NEWS
New controversy rages over Lagos land use charge policy
Published
7 years agoon
By
ReporterFresh widespread opposition may await the Lagos Government’s newly passed bill on land Use Charge policy, if indications emerging from the sector’s major players are anything to go by.The proposed law, which repealed the Land Use Charge Law 2001 and enacted Land Use Charge 2017 and For Connected Purposes, aimed at increasing the revenue generation base of the state by bringing more houses into its net.
The 27-section bill harmonised Land Rates Law, Neighbourhood Improvement Charge Law and Tenement Rates Law. The bill, if passed into law, will end all other rates on land except the Land Use Charge.Already passed by the Lagos State’s House of Assembly and awaiting the governor’s assent, the proposed law has stirred up the hornet’s nest following some provisions; stakeholders consider unfair to property owners.
Titled: “A Bill for a Law to Provide for the Consolidation of Property and Land Based Charges and Make Provisions for the Levying and Collection of Land Use Charge in Lagos State and for Connected Purposes”,
Under the bill, “ the annual amount of the Land Use Charge payable for any Property shall be arrived at by multiplying the market value of the property by the applicable relief rate and annual charge rate, using the prescribed formular.“The land value and building value rates constituting the market value of the property shall be reviewed at least once every five years on the basis of information available to professional valuers, and may vary from area to area.
According to the bill, the Land Use Charge will be payable in respect of property that is not exempted under Section 12 of the law.Some of the properties exempted from the proposed law include property owned and occupied by a religious body and used exclusively as a place of worship or religious education.Also exempted are public cemeteries and burial grounds as well as property used as a registered educational institution certified by the commissioner to be non-profit making.
In addition, the proposed law exempts any property specifically exempted by the Executive Governor by notice published in the State Official Gazette and all palaces of recognised Obas and Chiefs in the state.However, the law made it clear that an exempted property shall become liable for Land Use Charge if the use of such property changes to one that does not qualify for exemption.
The repealed, law guiding the Land use charge (LUC) was introduced by the government of Governor Bola Tinubu and it generated serious criticisms and subsequently legal battles until the rates were reduced.Some of the critical issues were the formula the government used to arrive at the capital values of properties and non-involvement of registered estate surveyors in the process, who should determine the values, and/or arbitrary values ascribed to properties.
There were also concerns over usurpation of local council’s statutory right in collection of tenement rates and provision of amenities in the local council area.With state collecting all together, the decision on what should get to the local councils, as tenement rate has remained a big issue.
Specifically, real estate practitioners, especially valuers are querying its equitability and methods used for the classification of property, stressing that it was based on capital value, which is not applicable in other climes.For instance, a chartered estate surveyor and valuer, Chief Kola Akomolede, argued that one of the qualities of a good tax was that it should be equitable.He stressed in those interventions that the land use charge was not equitable at all and could discourage people from investing in property, which will further worsen the accommodation problem of the populace as a result of reduced supply.
Akomolede told The Guardian that it is wrong to pay an annual tax on the capital value instead of the annual value. “If you pay income tax, you pay it on annual income not on the entire income of several years you will live. Even in London, where we copied this laws, tenement rate or council tax is based on annual value not on the capital value.
“That aspect is what I don’t agree though I have not read the whole bill but that is how it was in the old law. I wrote an article criticising it and in several places I mentioned it and I still believe it is wrong. If you will recollect, this was subject to several litigations until they reduced the rate to make it very low, where as what they need to do is that they could have put the annual charge on the annual value of each property in which case if the rental income from the property is N5milion, they should base the charge on the N5 million and not on N100 million, which is the capital value of the property, that aspect is what I found very uncomfortable as far as I am concerned”, he added.
For a fellow of Nigerian Institution of Estate surveyors and Valuers (NIESV), Prince Ahmed Adepoju, the non-involvement of estate surveyors and valuers in the process is a major lacuna, which has made it a nullity.According to him, “when the first law was passed, that was our major cross that the proper thing was not done. You cannot be asking people to pay for their property using this method because if you are talking about property market value, you are talking about the economy of the property itself.
“When you look at that, you will not know the basis they used to value the property. It is not a welcome law to us, because we were not consulted”, he noted.
In tacit acquiescence to Adepoju’s position, the chairman of the branch of Nigerian Institution of Estate surveyors and Valuers (NIESV), Olurogba Orimalade, said it is a pity that the institution was not consulted before such bill was passed.According to him, ‘nothing has change either before or during the re-enactment of the law to change our position that the formula being used is what we don’t understand. ‘It beats our imagination. We don’t know how they come about this formula being used to levy people’.
He said: “ We did make our position known that there has to be clarity especially to the professionals that, it is their discipline and their training to be advising government on how the levy should be made. “ We only got notice of it some few days before the public hearing that was held at the state house of assembly. Be that it may, we stated our position and forwarded it to them. Our position still remains the same. We are calling on government to come and sit down with us from the look of it, at the end of the day, the professionals will be called to look at what government is trying to do in order to justify it are the valuers.
“If the valuers and institution itself were not involved or were not carried along properly in arriving at the formula, then I think it brings a lot of questions to be asked on the process. All over the world including the United kingdom, there is no law that has to do with land administrations and matters that you will not consult the RICS, that is the Royal Institution of Chartered Surveyors, it is not about the RICS calling government. That government could roll out something as fundamental as this without consulting us , is not proper.
“So as far as we are concerned, a lot of questions still need to be asked, the formula is a formula that we still don’t understand how government arrived at to levy people through the amalgamation of all the taxes. “Our position has been clear from day one, because you are bringing tenement rates, ground rates and all that under one roof, there are certain things by the laws of the land , that are made to be charged by local government, this is now being brought together under one roof. There is neigbhourhood charge, which formed part of the land use charge, which should be even separated from the land use charge.
For us, there are so many issues and areas, so it is not today, it has started, and our position is that we understand what government is trying to do.“ I think, it was only nice to tell them that before you venture into areas like this, they should consult properly the institution, that is a key stakeholders on this, it is just that we are brought in early to look at this”, he added. Another fellow of NIESV, Ben Oshadiya said consolidation of the levy would be good, if only they will give local governments their dues after consolidation.
According to him, they should allow the local council to function; they can only function when they give them part of the money they are consolidating.
“ Consolidation is good, no doubt because it will reduce multiplicity, the only thing is that there is a problem with the formula for the computation.They just look at the property and said this one will be able to generate so much, it is not correct in all cases. “ The issue is let them spend the money well, when people see the way they spent the money, and all organs of government are functioning well, nobody will oppose it but the formula for calculation should be equitable”, he added.
