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Runtown Releases Official Statement Breaking Ties With Former Record Label

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Musician Runtown, who has been in and out of court with former record label Eric Many Entertainment, has released an official statement severing all ties between the both of them.

In the statement, it is said that the relationship between both parties has officially ended and that Eric Many Entertainment doesn’t own the name ‘Runtown’.

The statement reads:

Effective June 22, 2018, the music artist Runtown, also known as Soundgod, shall and is no longer affiliated with Eric Many, Ltd., Eric Many Entertainment, Incorporated, or any of its affiliates, associates, agents, assigns or subsidiaries. Runtown is now exclusively managed and represented by Soundgod Music Group. Despite numerous breaches of the Recording Agreement by Eric Many, which would make it invalid and unenforceable, the Agreement entered into on June 21, 2016, officially came to an end on June 22, 2018. Pursuant to Section 6.5 of the Agreement, “The Parties agree[d] that the Artist is and remains the owner and lawful proprietor of the Professional Name and the Artist’s likeness.” Eric Many was only entitled to use the name Runtown throughout the duration of the contract, and for a period after termination of the contract for the promotion and sale of music. Eric Many does NOT own the name “Runtown” or “Soundgod,” and is NOT entitled to trademark, copyright or use the name without the explicit consent and approval of the artist. Public use of the name Runtown began in 2008, before the signing of any contract with Eric Many.

Further, there is NO court order currently enjoining or preventing Runtown from singing, performing or recording music. Please be advised that the interim injunction granted by the High Court of FCT against Runtown on 10 May 2018, has now expired by effluxion of time pursuant to Order 43 Rule 3(2) of the High Court of the Federal Capital Territory, Abuja (Civil Procedure) Rules 2018. The said injunction became ineffective on the 17th of May, 2018.

To date, Eric Many has filed two frivolous lawsuits against Runtown. On May 24, 2018, Eric Many withdrew the initial frivolous lawsuit it filed in Lagos, Nigeria after realizing its claims could never be proven. The Lagos court ordered Eric Many to pay Runtown’s costs associated with that suit. Interestingly, instead of adding any new claims to the Lagos suit, Eric Many filed a new lawsuit in Abuja, Nigeria, while the first lawsuit in Lagos was still pending. The second lawsuit abandoned all of the claims made in the first lawsuit and claimed that Runtown owed an unconscionable amount of money to the record label. Eric Many has yet to show any reliable proof or records of its claims. Instead, it has only provided Runtown with a loosely composed accounting that shows fraudulent figures, unsubstantiated expenses and zero financial responsibility on the part of the record label. In short, the record label placed all financial responsibilities, including the costs of all travel, regular business expenses and even legal fees of the label on Runtown. All expenses of running the record label were charged to the artist, which is a clear breach of the recording agreement that requires the label to shoulder such costs.

Runtown filed suit against Eric Many in New York for breach of contract, unpaid royalties, and defamation. On May 25, 2018, the New York State Supreme Court Judge ordered Eric Many to continue to pay royalties to Runtown for the distribution of his music in the United States. Eric Many is in violation of that order, having paid Runtown nothing since February 1, 2018.

We are confident that after this matter is properly litigated in Nigeria and the United States, it will become evident that Eric Many did not only breach the recording agreement severally and abuse its power but that it has been fully reimbursed for its initial investment and is currently indebted to Runtown for unpaid royalties and revenue. One cannot seek relief from the same contract which it has repeatedly breached. Runtown is not in the business of breaking contracts. We want to assure all fans and supporters that for as long as God shall allow, Runtown is and will continue to be focused on making, sharing and performing good music worldwide.

MUSIC

5 Things To Expect In Afrobeats In 2025

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5 Things To Expect In Afrobeats In 2025 | fab.ng

Afrobeats is poised to reach unprecedented heights in 2025 as Nigerian music continues its remarkable global ascent.

The genre’s explosive growth over the past five years has transformed the international music landscape, with Nigerian artists pioneering innovative sounds and breakthrough collaborations across continents.

Industry experts predict that 2025 will mark Afrobeats’ most significant year yet. This is because Nigerian superstars leverage their growing influence to push creative boundaries and forge new paths in the global music scene.

The commercial success of Nigerian music has created a ripple effect. Consequently, this inspires a new generation of artists and producers who are eager to contribute to Afrobeats’ evolution in 2025.

The momentum behind Nigerian music shows no signs of slowing, with record-breaking streaming numbers, sold-out international venues, and prestigious award recognition becoming increasingly common.

As Afrobeats prepares to dominate charts and festivals throughout 2025, fans can anticipate a year filled with groundbreaking releases.

Also, high-profile collaborations and possibly some dramatic industry dynamics are not exempted.

This artistic renaissance spans multiple fronts – from innovative musical fusions to ambitious visual productions – suggesting an exciting period ahead for Nigerian music enthusiasts.

The year promises to deliver everything from chart-topping singles to headline-grabbing rivalries. Furthermore, this would set the stage for what could be a defining chapter in Nigeria’s musical journey.

