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How insecurity is ruining education in Nigeria

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The recent abduction of 110 Dapchi female pupils leaves Nigerian schools with more than a sense of déjà vu of the scandalous kidnapping of about 300 girls in a hostel in Chibok. Once again, many parents in the North who beat all odds to send their wards to school are left to rue their choice. More important is the fact that the latest abduction reveals the absence of safety measures in schools, writes Head, Education Desk, IYABO LAWAL
“I saw them with my own eyes. They blocked school gates so we tried to climb over the fence. There were three cars at the gate and they asked us to get in, saying they would help us. Some of us went in and some of us refused. The gunmen shot at the gate and were firing into the air.

“No matter what security is put in place I honestly don’t think I can go back to this school. I have a lot of friends who went missing. At first, I couldn’t go to sleep. I was very much shaken. But I feel better now,” a pupil at the school in Dapchi, in Yobe State, where 110 girls were abducted by Boko Haram terrorists, in an interview with the BBC, described the horror she witnessed.

Now said to be missing by the federal government are 110 girls – the youngest being 11 and the oldest 19. Eight of them were in JSS1; 17 in JSS2; 12 in JSS 3; 40 in SS1; 19 in SS2; and 14 in SS3. Many children in northern Nigeria attend only Quranic schools, where they are taught to memorise and recite the Quran, but not the numeracy, literacy and life skills needed to function effectively in today’s world.
Of the 10.5 million children in Nigeria who are out of school, 60 per cent are in the north, and most of them are girls; and those are the primary target of Boko Haram’s brutal hate campaign against Western education.“We still see resistance to sending children, and particularly girls, to school. This is in part due to mistrust of what is considered Western education. But also a low perception of the value of education and the often poor quality of teaching,” an official of United Nations Children Education Fund (UNICEF), Abdulai Kaikai, had said.

In April 2014, Boko Haram stormed the hostel of Chibok Government Secondary School, Chibok in Borno State and abducted almost 300 schoolgirls who were preparing for their final West African Senior School Certificate Examination (WASSCE)It has become the most dramatic and traumatic kidnapping experience ever known in the world as, to date, negotiations for the release of the girls – though some have been freed – continue.

In November 2016, head teachers from 114 institutions including 100 schools in the Northeast attended a United Nations Educational, Scientific and Cultural Organisation (UNESCO) workshop on security to help them handle the instability caused by extremists of the Boko Haram insurgency, which has been disrupting education in the area.

Participants from primary, junior and senior secondary schools in the three Nigerian states of Adamawa, Borno and Yobe were given 1,350 Safe School kits for their establishments. The kits were developed by a non-governmental organisation, Exam Ethics Marshal International, in collaboration with Nigerian security agencies.

A “safe school programme” was drawn up to provide teachers, parents and students with comprehensive information on safety skills; empower school communities with appropriate guidelines; provide schools with the information and skills required to conduct customised risk and threat audits of their establishments; and, finally, give schools templates for emergency response plans and the establishment of School Emergency Response Teams and Incident Command Systems. Said to have gulped hundreds of millions of naira, the “safe school programme would appear to have failed the Dapchi girls – the latest pawns in the war game of Boko Haram.

For more than eight years, the conflict in the Northeast and the resulting humanitarian crisis is devastating the lives of millions of children, women and their families. With children under 15 years of age accounting for about 45 per cent of the country’s population, the burden on education and other sectors has become overwhelming.

Forty per cent of Nigerian children aged between 6 and 11 do not attend any primary school with the northern region recording the lowest school attendance rate in the country, particularly for girls. Despite a significant increase in net enrolment rates in recent years, it is estimated that about 4.7 million children of primary school age are still not in school.

Increased enrolment rates have also created challenges in ensuring quality education and satisfactory learning achievement as resources are spread more thinly across a growing number of students. It is not rare to see cases of 100 pupils per teacher or students sitting under trees outside the school building because of the lack of classrooms.

The number of schools, facilities and teachers available for basic education remain inadequate for the eligible number of children and youths. This is more so in urban areas where there is population pressure. Under these conditions, teaching and learning cannot be effective; hence the outcomes are usually below expectation. Another challenge is the issue of girls’ education. In the north, the gender gap remains particularly wide and the proportion of girls to boys in school ranges from one girl to two boys to one to three in some states.
Nowadays, many children cannot attend school because of the fear of Boko Haram.Even when children enrol in schools, many do not complete the primary cycle. According to current data, 30 per cent of pupils drop out of primary school and only 54 per cent transit to junior secondary schools. Reasons for this low completion rate include child labour, economic hardship, early marriage for girls, and lately, Boko Haram insurgency.

Despite political commitment to reverse years of neglect in the country’s education sector, investment in basic education is still low compared to other Sub-Saharan countries.Apart from the abduction of the Chibok and Dapchi schoolgirls in Borno and Yobe respectively, schoolchildren in Lagos State have often been favourite and soft targets of militants.

On February 29, 2016, Babington Macaulay Junior Seminary, a school on the outskirts of Lagos was thrown into pandemonium when some schoolchildren were abducted.It was around 8 pm when pupils of the school were busy studying for their upcoming examinations that a gang of 12 armed men struck and kidnapped three schoolgirls. They would later demand for a ransom to release the girls. But in about one week, some of the kidnappers were apprehended and the girls were rescued.It was, however, learnt that was not the first time the school would be threatened by the kidnappers. Some time earlier, the wall of the school had been breached and a pupil abducted.

One of the apprehended gunmen said that the group had previously attempted a kidnap in that same school but were unsuccessful when the girl they abducted managed to escape.Few months later, precisely October 6, 2016, at 7:30 am, some armed men stormed Igbonla Model College in Epe and kidnapped the school’s vice principal, a teacher and four pupils, during the school’s general assembly morning devotion.

Are these abductions happenstances?
A United States of America-trained security expert, Tanwa Ashiru, does not think so.“These successful kidnaps reveal that school (children) kidnaps are fast becoming a trend and a major threat. It is pivotal that the government collaborates with schools to increase policing and protective measures, so as to be better prepared in case of any future attacks. Residences, estates, workplaces located near the waterways or surrounded by heavy forestation are particularly susceptible to these abductions,” Ashiru said in her online post.

According to her, the increasing kidnapping rate both in Lagos and across the country can be viewed as a law enforcement failure, as security operatives have failed to send out a forceful message on the repercussion of such crimes.On January 13, 2017, pupils of the Nigerian Tulip International College (formerly Nigerian Turkish International College), Isheri, Ogun State, was the next school to be attacked by armed kidnappers.Isheri is a border town of Ogun State close to Lagos with waters surrounding the environs.

Through its waters, the gang of kidnappers dug a hole through the school’s fence and gained entry from the back of the NTIC. Upon entry, they fired shots into the air and took away three pupils and five employees of the institution.Oftentimes, kidnapping cases along the waterways are associated with “Ijaw militants” who use speedboats and are adept at navigating the waters. Kidnapping in Lagos is said to persist because the Nigeria Police do not have any counter-kidnapping strategy.

