LIFESTYLE
I Used To Smoke, Had Girlfriends But Never Tasted Alcohol – President Buhari
Published
7 years agoon
By
ReporterIn this concluding part of the interview President Muhammadu Buhari granted Eric osagie, The SunMD/Editor-in-Chief in company of Paulinus Aidoghie in 2012, he explains why he is not super rich despite being former Head of State.
But don’t you think you went too far?
What do you mean by going too far?
But you went to the extreme that public officers could do no wrong, as if they were saints. You called the decree ‘Protection of Public Officers Against False Accusation,’ and clamped down on the media.
Those who did it, the editors, the reporters, we jailed them. But we never closed a whole institution, as others did. We investigated and prosecuted according to the laws, because shutting a newspaper, it is an institution and we lose thousands of jobs. But we found out who made that false report, who was the editor, who okayed it and then, we jailed them.
No regret?
No regret, because we did it according to the laws we made. We neither closed a whole institution and caused job losses.
Then, you left power, 20 months after…
No. I was sent packing from power.
Ok, you didn’t leave on your own volition?
No.
That is a good one. For Nigerians, they remember War Against Indiscipline you brought. What was the philosophy behind it?
Well, I think we realised that the main problem of Nigeria, then and now, was indiscipline and corruption. When I say we, I mean the Supreme Military Council. Those two, are Nigeria’s Achilles heels. And I believe the Nigeria elite knew it then and they know it now. So, we started to discipline them. People must realise their level in the society and accept it. If you go and read hard and get a PhD, certainly you will get the best of life than somebody who hasn’t been to school at all or who has been a drop-out. And then, in the public, people must behave responsibly. If you go to bus stops, it is step-by-step or turn-by-turn, and not to force your way. If you go to bank, you find out if people were there before you. Why can’t you go behind them?
Or you come early and be number one.
Exactly! I think that was accepted. And up till now, I think it is the only thing that survived out of our administration, the queue culture. People accepted it with calmness. And in Lagos, they wouldn’t like to associate themselves with the military, so they call it KAI. That is right. Kick Against Indiscipline. But it is still the same thing. It is the same. The only difference is that one was brought by the military and this one is through democratic system.
When you were eased out of power and you had time to reflect for three years, what did you then see that was wrong?
We gave them the opportunity in the three councils I told you. Those rules are supposed to be in the Nigerian archives, except somebody destroyed them, destroyed the evidence. Otherwise, what did we do wrong to warrant being sacked? For example, when we overthrew the Second Republic, we had what we called the SIP, the Special Investigation Panel that comprised the police, the National Security Organisation (NSO) then and the intelligence community of the military. We did nothing by impulse or ad hoc. We went through the system.
And then, you handed down long jail terms, some 100 years. That was something else. Why did you do that?
They would never see the daylight again to commit another crime against humanity.
Would you say your detention period made you a new person?
I think I have always been the same person. When I came out, I was amazed, amazed in the sense that people in my immediate constituency didn’t seem to bother about the major setback I had. They were still coming to me, expecting me to help them in a way. Not in terms of material help, because they knew that I didn’t operate any money house or any petroleum bloc or any filling station…
How can you say a whole oil minister like you didn’t have any oil licence?
No. Not one, and not any for any blood relation or anybody close to me. Really, somehow, people in my community felt that I can still help them. But with that setback, I was wondering how. So, the only way for me, I think, was to join partisan politics so that I can have a platform to speak about the opinion of my constituency, immediate constituency. But the thing that convinced me more than the pressure from immediate locality was the change in 1991, the collapse of the Soviet Union. I have said this so often that an empire in the 20th century, collapsed and a lot of people ran back home, leaving strategic installations behind, like missile sites, nuclear formation and so on. And now, there are about 18 to 19 or 20 republics. It was then that I believed, personally, in my own assessment, that multi-party democratic system was and is still superior to despotism.
That was your turning point?
That was the turning point. But there is a big caveat: elections must be free and fair! And that is what we need. Elections must be free and fair, otherwise, the whole thing will be something else.
During your tenure, one case kept coming up: the 53 suitcases. You had ordered the border shut and your Aide de Camp (ADC), Major Jokolo, was alleged to have escorted 53 suitcases into the country. What happened? Why were you selective?
There was nothing like 53 suitcases. What happened was that there was my chief of protocol; he is now late. He had three wives, and I think about 12 children. He was in Saudi Arabia as Nigeria Ambassador to Saudi Arabia. He was in Libya before, as ambassador and later, he was posted to Saudi Arabia. And then, I appointed him as my chief of protocol and he was coming back. Three wives, about 12 children. And then, by some coincidence, the late Emir of Gwandu, the father of Jokolo, who was my ADC then, was coming back with the same flight. And somehow, some mischievous fellows, everything, including the handbag of maybe, their small daughters, were counted as suitcases. Atiku then was the Commandant of Murtala Muhammed Airport as customs officer. And that day, we were playing squash. Jokolo my ADC and I. At some point, I said to him, ‘Mustapha, is your father not coming back today again?’ He said, ‘yes, sir, he is coming.’ I said, ‘what are you doing here? Why can’t you go and meet your father?’ He said yes, sir. He went to wash and meet his father. I am telling you there was no 53 bags of suitcases. It was a bloody lie. It was a bloody mischief.
So, not that he was detailed?
No, he was not detailed. He was not even about to go. I was the one who made him to go and meet his father. He was a respected emir, in fact, if not the most respected emir in the North then. He was learned, he had fantastic credibility and personal integrity. And this man was just coming on posting with his wives and children and they counted every imaginable thing, they said 53 suitcases.
Was that why Atiku was retired?
I don’t know. I don’t know. I don’t think I retired Atiku. I can’t recall because I had nothing against anybody.
But the argument was that the border was ordered shut. So, how did those people then come in?
They came by air. We didn’t stop aircraft coming in. They came by air, from Jedda to Lagos. They didn’t drive through Chad to Maiduguri and… People just say 53 suitcases when all borders had been ordered shut because that is how you can sell your papers.
Then you came into politics and every election you are there. Would you still do politics at 70 years, elective politics, offering yourself for election?
This is what I told the audience that came to listen to my address before we started the campaign for the 2011 elections. But my party and supporters were sending representatives. Up till today, they haven’t stopped. But what I told them was that we are in the process now of reorganising the party and perhaps, come into an alignment with other parties. Whatever the parties decide, whether my party or the new party that align and we are hoping to develop; if they give me the ticket or recommend me, I will consider it. That is the position we are now.
Until you get to that stage you can give a definite answer?
Until we get to that stage, there is no clear answer now. Let’s wait and see.
Is it that you don’t like money? Anytime somebody sees you, they say General Buhari is so austere. What gave you that kind of lifestyle? Nobody is associating you with millions. My reporter here was pointing to one mansion of a former governor who just ruled for eight years. So, how did you develop this frugal lifestyle? Is it that you don’t like good life? How do you unwind? Well, some of us have heard that you used to smoke. Do you still smoke? What are those things you have given up?
I used to smoke, but of course, I abandoned it I think in 1977.
Oh really? Before you became head of state?
Yes, I stopped smoking.
Have you ever taken alcohol?
No.
Never?
Never.
Even as a young man and all that?
No, no. Even in the military tradition, how they break you in, I said well, the military did not stop anybody practising his religion. My religion said no alcohol and no alcohol. So, that was respected. I was never forced to take alcohol and I have never voluntarily taken it because I want to remain alert all the time. There is a tendency that when you drink, you would want to have a bottle more, or a glass more and do something stupid.
As a young man, very handsome because I saw some of your old pictures, did you have women flocking around you? And women like soldiers, people who have power…
I also thought women ought to have taken more interest in me but I don’t know why they didn’t. I must have something they didn’t like. I assure you of that. I didn’t drink, I smoked, I had girlfriends; it was true.
