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Country Music Legend Glen Campbell Dies at 81

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Glen Campbell Dies; Country Music

Glen Campbell, the country music icon who recorded such hits as “Rhinestone Cowboy,” “Wichita Lineman” and “By the Time I Get to Phoenix” has passed away at the age of 81.

Campbell had been battling Alzheimer’s for several years.

A representative for Campbell’s label, Universal Music Group, confirmed his passing in a press release issued moments ago:

Glen Campbell Dies; Country Music Legend Was 81

“It is with the heaviest of hearts that we announce the passing of our beloved husband, father, grandfather, and legendary singer and guitarist, Glen Travis Campbell, at the age of 81, following his long and courageous battle with Alzheimer’s disease,” reads the statement.

Born in Billstown, Arkansas in 1936, Campbell began his music career at the age of 14, when he moved to Wyoming to play a circuit of rural bars with a musician uncle.

Shortly thereafter, Campbell moved to Los Angeles, where he earned a spot with the iconic group of session musicians known as the Wrecking Crew.

During his time as one of the most in-demand studio guitarists in the world, Campbell appeared on numerous hits, including the Byrds’ “Mr. Tambourine Man,” Elvis Presley’s “Viva Las Vegas,” Merle Haggard’s “Mama Tried,” and the Righteous Brothers’ “You’ve Lost That Lovin’ Feeling.”

Glen Campbell Dies; Country Music Legend Was 81

In 1964, Campbell caught another big break when he was asked to fill in for the Beach Boys’ Brian Wilson, who had suffered a nervous breakdown during an international tour.

From there, Campbell embarked on a solo career, releasing his first major hit, “By the Time I Get to Phoenix,” in 1967.

Several other hits, including “Galveston” and “Wichita Lineman” followed soon thereafter.

After drawing raves for his appearance on the Smothers Brothers’ popular variety show in 1968, Campbell was accepted an offer to host his own series, The Glen Campbell Goodtime Hour.

He used his position as host to shine a spotlight on such lesser-known artists as Willie Nelson.

“He exposed us to a big part of the world that would have never had the chance to see us,” said Nelson. “He’s always been a big help to me.”

In 1975, Campbell became a cross-over mega-star yet again with his biggest hit and signature tune, “Rhinestone Cowboy.”

Glen Campbell Dies; Country Music Legend Was 81

Countless tributes to Campbell have poured in on social media, including the above tweet from his daughter, country singer Ashley, who posted a photo of her hand intertwined with her ailing father’s.

“Heartbroken. I owe him everything I am, and everything I ever will be. He will be remembered so well and with so much love,” wrote Ashley, who often accompanied her father on banjo in his later years.

Glen Campbell is survived by his wife, Kimberly Wollen, and eight children.

Our thoughts go out to his family during this difficult time.

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ENTERTAINMENT

AFRIFF 2024: Check Out The Complete List Of Winners

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2024 AFRIFF: The Complete List Of Winners | fab.ng

The 2024 AFRIFF celebrated exceptional African cinema through a vibrant week-long showcase of talent, creativity, and storytelling excellence.

Filmmakers, actors, and cinema enthusiasts gathered from across the continent to participate in screenings, masterclasses, and engaging panel discussions at the 2024 AFRIFF.

This 13th edition of AFRIFF demonstrated unprecedented diversity in African storytelling, featuring compelling narratives that captivated audiences through multiple genres and languages.

In the 2024 AFRIFF, carefully curated selections sparked meaningful conversations about contemporary African experiences while highlighting the continent’s rich cultural heritage.

Also, at the 2024 AFRIFF Globe Awards ceremony, outstanding films earned recognition for their artistic merit, technical excellence, and powerful storytelling.

These winning productions represented various African perspectives, from intimate personal narratives to broader social commentaries.

Let’s explore the complete list of winners who made their mark at this prestigious celebration of African cinema.

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ENTERTAINMENT

Enioluwa Replies X User Questioning The Use Of Same Actors In Nollywood

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Enioluwa on why Nollywood uses the same actors | fab.ng

Nollywood actor and social media personality Enioluwa explained why the Nigerian film industry uses the ‘same faces’ in movies.