Oshadiya stressed that if the formula is what government should be able to defend, people will be ready to pay, while government should make judicious use of the tax to provide the requisite services.“It is no use paying land use charge, when you still pay your refuse, when you have to connect your water, when you have to construct the road leading to your home virtually by yourself or to do those things government should do for you.
“If they make sure that everything is okay, everybody will be wiling to cooperate with government. While people complain is that when development do not go round, there are many areas where there are no government impact, they have to spread the development”, he added.
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MOVIES
Nollywood Director, Kemi Adetiba Teases King Of Boys 3
Published
2 weeks agoon
January 9, 2025By
ReporterNollywood director Kemi Adetiba has revealed that another instalment of King of Boys will be released on December 25, 2025. She made this announcement on her birthday through an Instagram post.
“KOB Army…. ARISE!!! It’s time…. We MOOOOOOOVE. Signed: Your General. #KOB3 #TheBeginningOfTheEnd #DettyDecember25 #KAV25,” she said.
Earlier in 2023, director Kemi Adetiba commenced pre-production for the next instalment of King of Boys.
Alongside this, she hinted at the upcoming releases of “To Kill A Monkey” and “Welcome to the Fourth.” This new King of Boys instalment, subtitled “The Beginning of the End,” will feature a blend of familiar faces and exciting new characters.
The feature-length film will make its debut in cinemas on December 25, 2025. This groundbreaking series centres around Alhaja Eniola Salami, a powerful businesswoman and philanthropist embroiled in a high-stakes power struggle.
The first film, released in 2018, captivated audiences with its compelling narrative and exceptional performances. Its sequel, “King of Boys: The Return of the King,” premiered on Netflix in 2021.
The original film boasted an ensemble cast, including the formidable Sola Sobowale as Eniola Salami, alongside Nse Ikpe-Etim, Jide Kosoko, Adesua Etomi, and Richard Mofe-Damijo.
READ ALSO: “Everybody Loves Jenifa” Become The Highest Grossing Film of All Time
Kemi Adetiba’s career began as a radio presenter at Rhythm 93.7 FM, where she hosted the popular shows “Soul’d Out” and “Sunday at the Seaside.”
During this time, she anonymously shared her remixes on platforms like Spotify and SoundCloud under the pseudonym “Hule.”
Transitioning to television, Adetiba became a prominent figure on Mnet, producing and hosting popular shows such as “Studio 53” and “Temptation Nigeria” alongside Ikponmwosa Osakioduwa.
She also hosted the Maltina Dance All reality show for three consecutive seasons.
After achieving on-screen success, Adetiba pursued her passion for filmmaking. She enrolled at the New York Film Academy to hone her filmmaking skills.
This decision led to international recognition for her work. Her short film, “Across a Bloodied Ocean,” was showcased at the 2009 Pan African Film Festival and the National Black Arts Festival.
Her directorial debut, “The Wedding Party,” a romantic comedy, premiered on September 8, 2016, as the opening film of the City-to-City Spotlight at the Toronto International Film Festival (TIFF).
MOVIES
“Everybody Loves Jenifa” Becomes Nollywood’s Highest-Grossing Film Of All Time
Published
2 weeks agoon
January 8, 2025By
ReporterNollywood filmmaker Funke Akindele has achieved a historic milestone with her latest film, “Everybody Loves Jenifa.”
The film has officially broken box office records, surpassing the ₦1 billion mark to become the highest-grossing Nollywood movie of all time.
This groundbreaking achievement was announced by FilmOne, the film’s distributor, on their official Instagram page.
“Everybody Loves Jenifa” has officially hit a historic ₦1.466 billion and counting at the box office, making it the highest-grossing film of all time! A massive THANK YOU to our incredible audiences in Nigeria and Ghana for making this dream a reality. Your support is everything. On to even greater heights! Still showing in cinemas near you—experience the magic on the big screen,” the statement read.
Akindele continues her reign as a dominant force in Nollywood with this latest triumph.
“Everybody Loves Jenifa” achieved this remarkable feat in less than two weeks, further solidifying her legacy of box office successes.
Last year, her film “A Tribe Called Judah” made history by becoming the first Nollywood film to surpass the ₦1 billion mark, firmly establishing her as the queen of Nigerian cinema.
In 2023, Akindele’s “Battle on Buka Street” also achieved record-breaking success, surpassing the previous record set by her own blockbuster, “Omo Ghetto: The Saga.”
The “Jenifa” franchise has transcended the realm of a mere movie series, evolving into a cultural phenomenon.
Akindele first introduced the iconic character “Jenifa” to audiences in the 2008 Yoruba-language film “Jenifa,” captivating viewers with her wit and charm.
The character’s popularity skyrocketed with the 2015 launch of “Jenifa’s Diary.” Interestingly, the series is a beloved television series that seamlessly blended humour with valuable life lessons.
With “Everybody Loves Jenifa,” Akindele elevates the character to new heights. She delivers a heartwarming and comedic story that resonates deeply with fans.
The film boasts a stellar ensemble cast, featuring Funke Akindele as Jenifa, Folarin “Falz” Falana as Sege.
Also, Jackie Appiah, Nancy Isime, Stan Nze, Bisola Aiyeola, Patience Ozokwor, Chimezie Imo, and Isaac Olayiwola (Layi Wasabi) brought life to the movie.
Check out more movie updates here.
ENTERTAINMENT
Tems, Ayo Edebiri, Wizkid & More Nominated For The 56th NAACP Image Awards
Published
2 weeks agoon
January 8, 2025By
ReporterThe 56th NAACP Image Awards have unveiled their nominations. It highlights various exceptional talents. These talents include Nigerian stars Tems, Ayo Edebiri, Burna Boy, and Wizkid, alongside British Nigerian actress Cynthia Erivo.
The awards ceremony, set to take place on February 22nd, will be broadcast live on BET and CBS from the Pasadena Civic Center. It will celebrate “Our Stories, Our Culture, Our Excellence.”
Usher and Burna Boy received a nomination for “Outstanding Duo, Group or Collaboration (Contemporary)”. It was for their captivating song “Coming Home.”
Meanwhile, Wizkid earned a nod in the “Outstanding International Song” category for his soulful track “Piece of My Heart.” The track features the talented Brent Faiyaz. Joining Wizkid in this category is Tems, recognized for her mesmerizing song “Love Me JeJe.”