How many did you have?
I hope you won’t publish this because my wife will read the interview. So, you will be very kind to me if you don’t publish that (general laughter).
You joined the army and there was coup and counter-coup and civil war. You still had time to unwind?
You can create it but we had too much eventful time, professional career. It was too eventful. There were too many things happening almost at the same time. If I could recall, the 30 months civil war that we had, I was just having two weeks after every six months to come back home just to see my old mother and some of my relatives because I refused to get married till after the war.
Was it deliberate?
It was deliberate.
Why? I thought that would have been the reason to get married.
No, no. Some of our colleagues, like late Vatsa, like Babangida, they were more adventurous than myself. They took a weekend and had a quick marriage and went back to the front. I thought I would be putting the poor girl or the poor woman under a lot of stress. So, I said if I survived the war, I would get married, but if I didn’t survive, no woman should cry for me other than my relatives.
Some of your General-colleagues became stupendously rich. Today, they have means. I am not a lawyer taking inventory of your assets or preparing your will, but tell me what property do you have now at 70? I am sure you have a house in Abuja, you have one in Lagos. You have one in Daura and you have one here (Kaduna). So, if I count your property, maybe five. Am I right or wrong?
You are right but am not going to read or declare with you. My assets were on record, I told some of your colleagues when they came. When Murtala/Obasanjo regime came, they made sure that certain grades of public officers must declare their assets when they assumed that office and they must declare when they were leaving. So, when I was sworn in as governor of North East, I declared my assets.
What did you declare?
I declared surprisingly, even the number of my cows then. Even if they were supposed to be producing every year, but I declared them the time I was there. And when I was leaving governorship, I became petroleum minister. When I was leaving to go to War College, I declared my assets. I could recall General Jemibewon then, was the Adjutant-General of the Army. He rang me and said he was sending me asset declaration form, that I must fill it, sign it before I left for the United States. And I did. General Jemibewon is still alive. And when I became head of state eventually, I declared my assets again. So, all of us; when I say that, I mean Obasanjo downwards, those who are alive who were governors, ministers, head of states, they had declared assets. So, if you people are serious and interested about political officers becoming multi-billionaires, you can find out from Murtala downwards. And those of us who were not very good in making money you should pity us.
Is it that you don’t like money?
Everybody likes money but I am not very good at making money. Let me put it that way. I borrowed from the banks to build the house in Daura and the one in Abuja that you mentioned and the one in Kano. The bank then was Barclays, now Union Bank. Kaduna State or North Central then housing scheme and the Federal Mortgage Bank for the house I am in and AIB, which was, I think, terminated by Central Bank. So, when you go through the records, you find out that the houses I built, I borrowed from there.
You are a respected former head of state. What is your relationship with others, Obasanjo, your former boss and at a point, your political opponent, General Babangida, the man who took over from you and then, Shagari…
You are very nice. He took over from me and I took over from Shagari. You are very nice.
I want to be polite.
You are very nice. Ok, carry on.
What is your relationship with them. I see some parts of patching up here and there, but when a man is 70, you say it the way it is. What is your relationship with all these people I have mentioned now, deep down?
I think the worst thing anybody can do to oneself is to have either hatred or grudge on daily basis. One thing will happen and you better forget.
Have you forgiven Babangida now? You once said you felt betrayed over the coup against your government?
I did. Publicly, I did.
You have?
I have and some of your papers published it. I said as a Muslim, I have forgiven him.
But during that period it happened, you must have been really angry?
Of course, I was angry because I can’t recall what I had done for him to mobilise the military to overthrow me and detain me for more than three years. Yeah, it is natural for me to be upset.
Were you going to retire him before your overthrow, as has been alleged? This is an opportunity to lay it because we have heard those speculations that you were going to retire him and he moved against you quickly.
Something like that happened but not him. I moved to retire his Director of Military Intelligence.
Akilu?
General Aliyu, not Akilu.
Aliyu?
Aliyu Gusau.
You were going to retire him?
Yes. I took a paper to Army Council. Babangida was there…
As the Chief of Army Staff?
Yes. Idiagbon was there, Bali was there as Minister of Defence, and I was there as the head of state and commander-in-chief. And reasons for him to be removed was in that memo. Go and find out from him or from Babangida. They are both alive.
Not against Babangida per se?
No.
But if you touched Gusau, his intelligence chief, invariably, you were going to inch towards the Chief of Army Staff, Babangida. Eventually, he might have been touched.
I didn’t know but at that point, it was Aliyu Gusau.
You were inching closer?
Yes, we were inching closer. You could say that.
But you have forgiven him for all that happened.
I have forgiven him. I said it and it was printed by some of your colleagues. But I didn’t say it will be forgotten. It cannot be forgotten. If I say I forget about it, I will be lying. But I have forgiven him, just as I expect Shagari to forgive me as the one who succeeded him.
But Shagari said you detained him and then…
I too, was detained (general laughter).
Ok, whatof Obasanjo? What kind of relationship do you have?
Obasanjo; he mobilized Nigerian voters against me.
But you have forgiven him?
No, I haven’t forgiven him (laughter).
Finally now, finally, finally, finally…
I don’t know when your final will come to a real final.
No, this is the end now. If the end comes, how do you want Nigerians to remember you, if you have the chance to write your epitaph?
I want Nigerians to be fair to me. Like this case of 53, 55 suitcases, like the case of N2.8billion. I want Nigerians to be fair and to be fair, all these documents are in the Nigerian archives. As I said, I didn’t do anything important outside the three organs of government: the Supreme Military Council, Council of States and Council of Ministers. On serious issues, Nigerians should do some research. That is why I always make emphasis on investigative journalism. If you want to be fair and impartial, I am sure you can have the capacity, both intellectual and resource to make an in-depth investigation.
Nigerians should be fair to you?
They should be fair to me.
Your daughter just passed on?
She would have been 40 before she died.
Oh, when life was just beginning.
Yes.
What was the circumstance? Some said she was a sickler; she had sickle cell anemia.
She was a sickler and she had complication when she was delivered by Caesarian.
And that remains a very sad incident for you.
Yes.
Thank you, General.
You are always welcome.
Source: https://www.google.com.ng/amp/sunnewsonline.com/im-not-good-at-making-money-buhari/amp/
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The oldest countries in the world stand as remarkable testaments to human civilisation, each containing landscapes and monuments that narrate stories spanning thousands of years.
These ancient territories, recognised today as some of the oldest countries in the world, preserve the foundations of early human settlements, technological innovations, and the emergence of complex social structures.
When we examine these ancient lands, we discover intricate tapestries of human achievement, where early societies developed sophisticated systems of writing, architecture, and governance.
Archaeological evidence reveals how these civilisations mastered agriculture, created magnificent works of art, and established trading networks that would influence cultures across continents.
The legacy of these oldest countries in the world continues to influence modern society through their contributions to mathematics, astronomy, philosophy, and religious thought.
Each archaeological discovery within their borders provides new insights into how our ancestors lived, worshipped, and built communities that would evolve into the nations we know today.
These enduring civilisations, which have maintained cultural continuity through millennia, demonstrate humanity’s remarkable capacity for resilience and adaptation.
Their ancient monuments, texts, and artefacts serve as windows into the past, helping us understand how early societies overcame challenges and developed innovations that would shape human history.
As we prepare to explore seven of these remarkable nations, we witness how their ancient heritage continues to influence contemporary global culture.
1. Egypt
Egypt stands proudly as one of the oldest countries in the world, with a remarkable history spanning over 5,000 years.
Renowned as the land of the pharaohs, it introduced iconic marvels such as the Pyramids of Giza, the enigmatic Sphinx, and the intricate system of hieroglyphic writing.