Hard hit by the kidnap menace in its domain, the Lagos State House of Assembly had passed a bill that is expected to curtail the rising cases of the menace. Kidnapping now attracts a death penalty.

“Although passing the bill can be seen as government taking a step in the right direction of tackling kidnapping, a more holistic approach involving tackling socio-economic factors facilitating kidnapping is required to completely eliminate this security threat. Until these aforementioned underlying factors are resolved by the government, the issue of kidnapping will continue to remain one of the biggest security challenges in Nigeria,” Ashiru noted.With the latest kidnap of Dapchi schoolgirls, sending children to school in the north will be seen by many parents as walking a tight rope.
In recommending what should be done to forestall future kidnap, Ashiru said, “Students need to be taught on how to respond in case of emergencies. The schools also need to increase their security arrangement to make them less attractive targets. Having well-lit compounds at night and the use of solar-powered CCTV cameras could be beneficial.

“Unarmed security guards within the premises should have periodic drills and have the ability to quickly contact the nearest police response team at all hours of the day and armed security operatives can carry out random patrols and inspections outside the school walls to ensure there have been no recent breaches.”A retired colonel, Mr ‎Hassan Stan-Labo blamed the Dapchi kidnapping on the failure of intelligence not just on the part of the security agencies but of citizens participation. He said ‎terrorism is intelligence driven. “It is expensive and it calls for greater citizens participation”, he added.

Executive Director, Centre for Human Rights and Conflict Resolution (CHRCR), Idris Abdul, described it as a national embarrassment, and blamed the federal and state governments for leaving the girls vulnerable.He said “I expected that the government must have learned from what happened in Chibok by providing adequate security for the girls in the school. He urged Governor Gaidam to intensify efforts by providing adequate security for all schools, especially the female institutions in the state. With the latest kidnap of Dapchi schoolgirls, sending children to school in the north will be seen by many parents as walking a tight rope.

Guardian

MOVIES

Nollywood Director, Kemi Adetiba Teases King Of Boys 3

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Nollywood director Kemi Adetiba teases King of Boys 3 | fab.ng

Nollywood director Kemi Adetiba has revealed that another instalment of King of Boys will be released on December 25, 2025. She made this announcement on her birthday through an Instagram post.

“KOB Army…. ARISE!!! It’s time…. We MOOOOOOOVE. Signed: Your General. #KOB3 #TheBeginningOfTheEnd #DettyDecember25 #KAV25,” she said.

Earlier in 2023, director Kemi Adetiba commenced pre-production for the next instalment of King of Boys.

Alongside this, she hinted at the upcoming releases of “To Kill A Monkey” and “Welcome to the Fourth.” This new King of Boys instalment, subtitled “The Beginning of the End,” will feature a blend of familiar faces and exciting new characters.

The feature-length film will make its debut in cinemas on December 25, 2025. This groundbreaking series centres around Alhaja Eniola Salami, a powerful businesswoman and philanthropist embroiled in a high-stakes power struggle.

The first film, released in 2018, captivated audiences with its compelling narrative and exceptional performances. Its sequel, “King of Boys: The Return of the King,” premiered on Netflix in 2021.

The original film boasted an ensemble cast, including the formidable Sola Sobowale as Eniola Salami, alongside Nse Ikpe-Etim, Jide Kosoko, Adesua Etomi, and Richard Mofe-Damijo.

READ ALSO: “Everybody Loves Jenifa” Become The Highest Grossing Film of All Time

Kemi Adetiba’s career began as a radio presenter at Rhythm 93.7 FM, where she hosted the popular shows “Soul’d Out” and “Sunday at the Seaside.”

During this time, she anonymously shared her remixes on platforms like Spotify and SoundCloud under the pseudonym “Hule.”

Transitioning to television, Adetiba became a prominent figure on Mnet, producing and hosting popular shows such as “Studio 53” and “Temptation Nigeria” alongside Ikponmwosa Osakioduwa.

She also hosted the Maltina Dance All reality show for three consecutive seasons.

After achieving on-screen success, Adetiba pursued her passion for filmmaking. She enrolled at the New York Film Academy to hone her filmmaking skills.

This decision led to international recognition for her work. Her short film, “Across a Bloodied Ocean,” was showcased at the 2009 Pan African Film Festival and the National Black Arts Festival.

Her directorial debut, “The Wedding Party,” a romantic comedy, premiered on September 8, 2016, as the opening film of the City-to-City Spotlight at the Toronto International Film Festival (TIFF).

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MOVIES

“Everybody Loves Jenifa” Becomes Nollywood’s Highest-Grossing Film Of All Time

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Everybody Loves Jenifa Nollywood’s highest-grossing film | fab.ng

Nollywood filmmaker Funke Akindele has achieved a historic milestone with her latest film, Everybody Loves Jenifa.”

The film has officially broken box office records, surpassing the ₦1 billion mark to become the highest-grossing Nollywood movie of all time.

This groundbreaking achievement was announced by FilmOne, the film’s distributor, on their official Instagram page.

“Everybody Loves Jenifa” has officially hit a historic ₦1.466 billion and counting at the box office, making it the highest-grossing film of all time! A massive THANK YOU to our incredible audiences in Nigeria and Ghana for making this dream a reality. Your support is everything. On to even greater heights! Still showing in cinemas near you—experience the magic on the big screen,” the statement read.

 

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Akindele continues her reign as a dominant force in Nollywood with this latest triumph.

“Everybody Loves Jenifa” achieved this remarkable feat in less than two weeks, further solidifying her legacy of box office successes.

Last year, her film “A Tribe Called Judah” made history by becoming the first Nollywood film to surpass the ₦1 billion mark, firmly establishing her as the queen of Nigerian cinema.

In 2023, Akindele’s “Battle on Buka Street” also achieved record-breaking success, surpassing the previous record set by her own blockbuster, “Omo Ghetto: The Saga.”

The “Jenifa” franchise has transcended the realm of a mere movie series, evolving into a cultural phenomenon.

Akindele first introduced the iconic character “Jenifa” to audiences in the 2008 Yoruba-language film “Jenifa,” captivating viewers with her wit and charm.

The character’s popularity skyrocketed with the 2015 launch of “Jenifa’s Diary.” Interestingly, the series is a beloved television series that seamlessly blended humour with valuable life lessons.

With “Everybody Loves Jenifa,” Akindele elevates the character to new heights. She delivers a heartwarming and comedic story that resonates deeply with fans.

The film boasts a stellar ensemble cast, featuring Funke Akindele as Jenifa, Folarin “Falz” Falana as Sege.

Also, Jackie Appiah, Nancy Isime, Stan Nze, Bisola Aiyeola, Patience Ozokwor, Chimezie Imo, and Isaac Olayiwola (Layi Wasabi) brought life to the movie.

