R. Kelly Releases 19-Minute Track ‘I Admit’ Addressing Sex Cult Allegations

Published

6 years ago

July 24, 2018

FAB.NG

Grammy award winning R&B artist R.Kelly has released a 19 minute song titled ‘I Admit’.

In the song, R.Kelly addressed several issues like the sex cult allegations, the Spotify playlist ban, his illiteracy, molestation as a child, and his dire financial situation.

“I done made some mistakes,” he admits but goes on to say: “How they gon’ say I don’t respect these women, when all I’ve done is represent / Take my career and turn it upside down, ’cause you mad I’ve got some girlfriends.”

“I admit I f— with all the ladies, that’s both older and young ladies/ But tell me how they call it pedophile, because that sh– is crazy,” he sings.

See excerpts from the song below:

On his financial status:

“Now the truth in this message is I’m a broke-ass legend / The only reason I stay on tour is ’cause I gotta pay my rent.

“I never thought it would come to this, to be the most disrespected artist / So I had to write a song about it / Because they always take my words and twist it / Believe me, it’s hard to admit all this.”

On the sex cult allegations:

“I admit I am not perfect / I never said I was perfect / Say I’m abusing these women / What the f**k, that’s some absurd shit.

“They brainwashed, really? / Kidnapped, really? / Can’t eat, really? / Real talk, that sounds silly.”

Kelly told the parents of women he’s accused of harboring:

“Don’t push your daughter in my face / And tell me that it’s okay / Because your agenda is to get paid / And get mad when it don’t go your way.”

On People’s Opinion of Him:

“You may have your opinions, entitled to your opinions/ But really am I supposed to go to jail or lose my career because of your opinion/ Yeah, go ahead and stone me, point your finger at me/ Turn the world against me, but only god can mute me.”

On Why he Wrote the Song:

“I never thought it would come to this, to be the most disrespected artist/ So I had to write a song about this, ’cause they always take my words and twist it/
Believe me, its hard to admit all this, but I’m in my feelings about this sh–/ But I had to set the f—in’ record straight.”

On the Parents of Jocelyn Savage accusing of Kidnapping their Daughter:

“And if you really, really wanna know/ Her father dropped her off at my show/ And told this boy to put her on stage/ I admit that she was over age/ I admit that I was feelin’ her and I admit that she was feelin’ me/ I admit that that’s the sh– that comes with/ being a celebrity/ I ain’t chasing these ladies/ These ladies are chasing me, yeah.”

Listen to the song below;

Related Topics:R-Kelly R. Kelly Releases 19-Minute Track ‘I Admit’ Addressing Sex Cult Allegations

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Social Media Reacts As Wizkid’s “Dance” Disappears From Apple Music Top 100

Published

22 hours ago

November 18, 2024

Reporter

'Kese (Dance)' disappears from Apple Music Top 100 | fab.ng

On November 18, 2024, fans woke up to the shocking news that Wizkid’s latest single, “Kese (Dance)”, had suddenly vanished from the Apple Music Nigeria Top 100.

Just days ago, the song had been proudly sitting at the number one spot. This abrupt drop sparked widespread speculation, with many fans and industry insiders suspecting that Apple Music had penalized the track for streaming manipulation.

Such drastic deductions often indicate stream deductions or “chart-drinking,” which are common penalties that Apple Music enforces against artificial streaming boosts.

Adding fuel to the controversy is Wizkid’s “Kese (Dance)”, released on November 15, 2024, as the second lead track from his forthcoming album “Morayo”.

Within hours of its release, “Kese” soared to the top of the Apple Music Nigeria Top 100, demonstrating Wizkid’s enduring popularity and dominance on the charts.

However, the unexpected removal of the song from the charts sent shockwaves through social media, leaving fans divided. Some believe Apple Music may have acted to curb stream farming, while others argue it might simply be a technical glitch.

Historically, Apple Music has taken stringent measures to crack down on streaming manipulation, especially against high-profile artists.

