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Customs Boss humiliates Dino Melaye, Other Senators

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There was drama at the premises of the Nigeria Customs Service (NCS) when the senate ad hoc committee on economic waste paid a working visit to the Customs headquarters on Monday.

According to reports, the committee members comprising senators Dino Melaye (APC – Kogi West), Sam Anyanwu (PDP, Imo East), Gilbert Nnaji (PDP, Enugu East), Hamman Isah Misau (APC, Bauchi Central) and Babajide Omoworare (APC, Osun East), were humiliated by the customs boss, Col. Hammed Ali (rtd).

The committee members had arrived the customs headquarters to execute their oversight function and were received by senior officials of the service.

The senior officials reportedly led the senators to the conference room of the premises before they were joined by the Comptroller General, who was in his office as the senators arrived.

However, before he commenced his presentation, Melaye decried the unusual protocol at the agency, querying why the CG did not personally receive the senate team as was done in other agencies and parastatals.

Melaye said, “Before reading the prepared speech of the committee, let me make this small remarks on what we have just observed here in form of breach of protocols. Mr. CG, rather than meeting us here at the conference room by way of courtesy, you are supposed to have met us at the ground floor on arrival into the premises.

“That has been the practice of statutory bodies headed by chief executive officers like you.

“Relevant Senate committees have over the years been accorded this by bosses of Immigration Service, Prisons Service etc., making us to wonder why it is not so here today under your leadership.

“Therefore, before proceeding further, on account of this observation, we want the Customs management to know that the presence of this committee before it implies that the Senate itself is before it to put things in order as regards the economic waste taking place in the Customs Service requiring the seriousness it deserves from you and the entire management.”

If they had expected an apology from the CG, the senators got the opposite as he reportedly went ahead to blast them.

Ali told the senators that the protocol and etiquette at the customs should not be compared to the one at any other agency or parastatal.

Ali said, “We have our own protocol as regards receiving visitors like you.

“I don’t need to come downstairs to receive you just as nobody in the Senate or House of Representatives has ever come out to receive us anytime we visit the National Assembly.

“So, there is no breach of protocol for not coming down to welcome you since appropriate officers have been assigned to do so.

“Our protocol is our protocol and should be allowed to be.

“In fact, by way of etiquette, it is the committee that is supposed to come to my office first on arrival and not just coming straight to the conference room.

“Let me state clear that we in the Nigeria Customs Service are servants of the people.

“We believe in Nigeria and working with others to make it great without being railroaded in anyway.

“Personally, I took this job because of my commitment to serve this country selflessly having earlier done so in the military.

“So, nobody can tell me that I’m not a committed Nigerian. On your assignment you called economic waste, we shall cooperate with you to unearth whatever you want to unearth and effect any correction if there is any.”

The senators were said to have boycotted the group photograph session with the CG in protest of the treatment meted out to them.

The CG, who was believed to be annoyed with the senators’ attitude, walked out of the conference room through another door as the senators found their way out through the main door.

The senators were also prevented from leaving the premises as the Coaster bus they arrived in was blocked at the main entrance by the CG’s convoy.

While blaring loudly, the vehicles only made way after the CG came down from his office, entered one of them and the convoy zoomed off.

MUSIC

Tems Debut Album Ranks #2 On Billboard’s R&B List Of 2024

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Tems debut album hits #2 on Billboard's R&B list of 2024 | fab.ng

Tems’ Global Impact: A Billboard Recognition

Tems, a global music sensation, has solidified her position as one of Africa’s most successful artists, with her album captivating millions of fans worldwide and garnering numerous prestigious awards.

In a recent testament to her talent, her debut album secured the second spot on Billboard’s list of the best R&B albums of 2025.

This remarkable achievement places Tems alongside renowned artists such as Chris Brown, PartyNextDoor, Muni Long, and Bryson Tiller.

Furthermore, Billboard has praised Tems’ music for transcending the boundaries of Afrobeats, resonating with audiences across the globe.

“The Nigerian star finds her footing in the global spotlight and stands firmly in her purpose on her dazzling debut album Born in the Wild.

“She opens up about surviving her mental wilderness and learning to thrive in it on the opening acoustic ballad that shares the album’s title.

“And on the mid-tempo standout “Burning,” Tems confronts the trappings of her newfound stardom but finds comfort in the collective struggle. As someone who’s studied Céline Dion, Destiny’s Child, and Mariah Carey and dreamt of making soul-stirring songs that send people into their feelings, Tems succeeded with aplomb.