Check out more movie updates here.

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ENTERTAINMENT

Tems, Ayo Edebiri, Wizkid & More Nominated For The 56th NAACP Image Awards

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56th NAACP Image Awards: Tems, Ayo Edebiri, Wizkid nominated | fab.ng

The 56th NAACP Image Awards have unveiled their nominations. It highlights various exceptional talents. These talents include Nigerian stars Tems, Ayo Edebiri, Burna Boy, and Wizkid, alongside British Nigerian actress Cynthia Erivo.

The awards ceremony, set to take place on February 22nd, will be broadcast live on BET and CBS from the Pasadena Civic Center. It will celebrate “Our Stories, Our Culture, Our Excellence.”

Usher and Burna Boy received a nomination for “Outstanding Duo, Group or Collaboration (Contemporary)”. It was for their captivating song “Coming Home.”

Meanwhile, Wizkid earned a nod in the “Outstanding International Song” category for his soulful track “Piece of My Heart.”  The track features the talented Brent Faiyaz. Joining Wizkid in this category is Tems, recognized for her mesmerizing song “Love Me JeJe.”

Rising star Tyla received a well-deserved nomination for “Outstanding New Artist.” Also, Ayo Edebiri led the pack with an impressive five nominations.

Her nominations include “Outstanding Actress in a Comedy Series,” showcasing her comedic prowess. Edebiri also garnered recognition for her exceptional voiceover work.

In the animated category, Disney+’s captivating series “Iwájú” received a nomination for “Outstanding Animated Series.” Further, this solidified the series in the realm of animated excellence.

See the full list of nominations for the 56th NAACP Image Awards below.

Entertainer of the Year Nominees 

  • Cynthia Erivo
  • Keke Palmer
  • Kendrick Lamar
  • Kevin Hart
  • Shannon Sharpe

Outstanding Social Media Personality of the Year Nominees

  • Kai Cenat
  • Keith Lee
  • RaeShanda Lias
  • Shirley Raines
  • Tony Baker

Motion Pictures Categories 

Outstanding Motion Picture

  • “Bad Boys: Ride or Die” (Sony Pictures)
  • “Bob Marley: One Love” (Paramount Pictures)
  • “The Piano Lesson” (Netflix)
  • “The Six Triple Eight” (Netflix)
  • “Wicked” (Universal Pictures)

Outstanding Actor in a Motion Picture

  • André Holland — “Exhibiting Forgiveness” (Roadside Attractions)
  • Colman Domingo — “Sing Sing” (A24)
  • John David Washington — “The Piano Lesson” (Netflix)
  • Kingsley Ben-Adir — “Bob Marley: One Love” (Paramount Pictures)
  • Martin Lawrence — “Bad Boys: Ride or Die” (Sony Pictures)

Outstanding Actress in a Motion Picture

  • Cynthia Erivo — “Wicked” (Universal Pictures)
  • Kerry Washington — “The Six Triple Eight” (Netflix)
  • Lashana Lynch — “Bob Marley: One Love” (Paramount Pictures)
  • Lupita Nyong’o — “A Quiet Place: Day One” (Paramount Pictures)
  • Regina King — “Shirley” (Netflix)

Outstanding Supporting Actor in a Motion Picture

  • Brian Tyree Henry — “The Fire Inside” (Amazon MGM Studios)
  • Corey Hawkins — “The Piano Lesson” (Netflix)
  • David Alan Grier — “The American Society of Magical Negroes” (Focus Features)
  • Denzel Washington — “Gladiator II” (Paramount Pictures)
  • Samuel L. Jackson — “The Piano Lesson” (Netflix)

Outstanding Supporting Actress in a Motion Picture

  • Aunjanue Ellis-Taylor — “Exhibiting Forgiveness” (Roadside Attractions)
  • Aunjanue Ellis-Taylor — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
  • Danielle Deadwyler — “The Piano Lesson” (Netflix)
  • Ebony Obsidian — “The Six Triple Eight” (Netflix)
  • Lynn Whitfield — “Albany Road” (Faith Filmworks)

Outstanding Independent Motion Picture

  • “Albany Road” (Faith Filmworks)
  • “Exhibiting Forgiveness” (Roadside Attractions)
  • “Rob Peace” (Republic Pictures)
  • “Sing Sing” (A24)
  • “We Grown Now” (Sony Pictures Classics)

Outstanding International Motion Picture

  • “El lugar de la otra” (Netflix)
  • “Emilia Pérez” (Netflix)
  • “Memoir of a Snail” (IFC Films)
  • “The Seed of the Sacred Fig” (NEON)
  • “The Wall Street Boy, Kipkemboi” (ArtMattan Films)

Outstanding Breakthrough Performance in a Motion Picture

  • Brandon Wilson — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
  • Clarence Maclin — “Sing Sing” (A24)
  • Danielle Deadwyler — “The Piano Lesson” (Netflix)
  • Ebony Obsidian — “The Six Triple Eight” (Netflix)
  • Ryan Destiny — “The Fire Inside” (Amazon MGM Studios)

Outstanding Ensemble Cast in a Motion Picture

  • “Bob Marley: One Love” (Paramount Pictures)
  • “The Book of Clarence” (Sony Pictures)
  • “The Piano Lesson” (Netflix)
  • “The Six Triple Eight” (Netflix)
  • “Wicked” (Universal Pictures)

Outstanding Animated Motion Picture

  • “Inside Out 2” (Walt Disney Studios Motion Pictures)
  • “Kung Fu Panda 4” (DreamWorks Animation)
  • “Moana 2” (Walt Disney Studios Motion Pictures)
  • “Piece by Piece” (Focus Features)
  • “The Wild Robot” (DreamWorks Animation)

Outstanding Character Voiceover Performance – Motion Picture

  • Aaron Pierre — “Mufasa: The Lion King” (Walt Disney Studios Motion Pictures)
  • Anika Noni Rose — “Mufasa: The Lion King” (Walt Disney Studios Motion Pictures)
  • Ayo Edebiri — “Inside Out 2” (Walt Disney Studios Motion Pictures)
  • Blue Ivy Carter — “Mufasa: The Lion King” (Walt Disney Studios Motion Pictures)
  • Lupita Nyong’o — “The Wild Robot” (DreamWorks Animation)

Outstanding Short Form (Live Action)

  • “Chocolate with Sprinkles” (AFI)
  • “Definitely Not a Monster”
  • “If They Took Us Back”
  • “My Brother & Me” (MeowBark Films)
  • “Superman Doesn’t Steal”

Outstanding Short Form (Animated)

  • “if(fy)” (OTB/The Hidden Hand Studios)
  • “Nate & John” (Unity Animation Project, LLC)
  • “Peanut Headz: Black History Toonz ‘Jackie Robinson’” (Exhibit Treal Studios)
  • “Self” (Pixar Animation Studios)
  • “Walk in the Light” (419 Studios)

