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Black Panther fever hits New York Fashion Week

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Marvel Studios brought “Black Panther” fever to New York Fashion Week, inviting designers to showcase clothes inspired by the iconic movie, already winning rave reviews ahead of its Friday release in the United States.

More than a thousand people packed the Welcome to Wakanda presentation in the West Village that featured the work of 10 labels, including Chromat, Cushnie et Ochs and LaQuan Smith.

“The inspiration for me was female empowerment,” Smith told AFP. “I wanted to create something that really just connected to the characters and the film… embodying power, and feminity, and strength and sensuality.”

Reviews following Monday’s premiere of the movie that stars Hollywood’s first black superhero to get his own stand-alone film were electric, calling the picture “iconic” and “astonishing.”

Ikire Jones By Wale Oyejide. Photo credit: AP/Leanne Italie

“I think what made Black Panther more fashionable than other superhero films was really about the cast, the attitude that the cast really embodies,” said Smith. “I hope it inspires young boys and young girls.”

Otherwise here is a quick roundup of the best of Fashion Week day five, before the global 2018 fall/winter season shifts to Europe.

– Caribbean cruise –

American fashion elder statesman Ralph Lauren escaped to Jamaica in troubled times, both politically and business-wise, for spring, his latest collection adhering to a see-now, buy-now concept.

On a drab February morning, the 78-year-old transported his guests to a set evoking his stunning villa in Jamaica with a blue infinity-pool effect runway watched by actresses Hilary Swank and Rachel Brosnahan.

It opened with a calypso Caribbean beat as models walked bare foot dressed in delicate blue and white floral dresses with full skirts and flirty necklines, before Bella Hadid strode out in a denim cocktail dress with feather finish and clothes segued into classic maritime.

But if the show was a master class in the rags-to-riches designer’s unique, clean silhouette that for decades has personified upmarket East Coast style, it remains unclear whether his quintessential blueprint can help revive sales in an industry so beloved of change.

The company announced on February 1 that company-wide third quarter revenue fell four percent to $1.6 billion, despite growth in the Asia and European markets.

Sales at its North American stores fell 10 percent during the crucial holiday season quarter, including a 27 percent decrease in e-commerce.

Bowing out

Across town, fellow septuagenarian and first lady favorite Carolina Herrera took her final bow as creative director from her eponymous four-decade-old label, handing the design reins over to Wes Gordon.

Models ended the show at the Museum of Modern Art wearing crisp white shirts and single-colored taffeta skirts, belted at the middle, in tribute to Herrera’s own signature style.

The Venezuelan-born 79-year-old was treated to a standing ovation and an extravagant bouquet of long-stemmed red roses, as she smiled and waved goodbye, joined by her white coated atelier staff.

It was a nostalgic collection, perhaps reflecting her distaste with modern fashion, featuring plenty of monochrome, long hemlines and lametta-style coats and skirts. The standout was delicate pointy ankle boots in gold, purple, green and silver sequins.

– Shooting for the stars –

Duchess of Cambridge favorite, Britain’s Jenny Packham unveiled a stunning collection of Cosmos-inspired evening wear via curated photo shoot following private appointments with retailers and the press.

Her inspiration was the Cosmos — the stars and galaxies, and the themes of Ridley Scott’s dystopian “Blade Runner” — showcasing a timeless, elegant silhouette beloved by her well-heeled client base.

Beaded gowns were covered in crystal starbursts, crescent moons twinkled on tulle and delicate capes offered more modest women a cover-up. Unusually for Packham, black, capitalized on the red carpet trend this awards season to protest against sexual harassment.

“I do think perhaps it’s a little bit of escapism, a sort of another worldly experience at the moment because we’re all a bit fed up,” said Packham of the cosmic theme.

While she plans to show in London in September to mark the 30th anniversary of her label, she has been pleased with her appointment roll-out, now done two seasons running, instead of a catwalk show.

Packham said she wanted her London extravaganza to be “forward-thinking” as the brand looks to the future, now expanding into China and having just launched a bridal shoe collection with L.K. Bennett.

MOVIES

Netflix Struggles In Nigeria With Only About 300k Subscribers – Comedian AY

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AY says Netflix struggles in Nigeria with 300k subscribers | fab.ng

Comedian and filmmaker AY Makun has weighed in on the controversy surrounding the alleged decision by Netflix to pause funding for Nigerian original films.

The debate began when filmmaker Kunle Afolayan revealed that Netflix had stopped commissioning Nigerian content. This sparked concerns about the platform’s commitment to the Nigerian market.

During a recent interview with Nollywood on Radio, Makun addressed the issue. He clarified that Netflix is not pulling out of Nigeria.

Instead, he explained that the platform is likely reassessing its approach due to ongoing financial challenges. He emphasised that this does not signal a loss of interest in Nigerian content.

“I recently had a meeting with Netflix, and at no point did they say they were leaving this region,” Makun explained. “During that meeting, we discussed my next project and how they could be involved. I don’t believe they’re leaving Nigeria.”

Makun highlighted that Netflix’s challenges in Nigeria are mainly rooted in financial constraints.

“If you’re running a business in a region and you’re spending much more than you’re earning, you’d need to reconsider your approach. That’s what they’re doing,” he stated.

The comedian explained that Netflix has invested heavily in Nigeria, far surpassing the revenue it has generated in the region.