Rising star Tyla received a well-deserved nomination for “Outstanding New Artist.” Also, Ayo Edebiri led the pack with an impressive five nominations.
Her nominations include “Outstanding Actress in a Comedy Series,” showcasing her comedic prowess. Edebiri also garnered recognition for her exceptional voiceover work.
In the animated category, Disney+’s captivating series “Iwájú” received a nomination for “Outstanding Animated Series.” Further, this solidified the series in the realm of animated excellence.
See the full list of nominations for the 56th NAACP Image Awards below.
Entertainer of the Year Nominees
- Cynthia Erivo
- Keke Palmer
- Kendrick Lamar
- Kevin Hart
- Shannon Sharpe
Outstanding Social Media Personality of the Year Nominees
- Kai Cenat
- Keith Lee
- RaeShanda Lias
- Shirley Raines
- Tony Baker
Motion Pictures Categories
Outstanding Motion Picture
- “Bad Boys: Ride or Die” (Sony Pictures)
- “Bob Marley: One Love” (Paramount Pictures)
- “The Piano Lesson” (Netflix)
- “The Six Triple Eight” (Netflix)
- “Wicked” (Universal Pictures)
Outstanding Actor in a Motion Picture
- André Holland — “Exhibiting Forgiveness” (Roadside Attractions)
- Colman Domingo — “Sing Sing” (A24)
- John David Washington — “The Piano Lesson” (Netflix)
- Kingsley Ben-Adir — “Bob Marley: One Love” (Paramount Pictures)
- Martin Lawrence — “Bad Boys: Ride or Die” (Sony Pictures)
Outstanding Actress in a Motion Picture
- Cynthia Erivo — “Wicked” (Universal Pictures)
- Kerry Washington — “The Six Triple Eight” (Netflix)
- Lashana Lynch — “Bob Marley: One Love” (Paramount Pictures)
- Lupita Nyong’o — “A Quiet Place: Day One” (Paramount Pictures)
- Regina King — “Shirley” (Netflix)
Outstanding Supporting Actor in a Motion Picture
- Brian Tyree Henry — “The Fire Inside” (Amazon MGM Studios)
- Corey Hawkins — “The Piano Lesson” (Netflix)
- David Alan Grier — “The American Society of Magical Negroes” (Focus Features)
- Denzel Washington — “Gladiator II” (Paramount Pictures)
- Samuel L. Jackson — “The Piano Lesson” (Netflix)
Outstanding Supporting Actress in a Motion Picture
- Aunjanue Ellis-Taylor — “Exhibiting Forgiveness” (Roadside Attractions)
- Aunjanue Ellis-Taylor — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
- Danielle Deadwyler — “The Piano Lesson” (Netflix)
- Ebony Obsidian — “The Six Triple Eight” (Netflix)
- Lynn Whitfield — “Albany Road” (Faith Filmworks)
Outstanding Independent Motion Picture
- “Albany Road” (Faith Filmworks)
- “Exhibiting Forgiveness” (Roadside Attractions)
- “Rob Peace” (Republic Pictures)
- “Sing Sing” (A24)
- “We Grown Now” (Sony Pictures Classics)
Outstanding International Motion Picture
- “El lugar de la otra” (Netflix)
- “Emilia Pérez” (Netflix)
- “Memoir of a Snail” (IFC Films)
- “The Seed of the Sacred Fig” (NEON)
- “The Wall Street Boy, Kipkemboi” (ArtMattan Films)
Outstanding Breakthrough Performance in a Motion Picture
- Brandon Wilson — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
- Clarence Maclin — “Sing Sing” (A24)
- Danielle Deadwyler — “The Piano Lesson” (Netflix)
- Ebony Obsidian — “The Six Triple Eight” (Netflix)
- Ryan Destiny — “The Fire Inside” (Amazon MGM Studios)
Outstanding Ensemble Cast in a Motion Picture
- “Bob Marley: One Love” (Paramount Pictures)
- “The Book of Clarence” (Sony Pictures)
- “The Piano Lesson” (Netflix)
- “The Six Triple Eight” (Netflix)
- “Wicked” (Universal Pictures)
Outstanding Animated Motion Picture
- “Inside Out 2” (Walt Disney Studios Motion Pictures)
- “Kung Fu Panda 4” (DreamWorks Animation)
- “Moana 2” (Walt Disney Studios Motion Pictures)
- “Piece by Piece” (Focus Features)
- “The Wild Robot” (DreamWorks Animation)
Outstanding Character Voiceover Performance – Motion Picture
- Aaron Pierre — “Mufasa: The Lion King” (Walt Disney Studios Motion Pictures)
- Anika Noni Rose — “Mufasa: The Lion King” (Walt Disney Studios Motion Pictures)
- Ayo Edebiri — “Inside Out 2” (Walt Disney Studios Motion Pictures)
- Blue Ivy Carter — “Mufasa: The Lion King” (Walt Disney Studios Motion Pictures)
- Lupita Nyong’o — “The Wild Robot” (DreamWorks Animation)
Outstanding Short Form (Live Action)
- “Chocolate with Sprinkles” (AFI)
- “Definitely Not a Monster”
- “If They Took Us Back”
- “My Brother & Me” (MeowBark Films)
- “Superman Doesn’t Steal”
Outstanding Short Form (Animated)
- “if(fy)” (OTB/The Hidden Hand Studios)
- “Nate & John” (Unity Animation Project, LLC)
- “Peanut Headz: Black History Toonz ‘Jackie Robinson’” (Exhibit Treal Studios)
- “Self” (Pixar Animation Studios)
- “Walk in the Light” (419 Studios)
Outstanding Breakthrough Creative (Motion Picture)
- David Fortune — “Color Book” (Tribeca Studios)
- Malcolm Washington — “The Piano Lesson” (Netflix)
- RaMell Ross — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
- Titus Kaphar — “Exhibiting Forgiveness” (Roadside Attractions)
- Zoë Kravitz — “Blink Twice” (Amazon MGM Studios)
Outstanding Youth Performance in a Motion Picture
- Anthony B. Jenkins — “The Deliverance” (Netflix)
- Blake Cameron James — “We Grown Now” (Sony Pictures Classics)