Outstanding Breakthrough Creative (Motion Picture)

  • David Fortune — “Color Book” (Tribeca Studios)
  • Malcolm Washington — “The Piano Lesson” (Netflix)
  • RaMell Ross — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
  • Titus Kaphar — “Exhibiting Forgiveness” (Roadside Attractions)
  • Zoë Kravitz — “Blink Twice” (Amazon MGM Studios)

Outstanding Youth Performance in a Motion Picture

  • Anthony B. Jenkins — “The Deliverance” (Netflix)
  • Blake Cameron James — “We Grown Now” (Sony Pictures Classics)
  • Jeremiah Daniels — “Color Book” (Tribeca Studios)
  • Percy Daggs IV — “Never Let Go” (Lionsgate)
  • Skylar Aleece Smith — “The Piano Lesson” (Netflix)

Outstanding Cinematography in a Motion Picture

  • Andrés Arochi — “Longlegs” (NEON)
  • Jomo Fray — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
  • Justin Derry — “She Taught Love” (Andscape)
  • Lachlan Milne — “Exhibiting Forgiveness” (Roadside Attractions)
  • Rob Hardy — “The Book of Clarence” (Sony Pictures)

Television and Streaming Categories  

Outstanding Comedy Series

  • “Abbott Elementary” (ABC)
  • “How to Die Alone” (Hulu)
  • “Poppa’s House” (CBS)
  • “The Neighborhood” (CBS)
  • “The Upshaws” (Netflix)

Outstanding Actor in a Comedy Series

  • Cedric The Entertainer — “The Neighborhood” (CBS)
  • Damon Wayans — “Poppa’s House” (CBS)
  • David Alan Grier — “St. Denis Medical” (NBC)
  • Delroy Lindo — “UnPrisoned” (Hulu)
  • Mike Epps — “The Upshaws” (Netflix)

Outstanding Actress in a Comedy Series

  • Ayo Edebiri — “The Bear” (FX/Hulu)
  • Kerry Washington — “UnPrisoned” (Hulu)
  • Natasha Rothwell — “How to Die Alone” (Hulu)
  • Quinta Brunson — “Abbott Elementary” (ABC)
  • Tichina Arnold — “The Neighborhood” (CBS)

Outstanding Supporting Actor in a Comedy Series

  • Damon Wayans Jr. — “Poppa’s House” (CBS)
  • Giancarlo Esposito — “The Gentlemen” (Netflix)
  • Kenan Thompson — “Saturday Night Live” (NBC)
  • Tyler James Williams — “Abbott Elementary” (ABC)
  • William Stanford Davis — “Abbott Elementary” (ABC)

Outstanding Supporting Actress in a Comedy Series

  • Danielle Pinnock — “Ghosts” (CBS)
  • Ego Nwodim — “Saturday Night Live” (NBC)
  • Janelle James — “Abbott Elementary” (ABC)
  • Sheryl Lee Ralph — “Abbott Elementary” (ABC)
  • Wanda Sykes — “The Upshaws” (Netflix)

Outstanding Drama Series

  • “9-1-1” (ABC)
  • “Bel-Air” (Peacock)
  • “Cross” (Amazon Prime Video)
  • “Found” (NBC)
  • “Reasonable Doubt” (Hulu)

Outstanding Actor in a Drama Series

  • Aldis Hodge — “Cross” (Amazon Prime Video)
  • Donald Glover — “Mr. & Mrs. Smith” (Amazon Prime Video)
  • Harold Perrineau — “From” (MGM+)
  • Jabari Banks — “Bel-Air” (Peacock)
  • Michael Rainey Jr. — “Power Book II: Ghost” (Starz)

Outstanding Actress in a Drama Series

  • Angela Bassett — “9-1-1” (ABC)
  • Emayatzy Corinealdi — “Reasonable Doubt” (Hulu)
  • Queen Latifah — “The Equalizer” (CBS)
  • Shanola Hampton — “Found” (NBC)
  • Zoe Saldaña — “Lioness” (Paramount+)

Outstanding Supporting Actor in a Drama Series

  • Adrian Holmes — “Bel-Air” (Netflix)
  • Cliff “Method Man” Smith — “Power Book II: Ghost” (Starz)
  • Isaiah Mustafa — “Cross” (Amazon Prime Video)
  • Jacob Latimore — “The Chi” (Paramount+)
  • Morris Chestnut — “Reasonable Doubt” (Hulu)

Outstanding Supporting Actress in a Drama Series

  • Adjoa Andoh — “Bridgerton” (Netflix)
  • Coco Jones — “Bel-Air” (Peacock)
  • Golda Rosheuvel — “Bridgerton” (Netflix)
  • Lorraine Toussaint — “The Equalizer” (CBS)
  • Lynn Whitfield — “The Chi” (Paramount+)

Outstanding Limited Television (Series, Special or Movie)

  • “Fight Night: The Million Dollar Heist” (Peacock)
  • “Genius: MLK/X” (National Geographic)
  • “Griselda” (Netflix)
  • “Rebel Ridge” (Netflix)
  • “The Madness” (Netflix)

Outstanding Actor in a Limited Television (Series, Special or Movie)

  • Aaron Pierre — “Rebel Ridge” (Netflix)
  • Colman Domingo — “The Madness” (Netflix)
  • Kelvin Harrison Jr. — “Genius: MLK/X” (National Geographic)
  • Kevin Hart — “Fight Night: The Million Dollar Heist” (Peacock)
  • Laurence Fishburne — “Clipped” (FX/Hulu)

Outstanding Actress in a Limited Television (Series, Special or Movie)

  • Aunjanue Ellis-Taylor — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)
  • Naturi Naughton — “Abducted at an HBCU: A Black Girl Missing Movie” (Lifetime)
  • Sanaa Lathan — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)
  • Sofía Vergara — “Griselda” (Netflix)
  • Uzo Aduba — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)

Outstanding Supporting Actor in a Limited Television (Series, Special or Movie)

  • Don Cheadle — “Fight Night: The Million Dollar Heist” (Peacock)
  • Luke James — “Them: The Scare” (Amazon Prime Video)
  • Ron Cephas Jones — “Genius: MLK/X” (National Geographic)
  • Samuel L. Jackson — “Fight Night: The Million Dollar Heist” (Peacock)
  • Terrence Howard — “Fight Night: The Million Dollar Heist” (Peacock)

Outstanding Supporting Actress in a Limited Television (Series, Special or Movie)

  • Brandy Norwood — “Descendants: The Rise of Red” (Disney+)
  • Jayme Lawson — “Genius: MLK/X” (National Geographic)
  • Loretta Devine — “Terry McMillan Presents: Tempted By Love” (Lifetime)
  • Sanaa Lathan — “Young. Wild. Free.” (BET+)
  • Taraji P. Henson — “Fight Night: The Million Dollar Heist” (Peacock)

Outstanding News/Information (Series or Special)

