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Dangote restates resolve to bridge manpower gap as Dangote Academy admits fresh 100 trainees

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The President of Dangote Group, Alhaji Aliko Dangote, says his resolve to provide technical manpower needs for the country’s industrial growth has started yielding desired results.Dangote said this on Monday at Obajana, Kogi State, while inaugurating fresh 100 trainees recently admitted under the Junior Technician Scheme (JTS) of the Dangote Academy in Obajana.
Dangote, who was represented by Mr Davar Kumar Edwin, Executive Director, Project and Portfolio, Dangote Group, said that the trainees, who form batches three and four of the academy, would be trained to suit the needs of indigenous companies and multinationals.

He said that many companies, including Dangote Group, could not continue to solely rely on universities and polytechnics to produce the needed technical manpower, hence the decision to establish the academy.
Dangote said that the trainees, selected from the host communities of Obajana and Ibeshe cement plants and other parts of the country, would be taken through critical technical areas of engineering, electrical installation and maintenance, automobile maintenance and instrumentation, welding and fabrication, machining and fitting, among others.

“The JTS is one of the flagship programmes of the Dangote Academy running for a period of 18 months.

“At the end of the training programme, these 100 young Nigerians, being admitted here today, will become master technicians in one or more areas,” he said.

On completion of the training, he said, some of the trainees will be absorbed into factories of Dangote Group in Nigeria and other African countries.

He also spoke of plans to upgrade the academy, established in 2010 to a global institution, saying that it had started partnering with the German Association of Equipment Manufacturers in furtherance of this.

Dangote said that the academy was also in touch with the National Office for Technology Acquisition and Promotion (NOTAP) and the National Board for Technical Education (NBTE) for approval, registration and accreditation of its agreement on technical vocational education and training.

He charged the new trainees to show a strong commitment to learn and take cognizance of the immense investments being committed to their training by the company.

“This programme is offered free at no cost to the trainees. You are going to have the best training of your life in the next 18 months, do not disappoint all those who have helped make this a reality,” he charged them.

The Olu of Imasayi, Oba Adesola Oni and Bajana of Obajana, Oba Idowu Isenibi, who spoke on behalf of the host communities, commended the company for its efforts at helping the country to develop manpower needs of the country in critical areas.

The traditional rulers promised to continue to work with Dangote Group and other stakeholders to create enabling environment for the company’s operations.

Three of the trainees, Mr Mayomi Samuel, Mr Ajayi Adepegba and Miss Blessing Oguche, thanked Dangote for the opportunity given to them to be admitted into the academy and promised to be of good behaviour throughout their 18-month stay at the academy.
Guardian

MUSIC

Social Media Reacts As Wizkid’s “Dance” Disappears From Apple Music Top 100

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'Kese (Dance)' disappears from Apple Music Top 100 | fab.ng

On November 18, 2024, fans woke up to the shocking news that Wizkid’s latest single, “Kese (Dance)”, had suddenly vanished from the Apple Music Nigeria Top 100.

Just days ago, the song had been proudly sitting at the number one spot. This abrupt drop sparked widespread speculation, with many fans and industry insiders suspecting that Apple Music had penalized the track for streaming manipulation.

Such drastic deductions often indicate stream deductions or “chart-drinking,” which are common penalties that Apple Music enforces against artificial streaming boosts.

Adding fuel to the controversy is Wizkid’s “Kese (Dance)”, released on November 15, 2024, as the second lead track from his forthcoming album “Morayo”.

Within hours of its release, “Kese” soared to the top of the Apple Music Nigeria Top 100, demonstrating Wizkid’s enduring popularity and dominance on the charts.

However, the unexpected removal of the song from the charts sent shockwaves through social media, leaving fans divided. Some believe Apple Music may have acted to curb stream farming, while others argue it might simply be a technical glitch.

Historically, Apple Music has taken stringent measures to crack down on streaming manipulation, especially against high-profile artists.

This latest move, if confirmed as a penalty, would be one of their strongest actions yet against stream farming. However, the possibility of a glitch cannot be entirely dismissed, as similar occurrences have happened before.

Fans now eagerly watch to see if “Kese (Dance)” will rebound to its previous chart-topping position. A quick recovery would lend credence to the glitch theory.

Meanwhile, a continued absence would suggest that Apple Music has indeed taken a firm stance against streaming irregularities—even against a major act like Wizkid. For now, all eyes remain on the charts to see how this drama unfolds.

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ENTERTAINMENT

AFRIFF 2024: Check Out The Complete List Of Winners

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2024 AFRIFF: The Complete List Of Winners | fab.ng

The 2024 AFRIFF celebrated exceptional African cinema through a vibrant week-long showcase of talent, creativity, and storytelling excellence.

Filmmakers, actors, and cinema enthusiasts gathered from across the continent to participate in screenings, masterclasses, and engaging panel discussions at the 2024 AFRIFF.

This 13th edition of AFRIFF demonstrated unprecedented diversity in African storytelling, featuring compelling narratives that captivated audiences through multiple genres and languages.

In the 2024 AFRIFF, carefully curated selections sparked meaningful conversations about contemporary African experiences while highlighting the continent’s rich cultural heritage.

Also, at the 2024 AFRIFF Globe Awards ceremony, outstanding films earned recognition for their artistic merit, technical excellence, and powerful storytelling.

These winning productions represented various African perspectives, from intimate personal narratives to broader social commentaries.

Let’s explore the complete list of winners who made their mark at this prestigious celebration of African cinema.

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MOVIES

Queen Lateefah Earns N333.7 Million, Ascends To Nollywood’s Top Box Office Rankings

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'Queen Lateefah' earns ₦333.7 million | fab.ng

First and foremost, Wumi Toriola’s film ‘Queen Lateefah‘ has achieved remarkable success, surpassing ₦300 million at the box office and securing its position among Nollywood’s top-performing films.

Subsequently, the film joins other blockbuster successes such as ‘Ajosepo’ (₦257.2 million) and ‘Ajakaju’ (₦252.8 million). Moreover, ‘Queen Lateefah’ now stands as the seventh highest-grossing Nollywood movie to date.

Additionally, it holds the distinction of achieving the highest earnings for a non-December release, a period typically known for peak box office performance.

Throughout its theatrical run, the film has consistently broken records. Initially, it garnered ₦57 million in its opening weekend.

Furthermore, within just three weeks of its premiere, the film exceeded the ₦200 million milestone. By mid-October, consequently, the box office receipts had accumulated to ₦216 million.

Queen Lateefah' grosses enters Nollywood's top box office rankings | Pulse  Nigeria

Under the distribution of Cinemax and the direction of Adeoluwa Owu, the film presents a compelling narrative. Specifically, it follows Lateefah Adeleke, a 30-year-old businesswoman who portrays herself as a world traveller with high social status.

However, her encounter with Jide Rhodes, a 35-year-old businessman, eventually exposes her carefully constructed facade.

In contrast to her claims, Lateefah emerges from a background of extreme poverty as the only child of an illiterate mother.

Finally, the film features a stellar ensemble cast including Kunle Remi, Femi Adebayo, Nancy Isime, Bimbo Manuel, Elvina Ibru, Enioluwa, and Gbugbemi Ejeye.

As a result of these combined elements – compelling storyline, strong performances, and strategic release timing – ‘Queen Lateefah’ continues to demonstrate the growing commercial potential of Nollywood productions.

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