- Jeremiah Daniels — “Color Book” (Tribeca Studios)
- Percy Daggs IV — “Never Let Go” (Lionsgate)
- Skylar Aleece Smith — “The Piano Lesson” (Netflix)
Outstanding Cinematography in a Motion Picture
- Andrés Arochi — “Longlegs” (NEON)
- Jomo Fray — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
- Justin Derry — “She Taught Love” (Andscape)
- Lachlan Milne — “Exhibiting Forgiveness” (Roadside Attractions)
- Rob Hardy — “The Book of Clarence” (Sony Pictures)
Television and Streaming Categories
Outstanding Comedy Series
- “Abbott Elementary” (ABC)
- “How to Die Alone” (Hulu)
- “Poppa’s House” (CBS)
- “The Neighborhood” (CBS)
- “The Upshaws” (Netflix)
Outstanding Actor in a Comedy Series
- Cedric The Entertainer — “The Neighborhood” (CBS)
- Damon Wayans — “Poppa’s House” (CBS)
- David Alan Grier — “St. Denis Medical” (NBC)
- Delroy Lindo — “UnPrisoned” (Hulu)
- Mike Epps — “The Upshaws” (Netflix)
Outstanding Actress in a Comedy Series
- Ayo Edebiri — “The Bear” (FX/Hulu)
- Kerry Washington — “UnPrisoned” (Hulu)
- Natasha Rothwell — “How to Die Alone” (Hulu)
- Quinta Brunson — “Abbott Elementary” (ABC)
- Tichina Arnold — “The Neighborhood” (CBS)
Outstanding Supporting Actor in a Comedy Series
- Damon Wayans Jr. — “Poppa’s House” (CBS)
- Giancarlo Esposito — “The Gentlemen” (Netflix)
- Kenan Thompson — “Saturday Night Live” (NBC)
- Tyler James Williams — “Abbott Elementary” (ABC)
- William Stanford Davis — “Abbott Elementary” (ABC)
Outstanding Supporting Actress in a Comedy Series
- Danielle Pinnock — “Ghosts” (CBS)
- Ego Nwodim — “Saturday Night Live” (NBC)
- Janelle James — “Abbott Elementary” (ABC)
- Sheryl Lee Ralph — “Abbott Elementary” (ABC)
- Wanda Sykes — “The Upshaws” (Netflix)
Outstanding Drama Series
- “9-1-1” (ABC)
- “Bel-Air” (Peacock)
- “Cross” (Amazon Prime Video)
- “Found” (NBC)
- “Reasonable Doubt” (Hulu)
Outstanding Actor in a Drama Series
- Aldis Hodge — “Cross” (Amazon Prime Video)
- Donald Glover — “Mr. & Mrs. Smith” (Amazon Prime Video)
- Harold Perrineau — “From” (MGM+)
- Jabari Banks — “Bel-Air” (Peacock)
- Michael Rainey Jr. — “Power Book II: Ghost” (Starz)
Outstanding Actress in a Drama Series
- Angela Bassett — “9-1-1” (ABC)
- Emayatzy Corinealdi — “Reasonable Doubt” (Hulu)
- Queen Latifah — “The Equalizer” (CBS)
- Shanola Hampton — “Found” (NBC)
- Zoe Saldaña — “Lioness” (Paramount+)
Outstanding Supporting Actor in a Drama Series
- Adrian Holmes — “Bel-Air” (Netflix)
- Cliff “Method Man” Smith — “Power Book II: Ghost” (Starz)
- Isaiah Mustafa — “Cross” (Amazon Prime Video)
- Jacob Latimore — “The Chi” (Paramount+)
- Morris Chestnut — “Reasonable Doubt” (Hulu)
Outstanding Supporting Actress in a Drama Series
- Adjoa Andoh — “Bridgerton” (Netflix)
- Coco Jones — “Bel-Air” (Peacock)
- Golda Rosheuvel — “Bridgerton” (Netflix)
- Lorraine Toussaint — “The Equalizer” (CBS)
- Lynn Whitfield — “The Chi” (Paramount+)
Outstanding Limited Television (Series, Special or Movie)
- “Fight Night: The Million Dollar Heist” (Peacock)
- “Genius: MLK/X” (National Geographic)
- “Griselda” (Netflix)
- “Rebel Ridge” (Netflix)
- “The Madness” (Netflix)
Outstanding Actor in a Limited Television (Series, Special or Movie)
- Aaron Pierre — “Rebel Ridge” (Netflix)
- Colman Domingo — “The Madness” (Netflix)
- Kelvin Harrison Jr. — “Genius: MLK/X” (National Geographic)
- Kevin Hart — “Fight Night: The Million Dollar Heist” (Peacock)
- Laurence Fishburne — “Clipped” (FX/Hulu)
Outstanding Actress in a Limited Television (Series, Special or Movie)
- Aunjanue Ellis-Taylor — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)
- Naturi Naughton — “Abducted at an HBCU: A Black Girl Missing Movie” (Lifetime)
- Sanaa Lathan — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)
- Sofía Vergara — “Griselda” (Netflix)
- Uzo Aduba — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)
Outstanding Supporting Actor in a Limited Television (Series, Special or Movie)
- Don Cheadle — “Fight Night: The Million Dollar Heist” (Peacock)
- Luke James — “Them: The Scare” (Amazon Prime Video)
- Ron Cephas Jones — “Genius: MLK/X” (National Geographic)
- Samuel L. Jackson — “Fight Night: The Million Dollar Heist” (Peacock)
- Terrence Howard — “Fight Night: The Million Dollar Heist” (Peacock)
Outstanding Supporting Actress in a Limited Television (Series, Special or Movie)
- Brandy Norwood — “Descendants: The Rise of Red” (Disney+)
- Jayme Lawson — “Genius: MLK/X” (National Geographic)
- Loretta Devine — “Terry McMillan Presents: Tempted By Love” (Lifetime)
- Sanaa Lathan — “Young. Wild. Free.” (BET+)
- Taraji P. Henson — “Fight Night: The Million Dollar Heist” (Peacock)
Outstanding News/Information (Series or Special)
- “Black Men’s Summit” (BET Media Group)
- “Finding Your Roots with Henry Louis Gates, Jr.” (PBS)
- “Laura Coates Live” (CNN)
- “NewsNight with Abby Phillip” (CNN)
- “The ReidOut” (MSNBC)
Outstanding Talk Series
- “Hart to Heart” (Peacock)
- “Sherri” (Syndicated)
- “Tamron Hall Show” (Syndicated)
- “The Jennifer Hudson Show” (Syndicated)
- “The Shop” Season 7 (YouTube)