  • “Black Men’s Summit” (BET Media Group)
  • “Finding Your Roots with Henry Louis Gates, Jr.” (PBS)
  • “Laura Coates Live” (CNN)
  • “NewsNight with Abby Phillip” (CNN)
  • “The ReidOut” (MSNBC)

Outstanding Talk Series

  • “Hart to Heart” (Peacock)
  • “Sherri” (Syndicated)
  • “Tamron Hall Show” (Syndicated)
  • “The Jennifer Hudson Show” (Syndicated)
  • “The Shop” Season 7 (YouTube)

Outstanding Reality Program, Reality Competition or Game Show (Series)

  • “Celebrity Family Feud” (ABC)
  • “Password” (NBC)
  • “Rhythm + Flow” (Netflix)
  • “The Real Housewives of Potomac” (Bravo)
  • “Tia Mowry: My Next Act” (WeTV)

Outstanding Variety Show (Series or Special)

  • “BET Awards 2024” (BET Media Group)
  • “Deon Cole: Ok, Mister” (Netflix)
  • “Jamie Foxx: What Had Happened Was…” (Netflix)
  • “Katt Williams: Woke Foke” (Netflix)
  • “Saturday Night Live” (NBC)

Outstanding Children’s Program

  • “Craig of the Creek” (Cartoon Network)
  • “Descendants: The Rise of Red” (Disney+)
  • “Gracie’s Corner” (YouTube TV)
  • “Sesame Street” (Max)
  • “Snoopy Presents: Welcome Home, Franklin” (Apple TV+)

Outstanding Performance by a Youth (Series, Special, Television Movie or Limited Series)

  • Caleb Elijah — “Cross” (Amazon Prime Video)
  • Graceyn Hollingsworth — “Gracie’s Corner” (YouTube TV)
  • Leah Sava Jeffries — “Percy Jackson and the Olympians” (Disney+)
  • Melody Hurd — “Cross” (Amazon Prime Video)
  • TJ Mixson — “The Madness” (Netflix)

Outstanding Host in a Talk or News/Information (Series or Special) – Individual or Ensemble

  • Abby Phillip — “NewsNight with Abby Phillip” (CNN)
  • Henry Louis Gates Jr. — “Finding Your Roots with Henry Louis Gates, Jr.” (PBS)
  • Jennifer Hudson — “The Jennifer Hudson” (Syndicated)
  • Joy Reid — “The Reidout” (MSNBC)
  • Sherri Shepherd — “Sherri” (Syndicated)

Outstanding Host in a Reality/Reality Competition, Game Show or Variety (Series or Special) –
Individual or Ensemble

  • Alfonso Ribeiro — “Dancing with the Stars” (ABC)
  • Keke Palmer — “Password” (NBC)
  • Nick Cannon — “The Masked Singer” (FOX)
  • Steve Harvey — “Celebrity Family Feud” (ABC)
  • Taraji P. Henson — “BET Awards 2024” (BET Media Group)

Outstanding Guest Performance

  • Ayo Edebiri — “Saturday Night Live” (NBC)
  • Cree Summer — “Abbott Elementary” (ABC)
  • Keegan-Michael Key — “Abbott Elementary” (ABC)
  • Marlon Wayans — “Bel-Air” (Peacock)
  • Maya Rudolph — “Saturday Night Live” (NBC)

Outstanding Animated Series

  • “Disney Jr.’s Ariel” (Disney Jr.)
  • “Everybody Still Hates Chris” (Comedy Central)
  • “Gracie’s Corner” (YouTube TV)
  • “Iwájú” (Disney+)
  • “Marvel’s Moon Girl and Devil Dinosaur” (Disney Channel)

Outstanding Character Voiceover Performance (Television)

  • Angela Bassett — “Orion and the Dark” (Netflix)
  • Cree Summer — “Rugrats” (Nickelodeon)
  • Cree Summer — “The Legend of Vox Machina” (Amazon Prime Video)
  • Dawnn Lewis — “Star Trek: Lower Decks” (Paramount+)
  • Keke Palmer — “The Second Best Hospital in the Galaxy” (Amazon Prime Video)

Outstanding Short Form Series or Special – Reality/Nonfiction/Documentary

  • “In the Margins” (PBS)
  • NCAA Basketball on CBS Sports (CBS)
  • “Roots of Resistance” (PBS)
  • “SC Featured” (ESPN)
  • “The Prince of Death Row Records “(YouTube TV)

Outstanding Breakthrough Creative (Television)

  • Ayo Edebiri — “The Bear” (FX/Hulu)
  • Diarra Kilpatrick — “Diarra From Detroit” (BET+)
  • Maurice Williams — “The Madness” (Netflix)
  • Thembi L. Banks — “Young. Wild. Free.” (BET+)
  • Vince Staples — “The Vince Staples Show” (Netflix)

Recording Categories

Outstanding New Artist

  • Doechii (Capitol Records/Top Dawg Entertainment)
  • Myles Smith (RCA Records/Sony Music Entertainment)
  • Samoht (Affective Music)
  • Shaboozey (American Dogwood/Empire)
  • Tyla (Epic Records)

Outstanding Male Artist

  • Chris Brown (RCA Records/Chris Brown Entertainment)
  • J. Cole (Dreamville/Interscope Records)
  • Kendrick Lamar (pgLang, under exclusive license to Interscope Records)
  • October London (Death Row Records/gamma.)
  • Usher (mega/gamma.)

Outstanding Female Artist

  • Beyoncé (Columbia Records/Parkwood Entertainment LLC)
  • Coco Jones (Def Jam Recordings)
  • Doechii (Capitol Records/Top Dawg Entertainment)
  • GloRilla (Collective Music Group/Interscope Records)
  • H.E.R. (RCA Records)

Outstanding Gospel/Christian Album

  • “Heart of a Human” — DOE (Life Room Label/RCA Inspiration)
  • “Live Breathe Fight” — Tamela Mann (Tillymann Music Group)
  • “Still Karen” — Karen Clark Sheard (Karew Records/Motown Gospel)
  • “Sunny Days” — Yolanda Adams (Epic Records)
  • “The Maverick Way Reimagined” — Maverick City Music (Tribl Records)

Outstanding International Song

  • “Close” — Skip Marley (Def Jam Recordings)
  • “Hmmm” — Chris Brown feat. Davido (RCA Records/Chris Brown Entertainment)
  • “Jump” — Tyla (Epic Records)
  • “Love Me JeJe” — Tems (RCA Records/Since ‘93)
  • “Piece of My Heart” — Wizkid feat. Brent Faiyaz (RCA Records/Sony Music International/Starboy Entertainment)

Outstanding Music Video/Visual Album

  • “Alright” — Victoria Monét (RCA Records/Lovett Music)
  • “Alter Ego (ALTERnate Version)” — Doechii, JT (Capitol Records/Top Dawg Entertainment)
  • “Boy Bye” — Chlöe (Columbia Records/Parkwood Entertainment LLC)
  • “Not Like Us” — Kendrick Lamar (pgLang, under exclusive license to Interscope Records)
  • “Yeah Glo!” — GloRilla (Collective Music Group/Interscope Records)