“Born in the Wild became her highest-charting project on Top R&B Albums (reaching No. 5) and marked her career-first entry on the Billboard 200, peaking at No. 56.

“And while Born in the Wild and “Love Me JeJe” earned Tems 2025 Grammy nominations for Best Global Music Album and Best African Music Performance, respectively, her best R&B song nod for “Burning” further reinforced the rich diversity of her music–  and the notion that African artists like Tems cannot be bound to the catchall “Afrobeats” term, as their music has traveled well past the borders of the continent. – H.M.”

Tems’ debut album, “Born In The Wild,” received critical acclaim in the United States.

Indeed, the album earned a Grammy nomination for Best Global Album.

Additionally, her single “Burning” broke records by securing a nomination for Best R&B Song. Meanwhile, “Love Me Jeje” received a nomination for Best African Music Performance.

Check out more music updates here.

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MUSIC

Adekunle Gold Reveals The Role Pheelz Played In Getting Him Signed To YBNL

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Adekunle Gold credits Pheelz for his YBNL signing | fab.ng

Adekunle Gold marks a significant milestone this December 2024 as he celebrates 10 years since releasing his breakthrough single ‘Sade.’

This debut track, which creatively reimagined One Direction’s ‘Story Of My Life,’ catapulted him into Nigeria’s mainstream music consciousness in December 2014.

The artist recently shared compelling details about his journey to stardom in an industry interview, particularly highlighting his unique path to signing with YBNL.

Before his musical breakthrough, Adekunle Gold cultivated a professional relationship with Olamide through his work as YBNL’s graphic designer, creating cover art for the label’s artists, including Lil Kesh and Viktor.

The pivotal moment in his career arrived when producer Pheelz discovered ‘Sade’ and advocated for Gold’s signing to Olamide, leading to a transformative partnership with YBNL.

Under the label’s guidance, Gold released his debut album, ‘Gold,’ which produced standout hits like ‘Orente’ and ‘Pick Up,’ earning both critical acclaim and commercial success.

AG Baby, as fans affectionately call him, has demonstrated remarkable artistic versatility throughout his decade-long career.

He began his journey by crafting a distinctive urban interpretation of folk and traditional Yoruba music, later evolving into a dynamic pop star with the release of ‘Afro-pop Vol 1.’ His musical portfolio now spans five albums, each showcasing his growth and artistic range.

The singer-songwriter has established himself as one of Nigeria’s most accomplished artists, earning recognition for his exceptional songwriting abilities and commanding stage presence.

His performances continue to captivate audiences across Africa, solidifying his position as a leading figure in the continent’s music scene.

Gold’s journey from a graphic designer to a celebrated musician exemplifies his artistic versatility and dedication to his craft, marking him as one of Africa’s most sought-after performers.

Check out more updates here.

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FOREIGN

Beyoncé Achieves Historic Milestone As Most Certified Female Artist

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Beyoncé is most RIAA certified female artist of all time | fab.ng

Renowned singer Beyoncé has solidified her position as the most certified female artist of all time, a distinction bestowed upon her by the Recording Industry Association of America (RIAA).

Her recent surge in song certifications has propelled her to an impressive total of 103 RIAA-certified titles, surpassing all other female artists in this category.

The RIAA celebrated this monumental achievement in a post on X on Tuesday.

“Crowning achievement! Congratulations to @Beyonce, who now holds the record for the most certified titles for a female artist in RIAA history, including her first two Diamond singles! @parkwood @columbiarecords,” RIAA announced in a post on X on Tuesday.

Among her numerous accolades are Diamond certifications for two iconic singles: “Halo” and “Single Ladies (Put a Ring on It).” These certifications signify extraordinary sales and streaming figures.

Additionally, Beyoncé boasts a string of impressive certifications for her albums. “Renaissance” has achieved 2x Platinum status, “Lemonade” has attained 4x Platinum, and both “Sasha Fierce” and “Dangerously In Love” have earned 7x Platinum certifications.

This latest milestone further solidifies Beyoncé’s legacy as one of the most influential and successful artists of all time.

Her ability to consistently deliver groundbreaking music that resonates with audiences worldwide has undoubtedly contributed to her unparalleled success.

Check out more music updates here.

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