Outstanding Reality Program, Reality Competition or Game Show (Series)
- “Celebrity Family Feud” (ABC)
- “Password” (NBC)
- “Rhythm + Flow” (Netflix)
- “The Real Housewives of Potomac” (Bravo)
- “Tia Mowry: My Next Act” (WeTV)
Outstanding Variety Show (Series or Special)
- “BET Awards 2024” (BET Media Group)
- “Deon Cole: Ok, Mister” (Netflix)
- “Jamie Foxx: What Had Happened Was…” (Netflix)
- “Katt Williams: Woke Foke” (Netflix)
- “Saturday Night Live” (NBC)
Outstanding Children’s Program
- “Craig of the Creek” (Cartoon Network)
- “Descendants: The Rise of Red” (Disney+)
- “Gracie’s Corner” (YouTube TV)
- “Sesame Street” (Max)
- “Snoopy Presents: Welcome Home, Franklin” (Apple TV+)
Outstanding Performance by a Youth (Series, Special, Television Movie or Limited Series)
- Caleb Elijah — “Cross” (Amazon Prime Video)
- Graceyn Hollingsworth — “Gracie’s Corner” (YouTube TV)
- Leah Sava Jeffries — “Percy Jackson and the Olympians” (Disney+)
- Melody Hurd — “Cross” (Amazon Prime Video)
- TJ Mixson — “The Madness” (Netflix)
Outstanding Host in a Talk or News/Information (Series or Special) – Individual or Ensemble
- Abby Phillip — “NewsNight with Abby Phillip” (CNN)
- Henry Louis Gates Jr. — “Finding Your Roots with Henry Louis Gates, Jr.” (PBS)
- Jennifer Hudson — “The Jennifer Hudson” (Syndicated)
- Joy Reid — “The Reidout” (MSNBC)
- Sherri Shepherd — “Sherri” (Syndicated)
Outstanding Host in a Reality/Reality Competition, Game Show or Variety (Series or Special) –
Individual or Ensemble
- Alfonso Ribeiro — “Dancing with the Stars” (ABC)
- Keke Palmer — “Password” (NBC)
- Nick Cannon — “The Masked Singer” (FOX)
- Steve Harvey — “Celebrity Family Feud” (ABC)
- Taraji P. Henson — “BET Awards 2024” (BET Media Group)
Outstanding Guest Performance
- Ayo Edebiri — “Saturday Night Live” (NBC)
- Cree Summer — “Abbott Elementary” (ABC)
- Keegan-Michael Key — “Abbott Elementary” (ABC)
- Marlon Wayans — “Bel-Air” (Peacock)
- Maya Rudolph — “Saturday Night Live” (NBC)
Outstanding Animated Series
- “Disney Jr.’s Ariel” (Disney Jr.)
- “Everybody Still Hates Chris” (Comedy Central)
- “Gracie’s Corner” (YouTube TV)
- “Iwájú” (Disney+)
- “Marvel’s Moon Girl and Devil Dinosaur” (Disney Channel)
Outstanding Character Voiceover Performance (Television)
- Angela Bassett — “Orion and the Dark” (Netflix)
- Cree Summer — “Rugrats” (Nickelodeon)
- Cree Summer — “The Legend of Vox Machina” (Amazon Prime Video)
- Dawnn Lewis — “Star Trek: Lower Decks” (Paramount+)
- Keke Palmer — “The Second Best Hospital in the Galaxy” (Amazon Prime Video)
Outstanding Short Form Series or Special – Reality/Nonfiction/Documentary
- “In the Margins” (PBS)
- NCAA Basketball on CBS Sports (CBS)
- “Roots of Resistance” (PBS)
- “SC Featured” (ESPN)
- “The Prince of Death Row Records “(YouTube TV)
Outstanding Breakthrough Creative (Television)
- Ayo Edebiri — “The Bear” (FX/Hulu)
- Diarra Kilpatrick — “Diarra From Detroit” (BET+)
- Maurice Williams — “The Madness” (Netflix)
- Thembi L. Banks — “Young. Wild. Free.” (BET+)
- Vince Staples — “The Vince Staples Show” (Netflix)
Recording Categories
Outstanding New Artist
- Doechii (Capitol Records/Top Dawg Entertainment)
- Myles Smith (RCA Records/Sony Music Entertainment)
- Samoht (Affective Music)
- Shaboozey (American Dogwood/Empire)
- Tyla (Epic Records)
Outstanding Male Artist
- Chris Brown (RCA Records/Chris Brown Entertainment)
- J. Cole (Dreamville/Interscope Records)
- Kendrick Lamar (pgLang, under exclusive license to Interscope Records)
- October London (Death Row Records/gamma.)
- Usher (mega/gamma.)
Outstanding Female Artist
- Beyoncé (Columbia Records/Parkwood Entertainment LLC)
- Coco Jones (Def Jam Recordings)
- Doechii (Capitol Records/Top Dawg Entertainment)
- GloRilla (Collective Music Group/Interscope Records)
- H.E.R. (RCA Records)
Outstanding Gospel/Christian Album
- “Heart of a Human” — DOE (Life Room Label/RCA Inspiration)
- “Live Breathe Fight” — Tamela Mann (Tillymann Music Group)
- “Still Karen” — Karen Clark Sheard (Karew Records/Motown Gospel)
- “Sunny Days” — Yolanda Adams (Epic Records)
- “The Maverick Way Reimagined” — Maverick City Music (Tribl Records)
Outstanding International Song
- “Close” — Skip Marley (Def Jam Recordings)
- “Hmmm” — Chris Brown feat. Davido (RCA Records/Chris Brown Entertainment)
- “Jump” — Tyla (Epic Records)
- “Love Me JeJe” — Tems (RCA Records/Since ‘93)
- “Piece of My Heart” — Wizkid feat. Brent Faiyaz (RCA Records/Sony Music International/Starboy Entertainment)
Outstanding Music Video/Visual Album
- “Alright” — Victoria Monét (RCA Records/Lovett Music)
- “Alter Ego (ALTERnate Version)” — Doechii, JT (Capitol Records/Top Dawg Entertainment)
- “Boy Bye” — Chlöe (Columbia Records/Parkwood Entertainment LLC)
- “Not Like Us” — Kendrick Lamar (pgLang, under exclusive license to Interscope Records)
- “Yeah Glo!” — GloRilla (Collective Music Group/Interscope Records)
Outstanding Album
- “Alligator Bites Never Heal” — Doechii (Epic Records)
- “Cape Town to Cairo” — PJ Morton (Morton Records/EMPIRE)
- “Coming Home” — USHER (mega/gamma.)
