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#ThisIsNigeriaVideo: MURIC Halts Court Action Against Falz

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The Muslim Rights Concern (MURIC) have decide to halt their court action against rapper Falz. In a recent statement have declared that instead of suing Falz to court, they would report him to appropriate agencies.

The Muslim group last week threatened to sue Falz if he did not take the video down and tender an apology. The rapper howeever, didn’t apologize rather he explained himself in a couple of media interviews.

Now, MURIC has said,

‘In view of the intervention of well-meaning Nigerians, counseling from several quarters and commitments given by us to those who interfaced with us on this matter, an emergency meeting of MURIC’s Think-Tank was convened on Sunday, June 10, 2018 to review the situation and resolved to drag the artist to government agencies saddled with the responsibility of censoring films and videos. It is not a U-turn but a sudden change in tactics’.

See the full statement below…

The Muslim Rights Concern (MURIC) last week resolved to sue Folarin Falana (Falz the Bahd Guy), a Nigerian artist, who produced the video song titled ‘This is Nigeria’ in which a Fulani man was seen beheading somebody. The video also featured hijab-wearing female choreographers dancing the ‘shaku-shaku’ (a dance associated with drug). A seven-day ultimatum was given for the withdrawal of the video and an apology failing which a legal tussle would be launched.

Our office has since been inundated with solidarity visits, while our telephone lines have been flooded with a deluge of calls from members, friends, well-wishers, journalists and other concerned Nigerians, majority of whom are of the Islamic faith.

In view of the intervention of these well-meaning Nigerians, counseling from several quarters and commitments given by us to those who interfaced with us on this matter, an emergency meeting of MURIC’s Think-Tank was convened on Sunday, June 10, 2018 to review the situation.

In deference to pleas made by well-meaning Nigerians, in order to keep faith with our avowed motto (Dialogue, Not Violence) and to further confirm that MURIC is a listening, mature and responsible organization committed to promoting peace in Nigeria, the Think-Tank resolved to drag the artist to government agencies saddled with the responsibility of censoring films and videos. It is not a U-turn but a sudden change in tactics.

This will have a more enduring impact not only on Falz but the entire entertainment industry. It will also make the agencies sit up to their responsibilities and inject a huge dose of discipline in the music and film industries in general.

MURIC expresses deep appreciation to its members nation-wide, particularly Muslim lawyers who volunteered to take up the case gratis, leaders of Islamic organizations across the country who offered their solidarity as well as senior civil servants who shared their rich experiences with us.

Although he stopped short of apologizing, the artist has tried to clear himself in published interviews made available to us. According to him, he did not intend to ridicule Muslims. He said his intention was to call attention to the plight of the Chibok girls although we think he has done that the wrong way.

A scene in the video in which the ‘Chibok girls’ are in pensive mood would have been more representative of the reality on ground because kidnapped girls cannot be dancing like people under the influence of drug. They are in captivity and so they have no cause under the sun for jubilating.

Again, the Fulanis (Muslims) were painted as killers while Benue militias (Christians) who rustle Fulani cattles and slaughter their wives and children were not featured. This is grossly unfair. Falz should find a way of balancing his video. The kidnappers of the South East (also Christians) were spared while the oil saboteurs of the Niger Delta (Christians too) were ignored. Falz video is loaded with Islamophobia. That video should be titled ‘This is not Nigeria’. It is Islam-bashing. Nigeria’s video regulatory agency should therefore ban the video or ask the artist to edit it properly.

With this latest development and even before the seven-day ultimatum expires, MURIC is no longer contemplating court action against Falz, neither are we demanding any apology from him or his management. The likely pecuniary gain in the event of a court validation of our claims does not interest us. We are no longer looking at Falz but at a larger picture.

The courts will only be interested in legalities, judiciability and technicalities but the video board will look beyond all that. Is it professional? Is it balanced? Is it truly representative of our country? Is it morally justifiable? These are what will interest the board and they are in tandem with our thinking. We appreciate artists and our aim is not to punish Falz. He is not a lazy Nigerian youth.

The matter will now go to those government agencies who are supposed to do their jobs in the first place. Instead of creating media tension and granting cheap popularity, this matter will now be handled by professionals who know what to do.

Our emphasis is going to be mainly on the portrayal of Fulanis as killers in the video with the concomitant ugly perception it is likely to create among Nigerians as well as its bandwagon effect on the image of Muslims in general. This is one area Falz has not been able to explain away, yet he refused to apologise. That aspect of the video would have been edited had the censorship agencies done what was expected of them or if Falz had followed due process.

In the interest of peace, law and order, we are calling on the National Film And Video Censors Board (NFVCB) to take up the matter from this moment. Although MURIC will still do a followup with an official petition, we expect the board to have begun its independent investigations on the matter particularly with the furore generated by the issue.

In a nutshell, we insist that Falz video “This is Nigeria” is offensive and provocative. It portrays Fulanis (and Nigerian Muslims) as killers. It is capable of igniting crisis and precipitating a general breakdown of law and order. The video board must therefore do the needful.

