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Video: President Obama’s Farewell Speech

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President Obama  delivered his farewell address to the American people, where he thanked his supporters, celebrated the changes in the country for the better, these past eight years, and offered his vision on where the American people will all go from here.

In a well-thought speech for which he is known to always, properly put together and deliver, the popular but politically humbled, President Barack Obama said goodbye to the nation Tuesday night.

Read full speech below:

It’s good to be home. My fellow Americans, Michelle and I have been so touched by all the well-wishes we’ve received over the past few weeks. But tonight it’s my turn to say thanks. Whether we’ve seen eye-to-eye or rarely agreed at all, my conversations with you, the American people — in living rooms and schools; at farms and on factory floors; at diners and on distant outposts — are what have kept me honest, kept me inspired, and kept me going. Every day, I learned from you. You made me a better President, and you made me a better man.
I first came to Chicago when I was in my early twenties, still trying to figure out who I was; still searching for a purpose to my life. It was in neighborhoods not far from here where I began working with church groups in the shadows of closed steel mills. It was on these streets where I witnessed the power of faith, and the quiet dignity of working people in the face of struggle and loss. This is where I learned that change only happens when ordinary people get involved, get engaged, and come together to demand it.
After eight years as your President, I still believe that. And it’s not just my belief. It’s the beating heart of our American idea — our bold experiment in self-government.
It’s the conviction that we are all created equal, endowed by our Creator with certain unalienable rights, among them life, liberty, and the pursuit of happiness.
It’s the insistence that these rights, while self-evident, have never been self-executing; that We, the People, through the instrument of our democracy, can form a more perfect union.
This is the great gift our Founders gave us. The freedom to chase our individual dreams through our sweat, toil, and imagination — and the imperative to strive together as well, to achieve a greater good.
For 240 years, our nation’s call to citizenship has given work and purpose to each new generation. It’s what led patriots to choose republic over tyranny, pioneers to trek west, slaves to brave that makeshift railroad to freedom. It’s what pulled immigrants and refugees across oceans and the Rio Grande, pushed women to reach for the ballot, powered workers to organize. It’s why GIs gave their lives at Omaha Beach and Iwo Jima; Iraq and Afghanistan — and why men and women from Selma to Stonewall were prepared to give theirs as well.
So that’s what we mean when we say America is exceptional. Not that our nation has been flawless from the start, but that we have shown the capacity to change, and make life better for those who follow.
Yes, our progress has been uneven. The work of democracy has always been hard, contentious and sometimes bloody. For every two steps forward, it often feels we take one step back. But the long sweep of America has been defined by forward motion, a constant widening of our founding creed to embrace all, and not just some.
If I had told you eight years ago that America would reverse a great recession, reboot our auto industry, and unleash the longest stretch of job creation in our history…if I had told you that we would open up a new chapter with the Cuban people, shut down Iran’s nuclear weapons program without firing a shot, and take out the mastermind of 9/11…if I had told you that we would win marriage equality, and secure the right to health insurance for another 20 million of our fellow citizens — you might have said our sights were set a little too high.
But that’s what we did. That’s what you did. You were the change. You answered people’s hopes, and because of you, by almost every measure, America is a better, stronger place than it was when we started.
In ten days, the world will witness a hallmark of our democracy: the peaceful transfer of power from one freely-elected president to the next. I committed to President-Elect Trump that my administration would ensure the smoothest possible transition, just as President Bush did for me. Because it’s up to all of us to make sure our government can help us meet the many challenges we still face.
We have what we need to do so. After all, we remain the wealthiest, most powerful, and most respected nation on Earth. Our youth and drive, our diversity and openness, our boundless capacity for risk and reinvention mean that the future should be ours.
But that potential will be realized only if our democracy works. Only if our politics reflects the decency of the our people. Only if all of us, regardless of our party affiliation or particular interest, help restore the sense of common purpose that we so badly need right now.
That’s what I want to focus on tonight — the state of our democracy.
Understand, democracy does not require uniformity. Our founders quarreled and compromised, and expected us to do the same. But they knew that democracy does require a basic sense of solidarity — the idea that for all our outward differences, we are all in this together; that we rise or fall as one.
There have been moments throughout our history that threatened to rupture that solidarity. The beginning of this century has been one of those times. A shrinking world, growing inequality; demographic change and the specter of terrorism — these forces haven’t just tested our security and prosperity, but our democracy as well. And how we meet these challenges to our democracy will determine our ability to educate our kids, and create good jobs, and protect our homeland.
In other words, it will determine our future.
Our democracy won’t work without a sense that everyone has economic opportunity. Today, the economy is growing again; wages, incomes, home values, and retirement accounts are rising again; poverty is falling again. The wealthy are paying a fairer share of taxes even as the stock market shatters records. The unemployment rate is near a ten-year low. The uninsured rate has never, ever been lower. Health care costs are rising at the slowest rate in fifty years. And if anyone can put together a plan that is demonstrably better than the improvements we’ve made to our health care system — that covers as many people at less cost — I will publicly support it.
That, after all, is why we serve — to make people’s lives better, not worse.
But for all the real progress we’ve made, we know it’s not enough. Our economy doesn’t work as well or grow as fast when a few prosper at the expense of a growing middle class. But stark inequality is also corrosive to our democratic principles. While the top one percent has amassed a bigger share of wealth and income, too many families, in inner cities and rural counties, have been left behind — the laid-off factory worker; the waitress and health care worker who struggle to pay the bills — convinced that the game is fixed against them, that their government only serves the interests of the powerful — a recipe for more cynicism and polarization in our politics.
There are no quick fixes to this long-term trend. I agree that our trade should be fair and not just free. But the next wave of economic dislocation won’t come from overseas. It will come from the relentless pace of automation that makes many good, middle-class jobs obsolete.
And so we must forge a new social compact — to guarantee all our kids the education they need; to give workers the power to unionize for better wages; to update the social safety net to reflect the way we live now and make more reforms to the tax code so corporations and individuals who reap the most from the new economy don’t avoid their obligations to the country that’s made their success possible. We can argue about how to best achieve these goals. But we can’t be complacent about the goals themselves. For if we don’t create opportunity for all people, the disaffection and division that has stalled our progress will only sharpen in years to come.
There’s a second threat to our democracy — one as old as our nation itself. After my election, there was talk of a post-racial America. Such a vision, however well-intended, was never realistic. For race remains a potent and often divisive force in our society. I’ve lived long enough to know that race relations are better than they were ten, or twenty, or thirty years ago — you can see it not just in statistics, but in the attitudes of young Americans across the political spectrum.
But we’re not where we need to be. All of us have more work to do. After all, if every economic issue is framed as a struggle between a hardworking white middle class and undeserving minorities, then workers of all shades will be left fighting for scraps while the wealthy withdraw further into their private enclaves. If we decline to invest in the children of immigrants, just because they don’t look like us, we diminish the prospects of our own children — because those brown kids will represent a larger share of America’s workforce. And our economy doesn’t have to be a zero-sum game. Last year, incomes rose for all races, all age groups, for men and for women.
Going forward, we must uphold laws against discrimination — in hiring, in housing, in education and the criminal justice system. That’s what our Constitution and highest ideals require. But laws alone won’t be enough. Hearts must change. If our democracy is to work in this increasingly diverse nation, each one of us must try to heed the advice of one of the great characters in American fiction, Atticus Finch, who said “You never really understand a person until you consider things from his point of view…until you climb into his skin and walk around in it.”
For blacks and other minorities, it means tying our own struggles for justice to the challenges that a lot of people in this country face — the refugee, the immigrant, the rural poor, the transgender American, and also the middle-aged white man who from the outside may seem like he’s got all the advantages, but who’s seen his world upended by economic, cultural, and technological change.
For white Americans, it means acknowledging that the effects of slavery and Jim Crow didn’t suddenly vanish in the ’60s; that when minority groups voice discontent, they’re not just engaging in reverse racism or practicing political correctness; that when they wage peaceful protest, they’re not demanding special treatment, but the equal treatment our Founders promised.
For native-born Americans, it means reminding ourselves that the stereotypes about immigrants today were said, almost word for word, about the Irish, Italians, and Poles. America wasn’t weakened by the presence of these newcomers; they embraced this nation’s creed, and it was strengthened.
So regardless of the station we occupy; we have to try harder; to start with the premise that each of our fellow citizens loves this country just as much as we do; that they value hard work and family like we do; that their children are just as curious and hopeful and worthy of love as our own.
None of this is easy. For too many of us, it’s become safer to retreat into our own bubbles, whether in our neighborhoods or college campuses or places of worship or our social media feeds, surrounded by people who look like us and share the same political outlook and never challenge our assumptions. The rise of naked partisanship, increasing economic and regional stratification, the splintering of our media into a channel for every taste — all this makes this great sorting seem natural, even inevitable. And increasingly, we become so secure in our bubbles that we accept only information, whether true or not, that fits our opinions, instead of basing our opinions on the evidence that’s out there.
This trend represents a third threat to our democracy. Politics is a battle of ideas; in the course of a healthy debate, we’ll prioritize different goals, and the different means of reaching them. But without some common baseline of facts; without a willingness to admit new information, and concede that your opponent is making a fair point, and that science and reason matter, we’ll keep talking past each other, making common ground and compromise impossible.
Isn’t that part of what makes politics so dispiriting? How can elected officials rage about deficits when we propose to spend money on preschool for kids, but not when we’re cutting taxes for corporations? How do we excuse ethical lapses in our own party, but pounce when the other party does the same thing? It’s not just dishonest, this selective sorting of the facts; it’s self-defeating. Because as my mother used to tell me, reality has a way of catching up with you.
Take the challenge of climate change. In just eight years, we’ve halved our dependence on foreign oil, doubled our renewable energy, and led the world to an agreement that has the promise to save this planet. But without bolder action, our children won’t have time to debate the existence of climate change; they’ll be busy dealing with its effects: environmental disasters, economic disruptions, and waves of climate refugees seeking sanctuary.
Now, we can and should argue about the best approach to the problem. But to simply deny the problem not only betrays future generations; it betrays the essential spirit of innovation and practical problem-solving that guided our Founders.
It’s that spirit, born of the Enlightenment, that made us an economic powerhouse — the spirit that took flight at Kitty Hawk and Cape Canaveral; the spirit that that cures disease and put a computer in every pocket.
It’s that spirit — a faith in reason, and enterprise, and the primacy of right over might, that allowed us to resist the lure of fascism and tyranny during the Great Depression, and build a post-World War II order with other democracies, an order based not just on military power or national affiliations but on principles — the rule of law, human rights, freedoms of religion, speech, assembly, and an independent press.
That order is now being challenged — first by violent fanatics who claim to speak for Islam; more recently by autocrats in foreign capitals who see free markets, open democracies, and civil society itself as a threat to their power. The peril each poses to our democracy is more far-reaching than a car bomb or a missile. It represents the fear of change; the fear of people who look or speak or pray differently; a contempt for the rule of law that holds leaders accountable; an intolerance of dissent and free thought; a belief that the sword or the gun or the bomb or propaganda machine is the ultimate arbiter of what’s true and what’s right.
Because of the extraordinary courage of our men and women in uniform, and the intelligence officers, law enforcement, and diplomats who support them, no foreign terrorist organization has successfully planned and executed an attack on our homeland these past eight years; and although Boston and Orlando remind us of how dangerous radicalization can be, our law enforcement agencies are more effective and vigilant than ever. We’ve taken out tens of thousands of terrorists — including Osama bin Laden. The global coalition we’re leading against ISIL has taken out their leaders, and taken away about half their territory. ISIL will be destroyed, and no one who threatens America will ever be safe. To all who serve, it has been the honor of my lifetime to be your Commander-in-Chief.