- “Cowboy Carter” — Beyoncé (Columbia Records/Parkwood Entertainment LLC)
- “Glorious” — GloRilla (Collective Music Group/Interscope Records)
Outstanding Soundtrack/Compilation Album
- “Bob Marley: One Love (Soundtrack)” (Tuff Gong/Island Records)
- “Genius: MLK/X (Songs from the Original Series)” (Hollywood Records)
- “Reasonable Doubt (Season 2) (Original Soundtrack)” (Hollywood Records)
- “The Book of Clarence (The Motion Picture Soundtrack)” (Geneva Club under exclusive license to Roc Nation Records, LLC)
- “Wicked: The Soundtrack” (Republic Records)
Outstanding Gospel/Christian Song
- “Church Doors” — Yolanda Adams (Epic Records)
- “Do It Anyway” — Tasha Cobbs (TeeLee Records/Motown Gospel)
- “God Problems (Not By Power)” — (Tribl Records)
- “I Prayed for You (Said a Prayer)” MAJOR. — (NowThatsMAJOR/MNRK Music Group)
- “Working for Me” — Tamela Mann (Tillymann Music Group)
Outstanding Jazz Album
- “Creole Orchestra” — Etienne Charles (Culture Shock Music)
- “Epic Cool” — Kirk Whalum (Artistry Music)
- “Javon & Nikki Go to the Movies” — Javon Jackson and Nikki Giovanni (Solid Jackson Records)
- “On Their Shoulders: An Organ Tribute” — Matthew Whitaker (MOCAT Records)
- “Portrait” — Samara Joy (Verve Records)
Outstanding Soul/R&B Song
- “16 CARRIAGES” — Beyoncé (Columbia Records/Parkwood Entertainment LLC)
- “Here We Go (Uh Oh)” — Coco Jones (Def Jam Recordings)
- “I Found You” — PJ Morton (Morton Records/EMPIRE)
- “Residuals” — Chris Brown (RCA Records/Chris Brown Entertainment)
- “Saturn” — SZA (RCA Records/Top Dawg Entertainment)
Outstanding Hip Hop/Rap Song
- “Mamushi” — Megan Thee Stallion feat. Yuki Chiba (Hot Girl Productions LLC/Warner Music Group)
- “Murdergram Deux” — LL Cool J feat. Eminem (Def Jam Recordings)
- “Noid” — Tyler, the Creator (Columbia Records)
- “Not Like Us” — Kendrick Lamar (pgLang, under exclusive license to Interscope Records)
- “Yeah Glo!” — GloRilla (Collective Music Group/Interscope Records)
Outstanding Duo, Group or Collaboration (Traditional)
- Adam Blackstone & Fantasia — “Summertime” (BASSic Black Entertainment Records/Anderson Music Group/EMPIRE)
- Leela James feat. Kenyon Dixon — “Watcha Done Now” (Shesangz Music, Inc. under exclusive license to BMG Rights Management (US) LLC)
- Maverick City Music feat. Miles Minnick — “God Problems (Not By Power)” (Tribl Records)
- Muni Long & Mariah Carey — “Made for Me” (Supergiant Records/Def Jam Recordings)
- Sounds of Blackness feat. Jamecia Bennett & Buddy McLain — “Thankful” (McLain Music, LLC)
- Flo & GloRilla — “In My Bag” (Island Records)
- GloRilla feat. Kirk Franklin, Maverick City Music, Kierra Sheard, Chandler Moore — “RAIN DOWN
- ON ME” (Collective Music Group/Interscope Records)
- Usher & Burna Boy — “Coming Home” (mega/gamma.)
- Victoria Monét feat. Usher — “SOS” (Sex on Sight) (RCA Records/Lovett Music)
- Wizkid feat. Brent Faiyaz — “Piece of My Heart” (RCA Records/Lovett Music)
Outstanding Original Score for Television/Motion Picture
- “Challengers (Original Score)” (Milan Records)
- “Dune: Part Two (Original Motion Picture Soundtrack)” (WaterTower Music)
- “Star Wars: The Acolyte (Original Soundtrack)” (Walt Disney Records)
- “The American Society of Magical Negroes (Original Motion Picture Soundtrack)” (Back Lot Music)
- “The Book of Clarence (Original Motion Picture Score)” (Milan Records)
Documentary Categories
Outstanding Documentary (Film)
- “Daughters” (Netflix)
- “Frida” (Amazon MGM Studios)
- “King of Kings: Chasing Edward Jones” (Freestyle Digital Media)
- “Luther: Never Too Much” (Sony Music Entertainment/Sony Music Publishing/CNN Films)
- “The Greatest Night in Pop” (Netflix)
Outstanding Documentary (Television)
- “Black Barbie: A Documentary” (Netflix)
- “Black Twitter: A People’s History” (Hulu)
- “Gospel” (PBS)
- “Simone Biles Rising” (Netflix)
- “Sprint” (Netflix)
Outstanding Short Form Documentary (Film)
- “Camille A. Brown: Giant Steps” (American Masters and Firelight Media)
- “Danielle Scott: Ancestral Call” (American Masters and Firelight Media)
- “How to Sue the Klan”
- “Judging Juries”
- “Silent Killer” (Kaila Love Jones Films)
Writing Categories
Outstanding Writing in a Comedy Series
- Ashley Nicole Black — “Shrinking” – “Changing Patterns” (Apple TV+)
- Brittani Nichols — “Abbott Elementary” – “Breakup” (ABC)
- Crystal Jenkins — “No Good Deed” – “Letters of Intent” (Netflix)
- Diarra Kilpatrick — “Diarra From Detroit” – “Chasing Ghosts” (BET+)
- Jordan Temple — “Abbott Elementary” – “Smoking” (ABC)
Outstanding Writing in a Drama Series
- Azia Squire — “Bridgerton” – “Tick Tock” (Netflix)
- Ben Watkins — “Cross” – “Hero Complex” (Amazon Prime Video)
- Francesca Sloane, Donald Glover — “Mr. & Mrs. Smith” – “First Date” (Amazon Prime Video)
- Geetika Lizardi — “Bridgerton” – “Joining of Hands” (Netflix)
- Lauren Gamble — “Bridgerton” – “Old Friends” (Netflix)
- Brandon Espy, Carl Reid — “Mr. Crocket” (Hulu)
- Bree West, Chazitear — “A Wesley South African Christmas” (BET+)
- Juel Taylor, Tony Rettenmaier, Thembi L. Banks — “Young. Wild. Free.” (BET+)
- Rudy Mancuso, Dan Lagana — “Música” (Amazon Prime Video)
- Tina Mabry, Gina Prince-Bythewood, Cee Marcellus — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)
Outstanding Writing in a Motion Picture