Professor Ishaq Akintola,

Director,

Muslim Rights Concern (MURIC)

ENTERTAINMENT

AFRIFF 2024: Check Out The Complete List Of Winners

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2024 AFRIFF: The Complete List Of Winners | fab.ng

The 2024 AFRIFF celebrated exceptional African cinema through a vibrant week-long showcase of talent, creativity, and storytelling excellence.

Filmmakers, actors, and cinema enthusiasts gathered from across the continent to participate in screenings, masterclasses, and engaging panel discussions at the 2024 AFRIFF.

This 13th edition of AFRIFF demonstrated unprecedented diversity in African storytelling, featuring compelling narratives that captivated audiences through multiple genres and languages.

In the 2024 AFRIFF, carefully curated selections sparked meaningful conversations about contemporary African experiences while highlighting the continent’s rich cultural heritage.

Also, at the 2024 AFRIFF Globe Awards ceremony, outstanding films earned recognition for their artistic merit, technical excellence, and powerful storytelling.

These winning productions represented various African perspectives, from intimate personal narratives to broader social commentaries.

Let’s explore the complete list of winners who made their mark at this prestigious celebration of African cinema.

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ENTERTAINMENT

Enioluwa Replies X User Questioning The Use Of Same Actors In Nollywood

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Enioluwa on why Nollywood uses the same actors | fab.ng

Nollywood actor and social media personality Enioluwa explained why the Nigerian film industry uses the ‘same faces’ in movies.

It all began on November 11, 2024, when an X user reacted to actress Jemima Osunde‘s post on X regarding the new YouTube film Fame and Fury.

The user said, “I’m sincerely tired of seeing the same faces in this damn industry.”

Osunde did not take her comment lightly. She retorted, saying, “We’re tired of seeing your face too in your office. Damn! I hope they sack you.”

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ENTERTAINMENT

John Njamah Says Actors Should Be Cast Based On Talent Not Instagram Followers

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John Njamah Says Actors Should Be Cast Based On Talent | fab.ng

Nollywood filmmaker John Njamah recently voiced his concern about the prevailing casting practices in the industry. He argued that casting decisions should prioritize an actor’s talent over their physical appearance or social media popularity.

In an exclusive interview, Njamah, a Nollywood veteran, gave insightful commentary on the current state and future trajectory of Nigerian cinema.

Known for his role as Rabiu in the popular TV soap opera “Fuji House of Commotion,” Njamah has also graced the screens of numerous television shows.

Interestingly, the shows he has featured in include “Tinsel,” “Living In Lagos,” “Solitaire,” “Casino,” “Emerald,” “Tide,” and “My Flatmates.”

During the interview, Njamah talked about his filmmaking journey. He emphasized his unwavering passion for the industry and his aspirations for its continued development.

“What is fuelling me is beyond passion. There’s that knack and need to grow with every month, whatever year. There’s that need to.do something different. This industry of ours is for you to do whatever you want to do and not join the bandwagon. So for me, it’s the originality in me and the need to do something right that is fuelling me Basically, it’s the ever-creative venture in me,” he said.

Njamah discussed how African stories are evolving. Furthermore, he emphasized that positive and negative changes have happened over the years.

“There’s a positive aspect and there’s a negative aspect. There’s a technical input. We’re telling our stories better technically. We’re telling better and bigger stories. The negative is that we are beginning to lose our originality. We are beginning to join the bandwagon to tell what is peculiar to other people and not to us. We are beginning to lose a bit of our identity cos there’s no longer us,” he said.

What’s more, Njamah spoke about casting in the industry. He pointed out differences between the industry during his time and the current climate, especially with casting.

“Fuji House was a one-camera shoot with hungry and passionate people. Now we have people who cast people who are beautiful and with Barbie bodies and followership and not necessarily for your talents. Some of us try to be that original because that’s where better stories are told. You want to tell stories with passionate people. Whether you like it or not, it’s a long shot but it’s possible. You want to give the actors that are worthy of the job and not the ones that are based on Instagram followers. We borrow from society and give back to society by way of entertainment and pedagogical values.”

Further, he criticized the lack of professional work ethic among filmmakers in Nollywood. He highlighted the absence of a robust system to evaluate the performance and accountability of producers within the industry.

“Professionalism is lacking. Respect for those in charge, humility and the like is lacking today. The industry lacks checks and balances. Every Tom, Dck and Harry can wake up and call themselves a producer and just get on board and be doing stuff without being checked and of course, the guild system is not working so they can’t check. There are no criteria for who should become a producer. The system is also not working. Let’s just be mindful as producers, directors and actors,” he added.

In conclusion, John Njamah acknowledged the unique character of Nollywood. Meanwhile, he proposed the creation of a domestic platform to market and distribute Nigerian films. Consequently, this would reduce reliance on foreign streaming services.

“That thing that they don’t like about us is what makes us, us. I am tired of people saying they don’t want to come into the country for coproduction cos we’re that and that and why are we relying on the likes of the streamers? Why can’t we do something that is for us by us so that they will come to us and ask for these things? We are solely depending on them to licence our movies, for survival. Speaking of coproduction, if you tell me you don’t want to come into the country for any reason, I’ll tell you you’re wrong, cos there are amazing producers here that you’ve seen their work. All you need to do is come to them and agree on modalities.”

Watch the interview with John Njamah below.

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