The ancient Egyptians were trailblazers in architecture, mathematics, and medicine, leaving a legacy that continues to influence modern society.
Their awe-inspiring temples and tombs, alongside their contributions to early science and governance, highlight Egypt’s enduring significance as a cradle of civilisation.
2. China
China, another of the oldest countries in the world, boasts a history stretching back more than 4,000 years.
Its ancient dynasties laid the foundation for many groundbreaking inventions. This includes paper, gunpowder, and the compass—tools that transformed human progress.
The Great Wall of China, a colossal feat of engineering, is a powerful symbol of its resilience and grandeur.
Even in the modern era, China remains deeply connected to its rich traditions. From calligraphy to Confucian philosophy, showcasing its enduring cultural and historical importance.
3. Greece
Greece has a history exceeding 3,000 years. She played a pivotal role in shaping the intellectual and cultural framework of the modern world.
Ancient Greece introduced revolutionary ideas that still resonate today. They are often celebrated as the birthplace of democracy, philosophy, and the Olympic Games.
Thinkers like Socrates, Plato, and Aristotle laid the groundwork for disciplines such as science, politics, and art.
Greece’s iconic ruins, including the Parthenon, are timeless reminders of its innovative spirit and its position among the oldest countries in the world.
4. India
India, home to one of the earliest known civilisations—the Indus Valley Civilisation—holds its place as one of the oldest countries in the world. They have a history spanning over 4,500 years.
This land gave birth to major religions like Hinduism and Buddhism, which have shaped spiritual practices across the globe. Ancient Indian scholars achieved remarkable advancements in literature, mathematics (including the concept of zero), and astronomy.
India’s rich tapestry of history is reflected in its enduring cultural festivals, architectural wonders like the Taj Mahal, and centuries-old traditions.
5. Iran
Iran, historically known as Persia, carries a legacy that stretches back more than 4,000 years. The Persian Empire was once one of the largest and most sophisticated empires in the world. The country introduced significant advancements in governance, art, and architecture.
Persian poetry, from luminaries like Rumi and Hafez, continues to inspire readers worldwide. The intricate designs of Persian carpets and the grandiose palaces of ancient Persia are enduring testaments to the country’s rich cultural heritage.
6. Ethiopia
Ethiopia, often called the cradle of humanity, holds a unique place in world history. Fossil discoveries, such as the famous “Lucy,” suggest that some of the earliest humans originated here.
With over 2,000 years of documented history, Ethiopia is also one of the oldest countries in the world. Remarkably, it is one of the few African nations never colonised, preserving its independence and rich traditions.
Ethiopia’s ancient rock-hewn churches, such as those in Lalibela, and its storied heritage of kingdoms and empires highlight its importance in the annals of human history.
7. Japan
Japan, with a history spanning over 2,000 years, blends ancient customs with cutting-edge innovation. Known as one of the oldest countries in the world, it boasts the world’s longest continuous imperial lineage.
Samurai culture, traditional tea ceremonies, and intricate woodblock art illustrate Japan’s dedication to preserving its historical identity. Simultaneously, the nation has embraced modernity, becoming a global leader in technology and design.
The harmonious balance between its storied past and dynamic present makes Japan a cultural treasure on the global stage.
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LIFESTYLE
Why Self-Reflection Is More Important Than Resolutions
Published
2 weeks agoon
January 11, 2025Millions of people embark on a yearly ritual: they sit down with a notebook and pen, eager to craft a list of perfect resolutions and forget to do a proper self-reflection.
“This year, I’ll shed those extra pounds,” they declare. “I’ll diligently save more money.” “I’ll finally master the French language.” These aspirations often sound incredibly promising.
However, let’s be realistic – how frequently do we actually achieve these goals? Statistics reveal a sobering truth: most individuals abandon their resolutions by February.
Why does this pattern persist? The answer lies in the resolutions themselves. They typically focus solely on the desired outcome – what we aim to change – without delving into the underlying reasons for this change or identifying the obstacles hindering our progress.
This is where the power of self-reflection comes into play. Instead of hastily making grand promises to ourselves, self-reflection encourages us to pause, introspect, and gain a deeper understanding of our true motivations, ingrained habits, and the challenges that may impede our journey.
Therefore, if you’re weary of repeating the same cycle of annual promises and feeling perpetually stuck, it’s time to consider a different approach.
Self-reflection holds greater significance than resolutions in fostering meaningful personal growth.
1. Self-reflection goes deeper into your motivations.
While resolutions often remain superficial, such as the common goal of “losing weight,” self-reflection compels you to explore the underlying reasons for this desire.
Are you driven by genuine health concerns and a desire to boost your confidence, or are you succumbing to societal pressures to conform to a particular body image?
By probing deeper, self-reflection encourages you to ask critical, albeit uncomfortable, questions. It challenges you to examine the obstacles hindering your progress and determine whether you are genuinely pursuing your own aspirations or merely emulating the resolutions of others.
This introspection fosters a deeper understanding of your “why,” transforming your actions from reactive impulses into intentional, purposeful pursuits.
2. Self-reflection facilitates learning from past experiences.
We often repeat the same mistakes without ever taking the time to analyse what went wrong. Self-reflection provides an invaluable opportunity to review past events without judgment.
For instance, if you failed to save money last year, self-reflection might reveal a lack of spending tracking as the root cause. Alternatively, an unused gym membership could indicate the setting of unrealistic fitness goals.
Instead of hastily embarking on new resolutions, self-reflection encourages you to learn from these patterns, establishing a more solid foundation for future change.
3. It promotes realistic and personalised growth.
Resolutions frequently focus on grand, ambitious outcomes. However, true growth is often subtle and deeply personal. Self-reflection enables you to identify small, meaningful steps that can lead to lasting transformation.
For example, instead of setting the broad goal of “becoming more productive,” self-reflection might reveal that poor time management is your primary obstacle.
Implementing a simple, actionable strategy, such as creating a daily schedule, can significantly impact your productivity.
4. Alleviates pressure and reduces guilt.
Resolutions often come with an inherent sense of urgency and a looming deadline. By March, the pressure to succeed can mount, leading to feelings of guilt and self-doubt as we inevitably fall short of our lofty goals.
In contrast, self-reflection is an ongoing, iterative process. It encourages you to acknowledge and celebrate small victories while extending compassion to yourself during setbacks. Growth is rarely linear, and self-reflection acknowledges this reality.
5. Strengthens self-awareness.
At its core, self-reflection is about gaining a deeper understanding of oneself. By exploring your strengths, weaknesses, and the triggers that influence your behaviour, you become better equipped to navigate challenges and make choices that align with your authentic self.
Therefore, instead of rushing to compile a lengthy list of resolutions for the year, take a moment to turn your attention inward. You may be surprised to discover that the answers you seek reside within you all along.
If you found this article helpful, visit here for more.
ENTERTAINMENT
Tems, Ayo Edebiri, Wizkid & More Nominated For The 56th NAACP Image Awards
Published
3 weeks agoon
January 8, 2025By
ReporterThe 56th NAACP Image Awards have unveiled their nominations. It highlights various exceptional talents. These talents include Nigerian stars Tems, Ayo Edebiri, Burna Boy, and Wizkid, alongside British Nigerian actress Cynthia Erivo.
The awards ceremony, set to take place on February 22nd, will be broadcast live on BET and CBS from the Pasadena Civic Center. It will celebrate “Our Stories, Our Culture, Our Excellence.”
Usher and Burna Boy received a nomination for “Outstanding Duo, Group or Collaboration (Contemporary)”. It was for their captivating song “Coming Home.”
Meanwhile, Wizkid earned a nod in the “Outstanding International Song” category for his soulful track “Piece of My Heart.” The track features the talented Brent Faiyaz. Joining Wizkid in this category is Tems, recognized for her mesmerizing song “Love Me JeJe.”
