ARTS & CULTURE
Nigeria Partners with CNN On Tourism
Published
8 years agoon
By
ReporterA tripartite partnership involving Nigeria’s Ministry of Information and Culture, UN World Tourism Organization and Cable News Network, CNN to promote tourism in Nigeria has been announced.
Ministe of Information and culture, Lai Mohammed announced the plan at the Annual General Meeting of the Nigerian Association of Tour Operators (NATOP) in Lagos on Tuesday.
He said talks were at an advanced stage to forge a ”very strong and effective partnership to use our comparative advantage in film production through Nollywood, to promote tourism in Nigeria”.
“This is a path we have not trodden before, but which we are sure will go a long way in making it possible for us to push tourism from the back-burner to the mainstream of the economy. More details of the partnership will be provided in the days ahead,” Mohammed said.
Hosting right
He appealed to tourism stakeholders to work with the Nigerian government to ensure the success of the 2018 UNWTO CAF Meeting, the hosting right of which Nigeria won at the last edition of the meeting in Addis Ababa, Ethiopia, last month.
“This is not the first time Nigeria will be hosting this meeting, but this time we must leverage on the meeting as a platform to promote Nigeria as a preferred tourism destination,” the Minister said.
Government-private partnership
He urged the private sector to partner with the government to grow the tourism industry and provide the necessary skills, competencies and ingredients for growth and progress.
“Stakeholders are also invited to package and promote Nigerian destinations, goods and services. This will create direct and indirect employment through tourism, grow the economy, increase the national GDP, position Nigeria as an all-year-round tourism destination and establish a worthwhile, acceptable and recognisable image of the country among tourists. Let us all tour Nigeria, let us all consume more of made in Nigeria, let us all know more of our heritage. Let us all celebrate Nigeria,” he said.
He said as part of efforts to improve Nigeria’s ranking on the Tourism Competitive Index of the World Travel and Tourism Council, the government has set up a Presidential Council on the “Ease of Doing Business”.
The Minister said that the Council had completed, in 60 days, 31 reforms across its eight priority indicators in areas such as the simplified Visa on Arrival Process, Infrastructural improvements at the Abuja Airport and the new Immigration Regulation 2017.
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ARTS & CULTURE
Ijele Masquerade: The “King Of Masquerades” In Igbo Land
Published
1 month agoon
December 21, 2024The Ijele Masquerade, often referred to as the “King of Masquerades,” holds a revered position in Igbo culture. It is not only the largest masquerade in Africa but also a symbol of unity, spirituality, and cultural identity among the Igbo people.
Its towering presence, vibrant artistry, and profound symbolism make it a centrepiece of Igbo traditions.
The Ijele Masquerade originated in southeastern Nigeria, particularly in Anambra and Enugu states. Oral traditions trace their roots to the Akwunechenyi dance group in Umueri.
It began as a celebratory and protective figure, initially created to intimidate invaders and celebrate royalty. Over time, it evolved into a cultural icon representing greatness and the Igbo people’s connection to their ancestors.
Standing between 12 and 15 feet tall, the Ijele Masquerade is a marvel of craftsmanship. It is constructed from bamboo, colourful fabrics, and intricate carvings.
Its structure is divided into two segments: the upper (Mkpu Ijele) and the lower part (Akpakwuru Ijele), separated by a symbolic python figure, Eke-Ogba.
This design signifies the balance between the spiritual and earthly realms. The preparation of the masquerade requires extensive collaboration, with over 100 men working for six months to complete its elaborate design.
Cultural and Spiritual Significance of Ijele Masquerade
The Ijele Masquerade embodies the collective spirit of the Igbo community. It is a representation of the ancestors’ guidance, protection, and blessings.
Traditionally performed during festivals, burials, and special ceremonies, the Ijele is believed to have spiritual powers, such as warding off evil spirits, promoting fertility, and bringing healing.
Its performance is both a spectacle of entertainment and a deeply spiritual ritual that connects the living to their heritage.
The Ijele Masquerade is a highlight of Igbo cultural festivals, often serving as the grand finale. Accompanied by music, drumming, and traditional dances, its performance captivates audiences with its grandeur and artistry.
These events also serve as a platform for preserving and promoting Igbo heritage, attracting tourists, and generating economic benefits for the community.
Challenges Facing Ijele Masquerade
Despite its cultural significance, the Ijele Masquerade faces challenges in the modern era. Urbanisation, globalisation, and declining interest among younger generations threaten its preservation.
The elaborate nature of its preparation also requires significant funding and resources, which are often scarce. Additionally, cultural appropriation by outsiders risks diluting its authenticity and significance.
Efforts to preserve the Ijele Masquerade have gained international recognition. In 2009, UNESCO listed it as an intangible cultural heritage in need of safeguarding.
This recognition highlights the importance of supporting local communities to maintain their traditions. Advocacy for funding, education, and tourism initiatives is vital to ensuring the continuity of this cultural treasure.
A Symbol of Igbo Identity
The Ijele Masquerade remains a powerful symbol of Igbo identity and resilience. It is a testament to the creativity, spirituality, and unity of the Igbo people.
As it continues to inspire pride and admiration, the Ijele Masquerade underscores the importance of preserving cultural heritage in a rapidly changing world.
By supporting initiatives that promote Ijele, individuals and organisations can help sustain this remarkable tradition for future generations.
Its legacy is not only a source of pride for the Igbo people but also a significant contribution to the global appreciation of cultural diversity.
