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Information Minister Endorses The Use Of Bar Code In Nigeria Music And Movies To Curb Piracy

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The Minister of Information and Culture, Alhaji Lai Mohammed, has endorsed the use of barcode in Nigerian movies and music as a measure to protect intellectual properties from undue exploitation.

Lai Muhammed

Lai Muhammed

The Minister, who was responding to a request to that effect by the Caretaker Committee of the Performing Musicians Employers Association of Nigeria (PMAN) who paid him a courtesy visit in his office in Abuja on Friday, advised the Association to also liaise with the Broadcasting Organisation of Nigeria (BON), the Nigerian Copyright Commission (NCC) and other regulatory bodies to ensure the success of the new measure.

“You asked that we make a declaration making it illegal for NTA, FRCN and other radio and television stations from using any music or movie, which is not barcoded…I think what we should do is to work through the Broadcasting Organisation of Nigeria (BON), NCC and other regulatory bodies,” he said.

Barcode is a machine-readable representation of data, which provides information about the objects that carry such codes. In the movie and music industry, It can be used to separate original works from fake ones, thus preventing buyers as well as radio and television stations from patronizing pirated works.

Alhaji Mohammed decried how trillions of Naira are being lost through copyrights infringement and stressed the need to re-invigorate institutional structures to block areas of leakages in order to rake in more revenue for the government and also allow artistes to enjoy the fruits of their labour.

He also enjoined players in the creative industry to buy into the innovative ways the government is employing to fight piracy through the Digital Switch Over in broadcasting.

“I think you also have to buy into the new digitization programme of the Federal Government because that will be a more effective way to fighting piracy than what we have today…… When you release your work online then there are no CDs to pirate. If I want to buy I (must) pay and it comes straight to me,” he remarked.

The Minister said another advantage of the digital regime is the multiplicity of channels to broadcast content, thereby creating more demand for content.

He said the government is working to turn the creative industry into a viable economy and appealed for private sector investment in production and post-production studios as a deliberate effort to curb capital flight to countries with hi-tech production infrastructure.

“If you can convince the private sector on the viability of the creative industry, you are going to see change. What the private sector needs are figures, data and balance-sheet,” said Alhaji Mohammed.

The Minister also sought the support of PMAN towards the National Re-orientation Campaign of the Federal Government, tagged “Change Begins with Me,” which is to be launched soon, saying creative artistes are influential members of the society who can take the message of change in attitude to the various strata of society.

He agreed to partner with PMAN to organise a Creative Economy Conference with a view to bringing on board all stakeholders to brainstorm on the development of the industry.

In his remarks, the President of the Caretaker Committee of PMAN, Mr. Pretty Okafor, said the music industry is the biggest employer of labour in Nigeria with over 12 million people gainfully engaged.

Mr. Okafor said according to a recent study, the nation’s creativity industry is worth N15 trillion, but that over N10 trillion is lost through national and global piracy.

He said government stands to earn N3 trillion annually in both Value Added Tax and taxable income through the introduction of systematic ways to track revenue accruing to the sector and curbing piracy.
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MUSIC

5 Things To Expect In Afrobeats In 2025

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5 Things To Expect In Afrobeats In 2025 | fab.ng

Afrobeats is poised to reach unprecedented heights in 2025 as Nigerian music continues its remarkable global ascent.

The genre’s explosive growth over the past five years has transformed the international music landscape, with Nigerian artists pioneering innovative sounds and breakthrough collaborations across continents.

Industry experts predict that 2025 will mark Afrobeats’ most significant year yet. This is because Nigerian superstars leverage their growing influence to push creative boundaries and forge new paths in the global music scene.

The commercial success of Nigerian music has created a ripple effect. Consequently, this inspires a new generation of artists and producers who are eager to contribute to Afrobeats’ evolution in 2025.

The momentum behind Nigerian music shows no signs of slowing, with record-breaking streaming numbers, sold-out international venues, and prestigious award recognition becoming increasingly common.

As Afrobeats prepares to dominate charts and festivals throughout 2025, fans can anticipate a year filled with groundbreaking releases.

Also, high-profile collaborations and possibly some dramatic industry dynamics are not exempted.

This artistic renaissance spans multiple fronts – from innovative musical fusions to ambitious visual productions – suggesting an exciting period ahead for Nigerian music enthusiasts.

The year promises to deliver everything from chart-topping singles to headline-grabbing rivalries. Furthermore, this would set the stage for what could be a defining chapter in Nigeria’s musical journey.

5 things to expect in Afrobeats in 2025

1. Grammy Glory

A Nigerian artist is preparing to secure the Best African Music Performance award at the Grammy Awards on February 3, 2025. Fans eagerly anticipate Nigerian artists dominating multiple categories and celebrating significant victories.