Rising star Tyla received a well-deserved nomination for “Outstanding New Artist.” Also, Ayo Edebiri led the pack with an impressive five nominations.
Her nominations include “Outstanding Actress in a Comedy Series,” showcasing her comedic prowess. Edebiri also garnered recognition for her exceptional voiceover work.
In the animated category, Disney+’s captivating series “Iwájú” received a nomination for “Outstanding Animated Series.” Further, this solidified the series in the realm of animated excellence.
See the full list of nominations for the 56th NAACP Image Awards below.
Entertainer of the Year Nominees
- Cynthia Erivo
- Keke Palmer
- Kendrick Lamar
- Kevin Hart
- Shannon Sharpe
Outstanding Social Media Personality of the Year Nominees
- Kai Cenat
- Keith Lee
- RaeShanda Lias
- Shirley Raines
- Tony Baker
Motion Pictures Categories
Outstanding Motion Picture
- “Bad Boys: Ride or Die” (Sony Pictures)
- “Bob Marley: One Love” (Paramount Pictures)
- “The Piano Lesson” (Netflix)
- “The Six Triple Eight” (Netflix)
- “Wicked” (Universal Pictures)
Outstanding Actor in a Motion Picture
- André Holland — “Exhibiting Forgiveness” (Roadside Attractions)
- Colman Domingo — “Sing Sing” (A24)
- John David Washington — “The Piano Lesson” (Netflix)
- Kingsley Ben-Adir — “Bob Marley: One Love” (Paramount Pictures)
- Martin Lawrence — “Bad Boys: Ride or Die” (Sony Pictures)
Outstanding Actress in a Motion Picture
- Cynthia Erivo — “Wicked” (Universal Pictures)
- Kerry Washington — “The Six Triple Eight” (Netflix)
- Lashana Lynch — “Bob Marley: One Love” (Paramount Pictures)
- Lupita Nyong’o — “A Quiet Place: Day One” (Paramount Pictures)
- Regina King — “Shirley” (Netflix)
Outstanding Supporting Actor in a Motion Picture
- Brian Tyree Henry — “The Fire Inside” (Amazon MGM Studios)
- Corey Hawkins — “The Piano Lesson” (Netflix)
- David Alan Grier — “The American Society of Magical Negroes” (Focus Features)
- Denzel Washington — “Gladiator II” (Paramount Pictures)
- Samuel L. Jackson — “The Piano Lesson” (Netflix)
Outstanding Supporting Actress in a Motion Picture
- Aunjanue Ellis-Taylor — “Exhibiting Forgiveness” (Roadside Attractions)
- Aunjanue Ellis-Taylor — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
- Danielle Deadwyler — “The Piano Lesson” (Netflix)
- Ebony Obsidian — “The Six Triple Eight” (Netflix)
- Lynn Whitfield — “Albany Road” (Faith Filmworks)
Outstanding Independent Motion Picture
- “Albany Road” (Faith Filmworks)
- “Exhibiting Forgiveness” (Roadside Attractions)
- “Rob Peace” (Republic Pictures)
- “Sing Sing” (A24)
- “We Grown Now” (Sony Pictures Classics)
Outstanding International Motion Picture
- “El lugar de la otra” (Netflix)
- “Emilia Pérez” (Netflix)
- “Memoir of a Snail” (IFC Films)
- “The Seed of the Sacred Fig” (NEON)
- “The Wall Street Boy, Kipkemboi” (ArtMattan Films)
Outstanding Breakthrough Performance in a Motion Picture
- Brandon Wilson — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
- Clarence Maclin — “Sing Sing” (A24)
- Danielle Deadwyler — “The Piano Lesson” (Netflix)
- Ebony Obsidian — “The Six Triple Eight” (Netflix)
- Ryan Destiny — “The Fire Inside” (Amazon MGM Studios)
Outstanding Ensemble Cast in a Motion Picture
- “Bob Marley: One Love” (Paramount Pictures)
- “The Book of Clarence” (Sony Pictures)
- “The Piano Lesson” (Netflix)
- “The Six Triple Eight” (Netflix)
- “Wicked” (Universal Pictures)
Outstanding Animated Motion Picture
- “Inside Out 2” (Walt Disney Studios Motion Pictures)
- “Kung Fu Panda 4” (DreamWorks Animation)
- “Moana 2” (Walt Disney Studios Motion Pictures)
- “Piece by Piece” (Focus Features)
- “The Wild Robot” (DreamWorks Animation)
Outstanding Character Voiceover Performance – Motion Picture
- Aaron Pierre — “Mufasa: The Lion King” (Walt Disney Studios Motion Pictures)
- Anika Noni Rose — “Mufasa: The Lion King” (Walt Disney Studios Motion Pictures)
- Ayo Edebiri — “Inside Out 2” (Walt Disney Studios Motion Pictures)
- Blue Ivy Carter — “Mufasa: The Lion King” (Walt Disney Studios Motion Pictures)
- Lupita Nyong’o — “The Wild Robot” (DreamWorks Animation)
Outstanding Short Form (Live Action)
- “Chocolate with Sprinkles” (AFI)
- “Definitely Not a Monster”
- “If They Took Us Back”
- “My Brother & Me” (MeowBark Films)
- “Superman Doesn’t Steal”
Outstanding Short Form (Animated)
- “if(fy)” (OTB/The Hidden Hand Studios)
- “Nate & John” (Unity Animation Project, LLC)
- “Peanut Headz: Black History Toonz ‘Jackie Robinson’” (Exhibit Treal Studios)
- “Self” (Pixar Animation Studios)
- “Walk in the Light” (419 Studios)
Outstanding Breakthrough Creative (Motion Picture)
- David Fortune — “Color Book” (Tribeca Studios)
- Malcolm Washington — “The Piano Lesson” (Netflix)
- RaMell Ross — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
- Titus Kaphar — “Exhibiting Forgiveness” (Roadside Attractions)
- Zoë Kravitz — “Blink Twice” (Amazon MGM Studios)
Outstanding Youth Performance in a Motion Picture
- Anthony B. Jenkins — “The Deliverance” (Netflix)
- Blake Cameron James — “We Grown Now” (Sony Pictures Classics)
- Jeremiah Daniels — “Color Book” (Tribeca Studios)
- Percy Daggs IV — “Never Let Go” (Lionsgate)
- Skylar Aleece Smith — “The Piano Lesson” (Netflix)
Outstanding Cinematography in a Motion Picture
- Andrés Arochi — “Longlegs” (NEON)
- Jomo Fray — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
- Justin Derry — “She Taught Love” (Andscape)
- Lachlan Milne — “Exhibiting Forgiveness” (Roadside Attractions)
- Rob Hardy — “The Book of Clarence” (Sony Pictures)
Television and Streaming Categories
Outstanding Comedy Series
- “Abbott Elementary” (ABC)
- “How to Die Alone” (Hulu)
- “Poppa’s House” (CBS)
- “The Neighborhood” (CBS)
- “The Upshaws” (Netflix)
Outstanding Actor in a Comedy Series
- Cedric The Entertainer — “The Neighborhood” (CBS)
- Damon Wayans — “Poppa’s House” (CBS)
- David Alan Grier — “St. Denis Medical” (NBC)
- Delroy Lindo — “UnPrisoned” (Hulu)
- Mike Epps — “The Upshaws” (Netflix)
Outstanding Actress in a Comedy Series
- Ayo Edebiri — “The Bear” (FX/Hulu)
- Kerry Washington — “UnPrisoned” (Hulu)