- Barry Jenkins — “The Fire Inside” (Amazon MGM Studios)
- RaMell Ross, Joslyn Barnes — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
- Steve McQueen — “Blitz” (Apple Original Films)
- Titus Kaphar — “Exhibiting Forgiveness” (Roadside Attractions)
- Virgil Williams, Malcolm Washington — “The Piano Lesson” (Netflix)
Directing Categories
Outstanding Directing in a Comedy Series
- Ayo Edebiri — “The Bear” – “Napkins” (FX/Hulu)
- Bentley Kyle Evans — “Mind Your Business” – “The Reunion” (Bounce TV)
- Robbie Countryman — “The Upshaws” – “Ain’t Broke” (Netflix)
- Tiffany Johnson — “How to Die Alone” – “Trust No One” (Hulu)
- William Smith — “The Vince Staples Show” – “Brown Family” (Netflix)
Outstanding Directing in a Drama Series
- Carl Franklin — “Monsters: The Lyle and Erik Menendez Story” – “Blame It on the Rain” (Netflix)
- Marta Cunningham — “Genius: MLK/X” – “Protect Us” (National Geographic)
- Marta Cunningham — “Genius: MLK/X” – “Who We Are” (National Geographic)
- Paris Barclay — “Monsters: The Lyle and Erik Menendez Story” – “Brother, Can You Spare a Dime?” (Netflix)
- Rapman — “Supacell” – “Supacell” (Netflix)
Outstanding Directing in a Television Movie, Documentary, or Special
- Kelley Kali — “Kemba” (BET+)
- Marcelo Gama — “BET Awards 2024” (BET Media Group)
- Shanta Fripp — “Black Men’s Summit” (BET Media Group)
- Thembi L. Banks — “Young. Wild. Free” (BET+)
- Tina Mabry — “The Supremes at Earl’s All-You-Can Eat” (Hulu/Searchlight Pictures)
Outstanding Directing in a Motion Picture
- Jeymes Samuel — “The Book of Clarence” (Sony Pictures)
- Malcolm Washington — “The Piano Lesson” (Netflix)
- RaMell Ross — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
- Reinaldo Marcus Green — “Bob Marley: One Love” (Paramount Pictures)
- Steve McQueen — “Blitz” (Apple Original Films)
Outstanding Directing in a Documentary (Television or Motion Picture)
- Bao Nguyen — “The Greatest Night in Pop” (Netflix)
- Dawn Porter — “Luther: Never Too Much” (Sony Music Entertainment/Sony Music Publishing/CNN Films)
- Deborah Riley Draper — “James Brown: Say It Loud” (A&E)
- Jason Pollard, Sam Pollard — “Ol’ Dirty Bastard: A Tale of Two Dirtys” (A&E)
- Nneka Onuorah — “Megan Thee Stallion: In Her Words” (Amazon Prime Video)
Literary Categories
Outstanding Literary Work – Fiction
- “A Love Song for Ricki Wilde” — Tia Williams (Grand Central Publishing – Hachette Book Group)
- “Grown Woman” — Sarai Johnson (Harper – HarperCollins Publishers)
- “Neighbors and Other Stories” — Diane Oliver, Tayari Jones (Foreword) (Grove Atlantic)
- “One of Us Knows: A Thriller” — Alyssa Cole (William Morrow – HarperCollins Publishers)
- “What You Leave Behind” — Wanda M. Morris (William Morrow – HarperCollins Publishers)
Outstanding Literary Work – Nonfiction
- “A Passionate Mind in Relentless Pursuit: The Vision of Mary McLeod Bethune” — Noliwe Rooks (Penguin Press – Penguin Books)
- “Love & Whiskey: The Remarkable True Story of Jack Daniel, His Master Distiller Nearest Green, and the Improbable Rise of Uncle Nearest” — Fawn Weaver (Melcher Media Inc.)
- “Picturing Black History: Photographs and Stories that Changed the World” — Daniela Edmeier,
Damarius Johnson, Nicholas B. Breyfogle and Steven Conn (Abrams Books – Harry N. Abrams) - “The 1619 Project: A Visual Experience” — Nikole Hannah-Jones and The New York Times Magazine (Clarkson Potter – Crown Publishing Group)
- “The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America” — Larry Tye (Mariner Books – HarperCollins Publishers)
Outstanding Literary Work – Debut Author
- “A Kind of Madness” — Uche Okonkwo (Tin House Books)
- “AfroCentric Style: A Celebration of Blackness & Identity in Pop Culture” — Shirley Neal (HarperCollins Amistad)
- “Grown Woman” — Sarai Johnson (Harper – HarperCollins Publishers)
- “Masquerade” — O.O. Sangoyomi (Forge Books – Tor Publishing Group)
- “Swift River” — Essie Chambers (Simon & Schuster)
Outstanding Literary Work – Biography/Autobiography
- “Bits and Pieces: My Mother, My Brother, and Me” — Whoopi Goldberg (Blackstone Publishing)
- “By the Time You Read This: The Space Between Cheslie’s Smile and Mental Illness” ― Her
Story in Her Own Words — Cheslie Kryst and April Simpkins (Forefront Books) - “Do It Anyway: Don’t Give Up Before It Gets Good” — Tasha Cobbs Leonard, Sarah Jakes Roberts (Foreword) (WaterBrook – Penguin Random House)
- “Lovely One: A Memoir” — Ketanji Brown Jackson (Random House)
- “Medgar and Myrlie: Medgar Evers and the Love Story That Awakened America” — JoyAnn Reid (Mariner Books – HarperCollins Publishers)
Outstanding Literary Work – Instructional
- “Black Joy Playbook: 30 Days of Intentionally Reclaiming Your Delight” — Tracey Michae’l Lewis-Giggets (Ink & Willow – Penguin Random House)
- “I Did a New Thing: 30 Days to Living Free (A Feeding the Soul Book)” — Tabitha Brown (William Morrow – HarperCollins Publishers)
- “Loving Your Black Neighbor as Yourself: A Guide to Closing the Space Between Us” — Chanté Griffin (WaterBrook – Penguin Random House)
- “Radical Self-Care: Rituals for Inner Resilience” — Rebecca Moore (Author), Amberlee Green (Illustrator) (The Quarto Group/Leaping Hare Press)
- “Wash Day: Passing on the Legacy, Rituals, and Love of Natural Hair” — Tomesha Faxio (Clarkson Potter – Crown Publishing Group)