But protecting our way of life requires more than our military. Democracy can buckle when we give in to fear. So just as we, as citizens, must remain vigilant against external aggression, we must guard against a weakening of the values that make us who we are. That’s why, for the past eight years, I’ve worked to put the fight against terrorism on a firm legal footing. That’s why we’ve ended torture, worked to close Gitmo, and reform our laws governing surveillance to protect privacy and civil liberties. That’s why I reject discrimination against Muslim Americans.

That’s why we cannot withdraw from global fights — to expand democracy, and human rights, women’s rights, and LGBT rights — no matter how imperfect our efforts, no matter how expedient ignoring such values may seem. For the fight against extremism and intolerance and sectarianism are of a piece with the fight against authoritarianism and nationalist aggression. If the scope of freedom and respect for the rule of law shrinks around the world, the likelihood of war within and between nations increases, and our own freedoms will eventually be threatened.

So let’s be vigilant, but not afraid. ISIL will try to kill innocent people. But they cannot defeat America unless we betray our Constitution and our principles in the fight. Rivals like Russia or China cannot match our influence around the world — unless we give up what we stand for, and turn ourselves into just another big country that bullies smaller neighbors.
Which brings me to my final point — our democracy is threatened whenever we take it for granted. All of us, regardless of party, should throw ourselves into the task of rebuilding our democratic institutions. When voting rates are some of the lowest among advanced democracies, we should make it easier, not harder, to vote. When trust in our institutions is low, we should reduce the corrosive influence of money in our politics, and insist on the principles of transparency and ethics in public service. When Congress is dysfunctional, we should draw our districts to encourage politicians to cater to common sense and not rigid extremes.
And all of this depends on our participation; on each of us accepting the responsibility of citizenship, regardless of which way the pendulum of power swings.
Our Constitution is a remarkable, beautiful gift. But it’s really just a piece of parchment. It has no power on its own. We, the people, give it power — with our participation, and the choices we make. Whether or not we stand up for our freedoms. Whether or not we respect and enforce the rule of law. America is no fragile thing. But the gains of our long journey to freedom are not assured.
In his own farewell address, George Washington wrote that self-government is the underpinning of our safety, prosperity, and liberty, but “from different causes and from different quarters much pains will be taken…to weaken in your minds the conviction of this truth;” that we should preserve it with “jealous anxiety;” that we should reject “the first dawning of every attempt to alienate any portion of our country from the rest or to enfeeble the sacred ties” that make us one.
We weaken those ties when we allow our political dialogue to become so corrosive that people of good character are turned off from public service; so coarse with rancor that Americans with whom we disagree are not just misguided, but somehow malevolent. We weaken those ties when we define some of us as more American than others; when we write off the whole system as inevitably corrupt, and blame the leaders we elect without examining our own role in electing them.
It falls to each of us to be those anxious, jealous guardians of our democracy; to embrace the joyous task we’ve been given to continually try to improve this great nation of ours. Because for all our outward differences, we all share the same proud title: Citizen.
Ultimately, that’s what our democracy demands. It needs you. Not just when there’s an election, not just when your own narrow interest is at stake, but over the full span of a lifetime. If you’re tired of arguing with strangers on the internet, try to talk with one in real life. If something needs fixing, lace up your shoes and do some organizing. If you’re disappointed by your elected officials, grab a clipboard, get some signatures, and run for office yourself. Show up. Dive in. Persevere. Sometimes you’ll win. Sometimes you’ll lose. Presuming a reservoir of goodness in others can be a risk, and there will be times when the process disappoints you. But for those of us fortunate enough to have been a part of this work, to see it up close, let me tell you, it can energize and inspire. And more often than not, your faith in America — and in Americans — will be confirmed.
Mine sure has been. Over the course of these eight years, I’ve seen the hopeful faces of young graduates and our newest military officers. I’ve mourned with grieving families searching for answers, and found grace in Charleston church. I’ve seen our scientists help a paralyzed man regain his sense of touch, and our wounded warriors walk again. I’ve seen our doctors and volunteers rebuild after earthquakes and stop pandemics in their tracks. I’ve seen the youngest of children remind us of our obligations to care for refugees, to work in peace, and above all to look out for each other.
That faith I placed all those years ago, not far from here, in the power of ordinary Americans to bring about change — that faith has been rewarded in ways I couldn’t possibly have imagined. I hope yours has, too. Some of you here tonight or watching at home were there with us in 2004, in 2008, in 2012 — and maybe you still can’t believe we pulled this whole thing off.
You’re not the only ones. Michelle — for the past twenty-five years, you’ve been not only my wife and mother of my children, but my best friend. You took on a role you didn’t ask for and made it your own with grace and grit and style and good humor. You made the White House a place that belongs to everybody. And a new generation sets its sights higher because it has you as a role model. You’ve made me proud. You’ve made the country proud.
Malia and Sasha, under the strangest of circumstances, you have become two amazing young women, smart and beautiful, but more importantly, kind and thoughtful and full of passion. You wore the burden of years in the spotlight so easily. Of all that I’ve done in my life, I’m most proud to be your dad.
To Joe Biden, the scrappy kid from Scranton who became Delaware’s favorite son: you were the first choice I made as a nominee, and the best. Not just because you have been a great Vice President, but because in the bargain, I gained a brother. We love you and Jill like family, and your friendship has been one of the great joys of our life.
To my remarkable staff: For eight years — and for some of you, a whole lot more — I’ve drawn from your energy, and tried to reflect back what you displayed every day: heart, and character, and idealism. I’ve watched you grow up, get married, have kids, and start incredible new journeys of your own. Even when times got tough and frustrating, you never let Washington get the better of you. The only thing that makes me prouder than all the good we’ve done is the thought of all the remarkable things you’ll achieve from here.
And to all of you out there — every organizer who moved to an unfamiliar town and kind family who welcomed them in, every volunteer who knocked on doors, every young person who cast a ballot for the first time, every American who lived and breathed the hard work of change — you are the best supporters and organizers anyone could hope for, and I will forever be grateful. Because yes, you changed the world.
That’s why I leave this stage tonight even more optimistic about this country than I was when we started. Because I know our work has not only helped so many Americans; it has inspired so many Americans — especially so many young people out there — to believe you can make a difference; to hitch your wagon to something bigger than yourselves. This generation coming up — unselfish, altruistic, creative, patriotic — I’ve seen you in every corner of the country. You believe in a fair, just, inclusive America; you know that constant change has been America’s hallmark, something not to fear but to embrace, and you are willing to carry this hard work of democracy forward. You’ll soon outnumber any of us, and I believe as a result that the future is in good hands.
My fellow Americans, it has been the honor of my life to serve you. I won’t stop; in fact, I will be right there with you, as a citizen, for all my days that remain. For now, whether you’re young or young at heart, I do have one final ask of you as your President — the same thing I asked when you took a chance on me eight years ago.
I am asking you to believe. Not in my ability to bring about change — but in yours.
I am asking you to hold fast to that faith written into our founding documents; that idea whispered by slaves and abolitionists; that spirit sung by immigrants and homesteaders and those who marched for justice; that creed reaffirmed by those who planted flags from foreign battlefields to the surface of the moon; a creed at the core of every American whose story is not yet written:
Yes We Can.
Yes We Did.
Yes We Can.
Thank you. God bless you. And may God continue to bless the United States of America.
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MOVIES