Outstanding Album

  • “Alligator Bites Never Heal” — Doechii (Epic Records)
  • “Cape Town to Cairo” — PJ Morton (Morton Records/EMPIRE)
  • “Coming Home” — USHER (mega/gamma.)
  • “Cowboy Carter” — Beyoncé (Columbia Records/Parkwood Entertainment LLC)
  • “Glorious” — GloRilla (Collective Music Group/Interscope Records)

Outstanding Soundtrack/Compilation Album

  • “Bob Marley: One Love (Soundtrack)” (Tuff Gong/Island Records)
  • “Genius: MLK/X (Songs from the Original Series)” (Hollywood Records)
  • “Reasonable Doubt (Season 2) (Original Soundtrack)” (Hollywood Records)
  • “The Book of Clarence (The Motion Picture Soundtrack)” (Geneva Club under exclusive license to Roc Nation Records, LLC)
  • “Wicked: The Soundtrack” (Republic Records)

Outstanding Gospel/Christian Song

  • “Church Doors” — Yolanda Adams (Epic Records)
  • “Do It Anyway” — Tasha Cobbs (TeeLee Records/Motown Gospel)
  • “God Problems (Not By Power)” — (Tribl Records)
  • “I Prayed for You (Said a Prayer)” MAJOR. — (NowThatsMAJOR/MNRK Music Group)
  • “Working for Me” — Tamela Mann (Tillymann Music Group)

Outstanding Jazz Album

  • “Creole Orchestra” — Etienne Charles (Culture Shock Music)
  • “Epic Cool” — Kirk Whalum (Artistry Music)
  • “Javon & Nikki Go to the Movies” — Javon Jackson and Nikki Giovanni (Solid Jackson Records)
  • “On Their Shoulders: An Organ Tribute” — Matthew Whitaker (MOCAT Records)
  • “Portrait” — Samara Joy (Verve Records)

Outstanding Soul/R&B Song

  • “16 CARRIAGES” — Beyoncé (Columbia Records/Parkwood Entertainment LLC)
  • “Here We Go (Uh Oh)” — Coco Jones (Def Jam Recordings)
  • “I Found You” — PJ Morton (Morton Records/EMPIRE)
  • “Residuals” — Chris Brown (RCA Records/Chris Brown Entertainment)
  • “Saturn” — SZA (RCA Records/Top Dawg Entertainment)

Outstanding Hip Hop/Rap Song

  • “Mamushi” — Megan Thee Stallion feat. Yuki Chiba (Hot Girl Productions LLC/Warner Music Group)
  • “Murdergram Deux” — LL Cool J feat. Eminem (Def Jam Recordings)
  • “Noid” — Tyler, the Creator (Columbia Records)
  • “Not Like Us” — Kendrick Lamar (pgLang, under exclusive license to Interscope Records)
  • “Yeah Glo!” — GloRilla (Collective Music Group/Interscope Records)

Outstanding Duo, Group or Collaboration (Traditional)

  • Adam Blackstone & Fantasia — “Summertime” (BASSic Black Entertainment Records/Anderson Music Group/EMPIRE)
  • Leela James feat. Kenyon Dixon — “Watcha Done Now” (Shesangz Music, Inc. under exclusive license to BMG Rights Management (US) LLC)
  • Maverick City Music feat. Miles Minnick — “God Problems (Not By Power)” (Tribl Records)
  • Muni Long & Mariah Carey — “Made for Me” (Supergiant Records/Def Jam Recordings)
  • Sounds of Blackness feat. Jamecia Bennett & Buddy McLain — “Thankful” (McLain Music, LLC)
Outstanding Duo, Group or Collaboration (Contemporary)
  • Flo & GloRilla — “In My Bag” (Island Records)
  • GloRilla feat. Kirk Franklin, Maverick City Music, Kierra Sheard, Chandler Moore — “RAIN DOWN
  • ON ME” (Collective Music Group/Interscope Records)
  • Usher & Burna Boy — “Coming Home” (mega/gamma.)
  • Victoria Monét feat. Usher — “SOS” (Sex on Sight) (RCA Records/Lovett Music)
  • Wizkid feat. Brent Faiyaz — “Piece of My Heart” (RCA Records/Lovett Music)

Outstanding Original Score for Television/Motion Picture

  • “Challengers (Original Score)” (Milan Records)
  • “Dune: Part Two (Original Motion Picture Soundtrack)” (WaterTower Music)
  • “Star Wars: The Acolyte (Original Soundtrack)” (Walt Disney Records)
  • “The American Society of Magical Negroes (Original Motion Picture Soundtrack)” (Back Lot Music)
  • “The Book of Clarence (Original Motion Picture Score)” (Milan Records)

Documentary Categories  

Outstanding Documentary (Film)

  • “Daughters” (Netflix)
  • “Frida” (Amazon MGM Studios)
  • “King of Kings: Chasing Edward Jones” (Freestyle Digital Media)
  • “Luther: Never Too Much” (Sony Music Entertainment/Sony Music Publishing/CNN Films)
  • “The Greatest Night in Pop” (Netflix)

Outstanding Documentary (Television)

  • “Black Barbie: A Documentary” (Netflix)
  • “Black Twitter: A People’s History” (Hulu)
  • “Gospel” (PBS)
  • “Simone Biles Rising” (Netflix)
  • “Sprint” (Netflix)

Outstanding Short Form Documentary (Film)

  • “Camille A. Brown: Giant Steps” (American Masters and Firelight Media)
  • “Danielle Scott: Ancestral Call” (American Masters and Firelight Media)
  • “How to Sue the Klan”
  • “Judging Juries”
  • “Silent Killer” (Kaila Love Jones Films)

Writing Categories  

Outstanding Writing in a Comedy Series

  • Ashley Nicole Black — “Shrinking” – “Changing Patterns” (Apple TV+)
  • Brittani Nichols — “Abbott Elementary” – “Breakup” (ABC)
  • Crystal Jenkins — “No Good Deed” – “Letters of Intent” (Netflix)
  • Diarra Kilpatrick — “Diarra From Detroit” – “Chasing Ghosts” (BET+)
  • Jordan Temple — “Abbott Elementary” – “Smoking” (ABC)

