ARTS & CULTURE

Governor Ambode appoints Joke Silva, Kunle Afolayan into board of arts and culture

Published

8 years ago

April 13, 2017

The Lagos state government has appointed actors, Kunle Afolayan and Joke Silva, into the state board for council of arts and culture.

Governor Akinwunmi Ambode on Wednesday inaugurated members of the board in Alausa, Ikeja.

He said that the state needed to do more if it must realise its goal to become a global hub for music, theatre and film.

The governor said the tourism sector was being re-positioned to create more employment and ensure increased contribution of the non-oil sector to the state’s gross domestic product (GDP).

“In the last 23 months, we have covered a lot of ground in terms of design and structure of the arts and entertainment sector but so much still needed to be done,” he said.

Ambode-appoints-Joke-Silva-Kunle-Afolayan-into-board-of-arts-and-culture

Ambode said the board would among other things, be expected to ensure the sustainable management of arts and culture facilities and infrastructures in the state and create a sustainable framework for the sector.

He urged the board to generate local and international events to showcase and promote the state’s diverse talents in the field of creative arts, music, entertainment and sports.

Ambode also tasked them to promote and preserve the rich cultural heritage while being sensitive to the diverse cultures of residents of the state.

“The Council for Arts and Culture which we have just inaugurated has a huge responsibility to translate our vision in this regard to reality,” he said.

He urged them to explore private sector support to nurture new talents and generate events for a sustainable development of the creative arts sector.

Ambode said that in view of the enormous responsibilities of the board, his administration had ensured that only seasoned professionals, notable and respected personalities were chosen to serve on the council.

Other members of the board include Polly Alakija, Kolade Oshinowo, Nike Okundaye, Mobee of Badagry, Patrick Mobee, Adesina Adeyemi, and Saidat Otulana.

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ARTS & CULTURE

Here Are The 5 Oldest Tribes In Nigeria

Published

21 hours ago

November 23, 2024

Adaeze Okechi

Over 250 ethnic groups thrive within Nigeria, making it one of Africa’s most ethnically diverse countries. Among these ethnic groups, some of the oldest tribes in Nigeria have survived for centuries, passing down their rich heritage despite the pressures of modernization.

Furthermore, these tribes have protected their traditions and maintained their ways of life, reflecting their resilience.

In this article, we dive into the histories of the five oldest tribes in Nigeria, exploring how they have upheld their cultural legacies.

1. The Nok Tribe

The Nok people are widely recognized as one of the oldest tribes in Nigeria. They lived around the area now known as Northern Nigeria. The Nok civilization dates back to around 1000 BC, making it one of the earliest known cultures in West Africa.

The Nok people are famous for their advanced artistry, particularly their terracotta sculptures. These sculptures, often depicting human figures, animals, and mythical creatures, are intricate and detailed.

Archaeologists have found these artifacts in present-day Kaduna, Jos, and parts of Kwara State.

Historical Contributions:

The Nok tribe is credited with pioneering iron smelting in West Africa.
They were skilled in making tools, weapons, and ornaments using iron.
Their artistic influence can still be seen in the craftsmanship of modern Nigerian tribes.

Though the Nok civilization eventually faded, its influence remains significant. The tribe’s artistic legacy provides insight into the early development of societies in Nigeria.

2. The Yoruba Tribe

The Yoruba tribe is one of the largest and most influential ethnic groups in Nigeria. Their history dates back over a thousand years, with roots tracing to the ancient city of Ile-Ife. According to Yoruba mythology, Ile-Ife is the birthplace of humanity, where the world began.

The Yorubas have a well-organized society with a rich cultural heritage. They are known for their elaborate festivals, colorful attire, and intricate beadwork. The Yoruba people are also renowned for their contributions to art, music, and religion.

Cultural Significance:

The Yoruba are famous for their traditional religion, which has influenced spiritual practices across the world, especially in the Americas.

They have a rich pantheon of gods known as “Orishas,” who govern different aspects of life.
The Yoruba language and culture have spread beyond Nigeria to countries like Brazil, Cuba, and the United States due to the transatlantic slave trade.

The Yorubas have maintained a strong cultural identity, preserving their language, customs, and traditions over the centuries.

3. The Igbo Tribe

The Igbo people are another ancient and significant ethnic group in Nigeria. The Igbos primarily inhabit the southeastern region of Nigeria.

Historians believe that the Igbo civilization dates back to 9th century AD, but their roots may stretch much further into antiquity.

The Igbos are known for their entrepreneurial spirit, love for education, and democratic systems of governance.

Historically, they practiced a decentralized system of government where communities were ruled by elders and title holders. This system, known as “Igbo-Ukwu,” is one of the oldest forms of democracy in Africa.