- Natasha Rothwell — “How to Die Alone” (Hulu)
- Quinta Brunson — “Abbott Elementary” (ABC)
- Tichina Arnold — “The Neighborhood” (CBS)
Outstanding Supporting Actor in a Comedy Series
- Damon Wayans Jr. — “Poppa’s House” (CBS)
- Giancarlo Esposito — “The Gentlemen” (Netflix)
- Kenan Thompson — “Saturday Night Live” (NBC)
- Tyler James Williams — “Abbott Elementary” (ABC)
- William Stanford Davis — “Abbott Elementary” (ABC)
Outstanding Supporting Actress in a Comedy Series
- Danielle Pinnock — “Ghosts” (CBS)
- Ego Nwodim — “Saturday Night Live” (NBC)
- Janelle James — “Abbott Elementary” (ABC)
- Sheryl Lee Ralph — “Abbott Elementary” (ABC)
- Wanda Sykes — “The Upshaws” (Netflix)
Outstanding Drama Series
- “9-1-1” (ABC)
- “Bel-Air” (Peacock)
- “Cross” (Amazon Prime Video)
- “Found” (NBC)
- “Reasonable Doubt” (Hulu)
Outstanding Actor in a Drama Series
- Aldis Hodge — “Cross” (Amazon Prime Video)
- Donald Glover — “Mr. & Mrs. Smith” (Amazon Prime Video)
- Harold Perrineau — “From” (MGM+)
- Jabari Banks — “Bel-Air” (Peacock)
- Michael Rainey Jr. — “Power Book II: Ghost” (Starz)
Outstanding Actress in a Drama Series
- Angela Bassett — “9-1-1” (ABC)
- Emayatzy Corinealdi — “Reasonable Doubt” (Hulu)
- Queen Latifah — “The Equalizer” (CBS)
- Shanola Hampton — “Found” (NBC)
- Zoe Saldaña — “Lioness” (Paramount+)
Outstanding Supporting Actor in a Drama Series
- Adrian Holmes — “Bel-Air” (Netflix)
- Cliff “Method Man” Smith — “Power Book II: Ghost” (Starz)
- Isaiah Mustafa — “Cross” (Amazon Prime Video)
- Jacob Latimore — “The Chi” (Paramount+)
- Morris Chestnut — “Reasonable Doubt” (Hulu)
Outstanding Supporting Actress in a Drama Series
- Adjoa Andoh — “Bridgerton” (Netflix)
- Coco Jones — “Bel-Air” (Peacock)
- Golda Rosheuvel — “Bridgerton” (Netflix)
- Lorraine Toussaint — “The Equalizer” (CBS)
- Lynn Whitfield — “The Chi” (Paramount+)
Outstanding Limited Television (Series, Special or Movie)
- “Fight Night: The Million Dollar Heist” (Peacock)
- “Genius: MLK/X” (National Geographic)
- “Griselda” (Netflix)
- “Rebel Ridge” (Netflix)
- “The Madness” (Netflix)
Outstanding Actor in a Limited Television (Series, Special or Movie)
- Aaron Pierre — “Rebel Ridge” (Netflix)
- Colman Domingo — “The Madness” (Netflix)
- Kelvin Harrison Jr. — “Genius: MLK/X” (National Geographic)
- Kevin Hart — “Fight Night: The Million Dollar Heist” (Peacock)
- Laurence Fishburne — “Clipped” (FX/Hulu)
Outstanding Actress in a Limited Television (Series, Special or Movie)
- Aunjanue Ellis-Taylor — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)
- Naturi Naughton — “Abducted at an HBCU: A Black Girl Missing Movie” (Lifetime)
- Sanaa Lathan — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)
- Sofía Vergara — “Griselda” (Netflix)
- Uzo Aduba — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)
Outstanding Supporting Actor in a Limited Television (Series, Special or Movie)
- Don Cheadle — “Fight Night: The Million Dollar Heist” (Peacock)
- Luke James — “Them: The Scare” (Amazon Prime Video)
- Ron Cephas Jones — “Genius: MLK/X” (National Geographic)
- Samuel L. Jackson — “Fight Night: The Million Dollar Heist” (Peacock)
- Terrence Howard — “Fight Night: The Million Dollar Heist” (Peacock)
Outstanding Supporting Actress in a Limited Television (Series, Special or Movie)
- Brandy Norwood — “Descendants: The Rise of Red” (Disney+)
- Jayme Lawson — “Genius: MLK/X” (National Geographic)
- Loretta Devine — “Terry McMillan Presents: Tempted By Love” (Lifetime)
- Sanaa Lathan — “Young. Wild. Free.” (BET+)
- Taraji P. Henson — “Fight Night: The Million Dollar Heist” (Peacock)
Outstanding News/Information (Series or Special)
- “Black Men’s Summit” (BET Media Group)
- “Finding Your Roots with Henry Louis Gates, Jr.” (PBS)
- “Laura Coates Live” (CNN)
- “NewsNight with Abby Phillip” (CNN)
- “The ReidOut” (MSNBC)
Outstanding Talk Series
- “Hart to Heart” (Peacock)
- “Sherri” (Syndicated)
- “Tamron Hall Show” (Syndicated)
- “The Jennifer Hudson Show” (Syndicated)
- “The Shop” Season 7 (YouTube)
Outstanding Reality Program, Reality Competition or Game Show (Series)
- “Celebrity Family Feud” (ABC)
- “Password” (NBC)
- “Rhythm + Flow” (Netflix)
- “The Real Housewives of Potomac” (Bravo)
- “Tia Mowry: My Next Act” (WeTV)
Outstanding Variety Show (Series or Special)
- “BET Awards 2024” (BET Media Group)
- “Deon Cole: Ok, Mister” (Netflix)
- “Jamie Foxx: What Had Happened Was…” (Netflix)
- “Katt Williams: Woke Foke” (Netflix)
- “Saturday Night Live” (NBC)
Outstanding Children’s Program
- “Craig of the Creek” (Cartoon Network)
- “Descendants: The Rise of Red” (Disney+)
- “Gracie’s Corner” (YouTube TV)
- “Sesame Street” (Max)
- “Snoopy Presents: Welcome Home, Franklin” (Apple TV+)
Outstanding Performance by a Youth (Series, Special, Television Movie or Limited Series)
- Caleb Elijah — “Cross” (Amazon Prime Video)
- Graceyn Hollingsworth — “Gracie’s Corner” (YouTube TV)
- Leah Sava Jeffries — “Percy Jackson and the Olympians” (Disney+)
- Melody Hurd — “Cross” (Amazon Prime Video)
- TJ Mixson — “The Madness” (Netflix)
Outstanding Host in a Talk or News/Information (Series or Special) – Individual or Ensemble
- Abby Phillip — “NewsNight with Abby Phillip” (CNN)
- Henry Louis Gates Jr. — “Finding Your Roots with Henry Louis Gates, Jr.” (PBS)
- Jennifer Hudson — “The Jennifer Hudson” (Syndicated)
- Joy Reid — “The Reidout” (MSNBC)
- Sherri Shepherd — “Sherri” (Syndicated)
Outstanding Host in a Reality/Reality Competition, Game Show or Variety (Series or Special) –
Individual or Ensemble
- Alfonso Ribeiro — “Dancing with the Stars” (ABC)
- Keke Palmer — “Password” (NBC)
- Nick Cannon — “The Masked Singer” (FOX)
- Steve Harvey — “Celebrity Family Feud” (ABC)
- Taraji P. Henson — “BET Awards 2024” (BET Media Group)
Outstanding Guest Performance
- Ayo Edebiri — “Saturday Night Live” (NBC)
- Cree Summer — “Abbott Elementary” (ABC)
- Keegan-Michael Key — “Abbott Elementary” (ABC)
- Marlon Wayans — “Bel-Air” (Peacock)
- Maya Rudolph — “Saturday Night Live” (NBC)
Outstanding Animated Series
- “Disney Jr.’s Ariel” (Disney Jr.)