Outstanding Writing in a Drama Series

  • Azia Squire — “Bridgerton” – “Tick Tock” (Netflix)
  • Ben Watkins — “Cross” – “Hero Complex” (Amazon Prime Video)
  • Francesca Sloane, Donald Glover — “Mr. & Mrs. Smith” – “First Date” (Amazon Prime Video)
  • Geetika Lizardi — “Bridgerton” – “Joining of Hands” (Netflix)
  • Lauren Gamble — “Bridgerton” – “Old Friends” (Netflix)
Outstanding Writing in a Television Movie or Special
  • Brandon Espy, Carl Reid — “Mr. Crocket” (Hulu)
  • Bree West, Chazitear — “A Wesley South African Christmas” (BET+)
  • Juel Taylor, Tony Rettenmaier, Thembi L. Banks — “Young. Wild. Free.” (BET+)
  • Rudy Mancuso, Dan Lagana — “Música” (Amazon Prime Video)
  • Tina Mabry, Gina Prince-Bythewood, Cee Marcellus — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)

Outstanding Writing in a Motion Picture

  • Barry Jenkins — “The Fire Inside” (Amazon MGM Studios)
  • RaMell Ross, Joslyn Barnes — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
  • Steve McQueen — “Blitz” (Apple Original Films)
  • Titus Kaphar — “Exhibiting Forgiveness” (Roadside Attractions)
  • Virgil Williams, Malcolm Washington — “The Piano Lesson” (Netflix)

Directing Categories  

Outstanding Directing in a Comedy Series

  • Ayo Edebiri — “The Bear” – “Napkins” (FX/Hulu)
  • Bentley Kyle Evans — “Mind Your Business” – “The Reunion” (Bounce TV)
  • Robbie Countryman — “The Upshaws” – “Ain’t Broke” (Netflix)
  • Tiffany Johnson — “How to Die Alone” – “Trust No One” (Hulu)
  • William Smith — “The Vince Staples Show” – “Brown Family” (Netflix)

Outstanding Directing in a Drama Series

  • Carl Franklin — “Monsters: The Lyle and Erik Menendez Story” – “Blame It on the Rain” (Netflix)
  • Marta Cunningham — “Genius: MLK/X” – “Protect Us” (National Geographic)
  • Marta Cunningham — “Genius: MLK/X” – “Who We Are” (National Geographic)
  • Paris Barclay — “Monsters: The Lyle and Erik Menendez Story” – “Brother, Can You Spare a Dime?” (Netflix)
  • Rapman — “Supacell” – “Supacell” (Netflix)

Outstanding Directing in a Television Movie, Documentary, or Special

  • Kelley Kali — “Kemba” (BET+)
  • Marcelo Gama — “BET Awards 2024” (BET Media Group)
  • Shanta Fripp — “Black Men’s Summit” (BET Media Group)
  • Thembi L. Banks — “Young. Wild. Free” (BET+)
  • Tina Mabry — “The Supremes at Earl’s All-You-Can Eat” (Hulu/Searchlight Pictures)

Outstanding Directing in a Motion Picture

  • Jeymes Samuel — “The Book of Clarence” (Sony Pictures)
  • Malcolm Washington — “The Piano Lesson” (Netflix)
  • RaMell Ross — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
  • Reinaldo Marcus Green — “Bob Marley: One Love” (Paramount Pictures)
  • Steve McQueen — “Blitz” (Apple Original Films)

Outstanding Directing in a Documentary (Television or Motion Picture)

  • Bao Nguyen — “The Greatest Night in Pop” (Netflix)
  • Dawn Porter — “Luther: Never Too Much” (Sony Music Entertainment/Sony Music Publishing/CNN Films)
  • Deborah Riley Draper — “James Brown: Say It Loud” (A&E)
  • Jason Pollard, Sam Pollard — “Ol’ Dirty Bastard: A Tale of Two Dirtys” (A&E)
  • Nneka Onuorah — “Megan Thee Stallion: In Her Words” (Amazon Prime Video)

Literary Categories  

Outstanding Literary Work – Fiction

  • “A Love Song for Ricki Wilde” — Tia Williams (Grand Central Publishing – Hachette Book Group)
  • “Grown Woman” — Sarai Johnson (Harper – HarperCollins Publishers)
  • “Neighbors and Other Stories” — Diane Oliver, Tayari Jones (Foreword) (Grove Atlantic)
  • “One of Us Knows: A Thriller” — Alyssa Cole (William Morrow – HarperCollins Publishers)
  • “What You Leave Behind” — Wanda M. Morris (William Morrow – HarperCollins Publishers)

Outstanding Literary Work – Nonfiction

  • “A Passionate Mind in Relentless Pursuit: The Vision of Mary McLeod Bethune” — Noliwe Rooks (Penguin Press – Penguin Books)
  • “Love & Whiskey: The Remarkable True Story of Jack Daniel, His Master Distiller Nearest Green, and the Improbable Rise of Uncle Nearest” — Fawn Weaver (Melcher Media Inc.)
  • “Picturing Black History: Photographs and Stories that Changed the World” — Daniela Edmeier,
    Damarius Johnson, Nicholas B. Breyfogle and Steven Conn (Abrams Books – Harry N. Abrams)
  • “The 1619 Project: A Visual Experience” — Nikole Hannah-Jones and The New York Times Magazine (Clarkson Potter – Crown Publishing Group)
  • “The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America” — Larry Tye (Mariner Books – HarperCollins Publishers)

Outstanding Literary Work – Debut Author

  • “A Kind of Madness” — Uche Okonkwo (Tin House Books)
  • “AfroCentric Style: A Celebration of Blackness & Identity in Pop Culture” — Shirley Neal (HarperCollins Amistad)
  • “Grown Woman” — Sarai Johnson (Harper – HarperCollins Publishers)
  • “Masquerade” — O.O. Sangoyomi (Forge Books – Tor Publishing Group)
  • “Swift River” — Essie Chambers (Simon & Schuster)

Outstanding Literary Work – Biography/Autobiography

  • “Bits and Pieces: My Mother, My Brother, and Me” — Whoopi Goldberg (Blackstone Publishing)
  • “By the Time You Read This: The Space Between Cheslie’s Smile and Mental Illness” ― Her
    Story in Her Own Words — Cheslie Kryst and April Simpkins (Forefront Books)
  • “Do It Anyway: Don’t Give Up Before It Gets Good” — Tasha Cobbs Leonard, Sarah Jakes Roberts (Foreword) (WaterBrook – Penguin Random House)
  • “Lovely One: A Memoir” — Ketanji Brown Jackson (Random House)
  • “Medgar and Myrlie: Medgar Evers and the Love Story That Awakened America” — JoyAnn Reid (Mariner Books – HarperCollins Publishers)

Outstanding Literary Work – Instructional

  • “Black Joy Playbook: 30 Days of Intentionally Reclaiming Your Delight” — Tracey Michae’l Lewis-Giggets (Ink & Willow – Penguin Random House)
  • “I Did a New Thing: 30 Days to Living Free (A Feeding the Soul Book)” — Tabitha Brown (William Morrow – HarperCollins Publishers)
  • “Loving Your Black Neighbor as Yourself: A Guide to Closing the Space Between Us” — Chanté Griffin (WaterBrook – Penguin Random House)
  • “Radical Self-Care: Rituals for Inner Resilience” — Rebecca Moore (Author), Amberlee Green (Illustrator) (The Quarto Group/Leaping Hare Press)
  • “Wash Day: Passing on the Legacy, Rituals, and Love of Natural Hair” — Tomesha Faxio (Clarkson Potter – Crown Publishing Group)

