Saddened by the events at the Diocese of Ahiara in Imo State, Pope Francis of the Roman Catholic Church, has directed the tribal masterminds to pledge allegiance to the Vatican or be fired.
The Pope said he was constrained to take the action because the situation had gone beyond tribalism as some people were attempting to take over the Church.
He spoke at a private audience with the delegation of the Diocese of Ahiara, over the ‘painful situation’ in the diocese since 2012, when Bishop Ebere Peter Okpaleke was appointed by Pope Benedict.
‘Therefore, I ask that every priest or ecclesiastic incardinated in the Diocese of Ahiara, whether he resides there or works elsewhere, even abroad, write a letter addressed to me in which he asks for forgiveness; all must write individually and personally.’
He gave mandatory conditions which everyone directed to write the letter should fulfil.
They are total obedience to the Pope; willing to accept the Bishop whom the Pope sends and has appointed; and the letter must be sent within 30 days, from July 9, 2017.
‘Whoever does not do this will be ipso facto suspended a divinis and will lose his current office.
‘We all must share this common sorrow.
‘I feel great sorrow for those priests who are being manipulated even from abroad and from outside the Diocese.
‘I think that, in this case, we are not dealing with tribalism, but with an attempted taking of the vineyard of the Lord.’
The Church, he said, was a mother and whoever offended her committed a mortal sin, ‘it’s very serious.’
‘However, I decided not to suppress the Diocese. Instead, I wish to give some indications that are to be communicated to all: first of all it must be said that the Pope is deeply saddened.
‘This seems very hard, but why must the Pope do this? Because the people of God are scandalized.
‘Jesus reminds us that whoever causes scandal must suffer the consequences. Maybe someone has been manipulated without having full awareness of the wound inflicted upon the ecclesial communion.
‘To you brothers and sisters, I would like to express my sincere thanks for your presence; and also to Cardinal Onaiyekan for his patience and to Bishop Okpaleke, whose patience and humility I admire.’
The News Agency of Nigeria (NAN) reports that Bishop Okpaleke, of Anambra origin had been rejected since 2012 when he was posted to the Diocese of Ahiara because he was not a native of Mbaise.
The meeting which was characterized by dialogue and listening, ended with a prayer to Mary and the Pope’s blessing.
‘I cordially greet the Delegation and thank you for coming from Nigeria in a spirit of pilgrimage.
‘For me, this meeting is a consolation because I am deeply saddened by the events of the Church in Ahiara.
‘In fact, the Church (and excuse the wording) is like a widow for having prevented the Bishop from coming to the Diocese. Many times I have thought about the parable of the murderous tenants, of which the Gospel speaks (cf. Mt 21:33-44), that want to grasp the inheritance.
‘In this current situation the Diocese of Ahiara is without the bridegroom, has lost her fertility and cannot bear fruit. Whoever was opposed to Bishop Okpaleke taking possession of the Diocese wants to destroy the Church.
‘This is forbidden; perhaps he does not realise it, but the Church is suffering as well as the People of God within her.
‘The Pope cannot be indifferent. I know very well the events that have been dragging on for years and I am thankful for the attitude of great patience of the Bishop, indeed the holy patience demonstrated by him.’
He explained that he listened and reflected much, even about the possibility of suppressing the Diocese, but then ‘I thought that the Church is a mother and cannot abandon her many children.’
The members of the delegation were accompanied by His Eminence Cardinal J. O. Onaiyekan, Archbishop of Abuja and Apostolic Administrator of Ahiara, His Excellency A. J. Obinna.
Others are Metropolitan Archbishop of Owerri, I. A. Kaigama, Archbishop of Jos and President of the Episcopal Conference of Nigeria, His Excellency P. E. Okpaleke, Bishop of Ahiara.
Also Cardinal Secretary of State, the Prefect and Superiors of the Congregation for the Evangelization of Peoples were present as well as Reverend Fathers C. O. Ebii, J. N. Uwalaka and U. I. Olekamma, Sister B. O. Ezeyi and S.A.R.P Iwu, Traditional Head, on behalf of the religious and lay faithful.
Tems, a global music sensation, has solidified her position as one of Africa’s most successful artists, with her album captivating millions of fans worldwide and garnering numerous prestigious awards.
In a recent testament to her talent, her debut album secured the second spot on Billboard’s list of the best R&B albums of 2025.
This remarkable achievement places Tems alongside renowned artists such as Chris Brown, PartyNextDoor, Muni Long, and Bryson Tiller.
Furthermore, Billboard has praised Tems’ music for transcending the boundaries of Afrobeats, resonating with audiences across the globe.