It all began on November 11, 2024, when an X user reacted to actress Jemima Osunde‘s post on X regarding the new YouTube film Fame and Fury.

The user said, “I’m sincerely tired of seeing the same faces in this damn industry.”

Osunde did not take her comment lightly. She retorted, saying, “We’re tired of seeing your face too in your office. Damn! I hope they sack you.”

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ENTERTAINMENT

John Njamah Says Actors Should Be Cast Based On Talent Not Instagram Followers

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John Njamah Says Actors Should Be Cast Based On Talent | fab.ng

Nollywood filmmaker John Njamah recently voiced his concern about the prevailing casting practices in the industry. He argued that casting decisions should prioritize an actor’s talent over their physical appearance or social media popularity.

In an exclusive interview, Njamah, a Nollywood veteran, gave insightful commentary on the current state and future trajectory of Nigerian cinema.

Known for his role as Rabiu in the popular TV soap opera “Fuji House of Commotion,” Njamah has also graced the screens of numerous television shows.

Interestingly, the shows he has featured in include “Tinsel,” “Living In Lagos,” “Solitaire,” “Casino,” “Emerald,” “Tide,” and “My Flatmates.”

During the interview, Njamah talked about his filmmaking journey. He emphasized his unwavering passion for the industry and his aspirations for its continued development.

“What is fuelling me is beyond passion. There’s that knack and need to grow with every month, whatever year. There’s that need to.do something different. This industry of ours is for you to do whatever you want to do and not join the bandwagon. So for me, it’s the originality in me and the need to do something right that is fuelling me Basically, it’s the ever-creative venture in me,” he said.

Njamah discussed how African stories are evolving. Furthermore, he emphasized that positive and negative changes have happened over the years.

“There’s a positive aspect and there’s a negative aspect. There’s a technical input. We’re telling our stories better technically. We’re telling better and bigger stories. The negative is that we are beginning to lose our originality. We are beginning to join the bandwagon to tell what is peculiar to other people and not to us. We are beginning to lose a bit of our identity cos there’s no longer us,” he said.

What’s more, Njamah spoke about casting in the industry. He pointed out differences between the industry during his time and the current climate, especially with casting.

“Fuji House was a one-camera shoot with hungry and passionate people. Now we have people who cast people who are beautiful and with Barbie bodies and followership and not necessarily for your talents. Some of us try to be that original because that’s where better stories are told. You want to tell stories with passionate people. Whether you like it or not, it’s a long shot but it’s possible. You want to give the actors that are worthy of the job and not the ones that are based on Instagram followers. We borrow from society and give back to society by way of entertainment and pedagogical values.”

Further, he criticized the lack of professional work ethic among filmmakers in Nollywood. He highlighted the absence of a robust system to evaluate the performance and accountability of producers within the industry.

“Professionalism is lacking. Respect for those in charge, humility and the like is lacking today. The industry lacks checks and balances. Every Tom, Dck and Harry can wake up and call themselves a producer and just get on board and be doing stuff without being checked and of course, the guild system is not working so they can’t check. There are no criteria for who should become a producer. The system is also not working. Let’s just be mindful as producers, directors and actors,” he added.

In conclusion, John Njamah acknowledged the unique character of Nollywood. Meanwhile, he proposed the creation of a domestic platform to market and distribute Nigerian films. Consequently, this would reduce reliance on foreign streaming services.

“That thing that they don’t like about us is what makes us, us. I am tired of people saying they don’t want to come into the country for coproduction cos we’re that and that and why are we relying on the likes of the streamers? Why can’t we do something that is for us by us so that they will come to us and ask for these things? We are solely depending on them to licence our movies, for survival. Speaking of coproduction, if you tell me you don’t want to come into the country for any reason, I’ll tell you you’re wrong, cos there are amazing producers here that you’ve seen their work. All you need to do is come to them and agree on modalities.”

Watch the interview with John Njamah below.

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