Nollywood Director, Kemi Adetiba Teases King Of Boys 3

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Nollywood director Kemi Adetiba teases King of Boys 3 | fab.ng

Nollywood director Kemi Adetiba has revealed that another instalment of King of Boys will be released on December 25, 2025. She made this announcement on her birthday through an Instagram post.

“KOB Army…. ARISE!!! It’s time…. We MOOOOOOOVE. Signed: Your General. #KOB3 #TheBeginningOfTheEnd #DettyDecember25 #KAV25,” she said.

Earlier in 2023, director Kemi Adetiba commenced pre-production for the next instalment of King of Boys.

Alongside this, she hinted at the upcoming releases of “To Kill A Monkey” and “Welcome to the Fourth.” This new King of Boys instalment, subtitled “The Beginning of the End,” will feature a blend of familiar faces and exciting new characters.

The feature-length film will make its debut in cinemas on December 25, 2025. This groundbreaking series centres around Alhaja Eniola Salami, a powerful businesswoman and philanthropist embroiled in a high-stakes power struggle.

The first film, released in 2018, captivated audiences with its compelling narrative and exceptional performances. Its sequel, “King of Boys: The Return of the King,” premiered on Netflix in 2021.

The original film boasted an ensemble cast, including the formidable Sola Sobowale as Eniola Salami, alongside Nse Ikpe-Etim, Jide Kosoko, Adesua Etomi, and Richard Mofe-Damijo.

READ ALSO: “Everybody Loves Jenifa” Become The Highest Grossing Film of All Time

Kemi Adetiba’s career began as a radio presenter at Rhythm 93.7 FM, where she hosted the popular shows “Soul’d Out” and “Sunday at the Seaside.”

During this time, she anonymously shared her remixes on platforms like Spotify and SoundCloud under the pseudonym “Hule.”

Transitioning to television, Adetiba became a prominent figure on Mnet, producing and hosting popular shows such as “Studio 53” and “Temptation Nigeria” alongside Ikponmwosa Osakioduwa.

She also hosted the Maltina Dance All reality show for three consecutive seasons.

After achieving on-screen success, Adetiba pursued her passion for filmmaking. She enrolled at the New York Film Academy to hone her filmmaking skills.

This decision led to international recognition for her work. Her short film, “Across a Bloodied Ocean,” was showcased at the 2009 Pan African Film Festival and the National Black Arts Festival.

Her directorial debut, “The Wedding Party,” a romantic comedy, premiered on September 8, 2016, as the opening film of the City-to-City Spotlight at the Toronto International Film Festival (TIFF).

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MOVIES

“Everybody Loves Jenifa” Becomes Nollywood’s Highest-Grossing Film Of All Time

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Everybody Loves Jenifa Nollywood’s highest-grossing film | fab.ng

Nollywood filmmaker Funke Akindele has achieved a historic milestone with her latest film, Everybody Loves Jenifa.”

The film has officially broken box office records, surpassing the ₦1 billion mark to become the highest-grossing Nollywood movie of all time.

This groundbreaking achievement was announced by FilmOne, the film’s distributor, on their official Instagram page.

“Everybody Loves Jenifa” has officially hit a historic ₦1.466 billion and counting at the box office, making it the highest-grossing film of all time! A massive THANK YOU to our incredible audiences in Nigeria and Ghana for making this dream a reality. Your support is everything. On to even greater heights! Still showing in cinemas near you—experience the magic on the big screen,” the statement read.

 

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Akindele continues her reign as a dominant force in Nollywood with this latest triumph.

“Everybody Loves Jenifa” achieved this remarkable feat in less than two weeks, further solidifying her legacy of box office successes.

Last year, her film “A Tribe Called Judah” made history by becoming the first Nollywood film to surpass the ₦1 billion mark, firmly establishing her as the queen of Nigerian cinema.

In 2023, Akindele’s “Battle on Buka Street” also achieved record-breaking success, surpassing the previous record set by her own blockbuster, “Omo Ghetto: The Saga.”

The “Jenifa” franchise has transcended the realm of a mere movie series, evolving into a cultural phenomenon.

Akindele first introduced the iconic character “Jenifa” to audiences in the 2008 Yoruba-language film “Jenifa,” captivating viewers with her wit and charm.

The character’s popularity skyrocketed with the 2015 launch of “Jenifa’s Diary.” Interestingly, the series is a beloved television series that seamlessly blended humour with valuable life lessons.

With “Everybody Loves Jenifa,” Akindele elevates the character to new heights. She delivers a heartwarming and comedic story that resonates deeply with fans.

The film boasts a stellar ensemble cast, featuring Funke Akindele as Jenifa, Folarin “Falz” Falana as Sege.

Also, Jackie Appiah, Nancy Isime, Stan Nze, Bisola Aiyeola, Patience Ozokwor, Chimezie Imo, and Isaac Olayiwola (Layi Wasabi) brought life to the movie.

Check out more movie updates here.

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ENTERTAINMENT

Tems, Ayo Edebiri, Wizkid & More Nominated For The 56th NAACP Image Awards

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56th NAACP Image Awards: Tems, Ayo Edebiri, Wizkid nominated | fab.ng

The 56th NAACP Image Awards have unveiled their nominations. It highlights various exceptional talents. These talents include Nigerian stars Tems, Ayo Edebiri, Burna Boy, and Wizkid, alongside British Nigerian actress Cynthia Erivo.