5 things to expect in Afrobeats in 2025

1. Grammy Glory

A Nigerian artist is preparing to secure the Best African Music Performance award at the Grammy Awards on February 3, 2025. Fans eagerly anticipate Nigerian artists dominating multiple categories and celebrating significant victories.

2. Hit Song Domination

Afrobeats’ global ascent has been fuelled by a string of hit songs. They have played a crucial role in breaking down barriers and captivating international audiences.

Following a relatively subdued 2024 with a limited number of crossover hits, Nigerian stars will undoubtedly strive to deliver a wave of chart-topping singles in 2025.

Fans can also anticipate exciting collaborations as Nigerian artists continue their tradition of combining their talents to create groundbreaking music.

3. Album Releases Galore

2025 promises to be an exciting year for fans, with several highly anticipated album releases on the horizon.

The likelihood of multiple hit records increases significantly with the imminent releases from prominent artists. Predicting, these artists could be Davido, Burna Boy, Omah Lay, Kizz Daniel, Tiwa Savage, OdumoduBlvck, Ruger, and Adekunle Gold.

4. The Rise of New Stars

Each year, a new crop of talented artists emerges, transitioning from obscurity to stardom. 2025 is expected to introduce a fresh wave of breakout acts. These acts will play a defining role in shaping the future of Nigerian music.

5. The Inevitable Celebrity Feud

Although undesirable, celebrity disputes are not uncommon within the Nigerian music industry. New rivalries will explode in Nigerian music in 2025. Old enemies will reignite their past conflicts.

Music fans should expect dramatic clashes between celebrities throughout the year. These industry battles will keep social media buzzing.

Check here for more music updates.

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FAB FRESH

Qing Madi Delivers A Soulful Performance Of “Favourite Pyscho”

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Watch Qing Madi Perform "Favourite Pyscho" Soulfully | fab.ng

Rising Afro-RnB sensation Qing Madi launches into 2025 with a mesmerising performance on the prestigious COLOURS platform, showcasing her latest single, “Favourite Psycho,” against their signature minimalist backdrop.

The artist commands the space with a magnetic presence, her voice running through each sound with masterful control and emotional authenticity.

The song mixes Afrobeats drums with modern R&B sounds. Strong drum patterns keep a steady beat in the background. Smooth keyboard sounds and rich chords play softly under Qing Madi’s singing.

The music stays subtle and doesn’t overpower her voice, letting her take centre stage.

As she performs, Qing Madi navigates the complex emotional landscape of her lyrics with remarkable nuance. Her vocal delivery shifts seamlessly between powerful belting and intimate whispers, reflecting the song’s exploration of love’s contradictions.

The narrative unfolds through vivid metaphors and raw confessions, painting a picture of a relationship caught between passion and pain, trust and suspicion.

The chorus showcases her exceptional range, with layered harmonies adding depth to the hook’s memorable melody. Each verse delves deeper into the story, building emotional tension through carefully crafted lyrical progression.

The bridge section provides a particularly poignant moment, stripping back the instrumentation to highlight the vulnerability in her voice.

Throughout the performance, Qing Madi demonstrates why she’s emerging as a defining voice in the contemporary Afro-RnB scene.

Her ability to blend cultural influences while maintaining authentic emotional expression sets her apart.

The COLORS performance serves as a powerful statement of artistic identity, introducing her unique sound to a global audience while staying true to her musical roots.

The result is a spellbinding display of talent that leaves viewers eagerly anticipating her next moves in the industry.

Stream the song below.

Check out more music updates here.

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MUSIC

Olamide & Asake Officially Part Ways; Alleged Details Of Contract Termination Emerge

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Olamide, Asake officially part ways | fab.ng

YBNL Music founder Olamide has approved the early contract termination of artist Asake, videowheelztv reports.

The contract dissolution grants Asake ownership of his master recordings from his tenure with the label. Both parties have established a 10-year royalty-sharing arrangement to continue the financial terms of their original agreement.

The separation took place in recent months, following Asake’s release of his album “Lungu Boy.”

Speaking on the separation, Olamide reportedly said:

I didn’t create YBNL because I wanted to make money. I created it because I wanted to see other young people grow, so if any artist under me wants to leave, they are free.

He added more specifically that,

Asake has done his part, and I’m proud of him.

Reports earlier this week revealed that Asake removed all YBNL-related content from his social media profiles and unfollowed his connections, including Olamide.

Sources indicate that Olamide extended a new contract offer to Asake following the expiration of his initial YBNL agreement.

Despite Olamide’s attempts to secure Asake’s continued partnership, the artist declined the offer, choosing to separate from the mentor who significantly contributed to his international success.

An insider disclosed that the situation reached its conclusion two weeks ago when Asake definitively ended negotiations, expressing his intention to operate independently.

The development marks a significant shift in their professional relationship, which began in 2022 when Asake first signed with YBNL.

During his tenure with the label, Asake achieved remarkable success, releasing multiple hit singles and notably selling out London’s O2 Arena on two occasions.

Check out more music updates here.

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