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Charly Boy: A Letter to my People

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Charly Boy

Fellow Biafrans,

I know some of my Igbo brothers and sisters are not happy with me simply because I have not used My Brand as Charly Boy to advocate for the clamor of The Biafran state.

However, like I always say, there is more than one way to achieve a purpose. Though I may disagree with my Igbo brothers and sisters on the choice of rhetorics and methodology, our objectives are to a large extent identical because we all want to bring an end to the marginalisation of the common peoples, by the evil cabals who are holding Nigeria to a ransom and getting away with their obnoxious impunity and criminality. 

Those who truly know and have followed me know that I am not a Group soul and I have always dared to follow the path least traveled in the continuous struggle to add value to my environment.

It is indeed laughable that despite being a native chicken, Nwa afo, son of Biafran soil with a full-blown Igbotic blood, I have been persistently labeled a wannabe Yoruba, Hausa, Tiv and an Ijaw man simply because I have consistently maintained that I believe in the unity of Nigeria.

To start with, I go like tell una sey you may not be totally wrong if you call me the man from all tribes in Nigeria. This is because I believe in the oneness of all Nigerian peoples. I believe that we have gotten to a point in our national history where a Yoruba man cannot live in isolation of an Igbo man. Likewise, an Ijaw man cannot live in isolation of a Hausa/Fulani man. All tribes in Nigeria today have become a mat of interwoven fibers that cannot be segregated.

There have so far been inter-tribal marriages, intertribal business ownership, and intertribal partnership; and countless other inter-tribal collaborations and relationships in Nigeria. For this reason, my question to those agitating for secession would be that if each tribe decide to secede from Nigeria today, what then will happen? Who will lead the new nations? Will the people be happy? Will injustice be defeated in the new societies? Will criminality end in leadership positions? Will there be happiness in the new nations? Will the people finally have a country to call their own? These are important questions we must ask ourselves and provide answers to before we even start to beat the drums of secession.

Having said that, I must state that whereas I am a Biafran at heart, what should engage our minds is not a sectional Biafra but a national Biafra. The fight for nationalists who will drive the discourse and the engagement necessary in answering the Nigeria national questions must not be bogged down by petty sentiments, tribal colorations and religious propaganda. The failure of the Igbo nation and all Nigerian tribes and peoples is the fault of influence peddlers and directionless decision makers.

The crux of the Biafran agitation is that my people are tired of a system that has perpetually failed them. My Igbo kinsmen are tired of a system that enriches the rich and impoverishes the poor. My people are tired of a system that glorifies impunity and criminality. My people are tired of decades of oppression and marginalization. However, the deeply rooted disgruntlement in Biafra land is not peculiar to my Igbo brothers and sisters only; all the common peoples in the 500 tribes in Nigeria are victims of a failed system and persistent oppression. And this is essentially where I disagree with my brother Nnamdi Kanu that though Biafra is right, it should be a national cause and not a sectional one. 

Let me be clear: The Charly Boy brand is not just a global brand but also a national brand that should not be reduced to a sectional brand.

The problem in this nation is not the lack of a space where we all can coexist but the lack of men of integrity and progressive nationalists. We lack the right kind of leadership that will fight for the interest of the common people. And if at all there would be an agitation, it should be geared towards sanitizing the currently bastardized Nigerian system. Our agitation for Biafra should be about having the right leaders in positions of power and not power drunken people with insatiable appetite to plunder and loot. 

Therefore, my people, I insist that the suffering of the People from the South East is also the suffering of the people from the other geopolitical zones in Nigeria. And the oppression of the Igbo people is also the oppression of all Nigerian peoples. An injury to one is an injury to all. A Biafra state is not going to change the players of the game, it will only exacerbate the sufferings of the victims of the game.

In conclusion, my people, let us dutifully work ourselves back into reckoning by fighting for Fairness, Justice, and Equality for all Nigerians; not Igbos only; Yorubas only or Hausas only but all Nigerians.

MOVIES

Funke Akindele’s “Everybody Loves Jenifa” Rakes Box Office With ₦511 Million In Just 12 Days

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Everybody Loves Jenifa rakes box office with ₦511 million | fab.ng

Funke Akindele’s comedy film “Everybody Loves Jenifa” has shattered Nigerian box office records by earning ₦511 million within just 12 days of its release.

FilmOne, the film’s distributor, revealed that this remarkable achievement makes it both the highest-grossing Nollywood film of 2024. It is also the fastest Nigerian movie to reach the ₦500 million milestone.

“History Made! Everybody Loves Jenifa smashes records with ₦511M at the box office, becoming 2024’s highest-grossing Nollywood title and the fastest to hit ₦500M in just 12 days! Don’t stop! Let’s smash the record books. Watch Everybody Loves Jenifa in cinemas near you,” the post said.

 

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“Everybody Loves Jenifa” achieved unprecedented success by generating ₦206 million during its opening weekend. It established a new record for the highest-grossing opening weekend in Nollywood history.

The film demonstrated its immediate appeal by earning ₦87.8 million on its first day. This set another record for the highest single-day earnings in Nigerian cinema.

