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Misan Harriman’s “The After” Nominated For 2024 Oscars

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Misan Harriman "The After," Nominated For 2024 Oscars | Fab.ng

Misan Harriman, a Nigerian-British photographer, directed a short film titled “The After,” featuring David Oyelowo. The film has received a nomination in the Best Live-Action Short Film category at the 2024 Academy Awards. Just a week earlier, it secured the Best Short Film award at the 2024 African-American Film Critics Award.

The short film is currently available for streaming on Netflix and will be competing against films like “Invincible,” “Knight of Fortune,” “Red, White and Blue,” and “The Wonderful Story of Henry Sugar” for the Academy Award.

Actors Zazie Beetz and Jack Quaid announced the nominees for all 23 categories during a live event at the Film Academy’s Samuel Goldwyn Theatre on Tuesday, January 23, 2024.

Jimmy Kimmel is set to host the live awards event for the fourth time, scheduled to take place on Sunday, March 10, 2024, at the Dolby Theatre at Ovation Hollywood.

The full list of nominees can be found below.

American Fiction (Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers)

Anatomy of a Fall (Marie-Ange Luciani and David Thion, producers)

Barbie (David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers)

The Holdovers (Mark Johnson, Producer)

Killers of the Flower Moon (Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers)

Maestro (Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers)

Oppenheimer (Emma Thomas, Charles Roven and Christopher Nolan, Producers)

Past Lives (David Hinojosa, Christine Vachon and Pamela Koffler, Producers)

Poor Things (Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers)

The Zone of Interest (James Wilson, Producer)

Justine Triet (Anatomy of a Fall)

Martin Scorsese (Killers of the Flower Moon)

Christopher Nolan (Oppenheimer)

Yorgos Lanthimos (Poor Things)

Jonathan Glazer (The Zone of Interest)

Bradley Cooper (Maestro)

Colman Domingo (Rustin)

Paul Giamatti (The Holdovers)

Cillian Murphy (Oppenheimer)

Jeffrey Wright (American Fiction)

Annette Bening (Nyad)

Lily Gladstone (Killers of the Flower Moon)

Sandra Hüller (Anatomy of a Fall)

Carey Mulligan (Maestro)

Emma Stone (Poor Things)

Sterling K. Brown (American Fiction)

Robert De Niro (Killers of the Flower Moon)

Robert Downey Jr. (Oppenheimer)

Ryan Gosling (Barbie)

Mark Ruffalo (Poor Things)

Emily Blunt (Oppenheimer)

Danielle Brooks (The Color Purple)

America Ferrera (Barbie)

Jodie Foster (Nyad)

Da’Vine Joy Randolph (The Holdovers)

American Fiction (Written for the screen by Cord Jefferson)

Barbie (Written by Greta Gerwig & Noah Baumbach)

Oppenheimer (Written for the screen by Christopher Nolan)

Poor Things (Screenplay by Tony McNamara)

The Zone of Interest (Written by Jonathan Glazer)

Anatomy of a Fall (Screenplay by Justine Triet and Arthur Harari)

The Holdovers (Written by David Hemingson)

Maestro (Written by Bradley Cooper & Josh Singer)

May December (Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik)

Past Lives (Written by Celine Song)

The Boy and the Heron (Hayao Miyazaki and Toshio Suzuki)

Elemental (Peter Sohn and Denise Ream)

Nimona (Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary)

Robot Dreams (Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz)

Spider-Man: Across the Spider-Verse (Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal)

Bobi Wine: The People’s President (Moses Bwayo, Christopher Sharp and John Battsek)

The Eternal Memory (Nominees to be determined)

Four Daughters (Kaouther Ben Hania and Nadim Cheikhrouha)

To Kill a Tiger (Nisha Pahuja, Cornelia Principe and David Oppenheim)

20 Days in Mariupol (Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath)

Io Capitano (Italy)

Perfect Days (Japan)

Society of the Snow (Spain)

The Teacher’s Lounge (Germany)

The Zone of Interest (United Kingdom)

Letter to a Pig (Tal Kantor and Amit R. Gicelter)

Ninety-Five Senses (Jerusha Hess and Jared Hess)

Our Uniform (Yegane Moghaddam)

Pachyderme (Stéphanie Clément and Marc Rius)

War Is Over! Inspired by the Music of John & Yoko (Dave Mullins and Brad Booker

The After (Misan Harriman and Nicky Bentham)

Invincible (Vincent René-Lortie and Samuel Caron

Knight of Fortune (Lasse Lyskjær Noer and Christian Norlyk)

Red, White and Blue (Nazrin Choudhury and Sara McFarlane

The Wonderful Story of Henry Sugar (Wes Anderson and Steven Rales)