- “Everybody Still Hates Chris” (Comedy Central)
- “Gracie’s Corner” (YouTube TV)
- “Iwájú” (Disney+)
- “Marvel’s Moon Girl and Devil Dinosaur” (Disney Channel)
Outstanding Character Voiceover Performance (Television)
- Angela Bassett — “Orion and the Dark” (Netflix)
- Cree Summer — “Rugrats” (Nickelodeon)
- Cree Summer — “The Legend of Vox Machina” (Amazon Prime Video)
- Dawnn Lewis — “Star Trek: Lower Decks” (Paramount+)
- Keke Palmer — “The Second Best Hospital in the Galaxy” (Amazon Prime Video)
Outstanding Short Form Series or Special – Reality/Nonfiction/Documentary
- “In the Margins” (PBS)
- NCAA Basketball on CBS Sports (CBS)
- “Roots of Resistance” (PBS)
- “SC Featured” (ESPN)
- “The Prince of Death Row Records “(YouTube TV)
Outstanding Breakthrough Creative (Television)
- Ayo Edebiri — “The Bear” (FX/Hulu)
- Diarra Kilpatrick — “Diarra From Detroit” (BET+)
- Maurice Williams — “The Madness” (Netflix)
- Thembi L. Banks — “Young. Wild. Free.” (BET+)
- Vince Staples — “The Vince Staples Show” (Netflix)
Recording Categories
Outstanding New Artist
- Doechii (Capitol Records/Top Dawg Entertainment)
- Myles Smith (RCA Records/Sony Music Entertainment)
- Samoht (Affective Music)
- Shaboozey (American Dogwood/Empire)
- Tyla (Epic Records)
Outstanding Male Artist
- Chris Brown (RCA Records/Chris Brown Entertainment)
- J. Cole (Dreamville/Interscope Records)
- Kendrick Lamar (pgLang, under exclusive license to Interscope Records)
- October London (Death Row Records/gamma.)
- Usher (mega/gamma.)
Outstanding Female Artist
- Beyoncé (Columbia Records/Parkwood Entertainment LLC)
- Coco Jones (Def Jam Recordings)
- Doechii (Capitol Records/Top Dawg Entertainment)
- GloRilla (Collective Music Group/Interscope Records)
- H.E.R. (RCA Records)
Outstanding Gospel/Christian Album
- “Heart of a Human” — DOE (Life Room Label/RCA Inspiration)
- “Live Breathe Fight” — Tamela Mann (Tillymann Music Group)
- “Still Karen” — Karen Clark Sheard (Karew Records/Motown Gospel)
- “Sunny Days” — Yolanda Adams (Epic Records)
- “The Maverick Way Reimagined” — Maverick City Music (Tribl Records)
Outstanding International Song
- “Close” — Skip Marley (Def Jam Recordings)
- “Hmmm” — Chris Brown feat. Davido (RCA Records/Chris Brown Entertainment)
- “Jump” — Tyla (Epic Records)
- “Love Me JeJe” — Tems (RCA Records/Since ‘93)
- “Piece of My Heart” — Wizkid feat. Brent Faiyaz (RCA Records/Sony Music International/Starboy Entertainment)
Outstanding Music Video/Visual Album
- “Alright” — Victoria Monét (RCA Records/Lovett Music)
- “Alter Ego (ALTERnate Version)” — Doechii, JT (Capitol Records/Top Dawg Entertainment)
- “Boy Bye” — Chlöe (Columbia Records/Parkwood Entertainment LLC)
- “Not Like Us” — Kendrick Lamar (pgLang, under exclusive license to Interscope Records)
- “Yeah Glo!” — GloRilla (Collective Music Group/Interscope Records)
Outstanding Album
- “Alligator Bites Never Heal” — Doechii (Epic Records)
- “Cape Town to Cairo” — PJ Morton (Morton Records/EMPIRE)
- “Coming Home” — USHER (mega/gamma.)
- “Cowboy Carter” — Beyoncé (Columbia Records/Parkwood Entertainment LLC)
- “Glorious” — GloRilla (Collective Music Group/Interscope Records)
Outstanding Soundtrack/Compilation Album
- “Bob Marley: One Love (Soundtrack)” (Tuff Gong/Island Records)
- “Genius: MLK/X (Songs from the Original Series)” (Hollywood Records)
- “Reasonable Doubt (Season 2) (Original Soundtrack)” (Hollywood Records)
- “The Book of Clarence (The Motion Picture Soundtrack)” (Geneva Club under exclusive license to Roc Nation Records, LLC)
- “Wicked: The Soundtrack” (Republic Records)
Outstanding Gospel/Christian Song
- “Church Doors” — Yolanda Adams (Epic Records)
- “Do It Anyway” — Tasha Cobbs (TeeLee Records/Motown Gospel)
- “God Problems (Not By Power)” — (Tribl Records)
- “I Prayed for You (Said a Prayer)” MAJOR. — (NowThatsMAJOR/MNRK Music Group)
- “Working for Me” — Tamela Mann (Tillymann Music Group)
Outstanding Jazz Album
- “Creole Orchestra” — Etienne Charles (Culture Shock Music)
- “Epic Cool” — Kirk Whalum (Artistry Music)
- “Javon & Nikki Go to the Movies” — Javon Jackson and Nikki Giovanni (Solid Jackson Records)
- “On Their Shoulders: An Organ Tribute” — Matthew Whitaker (MOCAT Records)
- “Portrait” — Samara Joy (Verve Records)
Outstanding Soul/R&B Song
- “16 CARRIAGES” — Beyoncé (Columbia Records/Parkwood Entertainment LLC)
- “Here We Go (Uh Oh)” — Coco Jones (Def Jam Recordings)
- “I Found You” — PJ Morton (Morton Records/EMPIRE)
- “Residuals” — Chris Brown (RCA Records/Chris Brown Entertainment)
- “Saturn” — SZA (RCA Records/Top Dawg Entertainment)
Outstanding Hip Hop/Rap Song
- “Mamushi” — Megan Thee Stallion feat. Yuki Chiba (Hot Girl Productions LLC/Warner Music Group)
- “Murdergram Deux” — LL Cool J feat. Eminem (Def Jam Recordings)
- “Noid” — Tyler, the Creator (Columbia Records)
- “Not Like Us” — Kendrick Lamar (pgLang, under exclusive license to Interscope Records)
- “Yeah Glo!” — GloRilla (Collective Music Group/Interscope Records)
Outstanding Duo, Group or Collaboration (Traditional)
- Adam Blackstone & Fantasia — “Summertime” (BASSic Black Entertainment Records/Anderson Music Group/EMPIRE)
- Leela James feat. Kenyon Dixon — “Watcha Done Now” (Shesangz Music, Inc. under exclusive license to BMG Rights Management (US) LLC)
- Maverick City Music feat. Miles Minnick — “God Problems (Not By Power)” (Tribl Records)
- Muni Long & Mariah Carey — “Made for Me” (Supergiant Records/Def Jam Recordings)
- Sounds of Blackness feat. Jamecia Bennett & Buddy McLain — “Thankful” (McLain Music, LLC)
- Flo & GloRilla — “In My Bag” (Island Records)
- GloRilla feat. Kirk Franklin, Maverick City Music, Kierra Sheard, Chandler Moore — “RAIN DOWN
- ON ME” (Collective Music Group/Interscope Records)
- Usher & Burna Boy — “Coming Home” (mega/gamma.)