The awards ceremony, set to take place on February 22nd, will be broadcast live on BET and CBS from the Pasadena Civic Center. It will celebrate “Our Stories, Our Culture, Our Excellence.”

Usher and Burna Boy received a nomination for “Outstanding Duo, Group or Collaboration (Contemporary)”. It was for their captivating song “Coming Home.”

Meanwhile, Wizkid earned a nod in the “Outstanding International Song” category for his soulful track “Piece of My Heart.”  The track features the talented Brent Faiyaz. Joining Wizkid in this category is Tems, recognized for her mesmerizing song “Love Me JeJe.”

Rising star Tyla received a well-deserved nomination for “Outstanding New Artist.” Also, Ayo Edebiri led the pack with an impressive five nominations.

Her nominations include “Outstanding Actress in a Comedy Series,” showcasing her comedic prowess. Edebiri also garnered recognition for her exceptional voiceover work.

In the animated category, Disney+’s captivating series “Iwájú” received a nomination for “Outstanding Animated Series.” Further, this solidified the series in the realm of animated excellence.

See the full list of nominations for the 56th NAACP Image Awards below.

Entertainer of the Year Nominees 

  • Cynthia Erivo
  • Keke Palmer
  • Kendrick Lamar
  • Kevin Hart
  • Shannon Sharpe

Outstanding Social Media Personality of the Year Nominees

  • Kai Cenat
  • Keith Lee
  • RaeShanda Lias
  • Shirley Raines
  • Tony Baker

Motion Pictures Categories 

Outstanding Motion Picture

  • “Bad Boys: Ride or Die” (Sony Pictures)
  • “Bob Marley: One Love” (Paramount Pictures)
  • “The Piano Lesson” (Netflix)
  • “The Six Triple Eight” (Netflix)
  • “Wicked” (Universal Pictures)

Outstanding Actor in a Motion Picture

  • André Holland — “Exhibiting Forgiveness” (Roadside Attractions)
  • Colman Domingo — “Sing Sing” (A24)
  • John David Washington — “The Piano Lesson” (Netflix)
  • Kingsley Ben-Adir — “Bob Marley: One Love” (Paramount Pictures)
  • Martin Lawrence — “Bad Boys: Ride or Die” (Sony Pictures)

Outstanding Actress in a Motion Picture

  • Cynthia Erivo — “Wicked” (Universal Pictures)
  • Kerry Washington — “The Six Triple Eight” (Netflix)
  • Lashana Lynch — “Bob Marley: One Love” (Paramount Pictures)
  • Lupita Nyong’o — “A Quiet Place: Day One” (Paramount Pictures)
  • Regina King — “Shirley” (Netflix)

Outstanding Supporting Actor in a Motion Picture

  • Brian Tyree Henry — “The Fire Inside” (Amazon MGM Studios)
  • Corey Hawkins — “The Piano Lesson” (Netflix)
  • David Alan Grier — “The American Society of Magical Negroes” (Focus Features)
  • Denzel Washington — “Gladiator II” (Paramount Pictures)
  • Samuel L. Jackson — “The Piano Lesson” (Netflix)

Outstanding Supporting Actress in a Motion Picture

  • Aunjanue Ellis-Taylor — “Exhibiting Forgiveness” (Roadside Attractions)
  • Aunjanue Ellis-Taylor — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
  • Danielle Deadwyler — “The Piano Lesson” (Netflix)
  • Ebony Obsidian — “The Six Triple Eight” (Netflix)
  • Lynn Whitfield — “Albany Road” (Faith Filmworks)

Outstanding Independent Motion Picture

  • “Albany Road” (Faith Filmworks)
  • “Exhibiting Forgiveness” (Roadside Attractions)
  • “Rob Peace” (Republic Pictures)
  • “Sing Sing” (A24)
  • “We Grown Now” (Sony Pictures Classics)

Outstanding International Motion Picture

  • “El lugar de la otra” (Netflix)
  • “Emilia Pérez” (Netflix)
  • “Memoir of a Snail” (IFC Films)
  • “The Seed of the Sacred Fig” (NEON)
  • “The Wall Street Boy, Kipkemboi” (ArtMattan Films)

Outstanding Breakthrough Performance in a Motion Picture

  • Brandon Wilson — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
  • Clarence Maclin — “Sing Sing” (A24)
  • Danielle Deadwyler — “The Piano Lesson” (Netflix)
  • Ebony Obsidian — “The Six Triple Eight” (Netflix)
  • Ryan Destiny — “The Fire Inside” (Amazon MGM Studios)

Outstanding Ensemble Cast in a Motion Picture

  • “Bob Marley: One Love” (Paramount Pictures)
  • “The Book of Clarence” (Sony Pictures)
  • “The Piano Lesson” (Netflix)
  • “The Six Triple Eight” (Netflix)
  • “Wicked” (Universal Pictures)

Outstanding Animated Motion Picture

  • “Inside Out 2” (Walt Disney Studios Motion Pictures)
  • “Kung Fu Panda 4” (DreamWorks Animation)
  • “Moana 2” (Walt Disney Studios Motion Pictures)
  • “Piece by Piece” (Focus Features)
  • “The Wild Robot” (DreamWorks Animation)

Outstanding Character Voiceover Performance – Motion Picture

  • Aaron Pierre — “Mufasa: The Lion King” (Walt Disney Studios Motion Pictures)
  • Anika Noni Rose — “Mufasa: The Lion King” (Walt Disney Studios Motion Pictures)
  • Ayo Edebiri — “Inside Out 2” (Walt Disney Studios Motion Pictures)
  • Blue Ivy Carter — “Mufasa: The Lion King” (Walt Disney Studios Motion Pictures)
  • Lupita Nyong’o — “The Wild Robot” (DreamWorks Animation)

Outstanding Short Form (Live Action)

  • “Chocolate with Sprinkles” (AFI)
  • “Definitely Not a Monster”
  • “If They Took Us Back”
  • “My Brother & Me” (MeowBark Films)
  • “Superman Doesn’t Steal”

Outstanding Short Form (Animated)

  • “if(fy)” (OTB/The Hidden Hand Studios)
  • “Nate & John” (Unity Animation Project, LLC)
  • “Peanut Headz: Black History Toonz ‘Jackie Robinson’” (Exhibit Treal Studios)
  • “Self” (Pixar Animation Studios)
  • “Walk in the Light” (419 Studios)

Outstanding Breakthrough Creative (Motion Picture)

  • David Fortune — “Color Book” (Tribeca Studios)
  • Malcolm Washington — “The Piano Lesson” (Netflix)
  • RaMell Ross — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
  • Titus Kaphar — “Exhibiting Forgiveness” (Roadside Attractions)
  • Zoë Kravitz — “Blink Twice” (Amazon MGM Studios)

Outstanding Youth Performance in a Motion Picture

  • Anthony B. Jenkins — “The Deliverance” (Netflix)
  • Blake Cameron James — “We Grown Now” (Sony Pictures Classics)
  • Jeremiah Daniels — “Color Book” (Tribeca Studios)
  • Percy Daggs IV — “Never Let Go” (Lionsgate)
  • Skylar Aleece Smith — “The Piano Lesson” (Netflix)

Outstanding Cinematography in a Motion Picture

  • Andrés Arochi — “Longlegs” (NEON)
  • Jomo Fray — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
  • Justin Derry — “She Taught Love” (Andscape)
  • Lachlan Milne — “Exhibiting Forgiveness” (Roadside Attractions)
  • Rob Hardy — “The Book of Clarence” (Sony Pictures)

Television and Streaming Categories  

Outstanding Comedy Series

  • “Abbott Elementary” (ABC)
  • “How to Die Alone” (Hulu)
  • “Poppa’s House” (CBS)
  • “The Neighborhood” (CBS)
  • “The Upshaws” (Netflix)

Outstanding Actor in a Comedy Series

  • Cedric The Entertainer — “The Neighborhood” (CBS)
  • Damon Wayans — “Poppa’s House” (CBS)
  • David Alan Grier — “St. Denis Medical” (NBC)
  • Delroy Lindo — “UnPrisoned” (Hulu)
  • Mike Epps — “The Upshaws” (Netflix)