“The Nigerian star finds her footing in the global spotlight and stands firmly in her purpose on her dazzling debut album Born in the Wild.
“She opens up about surviving her mental wilderness and learning to thrive in it on the opening acoustic ballad that shares the album’s title.
“And on the mid-tempo standout “Burning,” Tems confronts the trappings of her newfound stardom but finds comfort in the collective struggle. As someone who’s studied Céline Dion, Destiny’s Child, and Mariah Carey and dreamt of making soul-stirring songs that send people into their feelings, Tems succeeded with aplomb.
“Born in the Wild became her highest-charting project on Top R&B Albums (reaching No. 5) and marked her career-first entry on the Billboard 200, peaking at No. 56.
“And while Born in the Wild and “Love Me JeJe” earned Tems 2025 Grammy nominations for Best Global Music Album and Best African Music Performance, respectively, her best R&B song nod for “Burning” further reinforced the rich diversity of her music– and the notion that African artists like Tems cannot be bound to the catchall “Afrobeats” term, as their music has traveled well past the borders of the continent. – H.M.”
Tems’ debut album, “Born In The Wild,” received critical acclaim in the United States.
Indeed, the album earned a Grammy nomination for Best Global Album.
Additionally, her single “Burning” broke records by securing a nomination for Best R&B Song. Meanwhile, “Love Me Jeje” received a nomination for Best African Music Performance.
Adekunle Gold marks a significant milestone this December 2024 as he celebrates 10 years since releasing his breakthrough single ‘Sade.’
This debut track, which creatively reimagined One Direction’s ‘Story Of My Life,’ catapulted him into Nigeria’s mainstream music consciousness in December 2014.
The artist recently shared compelling details about his journey to stardom in an industry interview, particularly highlighting his unique path to signing with YBNL.
Before his musical breakthrough, Adekunle Gold cultivated a professional relationship with Olamide through his work as YBNL’s graphic designer, creating cover art for the label’s artists, including Lil Kesh and Viktor.
The pivotal moment in his career arrived when producer Pheelz discovered ‘Sade’ and advocated for Gold’s signing to Olamide, leading to a transformative partnership with YBNL.
Under the label’s guidance, Gold released his debut album, ‘Gold,’ which produced standout hits like ‘Orente’ and ‘Pick Up,’ earning both critical acclaim and commercial success.
AG Baby, as fans affectionately call him, has demonstrated remarkable artistic versatility throughout his decade-long career.
He began his journey by crafting a distinctive urban interpretation of folk and traditional Yoruba music, later evolving into a dynamic pop star with the release of ‘Afro-pop Vol 1.’ His musical portfolio now spans five albums, each showcasing his growth and artistic range.
The singer-songwriter has established himself as one of Nigeria’s most accomplished artists, earning recognition for his exceptional songwriting abilities and commanding stage presence.
His performances continue to captivate audiences across Africa, solidifying his position as a leading figure in the continent’s music scene.
Gold’s journey from a graphic designer to a celebrated musician exemplifies his artistic versatility and dedication to his craft, marking him as one of Africa’s most sought-after performers.
Renowned singer Beyoncé has solidified her position as the most certified female artist of all time, a distinction bestowed upon her by the Recording Industry Association of America (RIAA).
Her recent surge in song certifications has propelled her to an impressive total of 103 RIAA-certified titles, surpassing all other female artists in this category.
The RIAA celebrated this monumental achievement in a post on X on Tuesday.
“Crowning achievement! Congratulations to @Beyonce, who now holds the record for the most certified titles for a female artist in RIAA history, including her first two Diamond singles! @parkwood @columbiarecords,” RIAA announced in a post on X on Tuesday.
👑 Crowning achievement! Congratulations to @Beyonce, who now holds the record for the most certified titles for a female artist in RIAA history, including her first two Diamond singles! 💎🐝✨ @parkwood@columbiarecordspic.twitter.com/L86gwGkzQN
Among her numerous accolades are Diamond certifications for two iconic singles: “Halo” and “Single Ladies (Put a Ring on It).” These certifications signify extraordinary sales and streaming figures.
Additionally, Beyoncé boasts a string of impressive certifications for her albums. “Renaissance” has achieved 2x Platinum status, “Lemonade” has attained 4x Platinum, and both “Sasha Fierce” and “Dangerously In Love” have earned 7x Platinum certifications.
This latest milestone further solidifies Beyoncé’s legacy as one of the most influential and successful artists of all time.
Her ability to consistently deliver groundbreaking music that resonates with audiences worldwide has undoubtedly contributed to her unparalleled success.