Outstanding Literary Work – Poetry
- “Bluff: Poems” — Danez Smith (Graywolf Press)
- “Good Dress” — Brittany Rogers (Tin House Books)
- “Load in Nine Times: Poems” — Frank X Walker (Liveright Publishing – W.W. Norton & Company)
- “Song of My Softening” — Omotara James (Alice James Books)
- “This Is the Honey: An Anthology of Contemporary Black Poets” — Kwame Alexander (Little, Brown and Company)
Outstanding Literary Work – Children
- “All I Need to Be” — Rachel Ricketts (Author), Tiffany Rose (Illustrator) with Luana Horry (Simon & Schuster Books for Young Readers)
- “Cicely Tyson” — Renée Watson (Author), Sherry Shine (Illustrator) (Amistad Books for Young Readers)
- “Crowning Glory: A Celebration of Black Hair” — Carole Boston Weatherford (Author), Ekua Holmes (Illustrator) (Candlewick Press)
- “My Hair Is a Book” — Maisha Oso (Author), London Ladd (Illustrator) (HarperCollins Publishers)
- “You Can Be a Good Friend (No Matter What!): A Lil TJ Book” — Taraji P. Henson (Author), Paul Kellam (Illustrator) (Zonderkidz – HarperCollins)
Outstanding Literary Work – Youth/Teens
- “American Wings: Chicago’s Pioneering Black Aviators and the Race for Equality in the Sky” —
Sherri L. Smith and Elizabeth Wein (G.P. Putnam’s Sons Books for Young Readers) - “Barracoon Adapted for Young Readers The Story of the Last Black Cargo” — Zora Neale Hurston, Ibram X. Kendi (Adapted by), Jazzmen Lee-Johnson (Illustrator) (Amistad Books for Young Readers)
- “Black Star: The Door of No Return” — Kwame Alexander (Little, Brown Books for Young Readers)
- “Brushed Between Cultures: A YA Coming of Age Novel Set in Brooklyn, New York” — Samarra St. Hilaire (Samarra St. Hilaire)
- “Clutch Time: A Shot Clock Novel (Shot Clock, 2)” — Caron Butler and Justin A. Reynolds (HarperCollins Publishers)
Outstanding Graphic Novel
- “Big Jim and the White Boy: An American Classic Reimagined” — David F. Walker and Marcus Kwame Anderson (Ten Speed Graphic – Penguin Random House)
- “Black Defender: The Awakening” — Dr. David Washington, Mr. Zhengis Tasbolatov (Illustrator), Mr. Billy Blanks (Foreword) (Washington Comix)
- “Gamerville” — Johnnie Christmas (HarperAlley – HarperCollins Publishers)
- “Ghost Roast” — Shawneé Gibbs, Shawnelle Gibbs, Emily Cannon (Illustrator) (Versify – HarperCollins Publishers)
- “Punk Rock Karaoke” — Bianca Xunise (Viking Books for Young Readers)
Podcast Categories
Outstanding News and Information Podcast
- “SundayCivics” (LJW Community Strategies)
- “After the Uprising” (iHeartPodcasts, Double Asterisk)
- “Into America: Uncounted Millions” (MSNBC)
- “Native Land Pod” (iHeartPodcasts, Reasoned Choice Media)
- “The Assignment with Audie Cornish” (CNN Audio)
Outstanding Lifestyle/Self–Help Podcast
- “Balanced Black Girl” (Dear Media)
- “Is This Going to Cause An Argument” (Seven14Seven Media)
- “The R Spot with Iyanla” (Shondaland)
- “Therapy for Black Girls” (iHeartPodcasts)
- “We Don’t Always Agree with Ryan & Sterling” (ABF Creative & Indian Meadows Productions)
Outstanding Society and Culture Podcast
- “Baby, This is Keke Palmer” (Wondery)
- “Club Shay Shay” (Shay Shay Media & The Volume)
- “Higher Learning with Van Lathan and Rachel Lindsay” (The Ringer)
- “We Don’t Always Agree with Ryan & Sterling” (ABF Creative & Indian Meadows Productions)
- “What Now? with Trevor Noah” (Spotify Studios in partnership with Day Zero Productions and Fulwell 73)
Outstanding Sports, Arts and Entertainment Podcast
- “Naked Sports with Cari Champion” (The Black Effect Podcast Network)
- “Nightcap” (Shay Shay Media & The Volume)
- “Questlove Supreme” (iHeartPodcasts)
- “R&B Money Podcast” (R&B Money)
- “Two Funny Mamas” (Mocha Podcasts Network)
Outstanding Podcast – Limited Series/Short Form
- “About the Journey” (Marriott Bonvoy, AT WILL MEDIA & mntra)
- “Squeezed with Yvette Nicole Brown” (Lemonda Media)
- “Stranded” (Broadway Video)
- “The Wonder of Stevie” (Audible, Higher Ground and Pineapple Street Studios)
- “When We Win with Maya Rupert” (Lemonada Media)
Costume Design, Make-Up and Hairstyling Categories
Outstanding Costume Design (Television or Film)
- Ernesto Martinez — “Fight Night: The Million Dollar Heist” (Peacock)
- Megan Coates — “Shirley” (Netflix)
- Gersha Phillips — “The Big Cigar” (Apple TV+)
- Francine Jamison-Tanchuck — “The Piano Lesson” (Netflix)
- Paul Tazewell — “Wicked” (Universal Pictures)
Outstanding Make-up (Television or Film)
- Carol Rasheed — “Fight Night: The Million Dollar Heist” (Peacock)
- Debi Young — “Shirley” (Netflix)
- Rebecca Lee — “Shōgun” (Netflix)
- Matiki Anoff — “The Book of Clarence” (Sony Pictures)
- Para Malden — “The Piano Lesson” (Netflix)
Outstanding Hairstyling (Television or Film)
- Terry Hunt — “Bel-Air” (Peacock)
- Lawrence Davis — “Fight Night: The Million Dollar Heist” (Peacock)
- Nakoya Yancey — “Shirley” (Netflix)
- Brian Badie — “The Penguin” (HBO/Max)
- Andrea Mona Bowman — “The Piano Lesson” (Netflix)
Stunt Category
Outstanding Stunt Ensemble (TV or Film)
- “Cross” (Amazon Prime Video)
- “Grotesquerie” (FX/Hulu)
- “Rebel Ridge” (Netflix)
- “Red One” (Amazon MGM Studios)
- “Them: The Scare” (Amazon Prime Video)
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