- Victoria Monét feat. Usher — “SOS” (Sex on Sight) (RCA Records/Lovett Music)
- Wizkid feat. Brent Faiyaz — “Piece of My Heart” (RCA Records/Lovett Music)
Outstanding Original Score for Television/Motion Picture
- “Challengers (Original Score)” (Milan Records)
- “Dune: Part Two (Original Motion Picture Soundtrack)” (WaterTower Music)
- “Star Wars: The Acolyte (Original Soundtrack)” (Walt Disney Records)
- “The American Society of Magical Negroes (Original Motion Picture Soundtrack)” (Back Lot Music)
- “The Book of Clarence (Original Motion Picture Score)” (Milan Records)
Documentary Categories
Outstanding Documentary (Film)
- “Daughters” (Netflix)
- “Frida” (Amazon MGM Studios)
- “King of Kings: Chasing Edward Jones” (Freestyle Digital Media)
- “Luther: Never Too Much” (Sony Music Entertainment/Sony Music Publishing/CNN Films)
- “The Greatest Night in Pop” (Netflix)
Outstanding Documentary (Television)
- “Black Barbie: A Documentary” (Netflix)
- “Black Twitter: A People’s History” (Hulu)
- “Gospel” (PBS)
- “Simone Biles Rising” (Netflix)
- “Sprint” (Netflix)
Outstanding Short Form Documentary (Film)
- “Camille A. Brown: Giant Steps” (American Masters and Firelight Media)
- “Danielle Scott: Ancestral Call” (American Masters and Firelight Media)
- “How to Sue the Klan”
- “Judging Juries”
- “Silent Killer” (Kaila Love Jones Films)
Writing Categories
Outstanding Writing in a Comedy Series
- Ashley Nicole Black — “Shrinking” – “Changing Patterns” (Apple TV+)
- Brittani Nichols — “Abbott Elementary” – “Breakup” (ABC)
- Crystal Jenkins — “No Good Deed” – “Letters of Intent” (Netflix)
- Diarra Kilpatrick — “Diarra From Detroit” – “Chasing Ghosts” (BET+)
- Jordan Temple — “Abbott Elementary” – “Smoking” (ABC)
Outstanding Writing in a Drama Series
- Azia Squire — “Bridgerton” – “Tick Tock” (Netflix)
- Ben Watkins — “Cross” – “Hero Complex” (Amazon Prime Video)
- Francesca Sloane, Donald Glover — “Mr. & Mrs. Smith” – “First Date” (Amazon Prime Video)
- Geetika Lizardi — “Bridgerton” – “Joining of Hands” (Netflix)
- Lauren Gamble — “Bridgerton” – “Old Friends” (Netflix)
- Brandon Espy, Carl Reid — “Mr. Crocket” (Hulu)
- Bree West, Chazitear — “A Wesley South African Christmas” (BET+)
- Juel Taylor, Tony Rettenmaier, Thembi L. Banks — “Young. Wild. Free.” (BET+)
- Rudy Mancuso, Dan Lagana — “Música” (Amazon Prime Video)
- Tina Mabry, Gina Prince-Bythewood, Cee Marcellus — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)
Outstanding Writing in a Motion Picture
- Barry Jenkins — “The Fire Inside” (Amazon MGM Studios)
- RaMell Ross, Joslyn Barnes — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
- Steve McQueen — “Blitz” (Apple Original Films)
- Titus Kaphar — “Exhibiting Forgiveness” (Roadside Attractions)
- Virgil Williams, Malcolm Washington — “The Piano Lesson” (Netflix)
Directing Categories
Outstanding Directing in a Comedy Series
- Ayo Edebiri — “The Bear” – “Napkins” (FX/Hulu)
- Bentley Kyle Evans — “Mind Your Business” – “The Reunion” (Bounce TV)
- Robbie Countryman — “The Upshaws” – “Ain’t Broke” (Netflix)
- Tiffany Johnson — “How to Die Alone” – “Trust No One” (Hulu)
- William Smith — “The Vince Staples Show” – “Brown Family” (Netflix)
Outstanding Directing in a Drama Series
- Carl Franklin — “Monsters: The Lyle and Erik Menendez Story” – “Blame It on the Rain” (Netflix)
- Marta Cunningham — “Genius: MLK/X” – “Protect Us” (National Geographic)
- Marta Cunningham — “Genius: MLK/X” – “Who We Are” (National Geographic)
- Paris Barclay — “Monsters: The Lyle and Erik Menendez Story” – “Brother, Can You Spare a Dime?” (Netflix)
- Rapman — “Supacell” – “Supacell” (Netflix)
Outstanding Directing in a Television Movie, Documentary, or Special
- Kelley Kali — “Kemba” (BET+)
- Marcelo Gama — “BET Awards 2024” (BET Media Group)
- Shanta Fripp — “Black Men’s Summit” (BET Media Group)
- Thembi L. Banks — “Young. Wild. Free” (BET+)
- Tina Mabry — “The Supremes at Earl’s All-You-Can Eat” (Hulu/Searchlight Pictures)
Outstanding Directing in a Motion Picture
- Jeymes Samuel — “The Book of Clarence” (Sony Pictures)
- Malcolm Washington — “The Piano Lesson” (Netflix)
- RaMell Ross — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
- Reinaldo Marcus Green — “Bob Marley: One Love” (Paramount Pictures)
- Steve McQueen — “Blitz” (Apple Original Films)
Outstanding Directing in a Documentary (Television or Motion Picture)
- Bao Nguyen — “The Greatest Night in Pop” (Netflix)
- Dawn Porter — “Luther: Never Too Much” (Sony Music Entertainment/Sony Music Publishing/CNN Films)
- Deborah Riley Draper — “James Brown: Say It Loud” (A&E)
- Jason Pollard, Sam Pollard — “Ol’ Dirty Bastard: A Tale of Two Dirtys” (A&E)
- Nneka Onuorah — “Megan Thee Stallion: In Her Words” (Amazon Prime Video)
Literary Categories
Outstanding Literary Work – Fiction
- “A Love Song for Ricki Wilde” — Tia Williams (Grand Central Publishing – Hachette Book Group)
- “Grown Woman” — Sarai Johnson (Harper – HarperCollins Publishers)
- “Neighbors and Other Stories” — Diane Oliver, Tayari Jones (Foreword) (Grove Atlantic)
- “One of Us Knows: A Thriller” — Alyssa Cole (William Morrow – HarperCollins Publishers)
- “What You Leave Behind” — Wanda M. Morris (William Morrow – HarperCollins Publishers)
Outstanding Literary Work – Nonfiction
- “A Passionate Mind in Relentless Pursuit: The Vision of Mary McLeod Bethune” — Noliwe Rooks (Penguin Press – Penguin Books)
- “Love & Whiskey: The Remarkable True Story of Jack Daniel, His Master Distiller Nearest Green, and the Improbable Rise of Uncle Nearest” — Fawn Weaver (Melcher Media Inc.)