Notable Achievements:

The Igbo are skilled in arts and crafts, particularly in pottery, weaving, and wood carving.
They are famous for their mask festivals, colorful dances, and masquerade performances.
The Igbo language, customs, and traditions have been preserved despite colonization and the Nigerian Civil War.

The Igbos have a rich cultural heritage that continues to influence Nigerian culture and beyond.

4. The Kanuri Tribe

The Kanuri people are predominantly found in northeastern Nigeria, particularly in Borno State. They are one of the oldest tribes in Nigeria, with their roots tracing back to the Kanem-Bornu Empire, which existed as early as the 9th century AD.

This empire was a powerful Islamic state that played a significant role in West African trade, politics, and religion.

The Kanuri were instrumental in spreading Islam in Nigeria, and today, most of them practice the Islamic faith. They are known for their elaborate traditional ceremonies, especially during Islamic festivals.

Historical Contributions:

The Kanuri people contributed to the development of education and trade in the region, establishing schools and learning centers.
They were skilled horsemen and warriors, which helped them defend their empire against invasions.
The Kanuri language remains widely spoken in Borno and parts of neighboring countries like Niger and Chad.

Despite the challenges of modern times, including the impact of insurgencies in the northeast, the Kanuri people continue to uphold their traditions.

5. The Fulani Tribe

The Fulani, also known as the Fula or Fulbe, are among the oldest and most widely spread ethnic groups in West Africa. Fulani people are traditionally nomadic herders, traders, and warriors.

Their presence in Nigeria dates back to the 11th century when they began migrating from the Senegambia region.

The Fulani are known for their distinctive cultural practices, including their elegant clothing, rich music, and intricate hairstyles.

They played a major role in the spread of Islam in Nigeria, especially through the Fulani Jihad led by Usman dan Fodio in the early 19th century.

Cultural Highlights:

The Fulani are famous for their “Wuro,” traditional settlements where they practice a nomadic lifestyle.
They have a unique cultural festival known as “Sharo,” where young men undergo a public flogging ceremony to prove their manhood.
The Fulani language, known as Fulfude, is spoken across many West African countries.

Today, while many Fulani have settled in towns and cities, a significant number still maintain their pastoral lifestyle.

Nigeria’s oldest tribes have significantly shaped the country’s cultural, social, and historical landscape. Each tribe has preserved its unique identity, contributing to the rich tapestry of Nigerian culture.

Nonetheless, from the Nok people’s ancient artistry to the Fulani’s enduring nomadic traditions, these tribes continue to inspire pride and unity among Nigerians.

Understanding the history and contributions of these tribes helps to appreciate Nigeria’s diverse heritage. These tribes have not only survived the test of time but have also influenced many aspects of Nigerian life, from language to religion and art.

ARTS & CULTURE

Why Ancient Africans Were Naked And Didn’t Care About “Decency”

Published

1 week ago

November 16, 2024

Adaeze Okechi

Why Ancient Africans Were Naked And Didn't Care... | fab.ng

In understanding why ancient Africans were naked, it’s essential to consider the practical and cultural factors. The hot climate in many regions, particularly West Africa, made full clothing impractical, leading people to adopt minimal attire.

Additionally, why ancient Africans were naked also ties into the normalcy of nudity in their societies; it was not seen as indecent but rather as a natural part of life.

Moreover, why ancient Africans were naked often related to social customs where clothing was reserved for specific ceremonies or status indicators.

As colonial influences grew, European ideals of modesty reshaped these traditional practices. Nevertheless, understanding why ancient Africans were naked would highlight a deeper connection to their environment, social norms, and identity.

Nigeria’s First Lady, Remi Tinubu, asserts that “nakedness is not in our culture,” reflecting a modern interpretation of cultural values. However, historical evidence reveals that the concept of clothing and nudity in Africa was much more complex and diverse.

Let’s take a detailed look at some of the historical reasons ancient Africans were naked and didn’t care…

1. Clothing in Hot Weather

In ancient African societies, especially in regions like West Africa, the hot and humid climate made it impractical to wear heavy or fully covered clothing.

People adapted to their environment by wearing minimal clothing to stay cool. Women typically wore wrappers around their waists or occasionally over their chests, while men donned aprons or loincloths.

Full-body coverings were rare and often reserved for specific occasions or elder members of the community. The emphasis was on comfort and practicality rather than modesty.

2. Nudity Was Culturally Normal

Contrary to the notion that nudity was taboo, many African cultures viewed it as entirely normal and even symbolic. This acceptance of nudity is reflected in the art of the time, where sculptures, carvings, and masks often depicted the human form in its natural state.

These representations were not considered indecent but rather celebrated as part of the human experience.

Furthermore, even today, several traditional festivals in Nigeria and South Africa feature women participating in rituals while partially or fully nude, emphasizing that nudity was a culturally accepted practice in certain contexts.

