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Buhari to Allocate Oil Blocs to South-South Indigenes – Kachikwu

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The Minister of Petroleum Resources, Ibe Kachikwu,  says President Muhammadu Buhari has not allocated a single oil bloc since he came into office, but when he eventually starts, south-south indigenes will have their share.

Minister of Petroleum Resources - Ibe Kachikwu

Minister of Petroleum Resources – Ibe Kachikwu

Kachikwu said this in response to a question asked at a town hall meeting organised by the Ministry of Information and Culture in Uyo, capital of Akwa-Ibom state. Someone  had asked the minister why oil bloc allocations favoured the north rather than the south-south, where most oil blocs are located and Kachikwu responded saying this was not the doing of President Buhari, emphasising that the president would follow due process in allocation of oil blocs when the time comes.

Regarding the establishment and maintenance of the Maritime University in Akwa-Ibom, Kachikwu says-

“I disagree with the Minister of Transport. Any facility in the south-south, we should work towards developing it. I don’t care the circumstance. It is not my business whether land was valued at 19 or 10 million,” he said responding to Amaechi’s claim that land for the university was valued at N13 billion.

“That has nothing to do with development of infrastructure. As far as I know, so much has already gone into that, so much fiscal asset has been developed. We are not going to throw away the baby and the bath water.

“We’ll deal with the issues but the university will be developed. If he (Amaechi) doesn’t want it in Maritime, I will take it in Petroleum.”

On the Avengers Kachikwu said:

“On the issue of negotiations, again I disagree with him. There’s no theatre in the world where conflicts are being resolved through battle. It doesn’t matter who’s right, who’s wrong.

“I have so many objectives; present production, generate the revenue, because if we don’t, all the things we are talking about here is just a joke.

“I will explore, and this is not weakness; the military strength of this country is not in doubt, and I think if anybody doubts that, just see what has happened to Boko Haram. We will first discuss, we will first negotiate, if it doesn’t work, we would know what to do.”

Kachikwu also goes on to say-

“In terms of the allocation of oil blocs to south-south indigene, since we came into position, the government has not allocated any bloc of petroleum. The president has not put any emphasis on that at all.

“He said we need to correct the mess before we begin to give advantage. Let me set something very clearly here; just like Udoma, I didn’t know the president before I got appointed here, never met him before, never spoke to him before.

“Recommendations and reputation brought me here. I haven’t been in government before, so I don’t know how it works, but since the day that I resumed, this president has never called me to give me the name of anybody, any Nigerian, north, south, east or west and say to me ‘you need to do some favour.’

“On the contrary, his emphasis is that there should be no favours. Make the right decisions and be able to defend it. On the issue of oil blocs, when the time comes, it will follow very due process.

“I’m one of those who believe there’s a need to see how the south-south and corridors would benefit, because that is part of giving back. I am sure that at the appropriate time those presented to him, he will listen to it.

“He will listen to it subject to the fact that those who have skills and the finances to develop the field will be allowed to develop the fields.”

MUSIC

Social Media Reacts As Wizkid’s “Dance” Disappears From Apple Music Top 100

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'Kese (Dance)' disappears from Apple Music Top 100 | fab.ng

On November 18, 2024, fans woke up to the shocking news that Wizkid’s latest single, “Kese (Dance)”, had suddenly vanished from the Apple Music Nigeria Top 100.

Just days ago, the song had been proudly sitting at the number one spot. This abrupt drop sparked widespread speculation, with many fans and industry insiders suspecting that Apple Music had penalized the track for streaming manipulation.

Such drastic deductions often indicate stream deductions or “chart-drinking,” which are common penalties that Apple Music enforces against artificial streaming boosts.

Adding fuel to the controversy is Wizkid’s “Kese (Dance)”, released on November 15, 2024, as the second lead track from his forthcoming album “Morayo”.

Within hours of its release, “Kese” soared to the top of the Apple Music Nigeria Top 100, demonstrating Wizkid’s enduring popularity and dominance on the charts.