He emphasised that the platform’s struggles stem largely from the low number of subscriptions and the widespread habit of account sharing, forcing Netflix to reconsider its business model.

“For instance, despite Nigeria’s population of over 200 million people, Netflix has only around 300,000 subscriptions, which indicates a problem that needs fixing,” Makun observed.

Furthermore, he elaborated that a significant number of Nigerians access Netflix by using shared accounts instead of purchasing individual subscriptions. This contributes to the platform’s revenue challenges.

“People often share one subscription with several others, and that’s part of the issue. It’s not just about the filmmakers,” Makun concluded.

Check out more updates here.

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MOVIES

Watch The Trailer For Toyin Abraham’s Upcoming Movie, “Alakada: Bad And Boujee”

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Watch the ‘Alakada: Bad and Boujee’ Movie Trailer | fab.ng

Renowned Nollywood filmmaker and actress Toyin Abraham Ajeyemi has unveiled the official trailer for her highly anticipated December film, “Alakada: Bad and Boujee.”

Leveraging her substantial social media platform, Ajeyemi strategically announced the trailer’s release through her Instagram account.

“From the glamour of social media to real life’s grit! Alakada is about to take the wildest ride of her life!

“Buckle up for the most unpredictable action-comedy of the year!” the post said.

Toyin Abraham Ajeyemi continues her successful “Alakada” franchise with the upcoming release “Alakada: Bad and Boujee.” Further, this marks the fifth instalment in a series that has captivated Nigerian audiences since its 2009 debut.

Moreover, the franchise has consistently evolved. Previous iterations were in 2013 (“Alakada 2“), 2017 (“Alakada Reloaded“), and 2020 (“Fate of Alakada: The Party Planner“).

Throughout the series, Abraham portrays Yetunde, a young woman from a modest background who compensates for her socioeconomic insecurities by fabricating elaborate stories about her financial and social status.

Additionally, this narrative thread has been a consistent hallmark of the franchise. The movie resonates with audiences through its nuanced exploration of social dynamics.

Directed by Adebayo Tijani, the new film features a stellar ensemble cast including Abraham herself, alongside prominent actors Bukunmi Adeaga-Ilori, Odunlade Adekola, and Bimbo Ademoye.

Furthermore, the production leverages the collective star power of these performers to enhance the film’s appeal.

Abraham’s cinematic journey began in 2003 when she first shared the screen with veteran actress Bukky Wright. Subsequently, she has established herself as a multifaceted talent.

She not only acted in but also directed numerous Nigerian films, including “Ijakumo: The Born Again Stripper,” “The Ghost and the Tout,” and “Prophetess.”

Her exceptional talent has been consistently recognised in the industry. Notably, she was nominated for the African Movie Academy Awards’ Best Supporting Actress for “Esohe” in 2018.

Furthermore, she secured the Best Actress in a Drama award at the Africa Magic Viewers Choice Awards for “Elevator Baby” in 2020 and received a Best Supporting Actress nomination at the Best of Nollywood Awards for “Ebimi ni” in 2013.

Check out more updates here.

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MOVIES

Jade Osiberu’s Latest Feature, “Christmas In Lagos” Premieres In Lagos

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Christmas In Lagos: Jade Osiberu’s latest feature | fab.ng

Just when you think Lagos can’t dazzle more, it raises the bar with a red-carpet movie premiere!

Two nights ago, the city’s entertainment elite gathered for the highly anticipated premiere of Christmas in Lagos, the latest cinematic treat by the renowned Jade Osiberu. This wasn’t just another event; it was the event.

The red carpet buzzed with style and elegance. Icons like Shaffy Bello, the suave Richard Mofe-Damijo (RMD), and the radiant Teniola Aladese turned heads with their striking outfits.

Lagos fashion delivered with a flourish—sequins, velvets, tuxedos, and floor-length gowns dominated the scene. Every attendee brought their best to honour Osiberu’s remarkable return to the big screen.

Jade Osiberu, famed for thrillers like Brotherhood and Gangs of Lagos, took a surprising turn with Christmas in Lagos.

Moving away from guns and gang wars, this romantic comedy explores love, family, and life’s emotional complexities. Judging by the premiere’s buzz, Osiberu has once again hit the mark.

Unlike her past adrenaline-fuelled dramas, this film delivers warmth and connection. It’s a festive tale about romance, laughter, and the bittersweet moments that define relationships.

The story captures the heart of the holiday season, offering an uplifting experience that lingers long after the credits roll.

From the first scene, the production quality shines. The visuals burst with holiday cheer, showcasing Lagos in all its festive brilliance.

Every frame reflects meticulous attention to detail, from vibrant sets to authentic costumes. The result? A visual feast that immerses you in the magic of Christmas.

The soundtrack stands out too. It seamlessly blends Afrobeat rhythms with classic holiday melodies, enhancing the film’s emotional beats.

Whether it’s a light-hearted romance or a poignant family moment, the music draws you in, perfectly complementing the story.

The effort behind Christmas in Lagos is undeniable. This isn’t a rushed production; it’s a carefully crafted masterpiece. Osiberu spares no expense in delivering a movie that feels rich, polished, and heartfelt.

Looking for a film to make you laugh, cry, and embrace the spirit of Christmas? Christmas in Lagos is a must-watch.

It’s a beautiful reminder of what the holidays are truly about—love, family, and meaningful connections.

Check out more movie updates here.

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