Outstanding Literary Work – Poetry

  • “Bluff: Poems” — Danez Smith (Graywolf Press)
  • “Good Dress” — Brittany Rogers (Tin House Books)
  • “Load in Nine Times: Poems” — Frank X Walker (Liveright Publishing – W.W. Norton & Company)
  • “Song of My Softening” — Omotara James (Alice James Books)
  • “This Is the Honey: An Anthology of Contemporary Black Poets” — Kwame Alexander (Little, Brown and Company)

Outstanding Literary Work – Children

  • “All I Need to Be” — Rachel Ricketts (Author), Tiffany Rose (Illustrator) with Luana Horry (Simon & Schuster Books for Young Readers)
  • “Cicely Tyson” — Renée Watson (Author), Sherry Shine (Illustrator) (Amistad Books for Young Readers)
  • “Crowning Glory: A Celebration of Black Hair” — Carole Boston Weatherford (Author), Ekua Holmes (Illustrator) (Candlewick Press)
  • “My Hair Is a Book” — Maisha Oso (Author), London Ladd (Illustrator) (HarperCollins Publishers)
  • “You Can Be a Good Friend (No Matter What!): A Lil TJ Book” — Taraji P. Henson (Author), Paul Kellam (Illustrator) (Zonderkidz – HarperCollins)

Outstanding Literary Work – Youth/Teens

  • “American Wings: Chicago’s Pioneering Black Aviators and the Race for Equality in the Sky” —
    Sherri L. Smith and Elizabeth Wein (G.P. Putnam’s Sons Books for Young Readers)
  • “Barracoon Adapted for Young Readers The Story of the Last Black Cargo” — Zora Neale Hurston, Ibram X. Kendi (Adapted by), Jazzmen Lee-Johnson (Illustrator) (Amistad Books for Young Readers)
  • “Black Star: The Door of No Return” — Kwame Alexander (Little, Brown Books for Young Readers)
  • “Brushed Between Cultures: A YA Coming of Age Novel Set in Brooklyn, New York” — Samarra St. Hilaire (Samarra St. Hilaire)
  • “Clutch Time: A Shot Clock Novel (Shot Clock, 2)” — Caron Butler and Justin A. Reynolds (HarperCollins Publishers)

Outstanding Graphic Novel

  • “Big Jim and the White Boy: An American Classic Reimagined” — David F. Walker and Marcus Kwame Anderson (Ten Speed Graphic – Penguin Random House)
  • “Black Defender: The Awakening” — Dr. David Washington, Mr. Zhengis Tasbolatov (Illustrator), Mr. Billy Blanks (Foreword) (Washington Comix)
  • “Gamerville” — Johnnie Christmas (HarperAlley – HarperCollins Publishers)
  • “Ghost Roast” — Shawneé Gibbs, Shawnelle Gibbs, Emily Cannon (Illustrator) (Versify – HarperCollins Publishers)
  • “Punk Rock Karaoke” — Bianca Xunise (Viking Books for Young Readers)

Podcast Categories  

Outstanding News and Information Podcast

  • “SundayCivics” (LJW Community Strategies)
  • “After the Uprising” (iHeartPodcasts, Double Asterisk)
  • “Into America: Uncounted Millions” (MSNBC)
  • “Native Land Pod” (iHeartPodcasts, Reasoned Choice Media)
  • “The Assignment with Audie Cornish” (CNN Audio)

Outstanding Lifestyle/Self–Help Podcast

  • “Balanced Black Girl” (Dear Media)
  • “Is This Going to Cause An Argument” (Seven14Seven Media)
  • “The R Spot with Iyanla” (Shondaland)
  • “Therapy for Black Girls” (iHeartPodcasts)
  • “We Don’t Always Agree with Ryan & Sterling” (ABF Creative & Indian Meadows Productions)

Outstanding Society and Culture Podcast

  • “Baby, This is Keke Palmer” (Wondery)
  • “Club Shay Shay” (Shay Shay Media & The Volume)
  • “Higher Learning with Van Lathan and Rachel Lindsay” (The Ringer)
  • “We Don’t Always Agree with Ryan & Sterling” (ABF Creative & Indian Meadows Productions)
  • “What Now? with Trevor Noah” (Spotify Studios in partnership with Day Zero Productions and Fulwell 73)

Outstanding Sports, Arts and Entertainment Podcast

  • “Naked Sports with Cari Champion” (The Black Effect Podcast Network)
  • “Nightcap” (Shay Shay Media & The Volume)
  • “Questlove Supreme” (iHeartPodcasts)
  • “R&B Money Podcast” (R&B Money)
  • “Two Funny Mamas” (Mocha Podcasts Network)

Outstanding Podcast – Limited Series/Short Form

  • “About the Journey” (Marriott Bonvoy, AT WILL MEDIA & mntra)
  • “Squeezed with Yvette Nicole Brown” (Lemonda Media)
  • “Stranded” (Broadway Video)
  • “The Wonder of Stevie” (Audible, Higher Ground and Pineapple Street Studios)
  • “When We Win with Maya Rupert” (Lemonada Media)

Costume Design, Make-Up and Hairstyling Categories  

Outstanding Costume Design (Television or Film)

  • Ernesto Martinez — “Fight Night: The Million Dollar Heist” (Peacock)
  • Megan Coates — “Shirley” (Netflix)
  • Gersha Phillips — “The Big Cigar” (Apple TV+)
  • Francine Jamison-Tanchuck — “The Piano Lesson” (Netflix)
  • Paul Tazewell — “Wicked” (Universal Pictures)

Outstanding Make-up (Television or Film)

  • Carol Rasheed — “Fight Night: The Million Dollar Heist” (Peacock)
  • Debi Young — “Shirley” (Netflix)
  • Rebecca Lee — “Shōgun” (Netflix)
  • Matiki Anoff — “The Book of Clarence” (Sony Pictures)
  • Para Malden — “The Piano Lesson” (Netflix)

Outstanding Hairstyling (Television or Film)

  • Terry Hunt — “Bel-Air” (Peacock)
  • Lawrence Davis — “Fight Night: The Million Dollar Heist” (Peacock)
  • Nakoya Yancey — “Shirley” (Netflix)
  • Brian Badie — “The Penguin” (HBO/Max)
  • Andrea Mona Bowman — “The Piano Lesson” (Netflix)

Stunt Category  

Outstanding Stunt Ensemble (TV or Film)

  • “Cross” (Amazon Prime Video)
  • “Grotesquerie” (FX/Hulu)
  • “Rebel Ridge” (Netflix)
  • “Red One” (Amazon MGM Studios)
  • “Them: The Scare” (Amazon Prime Video)

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