Outstanding Actress in a Comedy Series

  • Ayo Edebiri — “The Bear” (FX/Hulu)
  • Kerry Washington — “UnPrisoned” (Hulu)
  • Natasha Rothwell — “How to Die Alone” (Hulu)
  • Quinta Brunson — “Abbott Elementary” (ABC)
  • Tichina Arnold — “The Neighborhood” (CBS)

Outstanding Supporting Actor in a Comedy Series

  • Damon Wayans Jr. — “Poppa’s House” (CBS)
  • Giancarlo Esposito — “The Gentlemen” (Netflix)
  • Kenan Thompson — “Saturday Night Live” (NBC)
  • Tyler James Williams — “Abbott Elementary” (ABC)
  • William Stanford Davis — “Abbott Elementary” (ABC)

Outstanding Supporting Actress in a Comedy Series

  • Danielle Pinnock — “Ghosts” (CBS)
  • Ego Nwodim — “Saturday Night Live” (NBC)
  • Janelle James — “Abbott Elementary” (ABC)
  • Sheryl Lee Ralph — “Abbott Elementary” (ABC)
  • Wanda Sykes — “The Upshaws” (Netflix)

Outstanding Drama Series

  • “9-1-1” (ABC)
  • “Bel-Air” (Peacock)
  • “Cross” (Amazon Prime Video)
  • “Found” (NBC)
  • “Reasonable Doubt” (Hulu)

Outstanding Actor in a Drama Series

  • Aldis Hodge — “Cross” (Amazon Prime Video)
  • Donald Glover — “Mr. & Mrs. Smith” (Amazon Prime Video)
  • Harold Perrineau — “From” (MGM+)
  • Jabari Banks — “Bel-Air” (Peacock)
  • Michael Rainey Jr. — “Power Book II: Ghost” (Starz)

Outstanding Actress in a Drama Series

  • Angela Bassett — “9-1-1” (ABC)
  • Emayatzy Corinealdi — “Reasonable Doubt” (Hulu)
  • Queen Latifah — “The Equalizer” (CBS)
  • Shanola Hampton — “Found” (NBC)
  • Zoe Saldaña — “Lioness” (Paramount+)

Outstanding Supporting Actor in a Drama Series

  • Adrian Holmes — “Bel-Air” (Netflix)
  • Cliff “Method Man” Smith — “Power Book II: Ghost” (Starz)
  • Isaiah Mustafa — “Cross” (Amazon Prime Video)
  • Jacob Latimore — “The Chi” (Paramount+)
  • Morris Chestnut — “Reasonable Doubt” (Hulu)

Outstanding Supporting Actress in a Drama Series

  • Adjoa Andoh — “Bridgerton” (Netflix)
  • Coco Jones — “Bel-Air” (Peacock)
  • Golda Rosheuvel — “Bridgerton” (Netflix)
  • Lorraine Toussaint — “The Equalizer” (CBS)
  • Lynn Whitfield — “The Chi” (Paramount+)

Outstanding Limited Television (Series, Special or Movie)

  • “Fight Night: The Million Dollar Heist” (Peacock)
  • “Genius: MLK/X” (National Geographic)
  • “Griselda” (Netflix)
  • “Rebel Ridge” (Netflix)
  • “The Madness” (Netflix)

Outstanding Actor in a Limited Television (Series, Special or Movie)

  • Aaron Pierre — “Rebel Ridge” (Netflix)
  • Colman Domingo — “The Madness” (Netflix)
  • Kelvin Harrison Jr. — “Genius: MLK/X” (National Geographic)
  • Kevin Hart — “Fight Night: The Million Dollar Heist” (Peacock)
  • Laurence Fishburne — “Clipped” (FX/Hulu)

Outstanding Actress in a Limited Television (Series, Special or Movie)

  • Aunjanue Ellis-Taylor — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)
  • Naturi Naughton — “Abducted at an HBCU: A Black Girl Missing Movie” (Lifetime)
  • Sanaa Lathan — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)
  • Sofía Vergara — “Griselda” (Netflix)
  • Uzo Aduba — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)

Outstanding Supporting Actor in a Limited Television (Series, Special or Movie)

  • Don Cheadle — “Fight Night: The Million Dollar Heist” (Peacock)
  • Luke James — “Them: The Scare” (Amazon Prime Video)
  • Ron Cephas Jones — “Genius: MLK/X” (National Geographic)
  • Samuel L. Jackson — “Fight Night: The Million Dollar Heist” (Peacock)
  • Terrence Howard — “Fight Night: The Million Dollar Heist” (Peacock)

Outstanding Supporting Actress in a Limited Television (Series, Special or Movie)

  • Brandy Norwood — “Descendants: The Rise of Red” (Disney+)
  • Jayme Lawson — “Genius: MLK/X” (National Geographic)
  • Loretta Devine — “Terry McMillan Presents: Tempted By Love” (Lifetime)
  • Sanaa Lathan — “Young. Wild. Free.” (BET+)
  • Taraji P. Henson — “Fight Night: The Million Dollar Heist” (Peacock)

Outstanding News/Information (Series or Special)

  • “Black Men’s Summit” (BET Media Group)
  • “Finding Your Roots with Henry Louis Gates, Jr.” (PBS)
  • “Laura Coates Live” (CNN)
  • “NewsNight with Abby Phillip” (CNN)
  • “The ReidOut” (MSNBC)

Outstanding Talk Series

  • “Hart to Heart” (Peacock)
  • “Sherri” (Syndicated)
  • “Tamron Hall Show” (Syndicated)
  • “The Jennifer Hudson Show” (Syndicated)
  • “The Shop” Season 7 (YouTube)

Outstanding Reality Program, Reality Competition or Game Show (Series)

  • “Celebrity Family Feud” (ABC)
  • “Password” (NBC)
  • “Rhythm + Flow” (Netflix)
  • “The Real Housewives of Potomac” (Bravo)
  • “Tia Mowry: My Next Act” (WeTV)

Outstanding Variety Show (Series or Special)

  • “BET Awards 2024” (BET Media Group)
  • “Deon Cole: Ok, Mister” (Netflix)
  • “Jamie Foxx: What Had Happened Was…” (Netflix)
  • “Katt Williams: Woke Foke” (Netflix)
  • “Saturday Night Live” (NBC)

Outstanding Children’s Program

  • “Craig of the Creek” (Cartoon Network)
  • “Descendants: The Rise of Red” (Disney+)
  • “Gracie’s Corner” (YouTube TV)
  • “Sesame Street” (Max)
  • “Snoopy Presents: Welcome Home, Franklin” (Apple TV+)

Outstanding Performance by a Youth (Series, Special, Television Movie or Limited Series)

  • Caleb Elijah — “Cross” (Amazon Prime Video)
  • Graceyn Hollingsworth — “Gracie’s Corner” (YouTube TV)
  • Leah Sava Jeffries — “Percy Jackson and the Olympians” (Disney+)
  • Melody Hurd — “Cross” (Amazon Prime Video)
  • TJ Mixson — “The Madness” (Netflix)

Outstanding Host in a Talk or News/Information (Series or Special) – Individual or Ensemble

  • Abby Phillip — “NewsNight with Abby Phillip” (CNN)
  • Henry Louis Gates Jr. — “Finding Your Roots with Henry Louis Gates, Jr.” (PBS)
  • Jennifer Hudson — “The Jennifer Hudson” (Syndicated)
  • Joy Reid — “The Reidout” (MSNBC)
  • Sherri Shepherd — “Sherri” (Syndicated)

Outstanding Host in a Reality/Reality Competition, Game Show or Variety (Series or Special) –
Individual or Ensemble

  • Alfonso Ribeiro — “Dancing with the Stars” (ABC)
  • Keke Palmer — “Password” (NBC)
  • Nick Cannon — “The Masked Singer” (FOX)
  • Steve Harvey — “Celebrity Family Feud” (ABC)
  • Taraji P. Henson — “BET Awards 2024” (BET Media Group)

Outstanding Guest Performance

  • Ayo Edebiri — “Saturday Night Live” (NBC)
  • Cree Summer — “Abbott Elementary” (ABC)
  • Keegan-Michael Key — “Abbott Elementary” (ABC)
  • Marlon Wayans — “Bel-Air” (Peacock)
  • Maya Rudolph — “Saturday Night Live” (NBC)