For further details about the Ijele Masquerade, see sources like UNESCO’s Intangible Cultural Heritage listing and articles exploring its cultural significance.
Read more on culture here.
What is an anklet?
An anklet is a versatile piece of jewellery that women typically wear around their ankles. Crafted from materials like chains, beads, or a mix of both, anklet meanings vary across cultures and styles.
Many fashionable women choose anklets to make a bold style statement, embracing their elegance and charm.
In Nigeria, people often call this accessory a “leg chain” or “ankle chain,” reflecting its cultural relevance. In pop culture, it’s popularly known as an “ankle bracelet.”
Anklets here focus more on fashion than symbolism, though interpretations can differ. With various styles and intricate designs available, anklets offer countless aesthetic options, allowing women to showcase their personal flair.
Ultimately, anklet meanings can be deeply personal, influenced by tradition, culture, or simply individual taste.
Cultural and Historical Significance
Throughout history, anklets have held different meanings across various cultures. While some view them as mere adornments, others have associated them with deeper, sometimes controversial, connotations.
In some societies, ancient and modern, anklets symbolise promiscuity.
Early Usage in Ancient Civilisations
Egypt is often credited as the birthplace of anklets, but India played a significant role in their widespread acceptance. In India, anklets were part of traditional attire, known as pattilu, payal, or nupu.
These terms also include Paujinupur and padapadma. Early Indian literature, such as the first-century epic Silappatikaram, mentions anklets, highlighting their cultural importance.
Rajasthani women were known for their elaborate anklet designs, reflecting regional traditions.
Among the Odisha people, gold anklets were once reserved for warriors, while brides included them as part of their wedding regalia.
Married women often wore anklets to signify their marital status, and dancers used those with dangling bells to enhance their performances.
Similarly, in ancient Egypt, anklets indicated social status. Wealthy women wore gold anklets, while silver or leather versions were common among slaves and the poor.
These accessories, known as menefret or kholkai, reflected one’s place in the social hierarchy. Interestingly, some accounts suggest that anklets were linked to temple worshippers and even prostitutes, though these claims remain largely unverified.
Modern Evolution and Symbolism
Over time, the meaning of anklets has evolved significantly. In the 1970s, during America’s “sexual revolution,” anklets became symbols of female empowerment and liberation.
This era emphasised women’s freedom to express themselves, including their sexuality. Consequently, anklets began to carry connotations of promiscuity, especially within the “hotwife” culture.
The “Hotwife” Phenomenon
A “hotwife” refers to a married woman who engages in consensual extramarital relationships with her husband’s approval. Various anklet symbols reflect this dynamic:
- Two male symbols and one female symbol: Indicate openness to relationships with men of any race.
- Queen of spades: Represents a preference for Black men.
- Heart symbol: Suggests a happy marriage that includes mutually beneficial intimate relationships outside the primary partnership.
- The key to happiness: Denotes a marriage where the husband’s extramarital activities are contingent on his wife’s consent.
Anklets in Contemporary Nigerian Fashion
Today, many Nigerian women wear anklets purely for their aesthetic appeal, often unaware of the historical or cultural associations. For them, anklets are fashion accessories, not symbols of promiscuity or class distinction.
Despite lingering societal judgments, especially within conservative African contexts, it’s essential to recognize that fashion choices are personal.
Women should not face harsh criticism for wearing anklets, as these judgments stem from outdated or culturally irrelevant perspectives.
In conclusion…
Anklets are versatile fashion pieces that have transcended their historical roots. While some cultural connotations persist, modern women wear anklets to express their style and individuality.
It is crucial to separate fashion from judgement and allow women the freedom to make their own choices about their bodies and accessories.
Let’s appreciate anklets for what they are today: beautiful, empowering symbols of self-expression.
Read more articles here.
AFRICAN
The Only 4 African Countries That Have Won Miss Universe Title
Published
2 months agoon
December 7, 2024While many African countries have sent representatives to the pageant, only a few have managed to clinch the coveted Miss Universe crown.
The Miss Universe pageant is one of the most prestigious beauty pageants worldwide. It has been a stage for countless beautiful women to showcase their elegance, intelligence, and talent.
1. South Africa
South Africa is the African country with the most Miss Universe wins. This stunning nation has produced four Miss Universe winners:
- Margaret Gardiner (1978)
- Demi-Leigh Nel-Peters (2017)
- Zozibini Tunzi (2019)
- Andrea Meza (2020)
These South African beauties have not only captivated the world with their beauty but have also used their platforms to advocate for important social causes.
2. Namibia
Namibia, a small country in Southern Africa, has also made its mark on the Miss Universe stage.
- Michelle McLean won the Miss Universe title in 1992.
This stunning Namibian beauty brought pride to her nation and continues to be an inspiration to many.
3. Angola
Angola, a country rich in culture and natural beauty, has also produced a Miss Universe winner.
- Leila Lopes was crowned Miss Universe in 2011.
Her win marked a significant moment for Angola and showcased the beauty and talent of African women.
4. Botswana
Botswana, a landlocked country in Southern Africa, may be small, but it has produced one of the most iconic Miss Universe winners.
- Ntsepa Motsepe won the Miss Universe title in 1999.
Her win was a surprise to many, but it solidified Botswana’s place in the pageant world.
These four African countries – South Africa, Namibia, Angola, and Botswana – have proven that African beauty is truly global.
They have inspired countless young women across the continent and beyond to dream big and pursue their passions.
As the Miss Universe pageant continues to evolve, we can only hope to see more African countries adding their names to this prestigious list.
Check here for more articles.
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