The ABCs of Book Banning (Sheila Nevins and Trish Adlesic)

The Barber of Little Rock (John Hoffman and Christine Turner)

Island in Between (S. Leo Chiang and Jean Tsien)

The Last Repair Shop (Ben Proudfoot and Kris Bowers)

Nǎi Nai & Wài Pó (Sean Wang and Sam Davis)

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El Conde (Edward Lachman)

Killers of the Flower Moon (Rodrigo Prieto)

Maestro (Matthew Libatique)

Oppenheimer (Hoyte van Hoytema)

Poor Things (Robbie Ryan)

Barbie (Jacqueline Durran)

Killers of the Flower Moon (Jacqueline West)

Napoleon (Janty Yates and Dave Crossman)

Oppenheimer (Ellen Mirojnick)

Poor Things (Holly Waddington)

Golda (Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue)

Maestro (Kazu Hiro, Kay Georgiou and Lori McCoy-Bell)

Oppenheimer (Luisa Abel)

Poor Things (Nadia Stacey, Mark Coulier and Josh Weston)

Society of the Snow (Ana López-Puigcerver, David Martí and Montse Ribé)

“The Fire Inside” from Flamin’ Hot (Music and Lyric by Diane Warren)

“I’m Just Ken” from Barbie (Music and Lyric by Mark Ronson and Andrew Wyatt)

“It Never Went Away” from American Symphony (Music and Lyric by Jon Batiste and Dan Wilson)

“Wahzhazhe (A Song for My People)” from Killers of the Flower Moon (Music and Lyric by Scott George)

“What Was I Made For?” from Barbie (Music and Lyric by Billie Eilish and Finneas O’Connell)

American Fiction (Laura Karpman)

Indiana Jones and the Dial of Destiny (John Williams)

Killers of the Flower Moon (Robbie Robertson)

Oppenheimer (Ludwig Göransson)

Poor Things (Jerskin Fendrix)

Barbie (Production Design: Sarah Greenwood; Set Decoration: Katie Spencer)

Killers of the Flower Moon (Production Design: Jack Fisk; Set Decoration: Adam Willis)

Napoleon (Production Design: Arthur Max; Set Decoration: Elli Griff)

Oppenheimer (Production Design: Ruth De Jong; Set Decoration: Claire Kaufman)

Poor Things (Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek)

Anatomy of a Fall (Laurent Sénéchal)

The Holdovers (Kevin Tent)

Killers of the Flower Moon (Thelma Schoonmaker)

Oppenheimer (Jennifer Lame)

Poor Things (Yorgos Mavropsaridis)

The Creator (Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic)

Maestro (Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic)

Mission: Impossible – Dead Reckoning Part One (Chris Munro, James H. Mather, Chris Burdon and Mark Taylor)

Oppenheimer (Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell)

The Zone of Interest (Tarn Willers and Johnnie Burn)

The Creator (Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould)

Godzilla: Minus One (Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima)

Guardians of the Galaxy Vol. 3 (Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek)

Mission: Impossible — Dead Reckoning, Part One (Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould)

Napoleon (Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould)

MOVIES

The Real Housewives Of Lagos Reveals Cast Members Ahead Of Season 3

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The Real Housewives Of Lagos 3 Reveals Cast Members | fab.ng

The Real Housewives of Lagos will launch its season 3 on January 12, 2025. It will feature both returning stars and exciting new additions to its glamorous ensemble.

The show continues to highlight the opulent lifestyle and cultural richness of Lagos through its cast members’ lives.

Three original cast members will return to the series. Laura Ikeji Kanu brings her entrepreneurial spirit and social media influence. Meanwhile, Mariam Timmer contributes her public relations expertise. And Carolyna Hutchings adds her entertainment industry knowledge and business acumen.

These show veterans will continue sharing their intertwined personal and professional journeys with viewers.

The Real Housewives of Lagos 3 introduces three distinguished newcomers to its lineup.

Dabota Lawson, who previously held a beauty queen title, joins the cast with her expertise in the beauty industry and her sophisticated lifestyle.

Adeola “Diiadem” Adeyemi enters the show as an influential figure in the beauty sector, known for her entrepreneurial success.

Sophia Momodu rounds out the new additions, bringing her media expertise and dedication to humanitarian causes.

Season three promises to delve deeply into these six women’s complex lives as they manage their businesses, families, and relationships in Lagos.

Viewers can expect to see lavish social gatherings, meaningful personal moments, and the dramatic interactions that define the series.

Busola Tejumola is the Executive Head of Content & Channels for MultiChoice in West Africa. She has expressed her enthusiasm for the upcoming season’s enhanced production value and compelling storylines.