Outstanding Animated Series

  • “Disney Jr.’s Ariel” (Disney Jr.)
  • “Everybody Still Hates Chris” (Comedy Central)
  • “Gracie’s Corner” (YouTube TV)
  • “Iwájú” (Disney+)
  • “Marvel’s Moon Girl and Devil Dinosaur” (Disney Channel)

Outstanding Character Voiceover Performance (Television)

  • Angela Bassett — “Orion and the Dark” (Netflix)
  • Cree Summer — “Rugrats” (Nickelodeon)
  • Cree Summer — “The Legend of Vox Machina” (Amazon Prime Video)
  • Dawnn Lewis — “Star Trek: Lower Decks” (Paramount+)
  • Keke Palmer — “The Second Best Hospital in the Galaxy” (Amazon Prime Video)

Outstanding Short Form Series or Special – Reality/Nonfiction/Documentary

  • “In the Margins” (PBS)
  • NCAA Basketball on CBS Sports (CBS)
  • “Roots of Resistance” (PBS)
  • “SC Featured” (ESPN)
  • “The Prince of Death Row Records “(YouTube TV)

Outstanding Breakthrough Creative (Television)

  • Ayo Edebiri — “The Bear” (FX/Hulu)
  • Diarra Kilpatrick — “Diarra From Detroit” (BET+)
  • Maurice Williams — “The Madness” (Netflix)
  • Thembi L. Banks — “Young. Wild. Free.” (BET+)
  • Vince Staples — “The Vince Staples Show” (Netflix)

Recording Categories

Outstanding New Artist

  • Doechii (Capitol Records/Top Dawg Entertainment)
  • Myles Smith (RCA Records/Sony Music Entertainment)
  • Samoht (Affective Music)
  • Shaboozey (American Dogwood/Empire)
  • Tyla (Epic Records)

Outstanding Male Artist

  • Chris Brown (RCA Records/Chris Brown Entertainment)
  • J. Cole (Dreamville/Interscope Records)
  • Kendrick Lamar (pgLang, under exclusive license to Interscope Records)
  • October London (Death Row Records/gamma.)
  • Usher (mega/gamma.)

Outstanding Female Artist

  • Beyoncé (Columbia Records/Parkwood Entertainment LLC)
  • Coco Jones (Def Jam Recordings)
  • Doechii (Capitol Records/Top Dawg Entertainment)
  • GloRilla (Collective Music Group/Interscope Records)
  • H.E.R. (RCA Records)

Outstanding Gospel/Christian Album

  • “Heart of a Human” — DOE (Life Room Label/RCA Inspiration)
  • “Live Breathe Fight” — Tamela Mann (Tillymann Music Group)
  • “Still Karen” — Karen Clark Sheard (Karew Records/Motown Gospel)
  • “Sunny Days” — Yolanda Adams (Epic Records)
  • “The Maverick Way Reimagined” — Maverick City Music (Tribl Records)

Outstanding International Song

  • “Close” — Skip Marley (Def Jam Recordings)
  • “Hmmm” — Chris Brown feat. Davido (RCA Records/Chris Brown Entertainment)
  • “Jump” — Tyla (Epic Records)
  • “Love Me JeJe” — Tems (RCA Records/Since ‘93)
  • “Piece of My Heart” — Wizkid feat. Brent Faiyaz (RCA Records/Sony Music International/Starboy Entertainment)

Outstanding Music Video/Visual Album

  • “Alright” — Victoria Monét (RCA Records/Lovett Music)
  • “Alter Ego (ALTERnate Version)” — Doechii, JT (Capitol Records/Top Dawg Entertainment)
  • “Boy Bye” — Chlöe (Columbia Records/Parkwood Entertainment LLC)
  • “Not Like Us” — Kendrick Lamar (pgLang, under exclusive license to Interscope Records)
  • “Yeah Glo!” — GloRilla (Collective Music Group/Interscope Records)

Outstanding Album

  • “Alligator Bites Never Heal” — Doechii (Epic Records)
  • “Cape Town to Cairo” — PJ Morton (Morton Records/EMPIRE)
  • “Coming Home” — USHER (mega/gamma.)
  • “Cowboy Carter” — Beyoncé (Columbia Records/Parkwood Entertainment LLC)
  • “Glorious” — GloRilla (Collective Music Group/Interscope Records)

Outstanding Soundtrack/Compilation Album

  • “Bob Marley: One Love (Soundtrack)” (Tuff Gong/Island Records)
  • “Genius: MLK/X (Songs from the Original Series)” (Hollywood Records)
  • “Reasonable Doubt (Season 2) (Original Soundtrack)” (Hollywood Records)
  • “The Book of Clarence (The Motion Picture Soundtrack)” (Geneva Club under exclusive license to Roc Nation Records, LLC)
  • “Wicked: The Soundtrack” (Republic Records)

Outstanding Gospel/Christian Song

  • “Church Doors” — Yolanda Adams (Epic Records)
  • “Do It Anyway” — Tasha Cobbs (TeeLee Records/Motown Gospel)
  • “God Problems (Not By Power)” — (Tribl Records)
  • “I Prayed for You (Said a Prayer)” MAJOR. — (NowThatsMAJOR/MNRK Music Group)
  • “Working for Me” — Tamela Mann (Tillymann Music Group)

Outstanding Jazz Album

  • “Creole Orchestra” — Etienne Charles (Culture Shock Music)
  • “Epic Cool” — Kirk Whalum (Artistry Music)
  • “Javon & Nikki Go to the Movies” — Javon Jackson and Nikki Giovanni (Solid Jackson Records)
  • “On Their Shoulders: An Organ Tribute” — Matthew Whitaker (MOCAT Records)
  • “Portrait” — Samara Joy (Verve Records)

Outstanding Soul/R&B Song

  • “16 CARRIAGES” — Beyoncé (Columbia Records/Parkwood Entertainment LLC)
  • “Here We Go (Uh Oh)” — Coco Jones (Def Jam Recordings)
  • “I Found You” — PJ Morton (Morton Records/EMPIRE)
  • “Residuals” — Chris Brown (RCA Records/Chris Brown Entertainment)
  • “Saturn” — SZA (RCA Records/Top Dawg Entertainment)

Outstanding Hip Hop/Rap Song

  • “Mamushi” — Megan Thee Stallion feat. Yuki Chiba (Hot Girl Productions LLC/Warner Music Group)
  • “Murdergram Deux” — LL Cool J feat. Eminem (Def Jam Recordings)
  • “Noid” — Tyler, the Creator (Columbia Records)
  • “Not Like Us” — Kendrick Lamar (pgLang, under exclusive license to Interscope Records)
  • “Yeah Glo!” — GloRilla (Collective Music Group/Interscope Records)

Outstanding Duo, Group or Collaboration (Traditional)

  • Adam Blackstone & Fantasia — “Summertime” (BASSic Black Entertainment Records/Anderson Music Group/EMPIRE)
  • Leela James feat. Kenyon Dixon — “Watcha Done Now” (Shesangz Music, Inc. under exclusive license to BMG Rights Management (US) LLC)
  • Maverick City Music feat. Miles Minnick — “God Problems (Not By Power)” (Tribl Records)
  • Muni Long & Mariah Carey — “Made for Me” (Supergiant Records/Def Jam Recordings)
  • Sounds of Blackness feat. Jamecia Bennett & Buddy McLain — “Thankful” (McLain Music, LLC)
Outstanding Duo, Group or Collaboration (Contemporary)
  • Flo & GloRilla — “In My Bag” (Island Records)
  • GloRilla feat. Kirk Franklin, Maverick City Music, Kierra Sheard, Chandler Moore — “RAIN DOWN
  • ON ME” (Collective Music Group/Interscope Records)
  • Usher & Burna Boy — “Coming Home” (mega/gamma.)
  • Victoria Monét feat. Usher — “SOS” (Sex on Sight) (RCA Records/Lovett Music)
  • Wizkid feat. Brent Faiyaz — “Piece of My Heart” (RCA Records/Lovett Music)

