m dressed indecently and I can’t enter o
WTF!!!!! pic.twitter.com/L2UZp4vjp0

— UNUSUALPHYNA🎙(phynix🔥) (@unusualphyna) November 24, 2024

In the clip, Phyna wore a revealing black jumpsuit paired with a bold burgundy afro wig. Her outfit quickly sparked debate among her followers.

Some users criticised her choice of attire, arguing that it was inappropriate for the restaurant’s standards. Others defended the establishment’s decision, stating that enforcing dress codes is their right.

“If you wear a hookers uniform, be prepared to be treated like one,” wrote a user.

“The owner has every right to set rules for their business premises,” said another.

“So another hotel the other day that brought something for the lady to cover her self….Great one…If all these restaurants will start doing this, it will definitely be a big step to correcting this error in the society,” someone else wrote.

The post generated mixed reactions, highlighting contrasting views on personal style and public expectations. The incident fuelled a broader conversation about dress norms and the balance between individual expression and venue policies.

Recall that Phyna dropped her surname and publicly disowned her family on her X page recently. She said that she was tossed around relatives’ homes as a child, adding that she should’ve suspected foul play all along.

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