Funke Akindele masterfully reprised her beloved Jenifa character, delivering a performance that perfectly captured the character’s signature humour and charm.

The narrative follows Jenifa through an engaging storyline filled with personal growth, fame-related challenges, and comedic situations that resonated deeply with audiences across Nigerian theatres.

Akindele’s marketing strategy proved exceptionally effective. Moreso, she implemented comprehensive social media campaigns and made strategic appearances at various cinemas to connect with viewers.

Her promotional efforts transformed the film’s release into a cultural phenomenon that extended beyond traditional movie-watching.

The film features an impressive ensemble cast including Falz, Omotunde ‘Lolo’ Adebowale-David, Olayode Juliana, Chimezie Imo, Layi Wasabi, Bisola Aiyeola, Jackie Appiah, and Omowunmi Dada.

These actors collectively bring depth to this comedy-drama that successfully weaves together humorous moments, emotional depth, and surprising plot developments.

Check out more movie updates here.

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MUSIC

Tems Debut Album Ranks #2 On Billboard’s R&B List Of 2024

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Tems debut album hits #2 on Billboard's R&B list of 2024 | fab.ng

Tems’ Global Impact: A Billboard Recognition

Tems, a global music sensation, has solidified her position as one of Africa’s most successful artists, with her album captivating millions of fans worldwide and garnering numerous prestigious awards.

In a recent testament to her talent, her debut album secured the second spot on Billboard’s list of the best R&B albums of 2025.

This remarkable achievement places Tems alongside renowned artists such as Chris Brown, PartyNextDoor, Muni Long, and Bryson Tiller.

Furthermore, Billboard has praised Tems’ music for transcending the boundaries of Afrobeats, resonating with audiences across the globe.

“The Nigerian star finds her footing in the global spotlight and stands firmly in her purpose on her dazzling debut album Born in the Wild.

“She opens up about surviving her mental wilderness and learning to thrive in it on the opening acoustic ballad that shares the album’s title.

“And on the mid-tempo standout “Burning,” Tems confronts the trappings of her newfound stardom but finds comfort in the collective struggle. As someone who’s studied Céline Dion, Destiny’s Child, and Mariah Carey and dreamt of making soul-stirring songs that send people into their feelings, Tems succeeded with aplomb.

“Born in the Wild became her highest-charting project on Top R&B Albums (reaching No. 5) and marked her career-first entry on the Billboard 200, peaking at No. 56.

“And while Born in the Wild and “Love Me JeJe” earned Tems 2025 Grammy nominations for Best Global Music Album and Best African Music Performance, respectively, her best R&B song nod for “Burning” further reinforced the rich diversity of her music–  and the notion that African artists like Tems cannot be bound to the catchall “Afrobeats” term, as their music has traveled well past the borders of the continent. – H.M.”

Tems’ debut album, “Born In The Wild,” received critical acclaim in the United States.

Indeed, the album earned a Grammy nomination for Best Global Album.

Additionally, her single “Burning” broke records by securing a nomination for Best R&B Song. Meanwhile, “Love Me Jeje” received a nomination for Best African Music Performance.

Check out more music updates here.

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MUSIC

Adekunle Gold Reveals The Role Pheelz Played In Getting Him Signed To YBNL

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Adekunle Gold credits Pheelz for his YBNL signing | fab.ng

Adekunle Gold marks a significant milestone this December 2024 as he celebrates 10 years since releasing his breakthrough single ‘Sade.’

This debut track, which creatively reimagined One Direction’s ‘Story Of My Life,’ catapulted him into Nigeria’s mainstream music consciousness in December 2014.

The artist recently shared compelling details about his journey to stardom in an industry interview, particularly highlighting his unique path to signing with YBNL.

Before his musical breakthrough, Adekunle Gold cultivated a professional relationship with Olamide through his work as YBNL’s graphic designer, creating cover art for the label’s artists, including Lil Kesh and Viktor.

The pivotal moment in his career arrived when producer Pheelz discovered ‘Sade’ and advocated for Gold’s signing to Olamide, leading to a transformative partnership with YBNL.

Under the label’s guidance, Gold released his debut album, ‘Gold,’ which produced standout hits like ‘Orente’ and ‘Pick Up,’ earning both critical acclaim and commercial success.

AG Baby, as fans affectionately call him, has demonstrated remarkable artistic versatility throughout his decade-long career.

He began his journey by crafting a distinctive urban interpretation of folk and traditional Yoruba music, later evolving into a dynamic pop star with the release of ‘Afro-pop Vol 1.’ His musical portfolio now spans five albums, each showcasing his growth and artistic range.

The singer-songwriter has established himself as one of Nigeria’s most accomplished artists, earning recognition for his exceptional songwriting abilities and commanding stage presence.

His performances continue to captivate audiences across Africa, solidifying his position as a leading figure in the continent’s music scene.

Gold’s journey from a graphic designer to a celebrated musician exemplifies his artistic versatility and dedication to his craft, marking him as one of Africa’s most sought-after performers.

Check out more updates here.

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