2. Hit Song Domination

Afrobeats’ global ascent has been fuelled by a string of hit songs. They have played a crucial role in breaking down barriers and captivating international audiences.

Following a relatively subdued 2024 with a limited number of crossover hits, Nigerian stars will undoubtedly strive to deliver a wave of chart-topping singles in 2025.

Fans can also anticipate exciting collaborations as Nigerian artists continue their tradition of combining their talents to create groundbreaking music.

3. Album Releases Galore

2025 promises to be an exciting year for fans, with several highly anticipated album releases on the horizon.

The likelihood of multiple hit records increases significantly with the imminent releases from prominent artists. Predicting, these artists could be Davido, Burna Boy, Omah Lay, Kizz Daniel, Tiwa Savage, OdumoduBlvck, Ruger, and Adekunle Gold.

4. The Rise of New Stars

Each year, a new crop of talented artists emerges, transitioning from obscurity to stardom. 2025 is expected to introduce a fresh wave of breakout acts. These acts will play a defining role in shaping the future of Nigerian music.

5. The Inevitable Celebrity Feud

Although undesirable, celebrity disputes are not uncommon within the Nigerian music industry. New rivalries will explode in Nigerian music in 2025. Old enemies will reignite their past conflicts.

Music fans should expect dramatic clashes between celebrities throughout the year. These industry battles will keep social media buzzing.

Check here for more music updates.

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FAB FRESH

Qing Madi Delivers A Soulful Performance Of “Favourite Pyscho”

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Watch Qing Madi Perform "Favourite Pyscho" Soulfully | fab.ng

Rising Afro-RnB sensation Qing Madi launches into 2025 with a mesmerising performance on the prestigious COLOURS platform, showcasing her latest single, “Favourite Psycho,” against their signature minimalist backdrop.

The artist commands the space with a magnetic presence, her voice running through each sound with masterful control and emotional authenticity.

The song mixes Afrobeats drums with modern R&B sounds. Strong drum patterns keep a steady beat in the background. Smooth keyboard sounds and rich chords play softly under Qing Madi’s singing.

The music stays subtle and doesn’t overpower her voice, letting her take centre stage.

As she performs, Qing Madi navigates the complex emotional landscape of her lyrics with remarkable nuance. Her vocal delivery shifts seamlessly between powerful belting and intimate whispers, reflecting the song’s exploration of love’s contradictions.

The narrative unfolds through vivid metaphors and raw confessions, painting a picture of a relationship caught between passion and pain, trust and suspicion.

The chorus showcases her exceptional range, with layered harmonies adding depth to the hook’s memorable melody. Each verse delves deeper into the story, building emotional tension through carefully crafted lyrical progression.

The bridge section provides a particularly poignant moment, stripping back the instrumentation to highlight the vulnerability in her voice.

Throughout the performance, Qing Madi demonstrates why she’s emerging as a defining voice in the contemporary Afro-RnB scene.

Her ability to blend cultural influences while maintaining authentic emotional expression sets her apart.

The COLORS performance serves as a powerful statement of artistic identity, introducing her unique sound to a global audience while staying true to her musical roots.

The result is a spellbinding display of talent that leaves viewers eagerly anticipating her next moves in the industry.

Stream the song below.

Check out more music updates here.

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MUSIC

Olamide & Asake Officially Part Ways; Alleged Details Of Contract Termination Emerge

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Olamide, Asake officially part ways | fab.ng

YBNL Music founder Olamide has approved the early contract termination of artist Asake, videowheelztv reports.

The contract dissolution grants Asake ownership of his master recordings from his tenure with the label. Both parties have established a 10-year royalty-sharing arrangement to continue the financial terms of their original agreement.

The separation took place in recent months, following Asake’s release of his album “Lungu Boy.”

Speaking on the separation, Olamide reportedly said:

I didn’t create YBNL because I wanted to make money. I created it because I wanted to see other young people grow, so if any artist under me wants to leave, they are free.

He added more specifically that,

Asake has done his part, and I’m proud of him.

Reports earlier this week revealed that Asake removed all YBNL-related content from his social media profiles and unfollowed his connections, including Olamide.

Sources indicate that Olamide extended a new contract offer to Asake following the expiration of his initial YBNL agreement.

Despite Olamide’s attempts to secure Asake’s continued partnership, the artist declined the offer, choosing to separate from the mentor who significantly contributed to his international success.

An insider disclosed that the situation reached its conclusion two weeks ago when Asake definitively ended negotiations, expressing his intention to operate independently.

The development marks a significant shift in their professional relationship, which began in 2022 when Asake first signed with YBNL.

During his tenure with the label, Asake achieved remarkable success, releasing multiple hit singles and notably selling out London’s O2 Arena on two occasions.

Check out more music updates here.

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