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ANIKULAPO Series, Season Two To Be Shot In Ghana

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ANIKULAPO Season Two To Be Shot In Ghana | fab.ng

Kunle Afolayan, a renowned Nigerian filmmaker, has made an exciting announcement at the recent Cannes Film Festival in France. He revealed that a portion of the second season of his popular series, ANIKULAPO, will be filmed in Ghana. This decision aligns with the National Film Authority’s “Shoot in Ghana” campaign, which aims to promote the country as a prime location for film production.

He announced it during the Nigeria International Film and TV Summit (NIFS) in Cannes. Many important figures from the film industry and media were present at this event. Mr. Afolayan, known for his successful Netflix productions, shared this news with the attendees.

Juliet Yaa Asantewa Asante, the CEO of Ghana’s National Film Authority, played a crucial role in facilitating this arrangement. She was present at the summit when Mr. Afolayan made the announcement. Ms. Asante emphasized the significance of this development. She stated that it presents an excellent opportunity to revitalize and strengthen the film relationship between Ghana and Nigeria.

According to Ms. Asante, both countries will benefit greatly from deeper collaboration and exploration of each other’s markets and strengths. She highlighted the potential for mutual growth and exchange of expertise in the film industry.

Mr. Afolayan’s commitment extends beyond just filming in Ghana.

He is also dedicated to education in the film industry. His film school, KAP Academy, has already provided training to over 10,000 students across Nigeria and other parts of Africa. This commitment to education suggests that the ANIKULAPO production in Ghana may also involve opportunities for skill development and knowledge transfer.

The decision to film part of ANIKULAPO season two in Ghana is expected to have positive economic impacts. It will likely create employment opportunities for many Ghanaians. This includes those outside the film industry. This influx of film production activity could boost local businesses and contribute to the economy.

ANIKULAPO, a Netflix original film and television series, has gained significant popularity. The decision to film part of its second season in Ghana could bring increased attention to the country’s film industry and scenic locations.

Ms. Asante is using this opportunity to encourage filmmakers from around the world to consider Ghana as a filming location. The “Shoot in Ghana” campaign, launched two years ago, has already seen several notable successes. These include a widely discussed Super Bowl advertisement, filmed in Ghana. Other projects have not yet been publicly announced.

This collaboration between Nigerian and Ghanaian film industries represents a step forward in pan-African cooperation in the entertainment sector. Indeed, it can open doors for future joint projects and cultural exchanges between the two countries and beyond.

Watch the video below.

 

 

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Check out more updates here.

MOVIES

Omoni Oboli’s “Last Year Single” Debuts On Netflix This September

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"Last Year Single" Debuts On Netflix This September | fab.ng

Nollywood actress and director, Omoni Oboli, has announced that her debut series, “Last Year Single,” produced in 2020, will premiere on Netflix on September 6, 2024.

Omoni Oboli embarked on her acting career with her debut role in “Bitter Encounter” (1996). In 2010, she earned recognition for her performances, winning the Best Actress in a Narrative Feature award at the Los Angeles Movie Awards and Best Actress at the Harlem International Film Festival.

Additionally, she received a nomination for Best Actress in a Leading Role at the 2011 Africa Movie Academy Awards. Oboli has a notable filmography, including “Moms At War” and the upcoming third instalment of the “Wives on Strike” franchise, “The Uprising: Wives on Strike 3,” set to debut next month.

In an official statement, the talented actor-director confirmed that her romantic drama series, “Last Year Single,” will be available on Netflix starting Friday, September 6, 2024.

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MOVIES

Daniel Oriahi’s “The Weekend” Officially Selected For BFI London Film Festival

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"The Weekend" selected for BFI London Film Festival | fab.ng

The British Film Institute (BFI) has officially selected the Nollywood film The Weekend“. Daniel Oriahi directed the film. It is to screen at the prestigious 68th edition of its London Film Festival. The BFI Film Festival in London will occur from October 9th to October 20th, 2024.

The lineup for the festival boasts an impressive 255 titles, including features, shorts, series, and immersive works. They represent a diverse range of 80 countries and feature 64 languages.

Following the successful premiere of his new feature film on August 30th, 2024, Oriahi took to Instagram to share the exciting news of The Weekend‘s selection for the BFI Film Festival. The film garnered a remarkable ₦8 million at the box office.

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ENTERTAINMENT

Juliet Ibrahim On Why She Puts Her Movies On YouTube

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Juliet Ibrahim On Why She Put Her Movies On YouTube | fab.ng

Nollywood actress and producer, Juliet Ibrahim, has explained her decision to release her latest films on YouTube rather than other streaming platforms. She revealed this in a recent interview with TheCable Lifestyle at the Nigeria International Film and TV Summit in Lekki. Juliet revealed that she chose YouTube due to its less demanding requirements.

Unlike platforms like Netflix or Prime, YouTube doesn’t impose strict criteria for equipment, editing, lighting, or crew members. This flexibility allows for a more accessible and inclusive approach to filmmaking.

She said,

“Before you submit to a streaming platform, either Netflix or Prime, you have a list of equipment you must use. There is a criteria for editing, lighting, your crew members, a whole lot of things and that includes a lot of money. That is where I said the funding would now become a problem.”

Speaking further on YouTube’s benefit, Juliet also acknowledged the risk of piracy, saying,

“You see, there is something about being a filmmaker, you make your movie, and you want to own your rights. There is also piracy, so even YouTube is not 100% safe because people still pirate, they would steal your content. However, there is a whole market on YouTube where people make quick and easy money with less stress. Without having to go buy the cinema criteria or streaming platform criteria.”

Juliet Ibrahim also highlighted the importance of reaching diaspora audiences who cannot access cinema content.

“As a filmmaker, you want to have multiple streams of income, and there are people in diaspora who want to watch our content but cannot access our cinema content. Until we can give them good cinema content over there, we can put it on Netflix or YouTube. If Netflix says the content is not good enough for them, we can put it on Showmax or YouTube uploads. A lot of people have different reasons, but most times you have to look at it strategically and also what goes into your pocket,” she added.

Check out more updates here.

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