“For two seasons, The Real Housewives of Lagos has continued to bring us premium entertainment, giving fans a front-row seat to the glitz and glamour that makes Lagos a cultural hub. This new season, we have a few surprises up our sleeves that we’re sure fans of the show would love,” she said.

 

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Africa Magic Showcase (DStv) will broadcast new episodes of The Real Housewives of Lagos Season 3 every Sunday at 8 p.m. beginning January 12, 2025.

Starting Monday, January 13, Showmax will release each new episode the following day. This will allow viewers additional flexibility in watching the show.

Check out more updates here.

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MOVIES

Funke Akindele’s “Everybody Loves Jenifa” Rakes Box Office With ₦511 Million In Just 12 Days

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Everybody Loves Jenifa rakes box office with ₦511 million | fab.ng

Funke Akindele’s comedy film “Everybody Loves Jenifa” has shattered Nigerian box office records by earning ₦511 million within just 12 days of its release.

FilmOne, the film’s distributor, revealed that this remarkable achievement makes it both the highest-grossing Nollywood film of 2024. It is also the fastest Nigerian movie to reach the ₦500 million milestone.

“History Made! Everybody Loves Jenifa smashes records with ₦511M at the box office, becoming 2024’s highest-grossing Nollywood title and the fastest to hit ₦500M in just 12 days! Don’t stop! Let’s smash the record books. Watch Everybody Loves Jenifa in cinemas near you,” the post said.

 

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A post shared by FilmOne Entertainment (@filmoneng)

“Everybody Loves Jenifa” achieved unprecedented success by generating ₦206 million during its opening weekend. It established a new record for the highest-grossing opening weekend in Nollywood history.

The film demonstrated its immediate appeal by earning ₦87.8 million on its first day. This set another record for the highest single-day earnings in Nigerian cinema.

Funke Akindele masterfully reprised her beloved Jenifa character, delivering a performance that perfectly captured the character’s signature humour and charm.

The narrative follows Jenifa through an engaging storyline filled with personal growth, fame-related challenges, and comedic situations that resonated deeply with audiences across Nigerian theatres.

Akindele’s marketing strategy proved exceptionally effective. Moreso, she implemented comprehensive social media campaigns and made strategic appearances at various cinemas to connect with viewers.

Her promotional efforts transformed the film’s release into a cultural phenomenon that extended beyond traditional movie-watching.

The film features an impressive ensemble cast including Falz, Omotunde ‘Lolo’ Adebowale-David, Olayode Juliana, Chimezie Imo, Layi Wasabi, Bisola Aiyeola, Jackie Appiah, and Omowunmi Dada.

These actors collectively bring depth to this comedy-drama that successfully weaves together humorous moments, emotional depth, and surprising plot developments.

Check out more movie updates here.

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MOVIES

Netflix Struggles In Nigeria With Only About 300k Subscribers – Comedian AY

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AY says Netflix struggles in Nigeria with 300k subscribers | fab.ng

Comedian and filmmaker AY Makun has weighed in on the controversy surrounding the alleged decision by Netflix to pause funding for Nigerian original films.

The debate began when filmmaker Kunle Afolayan revealed that Netflix had stopped commissioning Nigerian content. This sparked concerns about the platform’s commitment to the Nigerian market.

During a recent interview with Nollywood on Radio, Makun addressed the issue. He clarified that Netflix is not pulling out of Nigeria.

Instead, he explained that the platform is likely reassessing its approach due to ongoing financial challenges. He emphasised that this does not signal a loss of interest in Nigerian content.

“I recently had a meeting with Netflix, and at no point did they say they were leaving this region,” Makun explained. “During that meeting, we discussed my next project and how they could be involved. I don’t believe they’re leaving Nigeria.”

Makun highlighted that Netflix’s challenges in Nigeria are mainly rooted in financial constraints.

“If you’re running a business in a region and you’re spending much more than you’re earning, you’d need to reconsider your approach. That’s what they’re doing,” he stated.

The comedian explained that Netflix has invested heavily in Nigeria, far surpassing the revenue it has generated in the region.

He emphasised that the platform’s struggles stem largely from the low number of subscriptions and the widespread habit of account sharing, forcing Netflix to reconsider its business model.

“For instance, despite Nigeria’s population of over 200 million people, Netflix has only around 300,000 subscriptions, which indicates a problem that needs fixing,” Makun observed.

Furthermore, he elaborated that a significant number of Nigerians access Netflix by using shared accounts instead of purchasing individual subscriptions. This contributes to the platform’s revenue challenges.

“People often share one subscription with several others, and that’s part of the issue. It’s not just about the filmmakers,” Makun concluded.

Check out more updates here.

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