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Two months after, Buhari still works from home

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Appointment Of Dead Men Into Boards Of Parastatals: Presidency Explains
Two months after he returned from his medical sojourn in London, United Kingdom (UK) for an undisclosed ailment, President Muhammadu Buhari still operates from his official residence located in the Presidential Villa, Abuja.

The president had, two days after returning from the medical vacation which spanned 103 days, written to the National Assembly, in line with constitutional provisions, intimating the parliament of his return to the country and resumption of office in the Presidential Villa, Abuja.

The letter dated August 21, 2017 stated in part: “In compliance with Section 145 of the 1999 Constitution (as amended), I write to intimate that I have resumed my functions as the President of the Federal Republic of Nigeria with effect from Monday, 21st August, 2017, after my medical follow-up in the United Kingdom.”‎

But barely settling down to take charge of activities of state, news broke that the president would temporarily operate from his official residence located in the villa due to the renovation of his main office. A presidency source had told The Guardian that construction giant, Julius Berger, had already begun the renovation.

Also confirming the development, Personal Assistant to the President on New Media, Bashir Ahmad, explained through his twitter handle@BashirAhmaad why Buhari was working from home. “Some renovations are ongoing at the office. He’ll be back to the main office after the work,” he twitted.

It was learnt that the renovation was a result of the damage rodents had caused after they invaded Buhari’s office.

A foreign news agency quoted the Senior Special Assistant on Media and Publicity, Garba Shehu, as saying that while President Buhari was away on the medical follow-up, rats had a field day with the furniture, cables and air-conditioning units in his office.

“He has been using the residential office. What is important is that the job gets done. Whether he does it from his bedroom or his sitting room or his anteroom, it does not matter. Let the job be done. And the job will be done,” he said.

However, two months after, the president still shuttles between the office in his official residence and the new banquet hall located beside the main office, where he occasionally receives visitors.

How long the renovation would last has not been disclosed by the presidency.

A text message sent to the two presidential spokesmen, Femi Adesina and Garba Shehu, for the presidency’s reaction to the matter was not immediately responded to. “Good evening sir. In August, we were told the president would be operating from his official residence due to renovation being done in his office by Julius Berger. The Guardian would appreciate a confirmation of when the president will start to work from his main office. Thank you sir. Regards,” The Guardian wrote in the text message.

But later in the night Shehu, responded this way: “No section of the law or constitution is breached. The entire presidential complex is both office and home to the president. He is right to use any part as his office so long as the job gets done.”

Meanwhile, the battle for the country’s topmost job in 2019, assumed a different narrative at the Chatham House – Royal Institute of International Affairs – yesterday afternoon during the third series of the six-part “Next Generation Nigeria” initiative of the world renowned institute.

At the event, the guest speaker, Samson Itodo, indirectly threw a spanner in the wheel of those campaigning for President Buhari to seek a second term on the platform of his party, the All Progressives Congress (APC) in 2019.

Itodo, who is the Head of Research, Policy and Advocacy, Youth Initiative for Advocacy, Growth and Advancement (YIAGA) in Abuja, advised that the president should not bother throwing his hat in the ring again by reason of his age and health, for which he famously had two medical vacations of more than 100 days in London between March and August this year.

“The type of leadership we have in the country today is not the type we need if we want to move from being a developing nation to a developed nation,” he said, fielding questions from the audience.

Condemning the inertia that trailed the early part of the Buhari administration, Itodo added that the president was probably not ready for office after being sworn in on May 29, 2015. He argued that Nigeria did “not need a president who did not constitute his cabinet in six months” to come back for another term in 2019.

According to him, while Buhari may have good intentions for the country, there is a cabal running the presidency against his wishes. “Aso Rock is captured, and the cabal is having a field day. And though the president means well for the country, he has his health challenges, and the circumstances around him mean we need a younger president in 2019.”

Itodo, who spoke on “Next Generation Nigeria: Youth, Opportunity and Governance for the Future”, also said that the country was not ready for the next general elections. “We are not ready for 2019 because many electoral commission boards are not properly constituted.”

He called for young people to show more interest in politics and for them to be given opportunities. “Democracy is about inclusion, especially for the youths and women. Restructuring will make no sense to the youths of Nigeria if it does not put people at the centre of governance, especially young people,” he said.

The Chatham House Next Generation Nigeria will feature three more speakers, having already hosted Kaduna State Governor, Mallam Nasir El-Rufai and the President General of Ohanaeze Ndigbo, John Nwodo in the opening two rounds of the six-part series.

  • – Guardian

MUSIC

Tems Debut Album Ranks #2 On Billboard’s R&B List Of 2024

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Tems debut album hits #2 on Billboard's R&B list of 2024 | fab.ng

Tems’ Global Impact: A Billboard Recognition

Tems, a global music sensation, has solidified her position as one of Africa’s most successful artists, with her album captivating millions of fans worldwide and garnering numerous prestigious awards.

In a recent testament to her talent, her debut album secured the second spot on Billboard’s list of the best R&B albums of 2025.