3. Ceremonial and Symbolic Clothing

In ancient African societies, clothing was less about everyday modesty and more about symbolism and status. Dress codes were used to indicate social class, gender, or cultural identity.

Jewellery, headgear, and specific garments were reserved for elders, chiefs, or individuals of higher status, while everyday clothing remained minimal for the general population.

During ceremonies such as weddings, people would wear elaborate attire that covered more of their bodies, but this was primarily for symbolic reasons rather than for modesty in daily interactions.

Colonial Influence on African Clothing Norms

The introduction of European colonial rule brought drastic changes to how Africans viewed clothing. Europeans, with their Christian ideals of modesty, often regarded African practices of minimal clothing or nudity as barbaric.

They imposed their standards of dress as part of their broader civilizing mission. This was particularly targeted at women, who were often sexualized and criticized for their traditional attire, or lack thereof.

From the 15th century onwards, as Europeans increased trade and colonization, they brought new fabrics, styles, and notions of modesty. Indigenous African attire evolved, incorporating textiles like cotton, wool, raffia, and later, wax prints.

These wax prints, now synonymous with African fashion (commonly known as Ankara), were not originally African but were influenced by the Dutch colonization of Indonesia in the 19th century.

Africans embraced these textiles and adapted them to fit their cultural identity, eventually making them integral to modern African fashion.

In Conclusion…

Today’s perspectives often emphasize modesty as an intrinsic cultural value. However, historical evidence shows that ancient Africans had a much more fluid and practical approach to clothing.

For them, attire was primarily about status, identity, and specific ceremonies, not necessarily about covering the body for decency.

The shift towards the modern view of modesty largely came about due to colonial influences, which reshaped traditional practices to align with Western standards.

So, while the First Lady’s statement aligns with current societal norms, it doesn’t entirely reflect the historical diversity of African clothing practices.

As it is understood today, the notion of modesty is a relatively recent development influenced by colonialism and the spread of Christianity and Islam across the continent.

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ARTS & CULTURE

Here’s The Interesting Story Behind The Word “Boycott”

Published

2 weeks ago

November 9, 2024

Adaeze Okechi

Captain Charles Boycott: Story Behind The Word "Boycott" | fab.ng

The term “boycott” is now widely used to describe organized acts of protest where people refuse to engage with a company, product, or country as a form of pressure. While it’s globally accepted today, the word’s origin is surprisingly interesting. It traces back to a British land agent named Captain Charles Boycott.

Who was Captain Charles Boycott?

Captain Charles Boycott, a British land agent working for Lord Erne, a wealthy landowner in Ireland, played a key role in this term’s origin.

In the late 1800s, Ireland was under British rule, and tensions between British landlords and Irish tenant farmers were high.

Many tenant farmers faced unfair practices, including high rents and frequent evictions, especially during economic hardship or crop failures.

In 1880, a year marked by poor harvests, tenant farmers struggled to pay their rent and had no option but to request rent reductions. They hoped their landlords would understand their difficult situation and offer some relief. However, things didn’t go as they had anticipated.

The Conflict with Captain Boycott

In September 1880, tenants on one of Lord Erne’s estates approached Captain Boycott. They asked for reduced rents to help them survive the economic downturn.

To their disappointment, Boycott refused to grant their request and proceeded to evict tenants who couldn’t pay. This response seemed especially harsh, considering the widespread poverty at the time. Consequently, the community decided it was time to take a stand.

Irish politician Charles Stewart Parnell proposed a unique form of resistance at this critical moment. Rather than resorting to violence, he suggested a strategy of social ostracism as a way to protest.

Inspired by his advice, tenants and the entire community began to ignore Captain Boycott entirely. Workers on the estate refused to labour in the fields, local shops stopped serving him, and even the local postman refused to deliver his mail.

The Spread of the ‘Boycott’

The community’s collective action against Boycott escalated quickly, leaving him unable to find anyone willing to harvest the crops on Lord Erne’s estate.

Desperate to salvage the situation, Boycott hired workers from other parts of Ireland, but they required military protection due to hostility from the locals.

This effort became so costly that it far exceeded the value of the crops, highlighting the effectiveness of the community’s stand against unfair treatment.

The unprecedented event attracted significant media coverage. Soon, newspapers across Britain and Ireland began using the term “boycott”. They use it to describe the community’s collective refusal to interact with Boycott.

As news spread, “boycott” rapidly entered the English language as a term for nonviolent resistance through social or economic exclusion.

This form of protest, now known as ‘boycotting’, gained traction far beyond Ireland. It became a powerful tool for people worldwide to stand against injustice.

Captain Charles Boycott died long ago, but people still use his name when they use the term ‘boycott’. It symbolises the power of organized social resistance.

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