Outstanding Original Score for Television/Motion Picture

  • “Challengers (Original Score)” (Milan Records)
  • “Dune: Part Two (Original Motion Picture Soundtrack)” (WaterTower Music)
  • “Star Wars: The Acolyte (Original Soundtrack)” (Walt Disney Records)
  • “The American Society of Magical Negroes (Original Motion Picture Soundtrack)” (Back Lot Music)
  • “The Book of Clarence (Original Motion Picture Score)” (Milan Records)

Documentary Categories  

Outstanding Documentary (Film)

  • “Daughters” (Netflix)
  • “Frida” (Amazon MGM Studios)
  • “King of Kings: Chasing Edward Jones” (Freestyle Digital Media)
  • “Luther: Never Too Much” (Sony Music Entertainment/Sony Music Publishing/CNN Films)
  • “The Greatest Night in Pop” (Netflix)

Outstanding Documentary (Television)

  • “Black Barbie: A Documentary” (Netflix)
  • “Black Twitter: A People’s History” (Hulu)
  • “Gospel” (PBS)
  • “Simone Biles Rising” (Netflix)
  • “Sprint” (Netflix)

Outstanding Short Form Documentary (Film)

  • “Camille A. Brown: Giant Steps” (American Masters and Firelight Media)
  • “Danielle Scott: Ancestral Call” (American Masters and Firelight Media)
  • “How to Sue the Klan”
  • “Judging Juries”
  • “Silent Killer” (Kaila Love Jones Films)

Writing Categories  

Outstanding Writing in a Comedy Series

  • Ashley Nicole Black — “Shrinking” – “Changing Patterns” (Apple TV+)
  • Brittani Nichols — “Abbott Elementary” – “Breakup” (ABC)
  • Crystal Jenkins — “No Good Deed” – “Letters of Intent” (Netflix)
  • Diarra Kilpatrick — “Diarra From Detroit” – “Chasing Ghosts” (BET+)
  • Jordan Temple — “Abbott Elementary” – “Smoking” (ABC)

Outstanding Writing in a Drama Series

  • Azia Squire — “Bridgerton” – “Tick Tock” (Netflix)
  • Ben Watkins — “Cross” – “Hero Complex” (Amazon Prime Video)
  • Francesca Sloane, Donald Glover — “Mr. & Mrs. Smith” – “First Date” (Amazon Prime Video)
  • Geetika Lizardi — “Bridgerton” – “Joining of Hands” (Netflix)
  • Lauren Gamble — “Bridgerton” – “Old Friends” (Netflix)
Outstanding Writing in a Television Movie or Special
  • Brandon Espy, Carl Reid — “Mr. Crocket” (Hulu)
  • Bree West, Chazitear — “A Wesley South African Christmas” (BET+)
  • Juel Taylor, Tony Rettenmaier, Thembi L. Banks — “Young. Wild. Free.” (BET+)
  • Rudy Mancuso, Dan Lagana — “Música” (Amazon Prime Video)
  • Tina Mabry, Gina Prince-Bythewood, Cee Marcellus — “The Supremes at Earl’s All-You-Can-Eat” (Hulu/Searchlight Pictures)

Outstanding Writing in a Motion Picture

  • Barry Jenkins — “The Fire Inside” (Amazon MGM Studios)
  • RaMell Ross, Joslyn Barnes — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
  • Steve McQueen — “Blitz” (Apple Original Films)
  • Titus Kaphar — “Exhibiting Forgiveness” (Roadside Attractions)
  • Virgil Williams, Malcolm Washington — “The Piano Lesson” (Netflix)

Directing Categories  

Outstanding Directing in a Comedy Series

  • Ayo Edebiri — “The Bear” – “Napkins” (FX/Hulu)
  • Bentley Kyle Evans — “Mind Your Business” – “The Reunion” (Bounce TV)
  • Robbie Countryman — “The Upshaws” – “Ain’t Broke” (Netflix)
  • Tiffany Johnson — “How to Die Alone” – “Trust No One” (Hulu)
  • William Smith — “The Vince Staples Show” – “Brown Family” (Netflix)

Outstanding Directing in a Drama Series

  • Carl Franklin — “Monsters: The Lyle and Erik Menendez Story” – “Blame It on the Rain” (Netflix)
  • Marta Cunningham — “Genius: MLK/X” – “Protect Us” (National Geographic)
  • Marta Cunningham — “Genius: MLK/X” – “Who We Are” (National Geographic)
  • Paris Barclay — “Monsters: The Lyle and Erik Menendez Story” – “Brother, Can You Spare a Dime?” (Netflix)
  • Rapman — “Supacell” – “Supacell” (Netflix)

Outstanding Directing in a Television Movie, Documentary, or Special

  • Kelley Kali — “Kemba” (BET+)
  • Marcelo Gama — “BET Awards 2024” (BET Media Group)
  • Shanta Fripp — “Black Men’s Summit” (BET Media Group)
  • Thembi L. Banks — “Young. Wild. Free” (BET+)
  • Tina Mabry — “The Supremes at Earl’s All-You-Can Eat” (Hulu/Searchlight Pictures)

Outstanding Directing in a Motion Picture

  • Jeymes Samuel — “The Book of Clarence” (Sony Pictures)
  • Malcolm Washington — “The Piano Lesson” (Netflix)
  • RaMell Ross — “Nickel Boys” (Orion Pictures/Amazon MGM Studios)
  • Reinaldo Marcus Green — “Bob Marley: One Love” (Paramount Pictures)
  • Steve McQueen — “Blitz” (Apple Original Films)

Outstanding Directing in a Documentary (Television or Motion Picture)

  • Bao Nguyen — “The Greatest Night in Pop” (Netflix)
  • Dawn Porter — “Luther: Never Too Much” (Sony Music Entertainment/Sony Music Publishing/CNN Films)
  • Deborah Riley Draper — “James Brown: Say It Loud” (A&E)
  • Jason Pollard, Sam Pollard — “Ol’ Dirty Bastard: A Tale of Two Dirtys” (A&E)
  • Nneka Onuorah — “Megan Thee Stallion: In Her Words” (Amazon Prime Video)

Literary Categories  

Outstanding Literary Work – Fiction

  • “A Love Song for Ricki Wilde” — Tia Williams (Grand Central Publishing – Hachette Book Group)
  • “Grown Woman” — Sarai Johnson (Harper – HarperCollins Publishers)
  • “Neighbors and Other Stories” — Diane Oliver, Tayari Jones (Foreword) (Grove Atlantic)
  • “One of Us Knows: A Thriller” — Alyssa Cole (William Morrow – HarperCollins Publishers)
  • “What You Leave Behind” — Wanda M. Morris (William Morrow – HarperCollins Publishers)

Outstanding Literary Work – Nonfiction

  • “A Passionate Mind in Relentless Pursuit: The Vision of Mary McLeod Bethune” — Noliwe Rooks (Penguin Press – Penguin Books)
  • “Love & Whiskey: The Remarkable True Story of Jack Daniel, His Master Distiller Nearest Green, and the Improbable Rise of Uncle Nearest” — Fawn Weaver (Melcher Media Inc.)
  • “Picturing Black History: Photographs and Stories that Changed the World” — Daniela Edmeier,
    Damarius Johnson, Nicholas B. Breyfogle and Steven Conn (Abrams Books – Harry N. Abrams)
  • “The 1619 Project: A Visual Experience” — Nikole Hannah-Jones and The New York Times Magazine (Clarkson Potter – Crown Publishing Group)
  • “The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America” — Larry Tye (Mariner Books – HarperCollins Publishers)

Outstanding Literary Work – Debut Author

  • “A Kind of Madness” — Uche Okonkwo (Tin House Books)
  • “AfroCentric Style: A Celebration of Blackness & Identity in Pop Culture” — Shirley Neal (HarperCollins Amistad)
  • “Grown Woman” — Sarai Johnson (Harper – HarperCollins Publishers)
  • “Masquerade” — O.O. Sangoyomi (Forge Books – Tor Publishing Group)
  • “Swift River” — Essie Chambers (Simon & Schuster)