This remarkable achievement places Tems alongside renowned artists such as Chris Brown, PartyNextDoor, Muni Long, and Bryson Tiller.

Furthermore, Billboard has praised Tems’ music for transcending the boundaries of Afrobeats, resonating with audiences across the globe.

“The Nigerian star finds her footing in the global spotlight and stands firmly in her purpose on her dazzling debut album Born in the Wild.

“She opens up about surviving her mental wilderness and learning to thrive in it on the opening acoustic ballad that shares the album’s title.

“And on the mid-tempo standout “Burning,” Tems confronts the trappings of her newfound stardom but finds comfort in the collective struggle. As someone who’s studied Céline Dion, Destiny’s Child, and Mariah Carey and dreamt of making soul-stirring songs that send people into their feelings, Tems succeeded with aplomb.

“Born in the Wild became her highest-charting project on Top R&B Albums (reaching No. 5) and marked her career-first entry on the Billboard 200, peaking at No. 56.

“And while Born in the Wild and “Love Me JeJe” earned Tems 2025 Grammy nominations for Best Global Music Album and Best African Music Performance, respectively, her best R&B song nod for “Burning” further reinforced the rich diversity of her music–  and the notion that African artists like Tems cannot be bound to the catchall “Afrobeats” term, as their music has traveled well past the borders of the continent. – H.M.”

Tems’ debut album, “Born In The Wild,” received critical acclaim in the United States.

Indeed, the album earned a Grammy nomination for Best Global Album.

Additionally, her single “Burning” broke records by securing a nomination for Best R&B Song. Meanwhile, “Love Me Jeje” received a nomination for Best African Music Performance.

Check out more music updates here.

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MUSIC

Adekunle Gold Reveals The Role Pheelz Played In Getting Him Signed To YBNL

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Adekunle Gold credits Pheelz for his YBNL signing | fab.ng

Adekunle Gold marks a significant milestone this December 2024 as he celebrates 10 years since releasing his breakthrough single ‘Sade.’

This debut track, which creatively reimagined One Direction’s ‘Story Of My Life,’ catapulted him into Nigeria’s mainstream music consciousness in December 2014.

The artist recently shared compelling details about his journey to stardom in an industry interview, particularly highlighting his unique path to signing with YBNL.

Before his musical breakthrough, Adekunle Gold cultivated a professional relationship with Olamide through his work as YBNL’s graphic designer, creating cover art for the label’s artists, including Lil Kesh and Viktor.

The pivotal moment in his career arrived when producer Pheelz discovered ‘Sade’ and advocated for Gold’s signing to Olamide, leading to a transformative partnership with YBNL.

Under the label’s guidance, Gold released his debut album, ‘Gold,’ which produced standout hits like ‘Orente’ and ‘Pick Up,’ earning both critical acclaim and commercial success.

AG Baby, as fans affectionately call him, has demonstrated remarkable artistic versatility throughout his decade-long career.

He began his journey by crafting a distinctive urban interpretation of folk and traditional Yoruba music, later evolving into a dynamic pop star with the release of ‘Afro-pop Vol 1.’ His musical portfolio now spans five albums, each showcasing his growth and artistic range.

The singer-songwriter has established himself as one of Nigeria’s most accomplished artists, earning recognition for his exceptional songwriting abilities and commanding stage presence.

His performances continue to captivate audiences across Africa, solidifying his position as a leading figure in the continent’s music scene.

Gold’s journey from a graphic designer to a celebrated musician exemplifies his artistic versatility and dedication to his craft, marking him as one of Africa’s most sought-after performers.

Check out more updates here.

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FOREIGN

Beyoncé Achieves Historic Milestone As Most Certified Female Artist

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Beyoncé is most RIAA certified female artist of all time | fab.ng

Renowned singer Beyoncé has solidified her position as the most certified female artist of all time, a distinction bestowed upon her by the Recording Industry Association of America (RIAA).

Her recent surge in song certifications has propelled her to an impressive total of 103 RIAA-certified titles, surpassing all other female artists in this category.

The RIAA celebrated this monumental achievement in a post on X on Tuesday.

“Crowning achievement! Congratulations to @Beyonce, who now holds the record for the most certified titles for a female artist in RIAA history, including her first two Diamond singles! @parkwood @columbiarecords,” RIAA announced in a post on X on Tuesday.

Among her numerous accolades are Diamond certifications for two iconic singles: “Halo” and “Single Ladies (Put a Ring on It).” These certifications signify extraordinary sales and streaming figures.

Additionally, Beyoncé boasts a string of impressive certifications for her albums. “Renaissance” has achieved 2x Platinum status, “Lemonade” has attained 4x Platinum, and both “Sasha Fierce” and “Dangerously In Love” have earned 7x Platinum certifications.

This latest milestone further solidifies Beyoncé’s legacy as one of the most influential and successful artists of all time.

Her ability to consistently deliver groundbreaking music that resonates with audiences worldwide has undoubtedly contributed to her unparalleled success.

Check out more music updates here.

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