However, the unexpected removal of the song from the charts sent shockwaves through social media, leaving fans divided. Some believe Apple Music may have acted to curb stream farming, while others argue it might simply be a technical glitch.

Historically, Apple Music has taken stringent measures to crack down on streaming manipulation, especially against high-profile artists.

This latest move, if confirmed as a penalty, would be one of their strongest actions yet against stream farming. However, the possibility of a glitch cannot be entirely dismissed, as similar occurrences have happened before.

Fans now eagerly watch to see if “Kese (Dance)” will rebound to its previous chart-topping position. A quick recovery would lend credence to the glitch theory.

Meanwhile, a continued absence would suggest that Apple Music has indeed taken a firm stance against streaming irregularities—even against a major act like Wizkid. For now, all eyes remain on the charts to see how this drama unfolds.

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ENTERTAINMENT

AFRIFF 2024: Check Out The Complete List Of Winners

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2024 AFRIFF: The Complete List Of Winners | fab.ng

The 2024 AFRIFF celebrated exceptional African cinema through a vibrant week-long showcase of talent, creativity, and storytelling excellence.

Filmmakers, actors, and cinema enthusiasts gathered from across the continent to participate in screenings, masterclasses, and engaging panel discussions at the 2024 AFRIFF.

This 13th edition of AFRIFF demonstrated unprecedented diversity in African storytelling, featuring compelling narratives that captivated audiences through multiple genres and languages.

In the 2024 AFRIFF, carefully curated selections sparked meaningful conversations about contemporary African experiences while highlighting the continent’s rich cultural heritage.

Also, at the 2024 AFRIFF Globe Awards ceremony, outstanding films earned recognition for their artistic merit, technical excellence, and powerful storytelling.

These winning productions represented various African perspectives, from intimate personal narratives to broader social commentaries.

Let’s explore the complete list of winners who made their mark at this prestigious celebration of African cinema.

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MOVIES

Queen Lateefah Earns N333.7 Million, Ascends To Nollywood’s Top Box Office Rankings

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'Queen Lateefah' earns ₦333.7 million | fab.ng

First and foremost, Wumi Toriola’s film ‘Queen Lateefah‘ has achieved remarkable success, surpassing ₦300 million at the box office and securing its position among Nollywood’s top-performing films.

Subsequently, the film joins other blockbuster successes such as ‘Ajosepo’ (₦257.2 million) and ‘Ajakaju’ (₦252.8 million). Moreover, ‘Queen Lateefah’ now stands as the seventh highest-grossing Nollywood movie to date.

Additionally, it holds the distinction of achieving the highest earnings for a non-December release, a period typically known for peak box office performance.

Throughout its theatrical run, the film has consistently broken records. Initially, it garnered ₦57 million in its opening weekend.

Furthermore, within just three weeks of its premiere, the film exceeded the ₦200 million milestone. By mid-October, consequently, the box office receipts had accumulated to ₦216 million.

Queen Lateefah' grosses enters Nollywood's top box office rankings | Pulse  Nigeria

Under the distribution of Cinemax and the direction of Adeoluwa Owu, the film presents a compelling narrative. Specifically, it follows Lateefah Adeleke, a 30-year-old businesswoman who portrays herself as a world traveller with high social status.

However, her encounter with Jide Rhodes, a 35-year-old businessman, eventually exposes her carefully constructed facade.

In contrast to her claims, Lateefah emerges from a background of extreme poverty as the only child of an illiterate mother.

Finally, the film features a stellar ensemble cast including Kunle Remi, Femi Adebayo, Nancy Isime, Bimbo Manuel, Elvina Ibru, Enioluwa, and Gbugbemi Ejeye.

As a result of these combined elements – compelling storyline, strong performances, and strategic release timing – ‘Queen Lateefah’ continues to demonstrate the growing commercial potential of Nollywood productions.

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