Outstanding Literary Work – Biography/Autobiography

  • “Bits and Pieces: My Mother, My Brother, and Me” — Whoopi Goldberg (Blackstone Publishing)
  • “By the Time You Read This: The Space Between Cheslie’s Smile and Mental Illness” ― Her
    Story in Her Own Words — Cheslie Kryst and April Simpkins (Forefront Books)
  • “Do It Anyway: Don’t Give Up Before It Gets Good” — Tasha Cobbs Leonard, Sarah Jakes Roberts (Foreword) (WaterBrook – Penguin Random House)
  • “Lovely One: A Memoir” — Ketanji Brown Jackson (Random House)
  • “Medgar and Myrlie: Medgar Evers and the Love Story That Awakened America” — JoyAnn Reid (Mariner Books – HarperCollins Publishers)

Outstanding Literary Work – Instructional

  • “Black Joy Playbook: 30 Days of Intentionally Reclaiming Your Delight” — Tracey Michae’l Lewis-Giggets (Ink & Willow – Penguin Random House)
  • “I Did a New Thing: 30 Days to Living Free (A Feeding the Soul Book)” — Tabitha Brown (William Morrow – HarperCollins Publishers)
  • “Loving Your Black Neighbor as Yourself: A Guide to Closing the Space Between Us” — Chanté Griffin (WaterBrook – Penguin Random House)
  • “Radical Self-Care: Rituals for Inner Resilience” — Rebecca Moore (Author), Amberlee Green (Illustrator) (The Quarto Group/Leaping Hare Press)
  • “Wash Day: Passing on the Legacy, Rituals, and Love of Natural Hair” — Tomesha Faxio (Clarkson Potter – Crown Publishing Group)

Outstanding Literary Work – Poetry

  • “Bluff: Poems” — Danez Smith (Graywolf Press)
  • “Good Dress” — Brittany Rogers (Tin House Books)
  • “Load in Nine Times: Poems” — Frank X Walker (Liveright Publishing – W.W. Norton & Company)
  • “Song of My Softening” — Omotara James (Alice James Books)
  • “This Is the Honey: An Anthology of Contemporary Black Poets” — Kwame Alexander (Little, Brown and Company)

Outstanding Literary Work – Children

  • “All I Need to Be” — Rachel Ricketts (Author), Tiffany Rose (Illustrator) with Luana Horry (Simon & Schuster Books for Young Readers)
  • “Cicely Tyson” — Renée Watson (Author), Sherry Shine (Illustrator) (Amistad Books for Young Readers)
  • “Crowning Glory: A Celebration of Black Hair” — Carole Boston Weatherford (Author), Ekua Holmes (Illustrator) (Candlewick Press)
  • “My Hair Is a Book” — Maisha Oso (Author), London Ladd (Illustrator) (HarperCollins Publishers)
  • “You Can Be a Good Friend (No Matter What!): A Lil TJ Book” — Taraji P. Henson (Author), Paul Kellam (Illustrator) (Zonderkidz – HarperCollins)

Outstanding Literary Work – Youth/Teens

  • “American Wings: Chicago’s Pioneering Black Aviators and the Race for Equality in the Sky” —
    Sherri L. Smith and Elizabeth Wein (G.P. Putnam’s Sons Books for Young Readers)
  • “Barracoon Adapted for Young Readers The Story of the Last Black Cargo” — Zora Neale Hurston, Ibram X. Kendi (Adapted by), Jazzmen Lee-Johnson (Illustrator) (Amistad Books for Young Readers)
  • “Black Star: The Door of No Return” — Kwame Alexander (Little, Brown Books for Young Readers)
  • “Brushed Between Cultures: A YA Coming of Age Novel Set in Brooklyn, New York” — Samarra St. Hilaire (Samarra St. Hilaire)
  • “Clutch Time: A Shot Clock Novel (Shot Clock, 2)” — Caron Butler and Justin A. Reynolds (HarperCollins Publishers)

Outstanding Graphic Novel

  • “Big Jim and the White Boy: An American Classic Reimagined” — David F. Walker and Marcus Kwame Anderson (Ten Speed Graphic – Penguin Random House)
  • “Black Defender: The Awakening” — Dr. David Washington, Mr. Zhengis Tasbolatov (Illustrator), Mr. Billy Blanks (Foreword) (Washington Comix)
  • “Gamerville” — Johnnie Christmas (HarperAlley – HarperCollins Publishers)
  • “Ghost Roast” — Shawneé Gibbs, Shawnelle Gibbs, Emily Cannon (Illustrator) (Versify – HarperCollins Publishers)
  • “Punk Rock Karaoke” — Bianca Xunise (Viking Books for Young Readers)

Podcast Categories  

Outstanding News and Information Podcast

  • “SundayCivics” (LJW Community Strategies)
  • “After the Uprising” (iHeartPodcasts, Double Asterisk)
  • “Into America: Uncounted Millions” (MSNBC)
  • “Native Land Pod” (iHeartPodcasts, Reasoned Choice Media)
  • “The Assignment with Audie Cornish” (CNN Audio)

Outstanding Lifestyle/Self–Help Podcast

  • “Balanced Black Girl” (Dear Media)
  • “Is This Going to Cause An Argument” (Seven14Seven Media)
  • “The R Spot with Iyanla” (Shondaland)
  • “Therapy for Black Girls” (iHeartPodcasts)
  • “We Don’t Always Agree with Ryan & Sterling” (ABF Creative & Indian Meadows Productions)

Outstanding Society and Culture Podcast

  • “Baby, This is Keke Palmer” (Wondery)
  • “Club Shay Shay” (Shay Shay Media & The Volume)
  • “Higher Learning with Van Lathan and Rachel Lindsay” (The Ringer)
  • “We Don’t Always Agree with Ryan & Sterling” (ABF Creative & Indian Meadows Productions)
  • “What Now? with Trevor Noah” (Spotify Studios in partnership with Day Zero Productions and Fulwell 73)

Outstanding Sports, Arts and Entertainment Podcast

  • “Naked Sports with Cari Champion” (The Black Effect Podcast Network)
  • “Nightcap” (Shay Shay Media & The Volume)
  • “Questlove Supreme” (iHeartPodcasts)
  • “R&B Money Podcast” (R&B Money)
  • “Two Funny Mamas” (Mocha Podcasts Network)

Outstanding Podcast – Limited Series/Short Form

  • “About the Journey” (Marriott Bonvoy, AT WILL MEDIA & mntra)
  • “Squeezed with Yvette Nicole Brown” (Lemonda Media)
  • “Stranded” (Broadway Video)
  • “The Wonder of Stevie” (Audible, Higher Ground and Pineapple Street Studios)
  • “When We Win with Maya Rupert” (Lemonada Media)

Costume Design, Make-Up and Hairstyling Categories  

Outstanding Costume Design (Television or Film)

  • Ernesto Martinez — “Fight Night: The Million Dollar Heist” (Peacock)
  • Megan Coates — “Shirley” (Netflix)
  • Gersha Phillips — “The Big Cigar” (Apple TV+)
  • Francine Jamison-Tanchuck — “The Piano Lesson” (Netflix)
  • Paul Tazewell — “Wicked” (Universal Pictures)

Outstanding Make-up (Television or Film)

  • Carol Rasheed — “Fight Night: The Million Dollar Heist” (Peacock)
  • Debi Young — “Shirley” (Netflix)
  • Rebecca Lee — “Shōgun” (Netflix)
  • Matiki Anoff — “The Book of Clarence” (Sony Pictures)
  • Para Malden — “The Piano Lesson” (Netflix)

Outstanding Hairstyling (Television or Film)

  • Terry Hunt — “Bel-Air” (Peacock)
  • Lawrence Davis — “Fight Night: The Million Dollar Heist” (Peacock)
  • Nakoya Yancey — “Shirley” (Netflix)
  • Brian Badie — “The Penguin” (HBO/Max)
  • Andrea Mona Bowman — “The Piano Lesson” (Netflix)

Stunt Category  

Outstanding Stunt Ensemble (TV or Film)

  • “Cross” (Amazon Prime Video)
  • “Grotesquerie” (FX/Hulu)
  • “Rebel Ridge” (Netflix)
  • “Red One” (Amazon MGM Studios)
  • “Them: The Scare” (Amazon Prime Video)

Check out more updates here.

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