This latest move, if confirmed as a penalty, would be one of their strongest actions yet against stream farming. However, the possibility of a glitch cannot be entirely dismissed, as similar occurrences have happened before.

Fans now eagerly watch to see if “Kese (Dance)” will rebound to its previous chart-topping position. A quick recovery would lend credence to the glitch theory.

Meanwhile, a continued absence would suggest that Apple Music has indeed taken a firm stance against streaming irregularities—even against a major act like Wizkid. For now, all eyes remain on the charts to see how this drama unfolds.

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Ruger & Tiwa Savage Drop New Single “Toma Toma”

Published

4 days ago

November 15, 2024

Reporter

Toma Toma: Ruger & Tiwa Savage Drop New Single | fab.ng

Nigerian music stars Ruger and Tiwa Savage have joined forces on the new single “Toma Toma,” released on November 15, 2024.

The track blends Ruger’s signature melodic style with a percussion-heavy Afrobeats instrumental produced by Kukbeatz.

Tiwa Savage’s captivating vocals complement Ruger’s performance, creating an effortless collaboration between two of Nigeria’s top talents.

This release comes on the heels of Ruger’s successful joint EP “POE” with BNXN, which included a lead single amassing 27 million streams and reaching #1 on Spotify and Apple Music in Nigeria.

Ruger has maintained an incendiary trajectory in 2024, further cementing his status as one of the most exciting Afrobeats artists.

Earlier this year, he dropped the double A-side “Luv Again / Make Way” and remixed the hit “Cry Baby” by Clean Bandit, Anne-Marie, and David Guetta.

The rising singer recently wrapped up an extensive tour across Europe, including festival appearances at DLT Malta and Wireless Festival in London.

He also completed an 8-date Canadian tour, playing shows in Montreal, Vancouver, and Toronto. These live performances follow a packed summer schedule that saw Ruger captivate audiences in the UK, Europe, Australia, and New Zealand.

Since bursting onto the scene just three years ago, Ruger has distinguished himself with his dynamic blend of Afrobeats and dancehall.

Indeed, the “Toma Toma” collaboration with Tiwa Savage represents the next chapter in his rapidly rising career.

Listen to the song below.

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Wizkid Builds Anticipation For “Morayo” With New Single “Kese (Dance)”

Published

4 days ago

November 15, 2024

Reporter

Kese (Dance): Wizkid raises anticipation for 'Morayo' | fab.ng

Wizkid showcases his musical versatility on “Kese (Dance),” masterfully blending English, Pidgin, and Yoruba languages over energetic Afrobeats production.

Furthermore, the track demonstrates his continued partnership with renowned producer P2J, who infuses the song with the signature pulsating drums and vibrant shakers that characterize Nigerian pop music.

Moreover, “Kese (Dance)” is a strategic follow-up to his previous release, “Piece of My Heart,” which features the smooth vocals of Brent Faiyaz.

This thoughtful sequencing builds anticipation for his upcoming album “Morayo,” while maintaining momentum in the music industry. “Morayo” is set for release on November 22, 2024.

Throughout the track, Wizkid maintains his distinctive laid-back vocal delivery and luxurious melodic style.

Additionally, he confidently reasserts his position as an influential hitmaker who has shaped Afrobeats dance culture for over a decade. His artistic choices in “Kese (Dance)” reflect both his musical roots and evolution as an artist.

Building on the remarkable success of “Piece of My Heart,” which shattered streaming records on Spotify Nigeria, “Kese (Dance)” carries similar expectations.

Notably, his previous single not only dominated YouTube Nigeria’s opening day statistics but also achieved an impressive debut at the top position on the TurnTable Top 100 chart.

These accomplishments underscore Wizkid’s enduring impact on the African music landscape.

In essence, “Kese (Dance)” represents another milestone in Wizkid’s illustrious career, combining his signature style with contemporary Afrobeats elements.

Through this release, he continues to bridge cultural and linguistic boundaries while maintaining his position at the forefront of African popular music.