- “Picturing Black History: Photographs and Stories that Changed the World” — Daniela Edmeier,
Damarius Johnson, Nicholas B. Breyfogle and Steven Conn (Abrams Books – Harry N. Abrams) - “The 1619 Project: A Visual Experience” — Nikole Hannah-Jones and The New York Times Magazine (Clarkson Potter – Crown Publishing Group)
- “The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America” — Larry Tye (Mariner Books – HarperCollins Publishers)
Outstanding Literary Work – Debut Author
- “A Kind of Madness” — Uche Okonkwo (Tin House Books)
- “AfroCentric Style: A Celebration of Blackness & Identity in Pop Culture” — Shirley Neal (HarperCollins Amistad)
- “Grown Woman” — Sarai Johnson (Harper – HarperCollins Publishers)
- “Masquerade” — O.O. Sangoyomi (Forge Books – Tor Publishing Group)
- “Swift River” — Essie Chambers (Simon & Schuster)
Outstanding Literary Work – Biography/Autobiography
- “Bits and Pieces: My Mother, My Brother, and Me” — Whoopi Goldberg (Blackstone Publishing)
- “By the Time You Read This: The Space Between Cheslie’s Smile and Mental Illness” ― Her
Story in Her Own Words — Cheslie Kryst and April Simpkins (Forefront Books) - “Do It Anyway: Don’t Give Up Before It Gets Good” — Tasha Cobbs Leonard, Sarah Jakes Roberts (Foreword) (WaterBrook – Penguin Random House)
- “Lovely One: A Memoir” — Ketanji Brown Jackson (Random House)
- “Medgar and Myrlie: Medgar Evers and the Love Story That Awakened America” — JoyAnn Reid (Mariner Books – HarperCollins Publishers)
Outstanding Literary Work – Instructional
- “Black Joy Playbook: 30 Days of Intentionally Reclaiming Your Delight” — Tracey Michae’l Lewis-Giggets (Ink & Willow – Penguin Random House)
- “I Did a New Thing: 30 Days to Living Free (A Feeding the Soul Book)” — Tabitha Brown (William Morrow – HarperCollins Publishers)
- “Loving Your Black Neighbor as Yourself: A Guide to Closing the Space Between Us” — Chanté Griffin (WaterBrook – Penguin Random House)
- “Radical Self-Care: Rituals for Inner Resilience” — Rebecca Moore (Author), Amberlee Green (Illustrator) (The Quarto Group/Leaping Hare Press)
- “Wash Day: Passing on the Legacy, Rituals, and Love of Natural Hair” — Tomesha Faxio (Clarkson Potter – Crown Publishing Group)
Outstanding Literary Work – Poetry
- “Bluff: Poems” — Danez Smith (Graywolf Press)
- “Good Dress” — Brittany Rogers (Tin House Books)
- “Load in Nine Times: Poems” — Frank X Walker (Liveright Publishing – W.W. Norton & Company)
- “Song of My Softening” — Omotara James (Alice James Books)
- “This Is the Honey: An Anthology of Contemporary Black Poets” — Kwame Alexander (Little, Brown and Company)
Outstanding Literary Work – Children
- “All I Need to Be” — Rachel Ricketts (Author), Tiffany Rose (Illustrator) with Luana Horry (Simon & Schuster Books for Young Readers)
- “Cicely Tyson” — Renée Watson (Author), Sherry Shine (Illustrator) (Amistad Books for Young Readers)
- “Crowning Glory: A Celebration of Black Hair” — Carole Boston Weatherford (Author), Ekua Holmes (Illustrator) (Candlewick Press)
- “My Hair Is a Book” — Maisha Oso (Author), London Ladd (Illustrator) (HarperCollins Publishers)
- “You Can Be a Good Friend (No Matter What!): A Lil TJ Book” — Taraji P. Henson (Author), Paul Kellam (Illustrator) (Zonderkidz – HarperCollins)
Outstanding Literary Work – Youth/Teens
- “American Wings: Chicago’s Pioneering Black Aviators and the Race for Equality in the Sky” —
Sherri L. Smith and Elizabeth Wein (G.P. Putnam’s Sons Books for Young Readers) - “Barracoon Adapted for Young Readers The Story of the Last Black Cargo” — Zora Neale Hurston, Ibram X. Kendi (Adapted by), Jazzmen Lee-Johnson (Illustrator) (Amistad Books for Young Readers)
- “Black Star: The Door of No Return” — Kwame Alexander (Little, Brown Books for Young Readers)
- “Brushed Between Cultures: A YA Coming of Age Novel Set in Brooklyn, New York” — Samarra St. Hilaire (Samarra St. Hilaire)
- “Clutch Time: A Shot Clock Novel (Shot Clock, 2)” — Caron Butler and Justin A. Reynolds (HarperCollins Publishers)
Outstanding Graphic Novel
- “Big Jim and the White Boy: An American Classic Reimagined” — David F. Walker and Marcus Kwame Anderson (Ten Speed Graphic – Penguin Random House)
- “Black Defender: The Awakening” — Dr. David Washington, Mr. Zhengis Tasbolatov (Illustrator), Mr. Billy Blanks (Foreword) (Washington Comix)
- “Gamerville” — Johnnie Christmas (HarperAlley – HarperCollins Publishers)
- “Ghost Roast” — Shawneé Gibbs, Shawnelle Gibbs, Emily Cannon (Illustrator) (Versify – HarperCollins Publishers)
- “Punk Rock Karaoke” — Bianca Xunise (Viking Books for Young Readers)
Podcast Categories
Outstanding News and Information Podcast
- “SundayCivics” (LJW Community Strategies)
- “After the Uprising” (iHeartPodcasts, Double Asterisk)
- “Into America: Uncounted Millions” (MSNBC)
- “Native Land Pod” (iHeartPodcasts, Reasoned Choice Media)
- “The Assignment with Audie Cornish” (CNN Audio)
Outstanding Lifestyle/Self–Help Podcast
- “Balanced Black Girl” (Dear Media)
- “Is This Going to Cause An Argument” (Seven14Seven Media)
- “The R Spot with Iyanla” (Shondaland)
- “Therapy for Black Girls” (iHeartPodcasts)
- “We Don’t Always Agree with Ryan & Sterling” (ABF Creative & Indian Meadows Productions)
Outstanding Society and Culture Podcast
- “Baby, This is Keke Palmer” (Wondery)
- “Club Shay Shay” (Shay Shay Media & The Volume)
- “Higher Learning with Van Lathan and Rachel Lindsay” (The Ringer)
- “We Don’t Always Agree with Ryan & Sterling” (ABF Creative & Indian Meadows Productions)
- “What Now? with Trevor Noah” (Spotify Studios in partnership with Day Zero Productions and Fulwell 73)
Outstanding Sports, Arts and Entertainment Podcast
- “Naked Sports with Cari Champion” (The Black Effect Podcast Network)
- “Nightcap” (Shay Shay Media & The Volume)
- “Questlove Supreme” (iHeartPodcasts)
- “R&B Money Podcast” (R&B Money)
- “Two Funny Mamas” (Mocha Podcasts Network)
Outstanding Podcast – Limited Series/Short Form
- “About the Journey” (Marriott Bonvoy, AT WILL MEDIA & mntra)
- “Squeezed with Yvette Nicole Brown” (Lemonda Media)
- “Stranded” (Broadway Video)
- “The Wonder of Stevie” (Audible, Higher Ground and Pineapple Street Studios)
- “When We Win with Maya Rupert” (Lemonada Media)
Costume Design, Make-Up and Hairstyling Categories
Outstanding Costume Design (Television or Film)
- Ernesto Martinez — “Fight Night: The Million Dollar Heist” (Peacock)
- Megan Coates — “Shirley” (Netflix)
- Gersha Phillips — “The Big Cigar” (Apple TV+)
- Francine Jamison-Tanchuck — “The Piano Lesson” (Netflix)
- Paul Tazewell — “Wicked” (Universal Pictures)
Outstanding Make-up (Television or Film)
- Carol Rasheed — “Fight Night: The Million Dollar Heist” (Peacock)
- Debi Young — “Shirley” (Netflix)
- Rebecca Lee — “Shōgun” (Netflix)
- Matiki Anoff — “The Book of Clarence” (Sony Pictures)
- Para Malden — “The Piano Lesson” (Netflix)
Outstanding Hairstyling (Television or Film)
- Terry Hunt — “Bel-Air” (Peacock)
- Lawrence Davis — “Fight Night: The Million Dollar Heist” (Peacock)
- Nakoya Yancey — “Shirley” (Netflix)
- Brian Badie — “The Penguin” (HBO/Max)
- Andrea Mona Bowman — “The Piano Lesson” (Netflix)
Stunt Category
Outstanding Stunt Ensemble (TV or Film)
- “Cross” (Amazon Prime Video)
- “Grotesquerie” (FX/Hulu)
- “Rebel Ridge” (Netflix)
- “Red One” (Amazon MGM Studios)
- “Them: The Scare” (Amazon Prime Video)
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